REVIEW: “BABYTEETH” (2020) IFC FILMS

Before getting into the reality of my feelings on this film, a quick synopsis to hopefully enlighten and unwind my quite angry thoughts on this film. Actually angry maybe doesn’t accurately describe the state of mind I found myself in while watching this and wondering how am I the only female reviewer that I’ve seen so far who finds this almost revolting.

We start “Babyteeth” with 16-year-old Milla Finlay (Eliza Scanlen), on platform 4 of a suburban Sydney train station. On her way home from school, she is almost knocked over by Moses (Toby Wallace), a 23 yr old small-time drug dealer sporting some bad prison-style tattoos and a hideous rat tail of a haircut. All Moses wants from her is money, despite this Milla becomes completely infatuated with him, much to the dismay anyone and everyone who is watching this film, most especially if you are a parent, this is your worst nightmare. Yet somehow Milla’s seemingly protective parents – it turns out are just really dysfunctional and drugged-addled themselves. Anna (Essie Davis) is retired musician who has taken so much anti-anxiety medication that she can’t focus on her daughter’s ‘unusual’ guest, and Henry (Ben Mendelsohn), is a psychiatrist who is all the while secretly dosing himself with morphine. Yeah this whole thing is one doozy of a character study of dysfunction. While I understand wanting to give a child with cancer what they want, letting them hang out with a drug-dealing 23 yr old man whom you catch robbing your house and then ask him to move in, is not the first one that comes to mind for most. And that is where my anger set in.

This film is listed somehow as a Comedy/Drama – yet there is no comedy that I could see and it isn’t a dramatic character study of a young girl with cancer, this is a character study of a the worst possible family situation put down on film. About a girl of 16 having an drug addled boyfriend of 23 and the parents not only condoning it, but encouraging it and sponsoring it. And all this is actually not only written by a woman, Rita Kalnejais but also directed by one (Shannon Murphy) no less. How they find this to be okay – let alone putting it out there for society thinking it’s okay to basically have a young girl child/adult-man relationship happen onscreen and make it ‘work’ or allow it to be okay, thoroughly angers me. This movie is why these things are normalized and my only response can be WTF!

How and more importantly why am I one of the few who see’s the scene between Henry & the half his age pregnant neighbor in her third trimester, who he attempts to hit on as just wrong and am revolted when I saw one critic refer to this scene in this manner: “Toby (Emily Barclay), a pregnant woman with a cigarette in one hand and a Frosty Fruit in the other (perhaps the most unequivocally Australian image ever presented on film”.  Is this true? And even if it is, how is this made to be okay in a film more or less saying ‘Oh well, that’s just how it is.’ Maybe I’m supposed to ignore all this because the film won awards at the Venice Film Festival – but I’m not and neither should the many who are ooohhing and ahhhhing over this like it’s perfectly acceptable.

With that I’m just going to end this review without a grade because no matter how much I try to look at it, or even how much I like the actors in it or the acting etc.. I can’t get the thought out of my head of writing and making a film where it’s A-okay to normalize this. Movie or not, I’m never going to be okay with this because it feels as though they are trying to normalize something that should never be normalized…ever.

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Review screening link ~ Courtesy of IFC Films

“BABYTEETH” IS NOW AT SELECT DRIVE-IN’S AND ON VOD

REVIEW: DA 5 BLOODS (2020) Netflix

Here we have Spike Lee’s first film since BlacKkKlansman and “Da 5 Bloods” is sure to evoke all kinda of reactions including my very own. While I watched the movie about 10 days ago, I decided to wait till all the fervor regarding it died down some before putting out my own thoughts.

Making a film about the Vietnam War isn’t always on the top of most directors lists as it’s not what one would call a ‘good war’ such as some did for WWII.  And a bit of even the most basic history will tell you the Vietnam War was fought on a soil not many American’s had ever touched let alone wanted to fight for.  Needless to say it was known that it was a tough war because so many opposed it, which was probably the right attitude, but it meant that a lot of returning vets didn’t get the respect they deserved or the help they needed – which is sadly the American way, and actually by no means exclusive to just the Vietnam war. And of course we all had learned about the ‘My Lai Massacre’ in school – where 500 unarmed civilians – men, women, children and yes, even babies – were slaughtered by U.S. soldiers. Women were gang-raped and their bodies mutilated, as were children as young as 12. When their cover-up was eventually busted and brought public, 26 soldiers were charged with criminal offenses but only Lieutenant William Calley Jr. was convicted. Found guilty of killing 22 villagers, he was given a life sentence but served only three and a half years under house arrest. Sound familiar?

Many leaders including Martin Luther King Jr., were opposed to the war as black men were being essentially told (as was everyone as we, the U.S., had initiated the draft) to serve their country, and there weren’t any colleges or doctors writing bone spur deferrals for them. They were asked to protect the freedoms of people in other countries when they still didn’t have real freedom in their own homes. So of course this means POC – and even more specifically black men – were called up in much greater numbers than their white fellow citizens of course, and therefore were also a higher proportion of POC/black men combat casualties in Vietnam. To put the cherry on top of the cake, African American soldiers encountered racists bigots amongst their own ranks, huge discrimination and many disadvantages when it came to promotions/decorations, and lastly,  few to no services if and when they returned home. So yes, there is a lot of history of this war and none of it is good.

Now we’ve seen the Vietnam War done many times, and some of the very well, but Spike, well Spike has got his own tale to tell of this war and in Da 5 Bloods he does just this. The film follows a platoon of four Vietnam vets, headed by level-headed Otis (Clarke Peters) and erratic, Trump-supporting Paul (Delroy Lindo), Eddie (Norm Lewis), and Melvin (Isiah Whitlock Jr.) as they travel along with Paul’s son David (Jonathan Majors) who has his own backstory with his dad, back to their former battleground to recover the remains of their celebrated leader and 5th Blood, Stormin’ Norman (Chadwick Boseman)…and also the pile of gold they stashed along with him.

