REVIEW: “SNATCHED” (2017) 20TH CENTURY FOX

The premise of SNATCHED is simple. Emily Middleton (Amy Schumer) gets fired from her retail job in an very funny opening scene, then dumped by her boyfriend Michael (Randall Park) in another good comedic scene and convinces her super cautious house-bound mom Linda (Goldie Hawn), to go on this ‘non-refundable’ vacation with her to Ecquador. While on vacation Emily meets James (Tom Bateman), the stunning hot Brit who has some of the funniest scenes with Schumer of this whole hit-n-miss film. As for Emily and her mother, well they fall into in a completely predictable but hilarious tale, that despite a few lulls here and there, will make you laugh for most of the 90 minute run time.

The shenanigans which ensue is what makes this film a comedy, and while it might not match up to Trainwreck, it’s definitely a must see for some good laughs with just enough sentiment added into the mix for Mother’s Day. The rest of the cast features Ike Barinholtz as her mamas-boy brother Jeffrey, Wanda Sykes and Joan Cusack as the hysterically funny duo of Ruth & Barb. Add in a couple of essential co-starring roles and you have Christopher Meloni doing a short but oh-so-sweetly-done stint as funny-man, Explorer/Trader Joe’s store manager’ Roger Simmons, and Bashir Salahuddin as State Dept. Agent Morgan Russell who constant hilarious phones calls with Emily & Jeffrey add some good laughs into the mix.

Make no mistake though, this is Amy Schumer’s movie and she defnitely takes center stage in this one and pulls it off – not as completely as say she did in Trainwreck, but still does a commendable job. And yes, you will need to like her brand of comedy to be able to find the fun so to speak. Goldie is well..Goldie, and at one part showing pictures her younger-self just takes you back in time for a moment. Of course there are some completely implausable situations, but for the most part they pull them it off. I will say though, if you’re planning to take your mom for this one and she doesn’t like in your face comedy, you might get grounded as it’s R-rated for a reason. Lastly, director Jonathan Levine along with producers Peter Chernin and Paul Fieg, knew what they were doing here on run-time as they didn’t overstay their welcome and try to make it last longer than needed.
Is this the best comedy you will ever see..no it’s not, but it’s definitely a passable way to spend 90 minutes.

Grade: C
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Media Review Screening: Monday, May 8, 2017 ~ Courtesy of 20th Century Fox
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REVIEW: “ALIEN COVENANT” (2017) 2OTH CENTURY FOX

So here we are 10 years after “Prometheus” and a whopping 38 years after the original, we have Ridley Scott’s continuation of the well-known “ALIEN” film series with “ALIEN COVENANT.” Question proposed here – is there really anything new to add to the saga?
You know the formula of these films by heart by now. There’s usually a spaceship, an unknown planetary destination, a crew – most of whom will not survive, a diversion of some sort, and lastly..the Alien itself. It’s how well they are done and actually take the story forward (or in some cases backward), that make the film. Here the crew of the colony ship “Covenant” is on the way to a remote planet at the other end of the galaxy. There they discover something that first appears like an undiscovered ‘paradise’, which in this case means an atmosphere humans would be able to survive in and colonize. When in fact, it turns out to be a dark and dangerous place when they discover what and whom it’s actually occupied by, we are not really surprised.

Without going into any spoilers, which by the way you will be able to figure out within the first hour, we open with a rather creeped out scene set before the events of the previous film between Guy Pearce’s Peter Weyland and David (Michael Fassbender), who is fresh off the assembly line. Thankfully it gives us a touch into the idea of what’s to come but still doesn’t really answer why David does what he does. Also we do find out what happened to Elizabeth Shaw (Noomi Rapace) and the severed android head of her android David, but it’s not all that compelling and for those of you who can remember all of Prometheus I give you kudos, because I couldn’t.

As for the cast, you’ll get to know them pretty quickly and effectively even if you won’t remember them all by name because the casuality list is long and fast. Mercifully they are not made to look like dunces in the way that the crew of the Prometheus ended up as. Danny McBride as Tennessee is one of the stand outs though, working surprisingly well in a serious role as a cowboy hat wearing pilot, along with his wife Faris (Amy Seimetz). Katherine Waterston as Daniels tries aptly enough to fill Ripley’s shoes here as the the ships second in command, and the main character for most of the action in the film.

Billy Crudup also delivers a solid performance as Captain Oram, who is thrust unexpectedly into that role during the opening space mission scene and is constantly at doubt with himself when it comes to decision making. The constant reminders that he is a man of faith and is often at odds with the rest of his crew on those decisions does get a little heavy handed at times. But it is because of exactly this reason, he is also one of the few crew members you will actually remember along with Sgt. Lope (Demian Bechir) as the head of the security unit. And lastly, oddly enough the cameo from James Franco as Jacob Branson, the start-off Captain of Covenant, will remain in your head throughout the film.

When it comes to Fassbender, without spoiling anything let’s just say that he builds upon his creepy with the dual roles here. Watching the David/Walter scenes together though are some of the most slow, too lengthy moments of the film with even their fight scene coming in at a sort of head-shaking weird.

Lastly, the aliens themselves..well I won’t lie to you, they are pretty typical for a film of this type. There were moments of the eyeroll type laughter from the audience when and how they first appear. You also won’t find the type of tension here that you found when you saw the previous Alien films – you know – the whole ‘not knowing’ buildup of tension & excitement. There are no surprises nor really just any of that edge of your seat/don’t look tension here. You know when and how they are coming and who’s not going to make it pretty quickly in. A solid enough sci-fi thriller, with some gory jump scares about sums it up perfectly with the final scene being the best, and of course leading you into the next film in the series.

Grade: C+
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Media Screening Review: Friday, May 5, 2017 ~ Courtesy of 20th Century Fox
Nationwide Release: Friday, May 19, 2017