GOLDEN GLOBES 2017 (Part 2) ~ FILM/ACTING PICKS

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Here we are with part two of my Golden Globes picks – this round is Film and Acting.
I’ve seen almost all the films presented this year, even the foreign ones – though yes, I’ve missed a few as there is only so much one human being can do! I also have a few categories where I just didn’t like any of the nominees enough to make a ‘MY PICK’. You might agree or even better, you might disagree ~ it’s all good.
So with that..I give you #peggyatthemovies 2016/17 Golden Globe picks! Cheers!

BEST PICTURE (DRAMA)

Hacksaw Ridge
Mel Gibson is riding the come back high with this decently done war film. While it’s war scenes are done very well, it’s riddled with a lot of cheesy storyline in the first hour.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, it really never struck me as Award material when watching.

Lion
A sweet and rather powerful story of a child’s journey into being a man, and finding not only his true story, but his family’s also.

Manchester by the Sea
While I didn’t dislike this film, it was monotonous and so slow for long periods throughout. I found the last 1/2 hr. to be the best as we finally found out what was going on.

Moonlight – WINNER
While watching this film, I couldn’t help thinking I’ve seen this story before..and we have – except it was done much better on the ‘The Wire’.

I just really don’t have a pick in this category as I didn’t truly love any of these nominees, so I’m just going with what I think will win.

BEST PICTURE (COMEDY/MUSICAL)

20th Century Women
Remember how I mentioned I hadn’t seen all the movies – this is the one that my screening is actually this Tuesday.

Deadpool
Funny, fun, fast and R-rated sheer entertainment made this a favourite of mine.

Florence Foster Jenkins
Not sure how there is a nom for this one, but hey, I guess they gotta fill up the category somehow.

La La LandWINNER
With an opening scene that is just truly beautiful and so well done, you would think the rest of the film to be just as good. It’s not. Mind you it’s a good watch, just a little to far-fetched, cutsey perfect for me.

Sing StreetMY PICK
Now this movie, sadly got missed by so many and IT’S SO SO GOOD!! I would pick this as best film of all the choices given to us as Globe nominees film wise, drama or comedy, on this one. Sadly, it won’t win and it’s so deserving.

Best Director

Damien Chazelle, La La Land
While Chazelle made one of my top fav. films ever with ‘Whiplash’, and again, he does a good job with the direction of this pic, it’s just not as gripping of a film.

Tom Ford, Nocturnal AnimalsMY PICK
Hands down my favourite film of the year. This film terrorized me in all the best ways possible. And it was made possible all by Mr. Ford.

Mel Gibson, Hacksaw Ridge
Again, he’s on the comeback-kid tour right now, and really did a spetacular job on the war scenes, but I don’t think he’s been forgiven enough to win his first time back.

Barry Jenkins, MoonlightWINNER
Gotta give it to Barry Jenkins for even getting this movie made. I know from being in a Q & A after the film, how hard they all worked. It just didn’t work that well for me. Many love it.

Kenneth Lonergan, Manchester by the Sea
While the film was aesthetically pleasing, again I just can’t call it a ‘fav’ for me. And while I’ve really liked some of his other work, this one isn’t my pick.

BEST ACTOR (DRAMA)

Casey Affleck, Manchester by the SeaWINNER
I liked Casey in the film, I did. And having an insightful & humourous Q & A with him afterwards helped make me like the film just a bit more than I did. I just didn’t see it as an Award winning performance.

Joel Edgerton, Loving
Didn’t do it for me. Honestly, when was the last time you heard Edgerton actually speak with his native accent..yeah I can’t remember either and him trying to do the backwoods southern didn’t work for me.

Andrew Garfield, Hacksaw Ridge
Again, the accent thing bothered me here. Do I think the performance was bad, no. But it didn’t warrant an Award either.

Viggo Mortensen, Captain FantasticMY PICK
Mortensen has been pretty underappreciated in his career. I say we make that right here. Even though I know it won’t happen, it would be great to see.

Denzel Washington, Fences
Denzel..oh Denzel..how I adore you. You pretty much own every role you do.

