REVIEW: “JUNGLE CRUISE” (2021) Disney Studios

I was probably 4 years old when I was first taken to Disneyland. I can’t remember my exact age, but I do know I was very young and my parents took me on the Jungle Cruise ride – and I freaked out and started screaming and crying. Because yes, I thought it was real and I remember so well the big hippo opening his mouth right where I was sitting in the boat and I thought I was going to be eaten, and basically thought lions, tigers and bears were all after me. I cried so hard and was so terrified, that I never went on that ride again until I was a teen – possibly even older! Needless to say, there was no crying watching this version of Disney’s “JUNGLE CRUISE”, only laughter as it is definitely not that ride and a much different story to boot.

This adventure begins with Dr. Lily Houghton (Emily Blunt), who hires a wisecracking skipper, named Frank Wolff (Dwayne Johnson), to take her down the Amazon in his ramshackle boat. Together, they search for an ancient tree whose petals hold the power to heal all — a discovery that will change the future of medicine. Along for the ride Lily’s posh, upper-crest brother MacGregor (Jack Whitehall), who doesn’t clearly belong anywhere in a jungle, but succeeds in stealing a lot of his scenes with his over-the-top persnickety ways, most particularly his interactions with Frank’s pet leopard whom they have on board the cruise. The CGI might have been a bit lacking on the leopard, but Whitehall makes it funny so it’s very easy to overlook.

(L-R): Dwayne Johnson as Frank Wolff, Emily Blunt as Lily Houghton and Jack Whitehall as MacGregor Houghton in Disney’s JUNGLE CRUISE. Photo courtesy of Disney. © 2021 Disney Enterprises, Inc. All Rights Reserved.

While ‘Jungle Cruise’ could have just been a simple escapade through the jungle with some good action and laughs thrown in, we do get some long drawn out sections with Johnson’s character Frank explaining a bit of a convoluted backstory of the special flower, and the enhanced version of the long dead enchanted conquistadors of his time. Kids especially, might get a bit lost here as let’s face it, they just want the lions, tigers and fun action aspects of his character that help endear Frank to us more. Director Jaume Collet-Serra gives us a big scale action adventure here with plenty of laughs thanks to Johnson giving us some of his best cheesy humour with one-liner awful, terrible jokes that are so bad they are absolutely downright funny. It’s perfectly done and no one in this film takes it all to seriously and that is possibly it’s biggest highlight except for the fact that the biggest thing that upstages them is the absolute wonderful, electric chemistry between Blunt and Johnson. This would have been a totally different movie without that as together they are an unbeatable team here and yes, the glue that holds this film together. But the supporting cast consisting of Jesse Plemons, and again, Jack Whitehall with his witty-ness, Edgar Ramirez, and Paul Giamatti, all add to the adventure as well and round it all up.

So my advice is no crying – and get your ticket for the fantastical journey that is – Jungle Cruise.

Grade: B-

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Review Screening: Monday, July 26, 2021 at El Capitan Theater ~ Courtesy of Disney Studios

“JUNGLE CRUISE” IS IN THEATERS AS OF FRIDAY, JULY 30, 2021 also VOD on Disney+

ROADRUNNER: “A FILM ABOUT ANTHONY BOURDAIN”

It’s June 2006 and I find myself at the Hollywood Farmer’s Market as I lived in West Hollywood at the time and 2006 was when it was still a true Farmer’s Market, not the bougie ‘let’s sell a piece of cheese for $40’ booths it has now. It was a true place of fresh picked fruit and veggies that everyone in town came to shop at. So imagine my surprise when I see Anthony Bourdain sitting there at a table, autographing his latest book. I mean the man that once ate a cobra snake heart is there, albeit looking a little out of his element with a somewhat fake smile plastered on his face, posing for the cameras, greeting fans etc. But being the professional he was at that time, he handled it all like it was just another episode of his then show on the Travel Channel “No Reservations” – the show that brought him the fame he so craved, yet as you find out during “RoadRunner: A Film About Anthony Bourdain”, might also have been just fulfilling a part of his addictive side.

“Roadrunner” opens with a short look at how Bourdain became well, Bourdain. Through the journey which started in 1999, shows how the publication of Kitchen Confidential, in essence Bourdain’s memoir, that coincidentally was one of the best books ever written about the restaurant industry – leads to his TV career, and eventually to him becoming TV’s foremost ‘man about food’. I mean Anthony basically begged the question “How do you eat your way across the world?” and then proceeded to show us exactly how to do just that. But as his hit series ‘No Reservations’ went on, it became clear that his shows became about way more than just the food. As we watched, or I did at least, how Bourdain himself noticeably grew up over the years as well. And so it became not just about the food, but about the places and the people making the food around him as well. And honestly how could it not when in 2006 while filming No Reservations in Beirut, we watch as a war breaks out right in front of him and his film crew, between Lebanon and Israel. It’s almost surreal as you see how it effects Bourdain himself as people are lying about a pool, with bombs bursting in the air maybe 5 miles away. It’s an episode that everyone involved agreed profoundly changed Bourdain’s career, and his approach to the show, from that point forward. 

