REVIEW: “HOW TO BUILD A GIRL” (2020) IFC Films

Teenage girl Johanna Morrigan (Beanie Feldstein) is a talented copywriter and not popular at all in her school. At home, Johanna has a “Wall of Gods” featuring photographs of her literary and historical heroes, including: Sylvia Plath (Lucy Punch), Elizabeth Taylor (Lily Allen), The Bronte sisters, Sigmund Freud (Michael Sheen), and Maria von Trapp (Gemma Arterton). Johanna speaks to these photos, and the fact that they answer her makes for some early fun. Johanna’s family hustles to stay just above poverty. Her dad, Pat Morrigan (Paddy Considine), still has dreams of rock stardom even though they have long passed, and now he breeds black market Border Collies. Her mother Angie (Sarah Solemani) suffers from post-partem depression after giving birth to unexpected and unprepared for twins.

 

After winning a local TV spot as student poet (in a quick turn as a show host is Chris O’Dowd) turns mortifying, Johanna’s brother Krissi (Laurie Kynaston) suggests she audition for a London magazine’s opening as music critic. She unironically writes up a piece on the soundtrack to Broadway’s “Annie”—which nabs her an interview, but only as a joke. Undeterred, she overwhelms the smarmy hipster editor (Frank Dillane) into an assignment and gets the full fledged opportunity to work for a rock magazine.  They however are less than impressed when she writes what is essentially a teenage love crush fluff piece on her first big interview piece about musician John Kite (Alfie Allen) and she gets the hatchet.

With that Johanna decides to sharpen her claws and it’s here where, low and behold, she does a complete reinvention of herself and evolves into persona ‘Dolly Wilde’. It’s no surprise that Dolly’s hatchet jobs become a cause-celebre’ hit. Celebrating the idea of “A nice girl gets nowhere, but a bitch… A bitch can make a comeback,” she gradually rises to become the most hated person in the industry including winning ‘Asshole of the Year’ journalism award.

Performance wise, sometimes it’s left to ponder who Considine’s representation is as he can be fantastic actor, but at times picks roles where he fails to bring any expectation to the character he’s playing. Feldstein, being American, has a somewhat thick British accent here and aside from a few struggles with said accent, commands your attention at all angles. There are times when even though you don’t really believe she is fully pulling the character off – you still root for her – follow her – even if her figure character becomes almost unbearable in between. Nevertheless, Johanna has her heart in the right place and so this comedy is quite a decent affair – and not only for girls. That’ll help you miss some of the weaker elements. Minor characters are allowed little opportunity to develop and the story feels boiled down to the most obvious plot points. There is nothing superficial about Johanna, but the film itself fails to dive far enough beneath the surface to do her justice.

While the film doesn’t work perfectly Director Coky Giedroyc does a perfectly acceptable job of making it a fine watch. I do hope to see Feldstein break out of this typecasting of roles and move towards ones that she can really sink her teeth into. All in all “How to Build a Girl” is more of a cutsey, fun watch than maybe the book by Caitlin Moran was meant to be as Moran’s audacious humor sometimes feels muted. There is also something quite fun as well in a film that decides it is up to every girl to build and/or rebuild herself in any images she so chooses.

Grade: C+
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Media Review link courtesy of IFC Films

“HOW TO BUILD A GIRL” hits select drive-in theaters and VOD on Friday, May 8, 2020

REVIEW: “THE WRETCHED” (2020) IFC Midnight

“THE WRETCHED” is a lovely looking movie – though this might be an odd thing to say about a horror film.  But take into consideration the fact the budget for this was most probably almost nil, the Pierce Brothers, Brett & Drew do an okay job here. The plot is not revolutionary by any means, but there are some surprises including a nifty twist at the end involving one of the horror cliches that the film uses repeatedly to signify the presence of evil.

