REVIEW: “UNCLE DREW” (2018) LIONSGATE

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Taking this Pepsi ad/web-series one step further, Director Charles Stone III turns “UNCLE DREW” into a full length 1 hr 43min run-time feature film. As someone who doesn’t really follow basketball, I might have only known who a few of the players were. Though even if you’ve never seen the Pepsi ad, you will catch on immediately that it is a lot of young players were made to look old, enhancing the effects by adding in Shaq as basically the basketball Wolverine. Besides that, this is a very familiar story-line of the forlorn seeking justice in the form of an underdog sports match. And so it goes ——

Dax (Lil Rel Howery), a basketball obsessed Foot Locker salesman whose dream to coach a tournament- winning street ball team. This dream is made all the more sacred due to the fact his longtime rival, Mookie (Nick Kroll) swatted out his game winning 3 pointer in a high school final match up, which he has never lived-down. Then to top it off, Mookie not only steals his prize player Casper (Aaron Gordon), but his team and his materialistic girlfriend Jess (Tiffany Haddish). Dax has spent his life savings on Harlem’s Rucker Classic registration entry fee and is desperate to get another team when he learns from Louis (Mike Epps) and Angelo (J.B. Smoove) about the legendary street player Uncle Drew. Dax finds the now 70-something Uncle Drew (Kyrie Irving), a street-ball legend who famously played in the same tournament 50 years earlier. Uncle Drew agrees to play for Dax if he can recruit his own roster of players. The adventure begins as the duo road trips to convince Drew’s old teammates to join the team. So off we go and meet Preacher (Chris Webber), wheel-chair bound Boots (Nate Robinson), Big Fella (Shaquille O’Neil) and the legally-blind Lights (Reggie Miller).

The first third of this movie had quite a few good jabs at laughter and puns with some good comedic timing moments. From there it seemed to turn itself more into trying prove itself as a ‘good family film’. And while it somewhat succeeds at that, although having Kroll play the same role he always plays, and casting Lil Rel as a Kevin Hart type character – makes it fall somewhat short in this aspect as you can’t help but compare the two. Acting isn’t really a strong point here as per usual, basketball players aren’t really the best of actors. But it doesn’t matter as in essence, I don’t think this movie set out to be anything along those lines of best actor, best film etc… I think it set out to be exactly what it is, a little bit funny, cute portrayal that shows family isn’t always just blood relatives, it is what you make it to be by whomever steps up to the plate.

Grade: C-
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Media Review Screening: Tuesday, June 26, 2018 ~ Courtesy of Lionsgate/Summit Entertainment
“UNCLE DREW” WILL BE OUT IN THEATERS NATIONWIDE FRIDAY, JUNE 29, 2018 // WORLDWIDE RELEASE FOLLOWING IN JULY 2018

REVIEW: “THE INCREDIBLES 2” (2018) Disney/Pixar Pictures

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All these years later, Director Brad Bird, the creative force behind the original ‘INCREDIBLES’, is back with the much anticipated sequel – “THE INCREDIBLES 2”.

And Bird is not the only returnee for the sequel. Also back is the entire Parr Family: Holly Hunter as Elastigirl/Helen/Mom, Craig T Nelson as Mr. Incredible/Bob/Dad, Sarah Vowell as Violet, Huck Milner as Dash, and Eli Fucile as baby Jack Jack. The story picks up not long after the original ended. “Supers” have been outlawed, and the Parrs are in some type of Super Protection Program – similar to Witness Protection. Of course when one is a superhero, doing the right thing just comes naturally, and the opening scene finds them battling their old nemesis Underminer (John Ratzenberger). Our heroes stop the crime, but cause significant damage to the city. This leads to our first social commentary when the powers that be scold the Parrs and inform them that the banks have insurance, and it’s cheaper to let the criminals get away so that the damage is minimized.