Anthony Bourdain stars in Morgan Neville’s documentary, ROADRUNNER, a Focus Features release. Courtesy of CNN / Focus Features

Director Morgan Neville is giving us Bourdain just as he was, completely unfiltered, as Anthony was more than happy to share his opinions on pretty much anything and everything, and he definitely didn’t shy away from talking about his drug-riddled past. In fact it made him the person he became, along with in his love for punk rock, mostly Iggy Pop and The Ramones, both of whom he did spent time with and did shows with among the many musicians he admired. Add in his two-pack-a-day smoking habit (which he did quit after the birth of his daughter), and you have a bad-boy chef image that would stick with him, whether it was deserved or not. There was a seemingly never ending journey for a odd happiness that simply seemed to evade him even when marrying his second wife Ottavia Busia; becoming a father for the first time at age 50. His filming and production crew, most of whom had been with him since the beginning, a chore especially for his long-time crew who were finding him harder and harder to work with as he changed over to a whole new show and somewhat differing format in “Parts Unknown”. And of course it only got darker from there as Neville takes us down the final turn of Anthony’s life with the much publicized and not always liked relationship with actress Asia Argento. While he doesn’t come right out and blame Argento for Bourdain’s suicide, it’s made clear to all that his death came days after the actress appeared in tabloid photos with another man. Though to be fair, there were so many signs and Anthony himself constantly referenced how he would like to go out, to make her out to be the only source of his depression wouldn’t be right and we do see so much more, like the attempt to decode Bourdain’s final Instagram post, which shouldn’t even been tried to decode. It’s a goodbye in his own way.

We also get a good idea of how loved and respected Anthony was by giving us the appearances and thoughts of many of his peers, including his best friend Eric Ripert, his brother Chris, artist David Choe – who gives us a somewhat startling, yet insightful statement from Bourdain who tells him “and my life is sort of s— now. You are successful, and I am successful, and I’m wondering: Are you happy?” which is when we really start to realize all the cracks that have been there all along. As much as we like to look and someone else’s life and wish it to be our own, sometimes if that wish does come true, we do find out it wasn’t all it looked cracked up to be. There are ups and downs in everyone’s lives and as wonderful as it might look on the outside, the inside can be a much different story.

Grade: A-

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Virtual screening courtesy of ~ Ginsberg/Libby PR

“ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN” IS IN SELECT THEATERS AS OF FRIDAY, JULY 16, 2021 // VOD/HBO MAX/CNN to follow.

REVIEW: “THE GOD COMMITTEE”(2021)

Finally wrapping up my Tribeca Film Festival coverage with what was the highlight film of the festival for me – “THE GOD COMMITTEE”. The film delves deep with a look into a very different type of ‘committee’, one that makes the tough decisions on life and death every day. It also has a compelling backstory within it of not only the people’s whose lives these very transplants can change, but the people making the decisions as well aka ‘The God Committee’.

As the film opens, a transplant patient dies just before their surgery is to begin, making a heart available, but with only an hour or so of viability to decide ‘The God Committee’, pits a group of doctors, nurses, specialists and yes, even a clergyman, against each other as they must decide who gets the heart from a pool of candidates. The Committee – which consists of: Father Dunbar (Colman Domingo), the lawyer turned clergyman; Dr. Allan Lau (Peter Y. Kim), the reticent one of the bunch who tries recusing himself from the decision; Nurse Wilkes (Patricia R. Floyd), probably the least biased one of the bunch; the aging, though hard-living chief surgeon Dr. Andre Boxer (Kelsey Grammar); the idealistic young doctor-with-a-secret Dr. Jordan Taylor (Julia Stiles), and lastly, the just lets-just-get-it-over-with bureaucratic hospital administrator, Dr. Valerie Gilroy (Janeane Garofalo). The crux of the story is the panel’s struggle on the decision making position process, taking us down a mean dive into the grimy and sometimes slimy world of unconditional ethics, along with the tension of the weighing of the needs of many, versus the needs of one. The debate here stems over whether to give a heart transplant to Trip (Maurizio Di Meo), a drug addict with a long history of recurring rehabs who coerced his girlfriend to terminate her pregnancy, or to Walter (Kyle Moore), a somewhat overweight doorman with a family to support or lastly, Janet Pike (Georgia Buchanan), an ornery, elderly woman who doesn’t like the idea of a transplant. The apparent no-brainer is complicated by the fact that Trip’s wealthy father Granger (Dan Hedaya), is dangling a $25 million donation for the hospital in front of the board if Trip is chosen. Well that and he also happens to be a potential investor in the heart surgeon’s Dr. Boxer’s private research.

