Insta-Review: “HALLOWEEN” (2018) Universal

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Yes..#MichaelMyers is back after 40 long years locked away in an asylum. And so is #JamieLeeCurtis as #LaurieStrode – the one who barely escaped him all those years ago.
Now you have no idea how excited I was for this..I was completely prepared to have my pants scared off.. I mean come on..this is #Halloween right…Wrong.
We start off with two “investigative” journalists from the U.K. doing a research project on Myers and actually visit him. Then of course somehow (they don’t show this) he escapes while being transferred and of course goes on a killing spree.
This is where it gets even more ridiculous. Laurie, who lives in isolation in a state of complete paranoia and whose house is equipped with everything from a full blown arsenal, to traps, gates and her very own ‘panic basement’ but yet some how her estranged now adult daughter Kathy (#JudyGreer) her husband Ray (#TobyHuss), along with her granddaughter Allyson (#AndiMatichak), don’t really seem super worried that he’s killing all there friends. Finally they get it, but these parents actually leave their child behind because she’s at a high school dance.. this is where it just went so wrong for me…cause that would never happen.
Long story short…it seems as though #MichaelMyers even though he’s gotta be at least 70, can plow through and slash up a bunch of people all while getting ran over, shot a few times and stabbed more times than I can count. They should just call him the Energizer Bunny Slasher because clearly he can take a licking and keep on ticking.
I never jumped once, was never even the slightest bit scared..at times I almost felt bored. The dialogue can bit a bit ridiculous at times..but the one thing I loved and you should go to see it for…the music…ahhhhhh the wonderful old creepy music is back. Too bad it was the best part of the film.
The ending is decent and Jamie Lee does her best with this.. and well..it is Halloween so I will say to see it.. but if they try to say Myers survives the ending and try to do a sequel..I will say no to that.
Happy Halloweenie everyone!

Grade: C-
@pegsatthemovies

Media Screening: Monday, October 15, 2018 ~ Courtesy of Universal
‘HALLOWEEN’ WILL BE OUT IN THEATERS WORLDWIDE JUST IN TIME FOR HALLOWEEN #BOO

#Halloweenie #Slasherfilm #horror #scary #notscary #moviereviews #moviegoer #movielover

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Insta REVIEW: “FIRST MAN” (2018) Universal

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Just done watching #FirstMan after a long torturous drive from the Westside to #UniversalCityWalk .. and an even more arduous journey home…I can say I DID IT!!. And got myself a #VoodooDonut to add and they are just as good as everyone says.

Okay okay..I’m getting to the part about the movie.. it’s a foray from #DamienChazelle into space that I never imagined could be so tense, frought with sadness and despair, and yet delves so well in what can only be described as stunning filmmaking chronicling mans marvels and mishaps leading to the ultimate achievement – the first man on the moon. #RyanGosling is solid here, but without his supporting cast of #ClaireFoy #CoreyStoll #JasonClarke #KyleChandler #EthanEmbry #PatrickFugit #LukasHaas #PabloSchreiber to name just a few – are the keys to the lock of this film and his character.

From a technical standpoint the films wows in almost every aspect though there is a lot of shaky-cam work that never bodes well for me personally (headache inducing), but considering its about space and everything that that entails, including putting you in the astronauts helmet, I should have been expecting it.

All in all the almost 2 1/2 hour run time is filled with only a few momentary bumps in the road. This makes it three in a row for Chazelle as I have no doubt some of this will have some Oscar nods..#Whiplash is still hands down my personal favourite, but this one also educates you in the history of man’s exploration into space and is visually effective.

Grade: B
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Media Review screening courtesy of Universal Pictures

REVIEW: “A STAR IS BORN” (2018) Warner Bros.

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“A Star is Born” version 4.0 is here. And with it, we get not only Lady Gaga, but Bradley Cooper in his directorial debut doing double duty as lead actor as well. Straight off the bat I have to say this was a fantastic film with deserved praise for both its stars performance and their chemistry. The rise of fame from Gaga’s character to the declining career of Cooper’s was a roller-coaster ride of emotion. And the soundtrack can be just summed up as WOW!.

This 2018 updated version is very much in tune with today’s world and thankfully so, as I can only confess to seeing the last two versions and they were too kept in time with the day/age of music of that period. The first half of film for me is certainly the strongest part as we get to meet our main characters Jackson Maine (Bradley Cooper), a musician who is struggling to cope with his life and Ally (Lady Gaga), who thru a through a random stop, meetup where she is performing at a drag bar that Maine stops in while in an alcoholic stupor, for just one more cocktail.

