Category Archives: Crime

REVIEW: “AMERICAN PASTORAL” (2016) Lionsgate

Based on the Pulitzer Prize winning novel by Phillip Roth, we have Ewan McGregor doing double time in this one, a.k.a directing and starring in “AMERICAN PASTORAL”. Truthfully, I struggled a lot in my viewing of this one, as the acting often seemed forced, the script failed throughout, and there were a couple of performances that just left me blank. Overall the film was quite miscast and maybe this is what lead to me not really believing in a single character.
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Told in flashback mode from the viewpoint of Nathan Zuckerman (David Strathairn) at a high school reunion is the first thing right off the bat, that didn’t make a lot of sense and seemed to set the tone for the rest of the film doing the same. The film goes on to tell us the story of a high school jock who was blessed with everything ~ good looks, incredible skill at everything he did and a profitable women’s glove business that he would one day inherit and run for his father. Seymour Levov (Ewan McGregor) otherwise known as ‘Swede’ marries Dawn (Jennifer Connelly), the ex-Miss New Jersey. They have a daughter, Merry (Dakota Fanning/Hannah Nordberg/Ocean James), and prosper in the suburbs of New Jersey. Merry grows up with a nasty stutter and a strange attachment to her father, one that set off weird alarm bells for me and I’m guessing most of the viewing audience as well, as it really comes off as just plain creepy. amerian-pastoral-4
From there, Merry grows into an angry rebellious young woman who rages against the United States and a deep hatred of President Lyndon Johnson, the Vietnam war and pretty much anything that ends up in her path. Her parents feel themselves starting to losing control of her and finally she leaves after it seems she bombed the local post office, killing a local resident and family friend. Merry goes under ground and is protected by a network of radicals who continue with their plots and killing more unknowingly innocent people along the way. Gradually the nightmare of not knowing where she is or what she is doing unhinges Dawn and she has a full-scale nervous breakdown. She is slowly able to let go of Merry but Swede can’t seem to do the same, as he finally finds her years later, but she is not even a close semblance of what she once was in one of the oddest scenes of the film to be sure.
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All this would make a great story if there was even the remotest of explanations as to how it happens. One day Merry is a sweet little girl helping her mom with the cows on the farm, the next minute she is spouting off stuttering radicalizations that we really don’t understand as again, not explained. The only thing I truly believed in the film was the points of history shown that actually happened with riots and protests etc.. Visually, it’s done quite well with bringing you a true feel of the 60’s at certain points, until again, the ending portion where logic and sense seemingly go out the window. None of the acting is standout or stellar. The only thing I thought of at the end, as I do love some of Philip Roth’s books tremendously, is maybe now I will read this one and maybe it will become a clearer story as the screenplay is not.

As 2016 is coming to a close and I am still waiting for those Oscar-worthy films to come forth, this was a disappointing exercise of film to say the least.

Grade: D+
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Review Screening: Tuesday, October 11, 2016 ~ Courtesy of LAFTV Meetup

Nationwide Release: Friday, October 21, 2016

REVIEW: “THE ACCOUNTANT” (2016) Warner Bros.

Having not seen a film in over a month and a half or written a review for that matter, I was truly not knowing what to expect walking into the “THE ACCOUNTANT”. What I walked out with is still to be decided.

What I did like is how far ‘out of the box’ this film is. I mean it’s leaps and bounds out of the norm of any film I’ve seen yet this year, and as we all know, 2016 has not been a good year by any means for film.
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In this paint by numbers, crazy potboiler of a film, you’ve got Ben Affleck as Christian Wolff, who seems to be just another small-town number-cruncher, doing taxes for local farmers out of a non-descript strip-mall office called ZZZ Acounting. Reality is a much different place in this one though as Wolff is actually the man whom drug kingpins and the worst of the worst in the world turn to when they find a discrepancies in their books.

