Tag Archives: Owen Wilson

REVIEW: “HAUNTED MANSION” (2023) Walt Disney Pictures

The plot of Disney’s latest foray into a ride re-do is “HAUNTED MANSION” featuring a single mom Gabbie (Rosario Dawson), and her young son Travis (Chase Dillon), who move into a new ‘old’ house in New Orleans. Once there, they hire grieving tour guide Ben Matthias (LaKeith Stanfield), a dubious psychic Harriet (Tiffany Hadish), a shady priest Father Kent (Owen Wilson), and an unhinged historian Bruce Davis (Danny DeVito), to help exorcise her newly bought mansion after discovering it is inhabited by ghosts.


(L-R): Chase Dillon as Travis, Rosario Dawson as Gabbie, LaKeith Stanfield as Ben, Owen Wilson as Father Kent, and Tiffany Haddish as Harriet in Disney’s HAUNTED MANSION. Photo by Jalen Marlowe. © 2023 Disney Enterprises, Inc. All Rights Reserved.

So, it goes with this new attempt at a movie based on a popular Disney ride.  It’s chock-a-block full of inside jokes and references to the ride, some in plain sight, some tucked away in the corners of the screen.  As a big fan of the ride, one can only enjoy the little Easter eggs presented throughout and enjoy them a lot. Big fun highlights were the chair shaped like a Doom Buggy; and the room that stretches; and the hitchhiking ghosts, and on and on. If you’ve been on it, you get it. While the film tries to utilize the setting of New Orleans in some decently authentic ways, the rest of the plot and character development is so generic that they fail to make viewers more engaged in the setting. The film’s attempts at both humor and scares fall flat, as the jokes are formulaic and corny while the attempts at more frightening moments fail to elicit any tension or suspense, and are quite repetitive and CGI-heavy.

But aside from all the cool references, there is not much else to recommend, especially not for those few poor souls who are not as thoroughly familiar with the Disney ride as I and many others are.  There’s a heart-tugging sub-plot about the grieving tour guide, Ben and while it’s not meant to be comical, Stanfield’s wooden straight face playing the absurd material, trying to pull out the emotional stops for a touching moment as he describes his late wife, is almost painful to watch. It’s also one that pushes an absolute scene-stealing button from Danny DeVito. Then there is Travis, son of single mom Gabbie, who has problems with bullies at school, even when he isn’t troubled by the ghosts who have latched onto him like lice. Another is the issue of who all the resident ghosts are REALLY afraid of a big-bad ghost entity known only as the Hatbox ghost (Jared Leto). But we the audience are not. Jamie Lee Curtis steps in for a bit as Madame Leota, and she brings some decent comedic timing to this sorely lacking comedic film. Dan Levy is Vic – the new owner of the house and then there is a super surprise from Winona Ryder in a flash part as ghostly Pat. And one of my favourite little guest appearances is at the very beginning where Marilu Henner is part of a tour group. She is a wonderful flashback to the old Taxi days with DeVito.

Jamie Lee Curtis as Madame Leota in Disney’s HAUNTED MANSION. Photo courtesy of Disney. © 2023 Disney Enterprises, Inc. All Rights Reserved.

Acting ranges from good all the way down to…well…lackluster. Most of the cast does an okay job with what they were given. The high-end example is Danny DeVito. The man never seems to put less than 110% into whatever he does. At the lows is Rosario Dawson, an otherwise fine actress who looks like she just doesn’t want to be in this particular film. She shows little to no emotion even as her world is falling apart. Who knows, maybe that’s a directorial decision. LaKeith is a wonderful drama actor, but is sorely mis-cast here as he lacks the most basic of comedic timing. Dawson saves a few of scenes with the two of them, even though you know where they are headed together as character. Haddish, well she does Haddish. Nothing more, nothing less…