We get a very good supporting cast here who all stand on their own in their parts of the story. Once again, I am impressed by Andrew Dice Clay’s performance – something I’d never thought I’d see or say, as Ally’s father Lorenzo. Her sidekick throughout the film is Ramon (Anthony Ramos) and her manager who takes her down fame’s sidewalk Rez (Rafi Gavron). Cooper has his own great support in Sam Elliot as his much older 1/2 brother Bobby. Bobby is the one who has picked Jackson up off the ground – literally – and wrapped him up at night before any major damage can be done.

Cue to the second half of the film. While still great does have more than a few cliche moments which can be a bit distracting especially if you have seen the other versions. Coopers directorial eye is certainly great capturing some great brilliant musical performance shots and always capturing the characters emotional thoughts. I certainly would have liked more Dave Chappelle scenes and loved the different type of character he played.

If I had to sum up this film – acting/directing/story/soundtrack in the best way possible it would be as follows: Gaga out-sings Cooper by a long shot, though make no mistake, he does a passable job. But Cooper on the other hand, out acts Gaga – who again, does well for a first time starring role – but cannot compete with either Streisand or Garland’s previous acting performances while her voice is just as comparable. Realistically speaking, those two are a tough act to follow for ANYONE. I know everyone is screaming Oscar, but personally, and again this is just me, I think it might be to early to call that yet – though it’s all a possibility.

While it’s a very tough job to pull this off as this type of story was maybe thought to have been done to death, but truly congratulations to all on a job well done.

Grade: B
@pegsatthemovies

Media Review Screening: Monday, October 1, 2018 ~ Courtesy of Warner Bros.
‘A STAR IS BORN’ IS OUT WORLDWIDE FRIDAY, OCTOBER 5, 2018

Film Review: “The Old Man & The Gun” (2018) Fox Searchlight

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I am a member of a club. A club that has enjoyed watching Robert Redford at every stage of his career. I’ve seen all his movies, many more than once. I’ve always adored him while enjoyed watching him onscreen and truly have always thought he didn’t get enough critical acclaim as an actor, but was tossed off as the ‘pretty boy’ for many years. For me, he has always been completely underrated and although he’s no longer the stunning young man he once was, he retains every bit of the star quality that blossomed sixty years ago earning every single wrinkle in his face which remains untouched by any markings of things done by many similar in age.

The Old Man & the Gun is a vehicle for Redford in the best sense of that term, a good story that showcases its leading man to best advantage, though not perfect in doing so for its supporting characters development along the way. Redford acquired the screen rights to this surprisingly true story and then brought it to director David Lowery, with whom he teamed with before.

Redford plays an unlikely character in Forrest Tucker, a gentleman bank robber, and a fairly good one at that. Though he’s been arrested sixteen times, he’s also managed to escape every single time. He is so unassuming that no one suspects him when he saunters into a bank about to ply his trade. But the film is really just about a man who doesn’t have many years left in his life and simply wishes to do what makes him happy. Robbing banks in the most polite way that he possibly can, without ever harming anyone, and pretty much always getting away with it, and finding time in-between to charm Jewel (Sissy Spacek). Redford is well supported by Casey Affleck as John Hunt, a police officer who is on the robbery detail and whom is completely determined to nab this guy and put him away for good. Waller (Tom Waits) and Teddy (Danny Glover) are Tucker’s partners in crime, though again, I wish their characters were just a bit more on the developed side. And while Spacek’s role as the widow who doesn’t approve of what he does, but also can’t help falling under his spell, is truly quite wonderful most especially in one specific scene when they are sitting opposite each other in a coffee-shop booth. His eyes are so alive it’s positively dazzling and she responds to this so perfectly. This goes far beyond an two actors reading lines. There is a magic here and the combination of her and Redford is just that, quite magical. If the rumours are true and this really ISN’T his last film, I would love to see them work together again.

For as slow as this film sometimes is, as it’s not perfect, especially if it was a ‘retirement film’, it still never me once had me checking my watch. This 90-minute film flies by, even with its slow pace. And again, it’s Redford – I’ll leave it at that.