From there the film zips from thriller to hang-out comedy, action to drama and here is sadly where the film falters some as it’s all over the place with tone as the plot almost changes completely. The mood of a scene can change on a whim, some of them are ridiculous and so far over the top we almost lose the entire sense of the film itself. It’s as if it almost becomes a reflection of the turbulence of the battle they once fought in – where, as we see in superb retro-inflected flashbacks of so much of the controversy of which the 60’s entailed as Lee also puts in a bunch of videos and stills of Martin Luther King Jr., Malcolm X, Angela Davis, Marvin Gaye, Aretha Franklin, The Kent State Massacre and the Fall of Saigon are among the many notable figures and events from the time of the Vietnam War, along with the dramatic events of the present unfolding in the blink of an eye in front of us. Their quest to find Norman’s remains – wanting to give him the hero’s funeral he is painted as deserving – is an arduous one, but is one that is allowing for some truly brilliant character studies of these guys to emerge as well. Of course, to smuggle something to the tune of $7 million of gold back into the United States, the Bloods have to involve Tiên (Lê Y Lan), Otis’ old flame, and a Frenchman named Desroche (Jean Reno). Desroche promises he will get the money to various off-shore accounts that the Bloods will be free to draw from, which truly is up for debate throughout the entire film.

So as not to tell you the entire plot line and give away everything as the film is something you should take the time to watch, delving a little into character study is needed. While all the characters play key roles in this plot, none quite do it like Delroy Lindo does. Lindo, always a great supporting actor, has never really had to really carry the entire weight of a film on his back alone, and here he does a remarkable job of giving us his all. The reflections monologue as he ventures into the jungle is unparalleled by anything he’s ever given us before. Paul is ravaged by PTSD, he is by far and away the most complex and entrancing character on screen, and Lindo brings him to life. You hate Paul – you love Paul – you want Paul to leave – it’s all that and so much more. Almost indescribable. Again this is not about diminishing the other performances in the slightest. Everyone does an incredible job, especially Majors as David. However, it would be remiss not to point out Lindo’s all out one that put’s an incredible hold on you throughout the film.

To summarize it up, after Lee’s last film was there maybe more to be expected, sure there was, and while the message is clear and strong, the sometimes ridiculous plot is saved by the brilliant acting all the way around. For that reason alone my grading goes up a notch.

Grade: B-

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DA 5 BLOODS IS AVAILABLE TO WATCH ON NETFLIX

 

 

KATE NASH: UNDERESTIMATE THE GIRL (2020)

Remember MySpace? yeah, it barely registers on what it was anymore – yet that is where the world found Kate Nash or more to the point – where she found the world back in 2008. From this she essentially became what is commonly referred to as a ‘one-hit’ wonder – and all of it because of a broken leg suffered while working at Nando’s, a fantastically delicious chicken restaurant chain not known in the States.

More recently others may know her as Rhonda Richardson, AKA Britannica, on the critically acclaimed Netflix series GLOW. As someone familiar with the latter version of Kate Nash, I didn’t have a clue of the story behind the actress, which makes the viewing experience all the more compelling. Like her character Rhonda, Nash has battled her way out of dire circumstances on more than one occasion, and has found herself at the center of something extraordinary, both in the music industry and on the screen.

Essentially this is her side of the story of how to be a one hit wonder and survive it. This is a documentary about surviving the pop industry after you have been dropped by the record label and savaged by critics, trying to kick-start your music career back into gear by playing to small venues paying it all herself from her savings, which doesn’t go well. Something learned those in the music industry a long time ago is, you don’t make money from touring, the money is made in the merchandise – but we aren’t shown any of that here. We are shown how she gets a major big boost by her new manager who has supposedly has ‘big plans’ for her, that really don’t seem to pan out as we see an awkward little show during lunch hour at a PR company of sorts. And then somewhere along the line, we also find out that same manager has been using Kate’s credit card to fund his own wedding. But hold on for a hot minute as has he really been appearing in the filming of a documentary about his artist all the while he was scamming her? What was he thinking?

Well we find out as we see Kate not only be completely devastated by this revelation, but also takes legal action against him and would have gotten a settlement from him had his lawyers not wanted her to sign a non-disclosure agreement. And while the outcome of all this is of course a sweet story, there is something about this documentary that just misses it’s mark a little. Whether it’s the part where she decides she wants to be a singer and actress, without any acting training/skills etc.. or where we never really see any of her actual life. While we see family, we really never see friends or boyfriends, or ever know is she is getting support from people in her life besides just her band & family. So it misses the mark there with me not only there but the Nando’s comment at the beginning almost lost me for good right there and then. As someone who has worked the food service industry for many years, it was truly a put-down of spoiled brat pisser comment to me.  There are many, many people who are having to work in the fast food industry and they don’t all have parents to be buy them electric guitars, or the like so note to Kate, be a bit more appreciative of people who didn’t get ‘discovered’ on MySpace, and serve a big purpose in everyone’s lives as we have come to realize, at least I hope you have now.

I think Kate Nash wanted this whole story to fit her narrative about a plucky British girl that fought against the odds to come back. Down to her last penny and got a role in a Netflix show, and viola’! life is good.  In that way it does succeed, unless you look at it deeply, and then it might raise more questions about it being a little bit of fluff. Either way you look at it, it is worth a watch.

Grade: C+

@pegsatthemovies

 

Media Review Screening ~ Courtesy of K.O. PR

KATE NASH: UNDERESTIMATE THE GIRL IS AVAILABLE ON ALAMO ON DEMAND