BEST ACTRESS (DRAMA)

Amy Adams, Arrival
While I really enjoyed this film, one of the best Sci-Fi I’ve seen, she really shoulda gotten this nom for Nocternal Animals because thats where she really shined.

Jessica Chastain, Miss Sloane
I think Jessica is wonderful, though I did not see this film yet.

Isabelle Huppert, ElleMY PICK
Huppert simply put – blew me away in this one. I don’t think I’ve ever quite seen a performance like it, and probably never will again. Sadly, I’m guessing she won’t win.

Ruth Negga, Loving
I liked this performance so much once she started speaking and really putting forth as the first 30+ min she just really never said anything.

Natalie Portman, JackieWINNER
Yes, we all know they are going to give the award to Natalie. And while she was good here, she doesn’t even come close to Huppert.

BEST ACTOR, COMEDY

Colin Farrell, The LobsterMY PICK
Colin was so fantastic in this funny, bizarrely good film that he was hands down, best in category for me.

Ryan Gosling, La La LandWINNER
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And was really cutsey good here as well as the film was. Just not Award cutsey for me.

Hugh Grant, Florence Foster Jenkins
While his performance was one of the better spots in this film, it’s so far from Award worthy.

Jonah Hill, War Dogs
Clearly they were desperatly trying to fill up this category here. Did anyone see this film besides me at a free screening months before it came out? Yeah I’m guessing not – there is a reason for that.

Ryan Reynolds, Deadpool
I truly did love Ryan in this film – but again, Award worthy..nah..

BEST ACTRESS, (COMEDY)

Annette Bening, 20th Century Women
Dang on this one, my screening is Tues. night.

Lily Collins, Rules Don’t Apply
I was out of the country when this one came out and by the time I got back, it was gone out of theatres.

Hailee Steinfeld, The Edge of Seventeen
Cute film, cute performance – I do think there will be awards sometime in her future.

Emma Stone, La La Land
Yeah – I like Emma and another cutsey performance. That’s really all there is to it.

Meryl Streep, Florence Foster Jenkins
Okay again, do they just use Meryl every year as a filler for a supporting category. And while I think she is one of the greatest actresses of our time, it’s when she gets nominated year after year for this reason only that makes it tiresome.

BEST SUPPORTING ACTOR

Mahershala Ali, Moonlight
While I wasn’t the films biggest fan, if I had to pick a part that I liked, it was the first segment with this guy in it.

Jeff Bridges, Hell or High WaterWINNER
While I might not have seen awards coming for this movie, Bridges came through on this performance in a big way.

Simon Helberg, Florence Foster Jenkins
This character was cute & funny..at first..then it just wore on you.

Dev Patel, Lion
I’m a big Dev Patel fan and while the child actor might have stolen the show, he did bring it all t

Aaron Taylor Johnson, Nocturnal AnimalsMY PICK
Some think he doesn’t deserve this. I think he TOTALLY does. Sure his roles leading up to this have been sub-par, but thats what makes this one so good – he did a complete 360 and brought the ‘terrifying’ to this role in a most fantastic way. Anytime someone can surprise me with a performance this good, yes they deserve a nom.

BEST SUPPORTING ACTRESS

Viola Davis, Fences
Viola has proved herself to be one of the most standout actresses in Hollywood. She most definitely deserves the nom here. Plus, if she wins, you know it will be one fun acceptance speech!! 🙂

Naomie Harris, Moonlight
Liked it – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it.

Octavia Spencer, Hidden FiguresMY PICK/WINNER
Now I called this when I saw the film back in November. The whole movie is good with really good performances, but she takes it here for me. She has been and is my only and clear choice.

Michelle Williams, Manchester by the Sea
Really, a blink of seven minutes total on screen..though the last scene with her and Affleck is the one what finally made me like the film better, still.

BEST SCREENPLAY

Damien Chazelle, La La LandPOSSIBLE WINNER
I think I’ve said my take on this film enough and while I think Chazelle has a fantastic career ahead of him, I

Tom Ford, Nocturnal AnimalsMY PICK
Having done a Q & A with Ford after the film really brought the ‘how’s & why’s’ insight into my fav. film of the year.

Barry Jenkins, MoonlightWINNER
Again, I completely commend Jenkins for even getting this film made. And I think it’s between him & Chazelle for who is the critical darling of the year.