Wolff’s dealings with such men of notorious nature, captures the attention of Treasury director Raymond King (J.K. Simmons), who in turn blackmails his underling-with-a-past, Marybeth Medina (Cynthia Addai-Robinson) into tracking Wolff down. In an attempt to stay out of trouble, Wolff takes a seemingly innocent little gig trying to find a financial leak in the books of Lamar Black (John Lithgow) who runs a state of the art robotics firm, only to attract the attention of hired killer Braxton (Jon Bernthal). Add in the films truly only awkward ‘friendship’ with whistleblower Dana Cummings (Anna Kendrick), whom he unseemly decides he needs to protect and a mystery phone-voiced woman who changes Wolff’s identities on the drop of a dime – and yes, each identity does have a meaning behind them to be revealed.
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To try to explain this whole plot and all it’s flashbacks, would not only suck the fun out of your viewing, but would be almost impossible since so much is going on. Yes, there is loads of violence, most of it you didn’t see coming, along with a plot twist most don’t see coming. To sum it up clearly, there are no ‘brilliant’ performances, but all of them make do and seem to be having a good time doing so. The whole thing shouldn’t add up, but yet somehow it does and while not a ‘great’ movie by any means, it is entertaining as end all.

Grade: B-
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Media Review Screening: Wednesday, October 12, 2016 ~ Courtesy of Warner Bros.
Nationwide Release: Friday, October 14, 2016

REVIEW: “POINT BREAK” (2015) Warner Bros.

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I am not inherently opposed to remakes and reboots, and I don’t think I could call myself a ‘purist’ as I’ve liked some re-makes and I am perfectly fine with rebooting material and even straying from original material is fine if it serves the story well. What has happened here is that the studio has produced a garden variety action movie and slapped a name on it purely for the sake of brand recognition. But let us remember that when the original Point Break was released in 1991 it was universally panned and garnered quite terrible reviews. It’s only in the years since that we’ve come to be able to recognize it for the sheer fun it was, hence becoming a cult classic.
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This film exceeds expectations in the sense that this a slickly produced action film with a truly amazing soundtrack. The camera work, framing of the scenes and editing give everything you could desire of a decent action flick. There isn’t anything new going on here, but it’s produced in a professional manner and the action scenes are handled well and while it seems like X-Games on steroids at times, some of it’s truly breathtaking. This is where the second coming of Point Break truly excels. When it hits just the right velocity, it’s truly worth the watch. Also a bit of kudos as the helmets used for a robbery here, they stuck on caricatures of the Presidents, clearly in tribute to the original version.
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And then along comes the story. Luke Bracey takes on the role of Johnny Utah and this time our group of baddies, Bodhi (Edgar Ramirez), Grommet (Matias Varela), Roach (Clemons Shick),and Chowder (Tobias Santelmann) are all European and instead of pulling bank jobs to fund adrenaline junkie lifestyles, the action men of 2015 are self aware crusaders, too cool for school, hipsters on a self-imposed mission to nirvana. And where Lori Petty actually did something in the original, here we just sort of add in a Samsara (Teresa Russell) for only one reason. Honestly, you will find almost every character in this film to be quite annoying with the problem lying in the fact that not one of the main characters are in possession of a redeemable quality and their motivations are completely nonsensical. With that, clearly you know there will be no acting kudos coming from this crowd where everyone seemingly NEEDS loads of tattoos to be cool & belong. They do throw in Ray Winston as Pappas & Delroy Lindo as Instructor Hall for good measure, but not even these two can save the day of acting props here.
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The original Point Break was mostly known for its memorable bromance between Johnny Utah and Bodhi and some of its greatest action scenes ever put to film. Either way, this remake doesn’t bring enough justice to the cult classic.

Grade: D+
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MERRY CHRISTMAS AND HAPPY HOLIDAYS TO ALL!!