As the committee members struggle with their literal life-or-death decision, previously unknown information regarding all the patients considered for the procedure and the committee members themselves, comes to light in ways that affect everyone involved in various ways. As the debate over the heart heats up, so does the tension of the room, the digs escalate and the ethics vs. the bribes clash almost to the point of no return. It leaves not just the committee members, but the audience as well, to question what’s more valuable when it comes to people’s lives – the morals of it or the money that can help it?

Writer-director Austin Stark applies a remarkable touch to his adaptation here, while crosscutting between two timelines that the film goes between. November 2014, the time of the actual committee meeting and decision making, and December 2021, when we find out what the research actually entailed. Along with a big twist, the future timeline exists seemingly to supply us with the ‘what if’s’, as it holds us in the back and forth that can twist the decision making. What was once thought of as a list that was first-come, first-serve, is truly anything but. And we the audience feel that along with the film mostly because of the stellar acting of the cast, most notably, Grammar and Stiles, who knock this one out of the park. Also a nice turn seeing Dan Hedaya back and Garofalo really steps up her game her doing the dramatic as well as she does comedic. While we see the outcome of the decision, the only downside to this film is it never tells us whether any of the characters from 2014 were able in 2021 to live with the decisions they all made seven years earlier.

And unlike the decisions made by ‘The God Committee’, the decision to watch this one is simple. Watch it.

Grade: A-

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Virtual screening courtesy of ~ Betsy Rudnick PR

“THE GOD COMMITTEE” IS IN SELECT THEATERS AND ON DEMAND AS OF FRIDAY, JULY 2, 2021


REVIEW: “THE BOSS BABY: FAMILY BUSINESS” (2021) DreamWorks

The Baby’s are back and bossing us around again this time with director Tom McGrath’s take in “THE BOSS BABY: FAMILY BUSINESS”.

There are few things more certain in this world than sequels, no matter how old the character gets and The latest Boss Baby adventure is no exception to this rule. And get this, the Boss Baby isn’t a baby anymore though not to worry, what would the story be if he didn’t become a baby again, but it’s all in good fun.

Family Business has the Templeton brothers, Tim (James Marsden/Jimmy Kimmel) and his former Boss Baby little bro Ted (Alec Baldwin), as adults with Tim now married to Carol (Eva Longoria). Tim is now a stay-at-home dad raising his two daughters, Tabitha (Ariana Greenblatt), and baby daughter Tina (Amy Sedaris) who, based on the ending of the last one, is a ‘Baby Boss’ as well. Ted, to no ones surprise, is a hedge fund CEO. The two have drifted apart from each other and rarely even speak. But infant Tina decides she must reunite the brothers and turn them back into their younger selves to infiltrate Tabitha’s school which is being ran by Dr. Edwin Armstrong (Jeff Goldblum), who is definitely up to no good. The only way to do this ‘Benjamin Button’ transformation back into babies is quite fun – as it’s all done through a baby formula that only lasts for just 48 ‘teensy weensie’ hours. Tim takes it upon himself to come along and the two brothers wrestle for the formula, getting younger and younger.

The Boss Baby has a lot going on within it. There is the witty banter and sibling relationship issues between the two brothers which can be very fun at times especially when they are back to being their younger selves; There is Precious a pretty pony, a classmate identified only as “Creepy Girl”; there are baby ninjas, and lastly, a tiny toy Wizard named Wizzie (James McGrath), that comes to life. All this goes on while the school putting on a pageant in which Tabitha is terrified of doing a solo performance and Dr. Armstrong is plotting his world-parent takeover. But this movie isn’t just about brothers Ted and Tim. It is also about Tina and Tabitha, and the pressures of school and finding a balance for family, school and life, and not wanting the feeling of disappointing anyone, including ourselves or family.

A bit long in runtime at an hour and 47 minutes with young kids who might get antsy can happen. While it also might just tick off the boxes when it comes to actual points of The Boss Baby itself, it’s truly sweet moments with the young daughters and brothers bonding that make it worth the watch for families.

C+

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Review Screening: Monday, June 28, 2021 ~ Courtesy of DreamWorks Animation & Universal Pictures

“THE BOSS BABY: FAMILY BUSINESS” IS IN THEATERS AND STREAMING ON PEACOCK AS OF FRIDAY, JULY 2, 2021