The movie has all the requisite creepy hallways and creaking doors and one or two iffy jump-scares, but everything is done so tongue-and-cheek that it’s never truly horrifying…which is what can be confusing. Is this meant to be scary, funny or what was the aim of the filmmakers.  Certainly, you don’t want to make a film, based on a jaunty fun theme park ride, as scary as The Exorcist.  So, to that end, the filmmakers succeeded.  The movie is harmless, even a little fun at times, Owen Wilson gets to deliver some of his trademark dry observations, and DeVito gets to play some notes that I haven’t seen him play in a very long time.  If pressed, I would be forced to conclude that, for non-fans of the ride, this movie would most likely be a bit of a slog. At over two hours long, the film also runs for too long, especially given the plot has limited resolution or payoff – but again, it has it’s ‘cute moments,’ despite missing that one leg so to speak.

Grade: C-

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“HAUNTED MANSION” FROM WALT DISNEY PICTURES IS OUT IN THEATERS FRIDAY, JULY 28, 2023

Review Screening: Monday, July 24, 2023 ~ Courtesy of Walt Disney Pictures

REVIEW: “BLISS” (2021) Amazon Studios

To be completely candid here, I’m not really sure what Director Mike Cahill is trying to say or where he is going with “BLISS”, his latest feature coming out on Amazon Prime this Friday, February 5th. In an already overcrowded movie fueled month, along with it being Black History Month, I’ve a feeling this one just isn’t going to find it’s footing with too many audiences. It has a lot of difficulty focusing on what it is Cahill is actually going for. Let me try to explain.

First off, all we can be sure of our lead character is that Greg Wittle (Owen Wilson) is newly divorced and that he misses his family, most particularly his daughter Emily (Nesta Cooper), who is worried about him. His son Arthur (Jorge Lendenborg Jr.), on the other hand, doesn’t seem to care one bit about him or what happens to him in the slightest. We see Greg at work at a seemingly high profile job, yet he’s spends his day drawing pictures of what he envisions as the ‘perfect world’ along with drawings of a woman. Because of this silliness we also see Greg lose his job and end up at the bar across the street where some very odd, crazy things begin to happen.

Enter in Isabel Clemons (Salma Hayek), who seems to know everything there is to know about Greg Wittle in a almost stalker type way, yet he loves this odd fact. She presents herself as the solution to his problems and begins to tell him some fantastical stories that most of the people he sees and the situations he’s in, aren’t real. She tells him over and over that they are just simulations of people/places and simply through the power of his mind, he can make them do all sorts of crazy things like fall down or crash as they are just in his head. He falls for it and they seem to both think hurting others for fun is well…fun. So it seems like they are sadly both just lost in a fantastical world of severe mental health issues and using a specially ‘formulated’ drug as escapism. Except then we find them inside the actual drawings of Greg’s in a whole other Science Fiction type world where they are the actual creators of an alternative society and add in Bill Nye the Science Guy as actual proof of what they have discovered is profound. And that’s the problem here. This film is ALL over the place with itself.

Honestly, you can watch “Bliss” in a number of ways:

Example #1. You can assume that everything Isabel And Bill Nye are saying is true, and then this is a story about parallel worlds.

Example #2. You can see this as a story about the plight of human mental health issues and why so many turn to drugs to find refuge in said fantastical fantasy story also presented.

Example #3. You can even see “Bliss” as an account of how easy it is for the average person anywhere in the world, to fall out of our society norms and end up lost and homeless due to no fault of their own.

In whichever way you choose to see it is your call, but my call is that pretty much all of them won’t be that great and unfortunately, ‘Bliss’ just never comes across anything even remotely profound, as it’s so jumbled and pasted together in a completely non-coherent manner. All the different stories it tries to tell all fizzle out, and the ending is wholly predictable to a shocking degree. The acting performances are just as bizarrely put out there, with only Cooper coming through as a decent performance in this all-over-the-place feature.

Grade: D

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Review screening: Courtesy of Ginsberg/Libby PR

“BLISS” WILL BE STREAMING ON AMAZON PRIME – FRIDAY, FEBRUARY 5, 2021