Review Screening: AMC Century City ~ Wednesday, December 16, 2015 ~ Courtesy of LAFTV Meetup Group & Warner Bros. Pictures
Nationwide release: Friday, December 25, 2015

REVIEW: “SPOTLIGHT” (2015) Q & A w/Producers (Open Road Pictures)

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“Spotlight” boldly brings back into the spotlight (pun intended) and tells the true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking up not only us the public, but the entire Catholic Church to its core.
Michael Keaton plays Walter Robinson who leads the Globe’s investigative unit “Spotlight” along with Michael Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams) and Matt Carroll (Brian d’Arcy James). At a time when the internet started undercutting actual newspapers & staffs of some of the biggest papers in town were being cut in half, the Globe brought in new editor, Marty Baron (Liev Schreiber), and the team begins to unfold a horrific pattern of child sexual abuse by the church that was muted and covered up by high priced lawyers and payoffs to victim’s families. As Walter probes further and further into the events (the setting is just prior to, but mostly after the events of 9/11) the investigation reveals layers and layers of injustice of Catholic Priests that were aided by the highest powers of the church in an effort to keep the story muted.spotlight 1

It all starts with a featured column about Catholic priest John Geoghan who was accused of abusing over 100 boys. A civil suit is filed but the details of the abuse were ordered sealed by the courts. As newly installed editor and the first Jewish one at that, Baron puts the team of reporters on the case and within days the evil that lurked with the sacred rooms of local churches begins to reveal it’s despicable face.
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The investigation goes on for months as the team hits roadblock upon roadblock taking one step forward for every two steps back. But the story eventually breaks and the emotionally exhausted team is eventually able to bring to light one of the more depressing and important stories to hit us in the new century.

The performances are mostly good. Schreiber as Baron, the first Jewish editor is quiet, yet speaks volumes. Ruffalo with some oddly thrown in facial & body tics/expressions that are reminiscent of a bad Jimmy Olsen type reporter is almost annoying to a point, McAdams is her usual bland generic self. Keaton & Tucci both are good, though for Keaton, it’s not Birdman type good. There are more roles to be recognized in Billy Cruddup, Jamey Sheridan & notable is John Slattery. It’s truly an ensemble film as there are no specific leads. spotlight 5
And of course nods to All the President’s Men will be inevitable. The film itself is fresh and invigorating in its painfully frustrating subject matter. It is at times painful to watch. Trusted bonds between people, children, parents and the institution that promotes the opposite to what it sometimes preaches are disgusting revelations that are brought to the screen with sizzling effect. You won’t forget this movie or what happened any time soon after you see it, and truthfully, we never should.

Grade: B-
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Screening: Monday, November 2, 2015 ~ Courtesy of the Producers Guild of America
Nationwide release: Friday, November 6, 2015

POST Q & A w/Producers: Michael Sugar, Nicole Rocklin, Blye Pagon Faust, Steve Golin ~ It’s always nice when the Producers, Director and Cast take the time out to do a post-screening Q & A. They talk about their passion for the projects and usually give great insight to their films. That’s why it surprised me so much that there was a huge exodus of people after this film. Usually you always get a few, but I would say 1/2 the audience emptied out. Not sure why, maybe they were disturbed by it, maybe they were Catholics upset by the fact that it happened, and maybe some still just don’t want to believe it. I found it sad because as a film-goer, you should have the decency to show respect to the people that again, took the time to come talk to you about a project. Moving on… All producers listed took the time to speak about the films budget, which at 20 million, but they still got good stars to come aboard even though there was no specific lead role, as it was a complete ensemble type film. Mark Ruffalo was the first to come aboard and they appreciated that because it brought others to the table. They also had to clear schedules because they wanted to shoot in the specific time of year of late fall, early winter as that’s when it all actually happened. The Boston Globe also let them shoot in their actual offices where everything took place.
They also had to work closely to get all the legal aspects & clearances done correctly as you would be assuming correctly if you thought the Catholic Church was less than thrilled to be having this all brought up again in a film. The only reaction from the church has been the few apologies you’ve already seen.
Since the piece first ran in Jan 2002, over 600 more articles were published by the Boston Globe unearthing more and more atrocities. The most moving moment was when a survivor was in the audience and thanked the producers for making this film and making sure we never forget and hopefully work harder to prevent this from happening again, as it still is going on all over the world..and not just in the catholic religion to be sure.