Kenneth Lonergan, Manchester by the Sea
Respect to the writing, though I might have enjoyed the process of it better as a book.

Taylor Sheridan, Hell or High Water
Well done for being remembered from earlier in the year. Worthwhile watch – not a win for me.

Best Animated Feature Film
While I saw all of these besides ‘Zucchini’ I just don’t have commentary for all of them. Just a pick.

Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
ZootopiaMY PICK/WINNER

Best Foreign Language Film
Have seen all but ‘Divines’ and I only have one hands down pick and what will hopefully be the winner!

Divines
ElleMY PICK/WINNER
Neruda
The Salesman
Toni Erdmann

Follow along to see what happens with my live tweets during the Awards at @pegsatthemovies

GOLDEN GLOBES: TV PICKS

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Once again you can just cue into me singing “It’s the most wonderful time of the yyeeeaarrr…”
In case you haven’t guessed already.. it’s Awards season otherwise known as ‘My Happy Time’ ~ and the first big event is the Golden Globes this Sunday. It’s where the best of both the Film & TV worlds collide in one night. With so many categories, I’m breaking it up into two separate posts and of course, who I think the winner will be and what would be my pick – because they don’t always necessarily coincide with each other!!

TELEVISION

Best TV Series, Drama

The Crown
What a show this was. I couldn’t stop watching. The acting, the story – both all engrossing

Game of Thrones
This show took itself to a whole new level this year, and I loved every second of it even if Jon Snow coming back from the dead made me giggle for a sec.

Stranger ThingsMY PICK
Fantastic storyline of something so far-fetched, yet so made you think! I loved it. The fact the acting by kids was so strong here really made it all the better.

This Is Us
Is this show cute..yes..maybe a little to cutsey & sappy for me, but I will say it’s quite well written.

WestworldWINNER
There were times when I completely understood this show and others where I literally had no idea what the bejesus was going on. But you couldn’t help yourself to keep watching with the nagging feeling of “what if?” I think this one might steal the award just because of that.

Best TV Series, Comedy/Musical

AtlantaWINNER
While I haven’t watched all the episodes of this show yet, the ones I have seen I just love. I can’t stop laughing.

Blackish
I loved this show at the beginning, now I will say I just don’t watch it all that much anymore..Sorta went the Modern Family route for me.

Mozart in the JungleMY PICK
I LOVE this show. It’s so completely different and well done about a subject I really didn’t know much about, yet made me interested in and yes, laugh.

Transparent
See Transparent has never done ‘it’ for me. I know there are those that just love it. I was done after season 1, I just really didn’t like too many of the characters enough to go to the next season.

Veep
Kinda the same as above for this one. I love Julia Louis-Dreyfus humour, but this one never grabbed me enough to keep watching.

Best TV Miniseries or Movie

American Crime
This season of American Crime was mind-boggling. The best written and acted so far. I couldn’t get enough of each cliff-hanging episode.

The Dresser
While this featured a great cast I would have loved to see, I don’t have Starz channel as I cancelled cable, so was never able to see it.

The Night Manager
I still am not getting the appeal of this one. It wasn’t done plausably or even well. Sometimes I was just in awe of how ridiculous it really got.

The Night OfMY PICK
Another mind-blowing HBO min-series that just took what could have been just another murder storyline and gave it more twists than you could keep your jaw from dropping instead. Acting was top-notch to boot.

The People vs. O.J. Simpson: American Crime StoryWINNER
I mean what can you say about this fantastic mini-series that hasn’t already been said. So many things you’d either forgotten or never knew about, told & acted by a unbelievable parade of good writing and acting. Blew me away.
By far my hardest category to decide on.

Best Actor, Drama
Rami Malek, Mr. Robot
Just love Rami and this show. Rami helped keep it fresh for it’s second season.

Bob Odenkirk, Better Call Saul
While I loved this character on ‘Breaking Bad’, I couldn’t even get through the whole first season and to those that love it, kudos.

Matthew Rhys, The Americans
While the show has always been a hit or miss for me, as in I could skip a few eps., come back and still know exactly what was going on, I feel the same about it’s lead, Matthew Rhys.

