REVIEW: “YESTERDAY” (2019) Universal

A world without music from The Beatles? It’s hard to “Imagine” right.  But of course it’s not as simple as never having their classics played on the radio or not being able to find an album or song lyrics, basically any idea of them ever existing. Of course, that’s a bit too much to tackle in a movie, so director Danny Boyle  simplifies things by serving up a 12 second global power outage in which starts the beginning of ‘Yesterday’.

The film tells the story of Jack Malik (Himesh Patel), an amateur musician who is trying to break into the industry with the help of his best friend Ellie Appleton (Lily James), but during that random power outage,  he gets hit by a truck riding his bike home and wakes up in an alternate universe where several things have turned out to have never existed, but most importantly the Beatles and their songs. Jack decides to take advantage of this, and uses the Beatles’ music to launch his career, becoming the most famous pop star in the world.

That premise sounds great, and I was looking forward to a surreal comedy, but to be honest, it doesn’t quite live up to it, instead getting distracted by what the actual main plot turned out to be: a cliche romantic comedy with the childhood friend that is secretly in love with the protagonist, only for him to figure it out for himself later. aka..a generic romcom.

The best moments of this film are to do with the central premise of the alternate universe, where Jack would reference something, only for the people around him to say “what’s that?” I mean, it’s the same joke in different words basically every time, but hey, the way they execute it is pretty good. There are also some decent satirical moments with Jack interacting with the music industry, personified by Jack’s manager Debra (Kate McKinnon), and an extended cameo by Ed Sheeran, who falls victim to some self-deprecating jokes, and Rocky (Joel Fry) his ‘roadie’ who honestly was one of the funniest characters in the film.

Speaking of the Beatles, you’d be surprised by how little they actually contribute to the plot. For a film that is named after one of their more famous songs, you’d think that their music and impact to society would be more than just a plot device for the main character to achieve his success. There’s no real commentary as to why the Beatles music is so great, you’re just told, over and over again, that they’re the greatest band ever, and that a world without them ever existing would suck. Sure, that is something I would agree with, but the film doesn’t really add much of their own perspective to that side of the story, it just takes that idea as fact.

The romance is decent, but cliche and overall unremarkable. Screenwriter Richard Curtist definitely knows how to write romances, having written several well regarded romcoms, like “Love Actually” and “About Time“, but I would say that ‘Yesterday’ isn’t quite up to that standard. Same goes for Danny Boyle and the other films he directed compared to this. The direction isn’t bad, but it’s bland and doesn’t really add much to the story.

I guess if you like romcoms and Beatles music, this movie will definitely be watchable, and truthfully, it is entertaining enough..but just barely enough and it slides through it’s two hour run time, and overall I’m disappointed that they didn’t take full advantage of the great premise and really run with it.

Grade: C+

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Media Review Screening: Monday, June 24, 2019 ~ Courtesy of Universal Studios

‘YESTERDAY’ IS NOW PLAYING IS THEATERS WORLDWIDE

INSTA-REVIEW: “TOY STORY 4” (2019) Disney

Over the weekend I got to see this fourth incarnation in the Toy Story series. While a fun little jaunt for all our memories..again, I had trouble remembering where the last one left off and this one picks up..oh wait..that’s because the last one ended..with an ending that seemed so final. Ahh well..seems its wasn’t and the gang is all back with a few new friends on a search to get back ‘Forky’ who has been lost by Woody.

Along the way he meets back up with Bo Peep & these crazy scary ventriloquist dummies that honestly got to me..I thought for a moment we had switched to the ‘IT’ movie!! But alas, as with all kids movies there is a message.. that we all grow up and move on and so do our toys.
This movie is perfect for both kids and adults alike as all will find enjoyment in it and no little innuendos that fly over kids heads.

As for favourite characters..Woody is always a safe bet. Buzz didnt have as much to do this time around and our new favourite, Duke Caboom gives for a few good laughs.

Grade: B
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REVIEW: “THE SECRET LIFE OF PETS 2” (2019) Universal/Illumination

“THE SECRET LIFE OF PETS 2” is another fun filled little romp for the kids.  With a few new additions to the cast, most notably Harrison Ford as farm dog Rooster.  But the biggest of all additions, a baby is added to the family much to the disgruntlement of our lead dog Max (Patton Oswalt).  This sequel actually divides our team into three smaller stories with a somewhat vague theme tying it all together.  But it works as you never feel you lost track of what is happening in any of them.

The first plotline involves Max’s owner Katie (Ellie Kemperer) getting married and having a little boy named Liam. Max, whose dislike of children is made very clear, falls in love at first sight and becomes very protective over Liam, to the point of scratching himself out of the anxiety he feels to the point of getting a dog cone.  The relationship that forms here is fun and it’s a dog and a baby – who can dislike that?

Max, Duke and the family end up going out to the country where they meet farm dog Rooster and to say in the least, Rooster is not impressed with ‘city-dog’ Max,  nor his cowardice at the farm animals.  And while the outcome might be predictable, it’s charming and sweet to watch as Rooster helps encourage Max to face his fears and have more confidence.

While the family is at the farm our second subplot comes into play.  It’s about my favourite little pet, Gidget (Jenny Slate) as she trying to retrieve a bumblebee toy Max gave her to guard while he is away. The problem is the toy is stuck in the home of  the crazy cat lady downstairs who literally fits the persona to a tee,  as she literally has dozens of cats.  She even talks the incredible Chloe (my other favorite pet), into giving her lessons on how to be a cat. This has some really fun comedic slapstick that made for some good laughs from the entire audience.