REVIEW: “HITMAN: AGENT 47” (2015) 20th Century Fox

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The stunning Rupert Friend explodes onto the screen here as “Agent 47” – one of a numbered group of genetically DNA engineered ‘Hitman’ from the popular video game giving a second try at a film franchise here. Hannah Ware plays Katia van Dees, the daughter of a missing scientist Dr. Litvenko (Ciarán Hinds) who back in the 1960’s was responsible for creating a super-soldier program that brought Agent 47, and at least 46 other deadly assassins into the world. Syndicate International, one of those typical diabolical organizations that always seem to exist, run by Le Clerq (Thomas Kretschmann) wants Katia’s father as they think he holds the secrets to making more. Agent 47’s employers want her dead.
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Zachary Quinto’s aptly named character John Smith – who’s name pun you will understand when watching.. seems not to really fit his part in the beginning..after a few decent plot twists in his favour he turns it around and pulls his character off. He after all is also an ‘agent’ in a sense with a pretty neat change up of DNA in him.

Along with a bland storyline and too many plot holes to count or even care about, the films plus side is in if there is one demographic that it would try to please, it’s obvious that aim is for 15-20 yr olds video-gamers who live for hours stepping into this world of CGI-done assassins killing off his enemies while wreaking maximum havoc in the process. And oh..the blood looks good. I’m serious it really does. 47 1
Friend as Agent 47, is a killing machine fighting other killing machines with whom I’d thought that we’d seen every imaginable killing stunt – but this film truly does become imaginative in that area and comes up with some doozies I’d think the likes of us haven’t even dreamed up.
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In the end, we do have a few surprise twists but there is no spark of life is to be found in a few of the characters most disappointingly in Ware, whose Katia is meant to be the supposed emotional linchpin of the enterprise. We’ve seen Friend do the cold and calculating before as Peter Quinn on Homeland where he actually scares us at times. The same goes here, American accent included. They have a few moments of mild playfulness mostly that Friend tries half heartedly to inject in their partnership without much success.
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And of course what would the ending be if not to give us a little after name credits roll – scene of what is to come. And for the third time in a month, I’m seeing in that teaser scene what will probably be a better sequel than original.

End note: Paul Walker was scheduled to play Agent 47 and due to his untimely and tragic passing, Rupert Friend stepped in. RIP Paul

Grade: C-
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Screening: Tuesday, August 18th, 2015 – Courtesy of 20th Century Fox
Nationwide release: Friday, August 21st, 2015

My “Last Call” with the cast of “Justified” ~ Paley Center Event

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Note: Series final for Justified is Tuesday, April 14th, 2015

Being this was my #1 in my review of “Top 10 Shows I am watching right now” with Justified being my numero uno to watch, saying goodbye to it and everyone on it was heartbreaking yet so fun..as they say, parting is such sweet sorrow. So to bid it one last adieu tonight as The Paley Center for Media in Beverly Hills hosted “An Evening with FX channel’s Justified”. Featuring some of it’s top cast members: Timothy Olyphant “Raylan Givens”, Joelle Carter “Ava Crowder”, Erica Tazel “Rachel Brooks”, Jacob Pitts “Tim Gutterson” and the shows creator, Graham Yost who all came to say farewell.

To start off with, with some fun tidbits from the press line interviews:
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Jacob Pitts..When I asked him about Tim and Rachel, you know everyone loves them – what are the chances of a spin-off for The Tim & Rachel show?
His answer being he doesn’t think there is much of a chance..though he would not be opposed to it..but said “that’s a small ship in big seas.”
I made the 2nd question a fun one of “Who is the prankster on the set?” and with no hesitation whatsoever, Tim! He’s gotten the writers a few times with what he thinks should be in a scene..and Jacob helped him on some of those capers (lots of laughter) though “we are grown adults who have a professional job to do and we do it coldly and with precision”.. (more laughter)

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Joelle Carter.. when I asked what’s next for her, she put it out there that she would love to do another character as strong as Ava..while having a few juicy movie roles come her way also. Which is something I think we all would love to see also. As for rolling around in the dirt and getting battle scars from filming, yeah, when it came to the end of the series, she was glad that part of it was done.