Liev Schreiber, Ray Donovan
Love Liev and the first 2 seasons his character was so something different. Now it’s just rambling as is the acting somewhat.

Billy Bob Thornton, GoliathMY PICK/WINNER
Never have been Billy Bob’s biggest fan, but damn this role was cater-made for him. He is excellent as was the show.

Best Actress, Drama

Caitriona Balfe, Outlander
I’ve only ever been able to watch 2 eps. of this show considering it’s on a very pricey pay channel here, so I can’t really give a fair assessment of her acting.

Claire Foy, The CrownSLEEPER WIN
Oh Claire.. you are fantastic in this show. Simply sublime as the Queen herself might say. It’s so well written, cinematically beautiful and well acted. And you know us American’s love a good upper-class British show. Don’t anyone be surprised if she walks off with this award.

Keri Russell, The Americans
I mean who doesn’t like Keri Russell really now.. and I do, but she won’t be my pick or the HFP’s pick I’m guessing either.

Winona Ryder, Stranger ThingsMY PICK
Winona, Winona, Winona – I feel sometimes as if we’ve grown up together. And is essence we have and you are soooo good in this show. I’m so glad you’re back.

Evan Rachel Wood, Westworld WINNER
Same as the show, good acting here because sometimes you just wondered what in bejesus is she?! or WHO is she should be more the question 🙂

Best Actor, Comedy

Anthony Anderson, Blackish
I’ve adored Anthony Anderson for as long as I can remember. He started off doing drama, and segwayed into comedy as easily as could be. Not my pick, but I am so glad he is nominated as it’s nice to finally have some fresh faces in this whole category.

Gael Garcia Bernal, Mozart in the Jungle
I love this show and I love Gael in it. But can he pull off another surprise win here?? I would love it but I doubt it.

Donald Glover, AtlantaMY PICK/WINNER
Another first time, fresh nominee that I love. I’m going with a first timer here on this one because of the sarcastic brilliance of this show and his character in it.

Nick Nolte, Graves
I’m going to be honest – I’ve never even heard of this show. Sorry Nick!

Jeffrey Tambor, Transparent
As Jeffrey has won so many times for playing this character, I’d just love to see someone new win it again.

Best Actress, Comedy

Rachel Bloom, Crazy Ex-Girlfriend
Rachel Bloom surprised us all with her win last year. Is there a repeat in tow?

Julia Louis-Dreyfus, Veep
I kinda feel like Julia is the Meryl of TV comedy. 🙂

Sarah Jessica Parker, Divorce
While this show isn’t bad nor is SJP in it, I don’t think it’s going to grab a win.

Issa Rae, Insecure
I’ve not watched this one so truly can’t give it a nay or yay..

Gina Rodriguez, Jane the Virgin
While I think Gina Rodriguez is just adorable and I loved this show the first season, it waned very quickly on me during the second. Not saying she’s not still good in it, just haven’t watched in awhile.

Tracee Ellis Ross, BlackishMY PICK/WINNER
Tracee would be my pick. While I might not be watching the show all the time anymore, she should have been nominated and won like 2 seasons ago already!

Best Supporting Actor

Sterling K. Brown, The People vs. O.J. Simpson
This mini-series was just filled with fantastic acting and Sterling is part of that.

Hugh Laurie, The Night Manager
While I really thought TNM was a poorly done series, there were two standouts in it that made it somewhat bearable, and one of them was Hugh Laurie.

John Lithgow, The CrownWINNER
It’s rare that they get an American to play a Brit nowadays, but Lithgow as Winston Churchill is a brilliant piece of casting.

Christian Slater, Mr. Robot
I won’t lie. I kinda shook my head in disbelief when Slater walked away with this last year. I mean he’s good, but he’s not that good.

John Travolta, The People vs. O.J. SimpsonMY PICK
So yeah, I know people think it’s strange, but I’ve adored John Travolta since I was a child. yes, I admit and he’s done some really awful movies, but here, you can’t deny he was truly amazing.

Best Supporting Actress

Olivia Colman, The Night Manager
Remember I said there was two things that saved the Night Manager – Olivia Colman is part two of that.