Speaking of that plot, it opens with a horror film usual – girl alone gets taken out within it’s first two minutes. Then we switch over to the real point of the plot. We follow a teenage boy Ben (John-Paul Howard) who’s struggling with his parents divorce, and has come to spend some time with his father Liam (Jamison Jones). But life soon gets complicated when he notices something weird going on in the neighbor’s Abbie (Zarah Mahler) & Ty (Kevin Bigley) house with their child Dillon (Blane Crockarell), who seeks out Ben when things start going awry at home. Seems an old, evil demon-style witch has come out the forest to mess around with them. She lives under a tree and has the power to cast a spell on people such that they ‘forget’ about the existence of loved ones around them. From here, everything that can happen – will happen. Love interests, conflicts with town bullies, conflicts with father and his new girlfriend Sara (Azie Tesfai), and other plot lines go exactly where one would expect them to as well.

The characters are not the best ones to get behind and the evil presented by ‘The Wretched’ herself, lacks any real dread or scary-ness. Overall there’s just no real delving in the psychology of what’s happening, fear or mystery. However, amidst this somehow everything works, albeit on a basic level, a kind of a flat line if you will. Performances were okay all around, but some of the characters were given very little to work with. That being said, John-Paul Howard as the central hero Ben and Mallory (Piper Curda) as his summer crush, are very much the standouts here in performances. Cinematography and editing can prompt as much critique, though on the background of all that’s aforementioned, the visual side of things provided some comfort. Always extra appreciation for good practical effects, gore and such which thankfully they didn’t overdo on.  Lastly, the original score was – guess what – a bit on the uninspiring side – but hey limited budget again!

Nicely acted and shot, with decent, practical special effects with some struggles with the story which at times was a bit un-interesting and yes, completely cliche. Still it’s a well-edited mainstream pleaser. There’s a story, and it flows evenly as it entertains, accompanied by a romp of characters, decent gore and cinematography. The problem is, it does so on a surface kind of level. The Pierce brothers utilize a wide selection of familiar, ordinary devices and old tricks, perhaps trying to weave together something new, but ending up just bit on the been there/seen that side. If you’re a fan of spooky, ghost/wraith type horror, it’s entirely possible you might enjoy The Wretched as it’s not so much that it’s not to be disliked, but nor is it something to take much away from.

Grade: C+

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Media Review link courtesy of IFC Films & IFC Midnight

“THE WRETCHED”  IS NOW AVAILABLE FOR RENT/PURCHASE ON VOD

 

PEGGY AT THE MOVIES – TV SHOWS TO CHECK OUT.. OR NOT – WEEK 5

And onto week #5 of quarantine TV watches rated by me.

First up:


We’re Here: HBO
Found this gem almost by accident and immediately fell head over heels for it. It’s real life about 3 drag queens who traverse small town America where they have residents from each town participate in a one night only drag show. It’s the storytelling behind each person and town that had me in tears at the end of both episodes that have aired. It’s a much needed watch for the close minded among us.
Grade: A


Tommy: CBS Network
TV diversity is so much bigger than film. But every once is a while comes a show that just doesn’t work as well & the characters feel forced..even with a stellar cast including #EdieFalco & #RussellGJones the storylines just fall flat.
Grade: C


Hollywood: NETFLIX
#RyanMurphy has a signature look to his shows and this one is no different. Set in late 1940’s its beautifully shot but it took me till eps 3 to figure out the difference #DavidCorenswet & #JakePicking – the middle eps. are great, but the finale is predictable & bland. Kudos #PattiLuPone #HollandTaylor & #DylanMcDermott for keeping it interesting.
Grade: C+ bordering B-


Atlanta’s Missing & Murdered: The Lost Children: HBO
A startlingly look at what happened to these children & the conviction of #WayneWilliams definitely deserves a watch as Atlanta’s new mayor #KeishaLanceBottoms takes the bold and might I add, right step in re-opening this investigation. It’s eye-opening & heart wrenching-and worth every minute of your time.
Grade: A

That’s a wrap on Peggy at the Movies TV recommendations week 5. Till next week..stay safe and sane.

#tvreviews #womencritic #instareviews #quarantineTV #coronaviruswatching #peggyatthemovies #Atlanta #Tommy #WereHere #Hollywood