RITA MORENO: JUST A GIRL WHO DECIDED TO GO FOR IT (2021) Roadside Attractions

Have you ever looked at someone’s life from the outside and just said to yourself “wow, I wish I could be just like them”. Well that’s what so many thought when looking at Rita Moreno and this great in-depth documentary about one of Hollywood’s most trailblazing actors, can confirm you just might still want to be.

The now 89-year-old actress, born in Puerto Rico, Moreno came to New York with her mother as a child at age 6, leaving behind her brother and father, whom she never saw again in her life. Moreno dropped out of school at the age of 15 and earned the money for her family as a dancer at the age of 16. When the boss of a Hollywood studio was in town, she auditioned with her mother: “I styled myself like Elizabeth Taylor, because that was the only actress who looked like me at the time.” She got the contract and from then on played everyone small role that looked somehow exotic, from the ‘Indian girls’ to the Asian dancers, and yes, even the playing Russian/Hungarian girls and incredibly, all of them with the same accent.

We see the good, the bad, and the ugly side of Rita’s life, not just the ‘grazing at the surface’ good things. It shows how Rita struggled with hating her Hispanic roots, because it limited her as an actress. She tells how she was sexually abused, was forced into an abortion by her then-boyfriend Marlon Brando, with whom she had a very turbulent 8 year on/off relationship with, and then tried to commit suicide. The film shows exactly why Rita is such a beloved actress and person as despite all the obstacles and what she has been through, she never gives up and learned to value the woman she is. Rita grows into her own person throughout the movie, telling how everything that put her down at the time just made her stronger.

Doing her due research here and getting it right, director Mariam Pérez Riera visited with the likes of: Morgan Freeman, Lin-Manual Miranda, Gloria Estefan, Whoopi Goldberg, Eva Longoria, Mitzi Gaynor, West Side Story co-star George Chakiris to name a few, and Moreno’s co-star on the much loved and critically acclaimed Latina version of “One Day at a Time”, Justina Machado. She collected anecdotes about Moreno’s daughter Fernanda Luisa Gordon, (an actress in her own right who performed with her mom), she scoured film and newspaper archives with journalistic meticulousness and peppered her documentary with countless glossy recordings and glowing testimonies. All of it showing that Rita has truly always been a force to be reckoned with and not just the first Latina to collect an Oscar in the 60’s when something like that was unheard of, and then went on to be the first Latina to win the celebrated EGOT (Emmy, Grammy, Oscar, & Tony) as well.

Rita wearing her film titled top

Rita Moreno: Just a Girl Who Decided to Go for It’ ~ has thus become a film that shows how much has changed in Hollywood and is a true monument to a young girl who evolved into a strong, wonderful woman who has done a lot for this change. And yes, if I could be even the teensiest bit like Rita, well of course I would GO FOR IT!

B+

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Review Screening ~ Courtesy of Ginsberg/Libby PR

RITA MORENO: JUST A GIRL WHO DECIDED TO GO FOR IT” opens only in theaters June 18th, 2021

Review: “In The Heights” (2021) Warner Bros.

We all go to the movies for various reasons. Some love the fear and horror, some love thrillers or animation, and then there is the sheer joy of seeing a movie that just makes you smile and want to dance and “IN THE HEIGHTS” is that movie. With it’s joyful incredible large-scaled choreographed dancing and singing, Heights is a cinematic treat for your eyes and ears as well. There has never been a more perfect time to release this film until now in the Summer! baby! Summer! On the serious side, this is an important film for all and it is what we all need as well in our lives, a bit of music, dance, joy and a story about life and a dream.

Starting us off in the way up the A train line in the Manhattan neighborhood of Washington Heights lives twenty-something Usnavi (Anthony Ramos), a dreamer whose pursuit of that dream is to go beyond the corner bodega store he owns and works at, and head back to the Dominican Republic to re-open the bar his dad once owned. The barrio portrayed here is chock full of colorful characters from all parts of life and the world. Abuela Claudia (Olga Merediz), the always-wise, all-knowing, grandmotherly figure of the barrio; Vanessa (Melissa Barrera), is a young, beautiful, vibrant and optimistic woman with a strong desire to become a fashion designer, along with nail salon owner and queen of neighborhood gossip circle Daniela (Daphne Rubin-Vega). Lastly is Usnavi’s younger cousin Sonny (Gregory Diaz IV), who has ambitions beyond his somewhat slacker style as behind it all, is a quick, highly intelligent young man. And of course there is Benny (Corey Hawkins), best friend to Usnavi, and dispatcher at the local neighborhood service run by the neighborhood’s oldest business owner, Kevin Rosario (Jimmy Smits). Benny meanwhile is thinking he might be promoted and is working towards opening his own business as well. Returning home on that one hot, sweltering July morning is Nina (Leslie Grace), who’s dropped out of Stanford despite the neighborhood’s awe of her being the only one to get away. Her father has been finagling the finances at the cab company to keep Nina at the college, though there are deeper underlying issues that soon surface.

The adaptation, as one would assume, had to alter from the stage production but that job is done by none other than Quiara Alegria Hudes, who penned the musical’s book. Three-time Emmy nominee Christopher Scott really brings the musical numbers to life through such exquisite choreography that you can get lost in. At one point realizing just the enormity of this production and how many people are involved in some of the larger dance scenes left me in awe. In the director’s chair is Jon M. Chu, and his skills shine in this enchanting tale of unity, community and following your dreams, wherever and however they might end up. The music supervisor here is none other than Steve Gizicki, an old personal friend of some 20+ years and he does a fantastic job here.

It’s the little things of ‘In The Heights’ as well. If you’ve ever had a true neighborhood Abuelas’ food then you understand how here, you can almost smell and taste her cooking straight from the film. Or the dancing ~ you feel as though you are there doing the cha cha salsa dancing with them, and trust me, it is no easy feat to dance like that, most especially the ladies part. And if you didn’t feel right at home in the nail salon, well then you my friends, are going to the wrong nail salon. While one or two musical numbers might have stretched and went a bit too long, and it’s also possible the second act feels like it drags a bit here and there in comparison to the first and third acts, these things are minor nit picking as all in all, it’s just truly a very entertaining watch. Lengthy as it is, it’s truly a 2 hour 24 minutes love story. But not just a love story in the traditional sense, but a love story about a city, a place, a time and about it’s people. The senses of it all you can taste, feel and smell – all through the music and dance.

The acting and dancing is out of this world, though I did NOT know Jimmy Smits was a singer! While everyone is shooing Leslie Grace, Melissa Barrera and Gregory Diaz IV as the new faces to follow, to put Anthony Ramos as being in that category as well is just a bit on the incorrect side, as he has been putting in the good work since Monsters and Men in 2018, and can we say A Star Is Born co-star anyone? But enough with the young stars as they have wonderful careers ahead of them and were all sensational here. But a standout here that many seem to overlook is our Abuela herself, Olga Merediz, as she is simply wonderful here in her supporting role and I truly hope she is not forgotten about during supporting nomination time, just because she didn’t sing and dance up a storm, she held this group together like a true neighborhood Abuela.

No matter the tiny criticisms, there’s something truly radiating about the film’s vibrancy and joyful enthusiasm – which is, frankly, what we all need right now. And do yourself one last favour before you leave, stay for the post-credit scene.

B+

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Review Screening: Monday, January 7, 2021 ~ Courtesy of Warner Bros.

IN THE HEIGHTS” OPENS IN THEATERS NATIONWIDE AND ON HBO MAX ON FRIDAY, JUNE 11, 2021