Lena Headey, Game of Thrones
She’s always pretty damn amazing in this show. You can’t help but love to hate her character, but yet she still tugs at your heartstrings as she is just so flawed. Remember your show is only as good as your best evil person and she is truly fantastic at it time and time again.

Chrissy Metz, This Is Us
Again, I find the show just a little to sappy, but I admire and respect the writing and the characters are all well done. It’s a tough call which person from the show to say I like more..Chrissy or Mandy.

Mandy Moore, This Is Us
Again, between the two nominated here from this, I might actually pick Mandy because her transition to this character is pretty damn good.

Thandie Newton, WestworldMY PICK/WINNER
Thandie’s character here was the one I was never confused by. She was simply put ‘badass’

Best Actor, Mini-Series or TV Movie

Riz Ahmed, The Night OfMY PICK
This show also gave us some fantastic performances with the two nominees in this category just making this show a spectacular watch.

Bryan Cranston, All the Way
I didn’t watch this one.

Tom Hiddleston, The Night Manager
Really.. on this one. For those who me, I love and ADORE Tom Hiddleston – but there in points in time where I just rolled my eyes at some of not only the show, but his acting here. Sorry Tom.

John Turturro, The Night Of
Turturro knocked it out the park on this one. There just isn’t much else to say, you can’t be mad if he wins this one.

Courtney B. Vance, The People vs. O.J. SimpsonWINNER
Again, this show was just so good! Even though you knew what was going to happen, it held you and kept you coming back. Courtney Vance was one of the main reasons why.

Best Actress, Mini-Series or TV Movie

Felicity Huffman, American Crime
Always a strong actress, this seasons AC was so good and she went for it in this role.

Riley Keough, The Girlfriend Experience
Only the 3rd show on an expensive pay-per-view that I never have had or probably will.

Sarah Paulson, The People vs. O.J. SimpsonMY PICK/WINNER
Again, mind-bending performance from this series. Sarah for me in the shoo-in to win this one.

Charlotte Rampling, London Spy
I watched this show so long ago, I forgot I’d even seen it. But I swear it was 2015 when I did see it so I’m not really quite sure why it’s under 2016 noms. Rampling always gets roles she excels at. This was no different.

Kerry Washington, Confirmation
I remember the story so we already knew what happened, but unlike the O.J. story, I didn’t get the feeling of still wanting to watch. Washington was good, but I don’t see her winning this one.

REVIEW: “HIDDEN FIGURES” (2016) 20th Century Fox

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Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe), are more intelligent as children than most. But sadly, they have the wrong skin color for America of the 1960s, so educational opportunities aren’t as readily available to them as to most. And luckily for all of us, they don’t let it stop them.

“HIDDEN FIGURES” – written & directed by Theodore Melfi, is based on the true events of these three women’s accomplishments of beating the odds in a time when those odds were almost insurmountable. Although all three are working at NASA, they are widely under-ultilized, stuck in a mundane employee-temp circle with other African-American women. It is only when the ‘space-race’ heats up and NASA is concerned with the fact that Russia might beat us to manned space travel that they even get considered and their abilities are brought to light. But it is still a long journey to get from the temp pool to the point of where now-famed astronaut John Glenn (Glen Powell) had her double-check the numbers against a ‘new’ computer machine before his now-legendary orbit around the earth.
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The film does do well in summarizing the story and making the period of the early 60’s space-race look exciting. Melfi succeeds in revealing the perspective of the people who made it possible for a human being to be brought into an orbit were chiefly physicists and, above all, mathematicians. Making it truly special is the fact that three of these essential figures were not only women, but African-American women. In a time where different races were still strictly separated in everything from the bathrooms, to yes, even the coffee pot and how they had to fight not only to assert themselves into the circles of white, male-dominated NASA, but also with the colour of their skin.
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In addition, we have a decent supporting cast with Kirsten Dunst as Vivian Mitchell, head of the white secretarial pool and chief scientist, Al Harrison (Kevin Costner), who while blind to all the bias at first, gradually begins to notice Johnson’s intelligence and how she is being treated by her white, male co-workers and steps up to the plate. Jim Parsons, Mahershala Ali, Aldis Hodge, Olek Krupa just to name a few, are great additions to the supporting cast.
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Performances are all above par here and not being Costner’s biggest fan, he comes off very well here in one of what is surely one of his more likeable performances. Hands down winner for me though is Octavia Spencer, who not only steals the show, along with hopefully not only a nomination, but a win from this performance.