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Graham Yost.. As I was going to pitch him the Rachel/Tim spinoff idea as he’s the creator riiigght.. Jacob came running up behind him and wanted to pitch it himself, we had a few good laughs as I called him out on totally trying to poach and pitch my idea..heyyy.. 🙂 it was all in good fun as while Graham likes it too, sadly..it’s not gonna happen.

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Timothy Olyphant.. I asked him what’s next for Timothy Olyphant and as he’s noted on various shows like Ellen & Conan..he’s looking for a job!! And yep..he is. We talked tennis for a moment as I’ve sat by him at Indian Wells for a match watching his good friend Mardy Fish play, and asked if maybe the pro-tennis circuit was on his radar. Fear not all, he’s sticking with acting. And on him being the prankster of the set.. naaahhh..we agreed he’s an angel and they have no idea what they are talking about. ha!
Sadly I didn’t get the chance to interview Erica Tazel as press line was being wrapped up and I had to choose between that or running in and getting a seat at the panel. :/

Moving along to the panel – you can tell how much this cast not only enjoyed working with each other and on this show, but the respect they have for each other, and most definitely Elmore Leonard, who passed away in 2013 during the 4th season of the show, acknowledging how much they missed working with him. There is no doubt the man had a way with words, but this cast delivered those words like no other. He definitely made an impact on all the cast who worked with him and that they wanted to carry on his legacy in the right way was made apparent.

The fantastic guest stars that they had over the years who made fantastic characters, some of the favourites names by the cast: Margo Martindale “Mags Bennett”, Jere Burns “Winn Duffy”, Ron Eldard “Colton Rhodes” and Sam Elliott “Avery Markham” to name a few. They loved all their guest stars and for those of you wondering..while not a villain.. Patton Oswalt aka CONSTABLE BOB LIVES!!

Jacob puts it out there that he would have been fine with Boyd Crowder killing off his character Tim, though hey..he just might as we won’t know until next week!
They all seemed to agree that on favourite scenes, the #1 by far was the animal in the bag with Dickie and Coover. And the shows willingness to always just ‘go for it’ and ‘swing for the fences’ is something Olyphant notes that he just loved.
One of Joelle’s best scenes was of course probably one of ours also, where Ava gets her hair cut in prison. Now little did we know at the time, that was actually her real hair stylist who she kept saying she was sorry she was hurting her but she’d never cut hair with a shiv before!!!

While we got no spoilers for the finale..though trust me, some people tried, but hey, we REALLY don’t want it spoiled do we!! I for one, want to see it unfold as it happens because there are so many ways it can go and I’m excited for it, but we did get a note that the finale will have a lot of flashbacks from the past as Graham Yost appreciates that the fans pay close attention to these facts. Also, we do find out ‘What matters to us’ as Raylan has said to Boyd.

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Now right smack in the middle of all this, Jacob Pitts announces he’s gotta use the restroom and to the ensuing laughter that comes with that announcement, Graham Yost asks to “please leave his mike on for this”. Stellar moment of laughs with this stellar cast.

And yes, they all took some souvenir’s from the set: Graham Yost – a “Welcome to Harlan County” sign which received a big collective “ahhhh” from the audience as I think we ALL want one of those. Erica Tazel – took her nameplate. Joelle Carter – took her parking spot nameplate. Timothy Olyphant – took something he had made during early during the shooting of the show, didn’t name what it was tho..maybe his awesome hat..we don’t know..but he pretty much readily admitted he took stuff all along..ha! Jacob Pitts – I think he said socks.. yep..socks.

Favourite violent scene – hands down the arm-chop and the Winnebago fight won!!

As I’ve noted before in panels like this, some of the best questions and funniest moments are when the audience gets to ask questions as you NEVER know what will happen.
First off Timothy being asked on his being possibly being type cast in Western type series i.e., Deadwood and now Justified, though not exactly a western..kinda the genre is what the point was being made..his response was priceless “you mean being cast as a badass, yeah that would be awful wouldn’t it” in other words, nope not worried.
Then asked about his similarity of looks to Garrett Dillahunt (Ty Walker) not worried at all..he’s a great actor and had a beard after all.

And yes, Walton Goggins teeth are that white in real life!! says Joelle..she’s seen them up close..

