“FALLING FOR FIGARO” gives Millie (Danielle McDonald) an American living in the U.K., has a thriving career as a fund manager and lives with her boyfriend Charlie (Shazad Latiff), who attends the opera because she truly loves it. Charlie does not. So it’s really not a surprise when she upends a promotion at her job, to become an opera star and wants to compete in the renowned ‘Singer of Renown’ contest. But of course first she must learn opera – you know that style of singing that takes a lifetime to learn and be good at. Well for Millie things are going to go on the fast track, because well, of course it is, and she is going to learn this entire lifetime of something as sacred and acclaimed as being an lead opera singer – in a year.
She in turn moves to the remote Scottish Highlands where she wants to be taught by one Megan Geoffrey-Bishop (Joanna Lumley), a once legendary opera singer in her own right. There is one problem, Geoffrey-Bishop is retired and is notoriously known for being a big pain in the arse, completely horrible to her students, believing in the old adage of an opera singer must ‘suffer’ in order to be able to sing. This all of course does not deter Millie in the slightest and there she is checking into ‘The Filthy Pig’ pub/hotel and is welcomed by pub owner played by Gary Lewis, who is quite funny in his introduction. Here as well, we are introduced to Max (Hugh Skinner), who doubles as the cook/server, as well as anything else that is needed. Crazily enough, Max is ALSO a student of Megan’s, in fact he has been singing his whole life and has been a student for five years and wait for it, is also shooting to win the competition. I think we all know where this is heading from here. Of course Max is jealous and upset at first, then they start singing together and well the rest is rom-com history.
Look, I get it, this is what rom-coms are, sappy, cheesy, where there is always something stopping them from finding ‘true love’ until there isn’t. But it also needs to be a teensy bit believability to pull it off really well and this just isn’t that. What can be said and what director Ben Lewin, did pull off nicely was having two things that made it pleasant enough to still give it a watch. The first of course is the music. Opera can be simply beautiful and while we don’t know if the actors really sang this (somehow I highly doubt they did), it was beautifully done and fun to watch. The second thing is casting the simply wonderful Joanna Lumley as yes, ‘Patsy’ makes this movie watchable, as do a few fun takes from Gary Lewis, but mostly, it’s Lumley who shines the brightest and the best. And that’s perfectly fine in my book.
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Review Screening ~ Courtesy of the Bentonville Film Festival
Falling for Figaro debuts in theaters on Friday, October 1st from IFC Films