Finally, do I think some liberties might have been taken here with the story-line or some of the characters, most likely, and it’s in these spots that the film lags, but it is also very simple to just look up history and see this is accurate in the frame of what these women did at/for NASA and what they went on to do in leading the way for so many to follow is even more impressive.

HIDDEN FIGURES is emotionally stirring cinema and should leave a lasting impression on viewers.

Grade: B
@pegsatthemovies

Media Review Screening: Monday, November 21, 2016 ~ Courtesy of 20th Century Fox
In Limited Release: Sunday, December 25, 2016
NATIONWIDE RELEASE: Friday, January 6, 2017

REVIEW: “NOCTURNAL ANIMALS” (2016) Post: Q & A ~ Tom Ford

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If you’re looking for a sequel of sorts to  A SINGLE MAN, it won’t be found anywhere in “NOCTURNAL ANIMALS”. Tom Ford’s take on this tale of redemption, revenge, love and cruelty, terrified me at times, but in all the right ways.
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NOCTURNAL AMINALS is a dark, yet stylish thriller directed by a man who knows a thing or two about style – having previously worked as creative director for both Gucci and YSL and now of course, his own design firm, Tom Ford. So to say his delving into film could have been less than stellar or have gone in all the wrong directions, wouldn’t be absurd. He could have gone style over substance, thankfully, here we get both and Ford’s perfectionism makes this one of the most powerful films I’ve seen all year.

This is really a story within a story with the perspective coming from Susan Morrow (Amy Adams), an art gallery owner who spends most of her life at home alone, with her often out-of-town husband Hutton Morrow (Armie Hammer), pursuing his ‘business’. Randomly, (so we think) Susan gets a manuscript for a novel written by her ex-husband, Edward Sheffield (Jake Gyllenhaal), whom she hasn’t heard from in over 15 years and as curiosity gets the best of her, she starts reading it. Almost immediately she finds herself completely absorbed with the story, so much so, we see it as she herself ‘see’s’ it to have happened. As she continues to read, she has flashbacks to how her own relationship & marriage with Edward broke down as well as perceived thoughts that the way she is ‘seeing’ this violent thriller could maybe some type of veiled threat against her from Edward. nocturnal-animals-3

Edward’s novel provides the film with its dark soul, the story of Tony Hastings (also played by Jake Gyllenhaal) and his wife Laura (Isla Fisher) & daughter India (Elle Bamber), who run into trouble when traveling through some back country Texas roads late at night, you know the type they make movies about how not to ever drive down. It’s pretty heavy stuff to watch it all, and I couldn’t help but clench the seat while watching it all unfold, but it all plays out as essential in making this such powerful watch.
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The rest of the cast features the always scene-stealing, can-we-just-give-him-an-Oscar-already Michael Shannon, as Bobby Andes, a career best performance from Aaron Taylor-Johnson, who is truly vile, creepy and just plain terrifying as the Ray Marcus, and Laura Linney’s appearance as Susan’s mother, Anne Sutton, who even in the short space of time we see her, makes an impact.

Gyllenhaal is good here doing dual roles though playing Hastings is seemingly the much harder performance, I just feel like he’s trying these same type of thriller roles out one after another to see which one hits hardest. Amy Adams is quite brilliant and it’s this role that should garner her another Oscar nomination at the least. It seems some don’t like Aaron Taylor Johnson’s performance, probably because if anyone knows how to bring the ‘pretty’ to a film, it’s Tom Ford and Johnson along with Hammer and a few others are the ‘pretty’ to be sure. But he also knows how to bring a performance, and for me, I like it when I get surprised by one and Johnson’s did that for me.

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This is one damned good film and I’m thinking it’s going to garner itself a few award nominations.