As superheroes non-grata, the Parrs try to go “straight” and live a normal life. That is until a powerful brother and sister corporate duo offer a proposal. Winston Deavor (Bob Odenkirk) and Evelyn Deavor (Catherine Keener) want to generate a PR plan to help rebuild the reputation of supers. The idea is to make Elastigirl the public face of the program by having her wear a body cam to show off her heroic deeds (in this age of ‘pics or it didn’t happen’). She’s chosen over Mr. Incredible for economic reasons, and he’s relegated to stay-at-home parent – basically a ‘Mr. Mom’ so to speak. Elastigirl plays up her time in the limelight and clearly enjoys it immensely, while Bob doesn’t much like being just Bob. Plus he can’t understand why they’ve changed math (something I can VERY much relate too, being someone who really doesn’t like the maths at all 🙂 ), as he gets frustrated trying to help Dash with his homework. He’s also challenged with Violet’s teen angst over a boy, and even more so over the discovery that Jack Jack has POWERS! Yes, you read that right. Jack Jack has powers. And boy are they fun! In fact, Jack Jack has multiple powers, but as a baby, he has little control – though his battle with a raccoon is not a segment you’ll soon forget.

Also returning is Frozone(Samuel L. Jackson), and costume designer Edna Mode – voiced by director Bird himself. Other new voices include Jonathan Banks as Rick Dicker, Isabella Rossellini as the Ambassador, and Sophia Bush as Voyd, one of the new generation supers (which includes Reflux – one you’ll just have to experience).

The big new villain causing problems for Elastigirl is ‘ScreenSlaver’, who hypnotizes large groups of people through their screens – more social commentary on our dependence on technology and the addiction/affliction we have toward device screens. The flood of superhero movies over the years since THE INCREDIBLES exposes the not-so-complex story in this one, but it’s terrific that the film keeps much of the original look and feel, and yet brings something new in that baby Jack Jack is a star!

Filled with the beautiful colors and art design we’ve come to take for granted from Pixar, the film also features some of the best action sequences you’ll see in any movie. The train sequence with Elastigirl is simply spectacular – as is the final action sequence. It’s also nice to see the flip in gender roles as Mom aka Elastagirl here, takes the lead. Honestly, Family films don’t get much better than this, and even though it runs 2 hours, the closing credits feature the theme song for each of the superheroes, and could easily have been a short film unto itself.

What can I say except..This movie truly has no flaws and “THE INCREDIBLES 2” is soooo worth the wait of every one of those 14 long years. Not only has it upped it’s game, but somehow it actually improved on those still fun and amazing characters, Mr. Incredible, Elastigirl, and Edna, but with new break-out characters, notably Jack Jack, it goes full-tilt fun!!

Grade: A
@pegsatthemovies

Review Screening: Thursday, June 7, 2018 – Courtesy of Film Independent and LACMA
“THE INCREDIBLES 2 WILL BE OUT NATIONWIDE ON FRIDAY, JUNE 15, 2018 // U.K AND WORLDWIDE IN JUNE/JULY/AUGUST

REVIEW: WON’T YOU BE MY NEIGHBOR” (2018) Focus Features

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“Won’t You Be My Neighbor” is hands down, the best film I’ve seen all year. And you might say “Oh it’s not a film, it’s a documentary” and you would be right. But it is still the best film of 2018 so far.

“WON’T YOU BE MY NEIGHBOR” is a beautifully done, heartwarming tribute to Fred Roger’s and his Mister Rogers’ Neighborhood show – which changed children’s television forever. This film highlights Rogers’ humanity and decency and shows how he brought his message to children everywhere. He was a Christian pastor who brought his values to work – without trying to preach or force his religion on you. I must say as a person who doesn’t believe in religion myself..he was truly the epitome of the word “good christian” probably the last of his kind as many who tout themselves as that now, couldn’t hold a candle to this man. And he gave everything to kids and truly cared about their views of the world and what happens to them.

His message remains timely today and also shows the importance of PBS. Interviews with everyone from his wife to his co-workers capture the essence of this wonderful human being.
The film is so well done and emotional – making you laugh, smile and yes, even grown men had tears during some remarkable moments. He made me think again and want to pass along his message of Love..yes..Love people. Do I wonder how he would handle today’s horrible effect of reality TV and what is going on with children being shot at school..yes I do. And I sure wish he was here to help in this time of inexplicable hate.. Please do yourself a favour and watch this film – it might give us all pause to think for a moment.

Grade: A+
@pegsatthemovies

Thank you to @filmindependent and @lacma for this screening.