Grade: C+
@pegsatthemovies

Media Review Screening: Monday, September 24, 2018 ~ Courtesy of Fox Searchlight
“THE OLD MAN & THE GUN” IS OUT NATIONWIDE // WORLDWIDE RELEASE TO FOLLOW IN OCTOBER

Film Review: “NIGHT SCHOOL” (2018) Universal

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As I was fortunate enough to see a bunch of movies this week – it also makes it hard to keep up and write full reviews on them all – so I did a quick Instagram posting on this one that I just copied on over. So since it’s coming into the busy time of year – I will get to every film I can, some full reviews will be here – some shorter ones on Instagram – so hey, why not give me a follow there also. peggyatthemovies -https://www.instagram.com/p/BoPgu8dFOD2/?taken-by=peggyatthemovies
Thanks all!

How I wish #NightSchool would have followed in the footsteps of #GirlsTrip as it’s from the same creators. It’s unfortunate as the first 30min of this movies are quite funny…but it relies completely on #KevinHart who plays the same role over and over with the same short man jokes and girlfriend who is out of his league that he has to impress to keep #MegalynEchikunwoke running throughout. Once we finally get #TiffanyHaddish and a pretty funny supporting cast including #TaranKillam #MaryLynnRajskub #BenSchwartz #AnneWinters #RobRiggle #RomanyMalco #JacobBatalon & #AlMadrigal there are a few more pick me up moments. I couldn’t help wanting more Haddish humour throughout the whole film and with a requisite dance off sequence now seemingly required in all comedies, and a gross out scene, I left feeling as though it was a half hearted attempt.
Grade: C-
Checkout all my movies reviews at peggyatthemovies.com or ventsmagazine.com
#movies #moviereviews #Universal #cinephile #instamovies #instareviews #moviegoer #screenings #cinephilecommunity #peggyatthemovies #rottentomatoes #cinephillia #comedy #filmisnotdead #comediesarenotdead

Film Review: “SMALLFOOT” (2018) – This WBA movie is good family fun – great soundtrack – but will it stand out in a crowd

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With this new addition from WBA (Warner Bros. Animation) to the animation game, this clever little spin on the BigFoot/Smallfoot switch-a-roo works fairly well in getting it’s message across. With an all-star voice over cast, that adds a wonderfully sequenced soundtrack with everyone from Channing Tatum, James Cordon, and Common & Zendaya adding their own spin of musical genres. “Smallfoot” cleverly inverts the point-of-view tale of how human and Yetis is to be told, but behind every animation movie, there is a message, and for me this one got a bit dark toned for a moment before it luckily lighted up into a nice, easily understood ending for the kids.

‘SMALLFOOT’ follows the tales of a clan of bigfoots living high up in the Himalayan mountains whose peaceful and orderly lives are disrupted when one of their own Migo (Channing Tatum), stumbles upon a a plane crash in the path of the young Yeti when he was flung off-course during gong target practice. See in Yeti mythology banging the gong raises the sun every day, to follow in his father Dorgle (Danny DeVito), footsteps. It means every morning he catapults himself headfirst towards a giant gong in order to wake the sun up. While investigating the airplane wreckage, Migo discovers a ‘smallfoot’ – a human – who is just as startled to come across the ‘mythical’ being as is the bigfoot itself. It isn’t just that these smallfoots (pssst smallfoots are humans 🙂 ) have thus far been the stuff of myth in fact, it’s that their very existence goes against the community’s long-held beliefs, which are literally set in stone and worn around the neck of the high and mighty Stonekeeper (Common). So as you can probably expect, that very individual is told to either rescind his account or face banishment from the community, but by bravely choosing the latter, opens up a whole new path of knowledge, understanding and enlightenment for his fellow 18-foot hairy denizens.

Lest you think that the movie ends up being too heavy-handed, I can reassure you that it never goes to dark for kids, or for that matter turn preachy. On the contrary, there are plenty of amusing details along the way – like how the fun-loving Migo is at first perfectly content to follow what is told, or the finding out about the S.E.S. (Smallfoot Evidentiary Society) a rebel band of Yetis led by the Stonekeeper’s own daughter Meechee (Zendaya), who assists Migo on his quest to find the Smallfoot and prove once and for all, they aren’t lying or delusional. or how Migo first runs into Percy, an animal TV show host whom is not only desperate to save his show and become famous, but he will become unlikely best buddies with Migo – who in his desperation for clicks tries to convince a fellow reporter to dress up in a Yeti costume so he can pretend to have captured one on camera.