Grade: A
@pegsatthemovies

Screening courtesy of Hammer Museum ~ The Contender Series
NOW SCREENING NATIONWIDE

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Post Q & A with Tom Ford
First off, I can’t say enough on how congenial this man is. He has been quite brilliant as not only a designer, but so far, as a filmmaker also, and yet is more than pleased to answer any and all questions posed and makes you feel as though your friends after only a few minutes conversation.

Mr. Ford acknowledged the fact that he’s been so very lucky in being able to make his films his way so far. After being in the same industry for so long (30 yrs. in design) he says it’s been nothing but a blast for him to be able to do this and he loves it for being so different.
He also notes it’s been great getting the cast he wanted as he really had to find two people who could span a 20 year time frame, and in doing so, both look it and be able to act it out. He felt Amy Adams just resonates so much expression on screen with just looks as she doesn’t speak as she reads the novel, but expresses it.
He noted that while they took some liberties with the film over the actual novel by Austin Wright, it would have been almost impossible to have filmed it exactly as written so deep a story it is. My favourite statement of his was that he wants you to remember this film..not just one day after you see..not just a few weeks later..but still be thinking about a year later and remember how it made you think and feel.
I think he will get his wish on that one. 🙂

REVIEW: “OFFICE CHRISTMAS PARTY” (2016) Paramount

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“OFFICE CHRISTMAS PARTY” delivers exactly what we all need right now.. some much needed laughs. With 2016 so far being the probably one of the worst years in the history of well..ever..this film is just what the ‘Office’ ordered.
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This over-the-top fun ensemble comedy about what happens when a company holiday party goes way, way, way out of control and things start flying out of windows and reindeers are drinking from toilets.

Basic storyline: uptight sister/CEO Carol Vanstone (Jennifer Aniston) threatens to shut down the Chicago office of father’s company, Zenotek, mostly because of the antics of her hard partying brother, Clay Vanstone (T. J. Miller) and cancel the office Christmas party. Branch manager Josh Parker (Jason Bateman) plans an epic bash against her wishes to win over a big client Walter Davis (Courtney B. Vance) to prevent the axe from falling on all the employees. OFFICE CHRISTMAS PARTY
But of course, the party quickly gets way out of hand, leaving the office in mess of chaos and destruction. Oddly enough, there is a relatable plot in this movie also, and a somewhat decent one at that. Yes, Bateman is Batemen and Anniston is Anniston, but truly, we aren’t looking for Oscar’s here – we are looking for a laugh and we do find those. With the top-notch supporting cast which includes Kate McKinnon as the hysterical HR manager Mary, Olivia Munn as tech/coding expert Tracey Hughes, Rob Corddry, Vanessa Bayer, Randall Park, Da’Vine Joy Randolph, Fortune Feimster and so many more. It’s truly a full ensemble comedy in the truest sense of the word.
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It leaves out the super crass and vulgar, which is nice, though it does have a few ‘huh’ scenes, it definitely doesn’t go down the worst of roads in that extreme. Teens will likely want to see this movie and I recommend it as a PG-13. It also has a momentary sweet homage to Prince and David Bowie that gets a round of cheers from me and most of the screening I was in.

Can you disect this movie piece by piece and find all it’s flaws..sure you can..but why? Just go have fun with it and laugh at the ever-devolving scenario of a party gone nuts.

Grade: C+
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Media Review Screening: Tuesday, December 6, 2016 ~ Courtesy of Paramount Pictures
Nationwide Release: Friday, December 9, 2016

REVIEW: “JACKIE” (2016) Fox Searchlight

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Jacqueline Bouvier. Jackie Kennedy. Jacqueline Kennedy Onassis. Jackie O. Jackie. There are many ways to refer to this iconic woman – and many ways to remember her. That breathy voice. That educated and sophisticated demeanor. Her sense of style… including that pink suit stained with the blood of her husband. Holding her own as she watched the Vice President Lyndon B. Johnon (John Carroll Lynch) be sworn in merely hours after the President’s assasination.