The character of Boyd Crowder was actually supposed to die in Season 1 but the chemistry between Raylan & Boyd was undeniable so they decided to keep him around for awhile.. and here we are at the series finale and he’s still standing..as of now.

I think the fact that they noted they were all brought to tears on set at the end of filming says a lot of how much they noted they will all miss working with one another.

And with that we say goodbye to the wonderful cast and creator of Justified. Thank you for an amazing six seasons and for entertaining us so well through it all. To everyone from cast, guest stars, writers, producers and crew, a heartfelt–Thank You!

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And that concludes my fantastic last ‘date’ with the cast of “JUSTIFIED” Hope you all have enjoyed the show as much as I have and be sure to tune in for the series finale, Tuesday, April 14th.

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“BLACKHAT” (2015) UNIVERSAL PICTURES

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Ahhh Michael Mann.. First off, I am a fan..have been for ages, so many good movies & fashion statements in your TV & film work ~ and “Blackhat” is not the massive fiasco that it could be but it’s hard to know where to begin analyzing it. First off there’s the screenplay by Morgan Davis Foehl, which alternates between dull, rushed and an utter disregard for reasonable logic at times.

But let’s not rush ahead of ourselves here with all that. Chris Hemsworth stars as “Nicholas Hathaway”, the world’s greatest computer hacker who also happens to look a lot like Thor (thankfully). Currently serving 15 years for cyber-crimes, he gets furloughed from jail at the behest of his old MIT roommate “Lien Chen” (Leehom Wang) who is now a big-time higher-up in the Chinese military. Chen is working with FBI agent “Carol Barrett” (Viola Davis) to track down a hacker who put the whammy on both an Asian nuclear reactor and the American commodities exchange using malware code created by Hathaway & Chen in their college days. blackhat 1

The pursuit of the villain takes our team — which includes Chen’s sister “Lien” (Wei Tang), who falls in love with Hathaway in one of the most random, chemistry-free onscreen romances in recent memory — to Los Angeles, Hong Kong, Malaysia and Indonesia, but in all this globe-trotting studio money can buy, it’s no substitute for things little things like oh..character development, suspense and motivation. Hathaway’s character concept is lacking, and he’s one of the film’s better-written roles, and it seems only Davis can make filet mignon out of the ground beef of this material, turning vague and clunky dialogue into gold with just one or two quick quips and a sardonic glance over her sunglasses.
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The screenplay, mocks us at times, with the fact that we are not supposed to take notice the bad guys’ inability to hit with directly aimed bullets, key characters – aka “The Good Guys” -despite constant flutters of automatic weapons fire, or the fact that an FBI agent asks another a personal question based on a phone call to which he was not privy to, or one of my favourite aspects, the fact that blond, six-and-a-half-foot Hemsworth is supposed to blend in with the crowds in Asia like he’s not head & shoulders above them all..literally..and attracting no second glances whatsoever as he’s on the run in airports or sneaking into computer facilities or engaging in gun battles in the middle of crowded street festivals. Lastly, that a computer hack with huge mayhem & destruction imminently pending, within a matter of hours to be precise, but curiously so, the lead characters have time to fall completely in love and plan a future relationship and as cyber-hackers they just pick up guns that they immediately know how to use truly made me shake my head as in ‘okey dokey then’. blackhat 2

But to best describe what truly underscores the problems with some of the filming, which oddly enough looks at it’s worst whenever there’s some type of light source on screen, whether it be a lamp or a car headlight or just the sun; so where does the big finale happen? Well…amongst hundreds of people carrying torches, but of course (insert facetious sarcasm here). Because not only is it weird and completely off base, but that these guys are carrying huge automatic weapons and no one out of all these thousands of people notice it. NONE! Come on now.
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Given Sony’s recent ‘issues’ with hacking, the timing couldn’t be better for a movie about the vulnerability of international computer networks, but “Blackhat” isn’t that movie..though I’m not going to say it couldn’t be plausible, because despite what you might think, the actors are believable enough as their characters, it’s what the plot makes them do at times that isn’t. I’m thinking that pretty much no matter how you slice it, this is one hack-ity hacker pic that just hasn’t really cracked it’s own code of how to make a movie about computer espionage that doesn’t come down to scene after scene of people sitting at keyboards and making clicky-clack noises with their fingers. To his credit, Michael Mann does try to jazz things up with cool tracking shots through microchips (it’s like the express lane to Tron’s house) or even putting the camera inside a thumb-drive slot or under a keyboard that’s being typed upon, and though it has it’s entertaining moments for sure, in the end it’s to little avail in saving the film from some of the other things that make it a no go.