So even though ‘Smallfoot’ never hits the gold standard of feature animations, there is plenty of fun and laughs to be had in this fable on lies and ‘myth-understandings’, as well as on mis-communication and the lack thereof. Like I said, you’ll be pleasantly surprised that its makers haven’t opted for just another superficially glossy piece of kids’ entertainment, and have instead decided to evolve the narrative in more complex and satisfying ways. I brought a 5 year old who loved it and completely understood all of it and that’s a big plus in kids movies today as not all have the younger kids in mind when made. It isn’t small or unambitious by any measure, and is in fact big on both entertainment and emotion, so you’ll find that there’s something for every member of the family – big or small – in this delightful celebration of wonder, discovery and truth.

Grade: C+
@pegsatthemovies

Media Review Screening: Saturday, September 22, 2018 ~ Courtesy of Warner Bros.
“SMALLFOOT IS OUT NATIONWIDE FRIDAY, SEPTEMBER 28, 2018 // WORLDWIDE RELEASE FOLLOWING IN OCTOBER 2018

Review: “A Simple Favor” – or is it simply an unfavorable one (2018) Lionsgate

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First things first, “A Simple Favor” is not really a mystery film, though it tries very hard, it seemed almost a spoof of a mystery. As much as the marketing would have you believe, and for those looking for the next Gone Girl or Girl on The Train, you might want to continue your search. The story here is far-fetched, overcooked and unravels in such a hasty-type way that it’s hard to treat much of it seriously. Director Paul Feig (best known for his comedy), is seemingly aware of the story’s inherent ridiculousness and keeps the film light and easily digestible, but the result is a weird hybrid of a comedy-mystery that doesn’t hit home with either genre completely and comes off spoof-like as there are whole bricks of time that you aren’t sure if a certain part was meant to be funny or dramatic, so the laughs are small.

The film, based on the novel by Darcey Bell, gives us neurotic Mommy Vlogger Stephanie Smothers (Anna Kendrick,) a widowed mother to a young son. Her goody two-shoes personality makes her pariah amongst the other parents by being so overly perky that the sneers and snark given behind her back are viciou,s but quite true. But she’s also so desperate for human connection that she’s willing to befriend Emily Nelson (Blake Lively), the martini-guzzling fashion industry executive who is not exactly a hands-on mother to her son. We soon learn that martinis and playdates shouldn’t be mixed. Before long they become best friends, at least in Stephanie’s mind they are and when Emily disappears, Stephanie steps out of her shell to solve the mystery via her vlog. I kid you not.

Kendrick’s role is attuned to her goofy charms, though she always comes off as being more of a teenager than an adult. While on the other hand, Lively convincingly embodies the enigmatic nature of her character in a crucial supporting role. And then we have Henry Golding, who hot off his Crazy Rich Asians role, gets the rough end of the deal playing Emily’s husband Sean, a character who, while not entirely likeable, is cruelly used and manipulated by the two females throughout the film. Though I will say, his roles were so similarly played to me as in, not a huge range in the difference of the two characters.

To be honest, the only consistency between all the characters is that none of them are particularly likeable. They each make questionable decisions, are gratingly self-centered and become increasingly obnoxious as the film progresses with its dubious twists. By the end, you’ll be hard pressed to care about any of them. This is no more evident than in the film’s tacked on “where are they now?’ postscript that feels completely unnecessary and ill informed in assuming audiences care enough about the characters to know where they end up.

On the upside, Feig, who is more proficient in making fun films rather than serious ones, keeps the film feeling light and easy-going. The audience is teased with a stylish soundtrack filled with classy French music (seriously one of the best parts of this entire film is the soundtrack), and there are some funny scenes that incite light giggles rather than any laugh out loud bursts of humour. These meager positives don’t improve the narrative but at least they make it a little less painful to digest. Ultimately, ‘A Simple Favor’ spends two hours flipping between being a trash novel & a parody of one. As the end credits roll, I still didn’t know. And the whole blend of trying to switch between the ‘mystery’ and the ‘comedy’ got tiresome after a while. But hey, everyone tries to give the audience a good time.

Ultimately, It wasn’t the best movie I’ve ever seen and all the actors play roles they are typically type cast for. It was surprisingly unfunny, oddly kind of enjoyable, even as super far fetched as it was. It’s a strange blend of mystery and comedy that doesn’t gel into a cohesive whole. As a piece of entertainment, it’s entirely disposable, but I give it kudos for not being the same old recycled material we’ve all been seeing lately.

Grade: C+
@pegsatthemovies

Media Review Screening: Tuesday, September 11, 2018 ~ Courtesy of Lionsgate
‘A SIMPLE FAVOR IS NOW PLAYING NATIONWIDE // Worldwide release to follow