“JACKIE” is about all of this. Though the film fills the span of only short perod in time – the day of and the few days following then President John F. Kennedy’s (Caspar Phillipson) assasination in Dallas, TX on November 22, 1963. The story is told in the narrative of Jacqueline Kennedy herself (Natalie Portman) to “Life” Magazine writer Theodore H. White (Billy Crudup), who arrives at the Kennedy Compound in Hyannis Port, Massachusetts to interview her just one week after the assassination. Mrs. Kennedy is concerned that her husband may be forgotten – or misunderstood by history. White is deferential, firm but professional. He finds a woman who is clearly still grieving her horrible loss, but who is also very much in control of herself – and very much in control of what she wants regarding her husband’s legacy – even to the point of making sure she edits White’s notes during the interview.
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While returning periodically to the scenes of the interview, most of Jackie’s story is told in flashback scenes of her as First Lady – especially on that fateful day in November of 1963 – and the four days that followed. With a lot of the story being told in this fashion, the film is trying to paint us a picture of who Jackie really was while First Lady. We get the famous televised tour of the White House that she did, the first ever of it’s kind. And while some parts of this come off as sometimes portraying her as a caricature at times, it’s also giving us a glimpse into something never seen before by the American public at the time.
We get insight into her strengths and weakness in the days following. How she interacts and stands up for what she wants for the funeral to Special Assistant Jack Valenti (Max Casella) but yet, sleeping pills, chain smoking and alcohol are also playing a big role in her coping mechanisms.
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“Jackie” is fascinating and compelling. The script and direction shed a lot of light on what happened (and might have happened) during the private moments of this very public national nightmare, while painting a very personal portrait of Jackie Kennedy. At times the editing and the chronology of events, while not very difficult to follow, simply jump around too much. Portman is really good here and it was great to see Crudup back in a strong supporting, even if he looks completely different and Greta Gerwig as Jackie’s long time assistant, Nancy Tuckerman and Peter Sarsgaard does well as Robert Kennedy even though he looks really nothing like the real RFK, which also was quite noticable with other actors also.
The films score also ‘scored’ with me as it seemly was a life of Camelot to all of those looking in from the outside.

All in all, this film moved me. I rarely get emotional or cry during a film, yet the tragedy of it all got to me more than once. This film might have it’s misses, but all in all, it’s very special and should be seen.

Grade: B+
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Media Review Screening: Friday, November 18, 2016 ~ Courtesy of Fox Searchlight
NOW PLAYING IN THEATRES NATIONWIDE

Don’t let it be forgot
That once there was a spot,
For one brief, shining moment
That was known as Camelot.

REVIEW: “ALLIED” (2016) Paramount Pictures

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With Brad Pitt’s big return to the screen since his personal life news overtook his career for a bit there, we have him here in “ALLIED” as Max Vatan, a 1940’s wartime intelligence office who finds himself in a predicament with his fellow French Resistance (or is she?) spy and soon-to-be wife, Marianne Beauséjour (Marion Cotillard). A predicament I might add that can be figured out in the first 15 minutes of the film as Marianne makes a quote that let’s you know really where the film will end up going if you’re paying attention. And it’s exactly where it goes.

With uneven pacing and script, the film benefits from beautiful cinematography. The weakness in the lack of ability to successfully leave a lasting emotional impact on the audience, is in the writing and executive producership of it all. As we see Max and Marianne do a 30-sec assasination-shoot em’ up scene reminiscent of ‘Mr. & Mrs. Smith’, and they fall in ‘love’ in about half that time, makes it all a bit unbelievable and undercuts the storyline.
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For films that are not as much about the spectacle as they are the drama between characters and the challenge faced therein, it is important for personal/interpersonal relationships go beyond the screen to directly impact the audience. All the makings were here for a deeply moving cinematic story, but it just doesn’t quite make that transition from the mostly superficial and distant. The ending, which tried to be sentimental is done completely in an overly-compensated, dramatic fashion that comes off very falsly.

Supporting work comes via Jared Harris, Lizzy Caplan, August Diehl, Marion Bailey, Simon McBurney, and Matthew Goode. With no stand-out performances, and my screening being on a 50/50 basis of who liked it and who didn’t, I think it will do a couple of good weeks and the box office, but the competition along with a slate of excellent films coming out, might drag this one down after that.

Grade: C-
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Media Review Screening: Thursday, November 17, 2016 ~ Courtesy of Paramount Pictures
NOW PLAYING IN THEATRES NATIONWIDE