Grade: C-
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(See grading scale)

“A MOST VIOLENT YEAR” (2014) – REVIEW ~ Incl. Q & A w/Cast & Dir/Prod/Writer

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Truth be told ~ A Most Violent Year could come off sounding like the most boring movie ever about the most dry industry ever. Set in New York City in 1981, Oscar Isaac plays “Abel Morales“, the owner of a heating oil company in the early 80’s when people, instead of having to deal with the electric or gas company for heating, they negotiated heating oil prices with the providers directly. Odd but true. But life has been good for Morales. Being an immigrant, he’s risen through the ranks from driver to owner, married a beautiful, smart woman, “Anna” (Jessica Chastain) who has a rather wealthy & somewhat connected father herself, “Bill” (Peter Gerety) and he’s just about to close the biggest deal of his life.
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But all is not well at Standard Oil. Abel is trying to negotiate a deal to expand their business and gain ground by getting “Josef” (Jerry Adler) and his devoutly Jewish, not completely on the up & up, family to agree to sell their highly-valued, much in demand property to him vs. the competition. And he has 30 days to make this happen. All the while, his company is under investigation for fraud, the bank has pulled out of their real estate deal, trucks of oil are being stolen left and right from Morales’ and to make matters worse, now his seemingly perfect home life is starting to show cracks. It’s definitely a ‘violent’ year for Morales but not in how you might imagine.
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A Most Violent Year plays out like a gangster movie but not like one I’ve ever seen before as it’s done in a refreshingly understated, non-sensationalist gangster movie way as these are guys who don’t even carry guns, and are actually committed to trying to conduct their business in a non-violent manner which may or may not work out for them. This is really about as far from a Scorsese type gangster flick you can get. There’s no real flash in either the direction or the acting as everything is on a very different balance here though I will say, while it might be slow at times, it is never dull. It’s like ‘Casino’ but minus everything that makes it loud, brash or wild. What’s left is a quiet, almost pensive exploration of one man’s year long struggle to keep his business and his life on the path he’s chosen. And sure, there’s the occasional flash of violence but it rarely involves our lead character directly. In fact, the key players ~ Abel, Anna, “Lawrence” (David Oyelowo), “Walsh” (Albert Brooks) and O’Leary ~ are all locked in a power struggle that rarely resorts to violence though some of them really want to use it, Abel feels business can be conducted without it. Instead, the group handle their differences in heated discussions, occasional emotional blowouts and the always to be expected backroom deal.
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When Anna emerges as not only the saviour of sorts, in a pivotal scene of shockingly good grit and Abel blows up at her, is where the film breaks some truly fascinating ground. Not only does Anna emerge as the badass gangster who’s playing the angles and saving the day, but you really start to question just how moral Abel is. It’s here that you see begin to see the layers of movie really begin to reveal themselves. In possibly one of the best on-foot chase scenes that I’ve ever seen in a movie with Morales in dress shoes no less, though the scene some might say comes a little late in the game, I couldn’t help but love every second of it.