Our final plot centers around Snowball, the Kevin Hart voiced bunny who is convinced he is actually a super-bunny because of the way his owner plays with him. He meets a new doggie named Daisy (Tiffany Haddish). Daisy is upset because she saw a baby tiger get taken by a bad man at the circus. Snowball and the team of pets must save the tiger and restore order to the city.

The characters throughout Pet’s are adorable and there are enough laughs and heart to keep the interest level during the film. The  vocal performances are all good and the message on overcoming fears is really sweet.  The ending credits are also a must-see!!  I have no doubt The Secret Life of Pets 2 will make a boat-load of money but for once it is deserved.

‘The Secret Life of Pets 2’ is fun, fast moving and best of all, kids and adults will both be entertained. P.S.  Cats RULE!! 🙂

Grade: B

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Media Review Screening: Tuesday, June 4, 2019 ~ Courtesy of Universal/Illumination

‘THE SECRET LIFE OF PETS 2’ IS IN THEATERS WORLDWIDE FRIDAY, JUNE 7, 2019

 

REVIEW: “DARK PHOENIX” (2019) 20th Century Fox

As a die-hard X-Men Cartoon fan, the movies have definitely made it harder to keep up with my beloved teen-time cartoon.  Walking into “Dark Phoenix”  realizing with shame, I had no idea where the last film actually left off.   ‘Logan’ while being the last one in theaters,  is actually a spin-off of the Wolverine character.  So which one was it really as again the franchise has jumped around in its own history, undertaken a few time travel stories and even recast many characters while keeping others the same. This makes it a little hard to pin down which films follow which, and which are set in which timeline. Alas, “X-Men Apocalypse” is the last one, but in all honesty, it’s tough to remember exactly what happened, where it left off and what time-line frame it was in though a quick bit of research reminded me it was a 1983 timeline.  Moving on…

Dark Phoenix is set mostly in and around 1992, though we do go backwards in time to where the movie actually starts us off  with a young Jean Grey getting in a car crash with her two parents. After the rescue, we find out that her powers were responsible and she feels guilty for killing her mother but with her memory unclear and Prof. Charles Xavier (James McAvoy) to the rescue,  Jean comes to his children’s home for mutant kids.  From here we dramatically switch over to an Apollo spacecraft being launched and in profound trouble in space with the President enlisting the help of Xavier, Beast/Hank Mc Coy (Nicholas Hoult), Raven/Mystique (Jennifer Lawrence), Jean Grey (Sophie Turner), Scott Summer/Cylops (Tye Sheridan), Storm (Alexandra Shipp), Peter/Quicksilver (Evan Peters), and Kurt/Nighcrawler (Kodi Smit–McPhee) are all aboard when they realize that the ship with the astronauts is being spun by a cosmic force, and lest we forget that this film storyline is all about Jean Grey aka Phoenix, she steps in to save the last of the crew while being enveloped completely by this cosmic force.

It doesn’t take long for this to start affecting Jean’s life and the life of everyone around her.  And while I won’t say who lives and who doesn’t, there are a few major deaths in this final story as most would expect there to be.  Once Jean realizes with this new found cosmic powers that make her the more powerful than ever, she finds her dad,  John Grey (Scott Shepard) is alive and that Charles has lied to her about her both of her parents being dead. What Jean doesn’t realize yet is that Charles lied because her father didn’t want her anymore. Getting really edgy at this point and as we see that her dad is still alive through her mind-reading flashbacks with Charles, she escapes the mansion via an emotional roller-coaster to find him.  With no where to go, she ends up on Erik/Magneto’s (Michael Fassbender) private island given to him by the US government, but soon wears out her welcome there also when he finds out what she did when leaving the mansion and this sends Magneto on a rage after her also.

You might think this telling is off-kilter in so many ways,, but this is truly how the film is moving along.  Everything is jumping time-lines and places again, though not so simply followed as in previous films.  We finally get to the point where we realize what Jean’s powers are really meant for when we meet aliens Vuk (Jessica Chastain) and Jones (Ato Essandoh).  They need her to restart their planet and their people with said power.

This films cast is stacked high with star profile, but there is also moments when you realize they have failed somewhat to do the hard work of character development that the cartoon and the comics both accomplished.  It had been around a long time before the Dark Phoenix saga of Jean Grey had even begun and we felt we knew her character well enough to care.  In the cartoon/comics this story kicked off even more adventures for the X-Men, giving the characters time to come to terms with Jean Grey’s transformation and the damage inflicted.  With this film, we barely know Turner’s version as this is only her second showing, and yet, a whole film is devoted here.

But this new movie isn’t the beginning of another chapter, it’s a definitive end.  Amid the  expected ending of an all in/all out CGI battle between the X-Men and aliens not being up to par with what we have come to expect with such films,  the aliens that aren’t done in a way to make them exciting in the least, though they do shape-shift into humans, we can say the same about the mutants.  It’s an ending that could have led into something so much more spectacular had Fox not been sold to Disney and we now know a hard reboot is happening and everything is going to change. The rest of Dark Phoenix‘s plot is very much taking liberties with the original saga in order to contain and connect the narrative, for better or worse. And for better or worse we can only wait and see.

Grade: C

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Media Review Screening: Monday, June 3, 2019 ~ Courtesy of 20th Century Fox

‘DARK PHOENIX’ OPENS IN THEATERS WORLD-WIDE – FRIDAY, JUNE 7, 2019