The film cements itself together not only by excellent performances from Isaac, Chastain and the strong supporting cast, but by small things like the locations and a truly fantastic step back into this world with even a great wardrobe of the time making it all the more realistic. A Most Violent Year may not be my favourite film of the year, but it will definitely emerge as a contender during awards season.
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Note: Following the film was a fantastic Q & A with Dir/Writer: J.C. Chandor, Actors: Jessica Chastain, Oscar Isaac, Producers: Neal Dodson, Anna Gerb; who really gave a wonderful detailed explanation of the idea & set, even his trenchcoat idea behind the film. Truly, if you haven’t seen a J.C. Chandor movie, you’re missing out. Like, seriously missing out. So don’t skip A Most Violent Year either, you should see it and then head back and check out the director’s previous work like the wonderfully brilliant, “All is Lost” & “Margin Call

Grade: B-

**Seen on Monday, November 17th at a PGA screening at the Arclight Theaters (Hollywood) ~ A Most Violent Year opens December 31, 2014.
@pegsatthemovies
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REVIEW ~ “THE GAMBLER” (2014)

Note: This films release date is Dec. 19th, 2014; this review contains no spoilers

Matk Wahlberg as Jim Bennett
Matk Wahlberg as Jim Bennett

In case you didn’t garner this from the title of the film, “Jim Bennett” (Mark Wahlberg aka always Marky Mark to me) is a consummate, addicted high-stakes gambler..he is also a college literature professor with a tad bit of a problem. He has played a little too hard and fast with what I like to call OPM ~ Other People’s Money. Now he is in a pool of quicksand seemingly without a ladder. gambler 4

First there “Neville” (Michael Kenneth Williams) with whom Bennett borrows from using himself & his own life as collateral as he pits creditor against creditor a few times over. The operator of the gambling ring is “Mister Lee” (Alvin Ing), to whom Bennett’s money is supposed to go to first and gives him 7 days to pay back 260K debt he has incurred with loss after loss at the blackjack & roulette tables. gambler 3But as he layers his debts one on top of another, he starts to owe more than just one person who threatens to kill him if he doesn’t pay. He even borrows from his well-to-do mother, “Roberta” (Jessica Lange) though as he’s done this before more than once, it’s seemingly his last card to play until it’s not and despite all of this he just can’t stop. Even when his college-student girlfriend “Amy” (Brie Larson) walks out on him as he gambles his last chance away. gambler 2

His last shot at redemption is to finally get to the lowest point in his life, as all addicts must, but being that Bennett is actually smarter than most, he develops a plan to get himself out of all of it, but to succeed he must first hit up the last person on earth with whom he can actually borrow from, “Frank” (John Goodman). What happens with all his plays to get out of his mess of a life is the jist of this whole story and what I forsaw as a predictable ending.. or was it?? I will leave that up to you to see as it can go many different ways.

The acting here is done well enough, though no real standouts except maybe Goodman who always does quite wonderfully making things a bit darkly funny while keeping true to the ‘bad guy’ portrait and a quick bit from Richard Shiff as the “Jeweler” which is also a bit comedic. (The great George Kennedy does a quick cameo if you can spot it!) Wahlberg dropped 60lbs in just a few months for this role and it’s very apparent how quickly he did this as not only is he the thinnest I’ve ever seen him, but even his lips have a sickly blue-ish, white pallor to them. His hair however..is great! 🙂 Gambler 1

While this film isn’t great, it is entertaining enough. One of the things I simply loved about it is the filming of it in and all over Los Angeles..not just one simple area..but all over from K-town(Koreatown) to the beaches of the Palisades, USC to Casino Morongo and back on over to the legendary Playboy Mansion, which serves as home to Roberta. As I was honored to be sitting in a Q & A afterwards with the legendary producer, Irwin Winkler ~ think everything from’They Shoot Horses Don’t They’, to the ‘Rocky’ franchise (spoiler Mr. Winkler confirmed there will be a Rocky 6 upcoming), ‘Goodfellas’, ‘Raging Bull’, and the ‘The Mechanic’ to name just a few on his high-profile list of films, but who noted he has lived in Los Angeles for 50 years and there were neighborhoods he still hadn’t known about that they used. Mark Wahlberg insisted they keep the movie here though as Los Angeles really serves as it’s own character fabric of this film so much so. Also speaking was his son, David Winkler, no slouch in his credits either. I also didn’t know this is a remake of the 1974 version of the same name starring James Caan. The Winkler’s noted they had never liked the ending of that film and decided to remake it with a few changes to the storyline and ending.

So there you have it. It’s an entertaining enough of a watch but come contender time, I don’t see it being up there.

Grade: C

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