Tag Archives: Margo Martindale

REVIEW: “UNCLE FRANK” (2020) Amazon Studios

11/20/2020 Peggy Marie 6 Comments

Amazon Studios newest release “UNCLE FRANK” from Writer/Director Alan Ball of the fantastic ‘Six Feet Under’ fame, gives us a film about despair, love, family and learning to live to be yourself. This beautifully done film deals with many important subjects and themes. It is a film about acceptance and understanding people no matter their background or whom they choose to love.

“Uncle Frank” tells the story of a rural South Carolina girl Beth (Sophia Lillis), a lovely but naive young girl who is always happy when her uncle Frank Bledsoe (Paul Bettany) comes for family reunions, which is very rare. She observers how her grandfather goes out of his way to ignore his eldest son while her admiration grows for Uncle Frank, whom she sees as this dashing figure who lives and teaches Literature at New York University (NYU) and lives a life she can only dream of. When it comes time for Beth to go to college, she receives a scholarship to attend NYU and happily realizes she will now get to spend a considerable amount of time with her Uncle Frank.

While there Beth learns of not only Uncle Frank’s worldly ways, but learns a lesson about life herself. See her uncle is living in a very discreet ‘relationship’ of 10 years with Walid ‘Wally’ (Peter Macdissy), a lovely bearded, charismatic guy from Saudi Arabia who seems to always be happy and ready for fun. It is on the occasion of the death of Frank’s father ‘Daddy Mac‘ (Stephen Root) that Beth and Uncle Frank embark on a road trip back to South Carolina. Along the way, Beth is exposed to bigotry and homophobia. Once she and Uncle Frank are back in small-town, rural Creekville, South Carolina, the past reveals itself in flashbacks of Frank’s childhood, including how he discovered he was gay and how he dealt with it and how it leads him to deal with it within his small town family circle. The film doesn’t shy away from showcasing small-town 1970’s homophobia and why Frank is so hesitant to come out to his family.

On the acting front, Paul Bettany probably gives the best performance of his life here. It’s truly memorable and very emotional as the film focuses on how living this secret life has affected him and how even though he is intelligent it doesn’t change the fact that he is scared about living his life in the open and coming out to his family. The adorable Sophia Lillis shines brightly here and the supporting cast of Margo Martindale, Steve Zahn, Lois Smith, Jane McNeill and Judy Greer are welcome accompaniments to the story as well.

The bottom line is “Uncle Frank” is a beautifully shot, thoughtful take on the challenges of traditional 70’s thinking and the challenges of a gay life within a family. But it is also a touch guilty of falling for some forced emotional story elements, one in particular that felt wasted and didn’t quite work and felt a little bit forced and like it had an agenda. Still it’s a must see!

Grade: B+

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Review screening: Courtesy of Amazon Studios

“UNCLE FRANK” WILL BE AVAILBLE ON AMAZON PRIME STARTING WEDNESDAY, NOVEMBER 25, 2020

Action, Crime, Drama, Movie Reviews, Movies

REVIEW: “THE KITCHEN” (2019) Warner Bros.

08/10/2019 Peggy Marie Leave a comment

This is not a comedy. Ordinarily a movie review would not begin by telling you what the movie is not, but when the theater marquee flashes “Starring Melissa McCarthy and Tiffany Haddish”, most anyone would assume they are in for a 2-hour laugh out loud romp with the promise of some outlandish one-liners to drop at the next party. Instead, the directorial debut from Andrea Berloff is a relatively violent mob movie.

Kathy (Melissa McCarthy), Ruby (Tiffany Haddish), and Claire (Elisabeth Moss) are left isolated when their mob-connected husbands are busted by the FBI, and sent to prison. Survival instincts kick in for the previously un-involved ladies, and they quickly realize that a bit of strategy would allow them to not only run the business their husbands left behind, but also build it into something better. Of course the mobsters left behind are none-too-pleased with the women outperforming them, and so we get a good old fashioned ‘brains vs. brawn’ battle.

The setting is the Hell’s Kitchen section of Manhattan. The year is 1978, so the Irish community still has a stronghold on the area. This is basically the same time frame and the same streets that serve as the setting for the classic film ‘TAXI DRIVER.’ We see what happens when a woman’s touch is applied to gangster activities: bonds are built, services are rendered, and payments are made. The illusion of power draws the three women in deeper, and the movie has us believe they are good at it. The issue is, as viewers, we never really buy into these three seizing this power. We are just supposed to sit back and accept that Kathy is an expert community organizer, Ruby gets things done behind the scenes, and timid Claire evolves. Actually, Claire’s transformation is the best part of the film. Seeing her discover new talents and her true persona is as exciting for us as it is for her. However, in total, the 3 characters are little more than caricatures of gritty mobsters.

In addition to the three stars, the cast is deep. The three husbands, Jimmy (Brian d’Arcy James), Kevin (James Badge Dale), and Rob (Jeremy Bobb), all three are criminals and bad husbands who’ve been sent to serve three years in prison for their roles in a robbery. Domhnall Gleeson as Gabriel, resumes his chameleon ways in what could have been a more interesting role as he just literally randomly shows up in a scene without explanation and continues on from there, Common in a very small background role, plays a federal agent Gary Silvers, though he does give us the only plot twist ending of the movie. Annabella Sciorra has a nice turn as the Italian mobster’s Alfonso Coretti’s (Bill Camp) wife Maria, and the great Margo Martindale complete with prop cane and wig, plays by far the best character of this entire film Helen O’Carroll, the only role that completely stands out in of all the respective gangster roles in the film.

The film does a nice job tying in historical elements of the era, including the construction plans for the Javitz Center, where they mention ‘some millionaires son is creating’ i.e., this is none other than Donald Trump. There are more than a few moments of violence, but the shots aren’t nearly as dramatic as we’ve come to expect in mob movies. It’s simply not as gritty as it pretends to be. The pretense of ‘just another day at the office’ after each murder committed by these women seems prevalent here. There are some similarities to some mob movies of past, but if you’re expecting a female version of ‘Goodfellas,’ that’s not happening, though had this been done right, it could have been. I expect it will be a crowd-pleaser for those along for the ride. Just remember – it’s not a comedy.

Grade: D+

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Media Review Screening: Thursday, August 8, 2019 ~ Courtesy of Warner Bros.

“THE KITCHEN” IS IN THEATERS IN THE U.S.A. ON FRIDAY, AUGUST 9, 2019 // FOLLOWING WORLDWIDE LATE AUGUST/SEPT

bad movie, Comedy, Drama, Futuristic, Movie Reviews, Movies, political, Religious, Sci Fi

REVIEW: “DOWNSIZING” (2017) Paramount Pictures

12/30/2017 Peggy Marie 6 Comments

Welp. we’ve got a strike three for Matt Damon on his 2017 films with “DOWNSIZING”. This movie takes an interesting premise, “What if we could make ourselves smaller to use up fewer resources and save the planet?” and really just does nothing with it. Having heard little about the film aside from its concept, I went into the screening fairly cold. Sadly, the film doesn’t have a whole lot more to offer than its brilliant concept and exceptional first act. I must admit that I left feeling disappointed, thinking they could’ve made this a better movie in many ways. When a film has so much promise and doesn’t exactly deliver on much of it, I feel as though many people would be let down by that.

In this dramedy, which also in part a social satire of its own genre, Downsizing follows a couple Paul (Matt Damon) & Audrey (Kristen Wiig) Safranek, who believe their lives would be better if they were to shrink themselves and be transferred to a new world called Leisureland. This place exists to conserve the Earth and save the environment, as let’s face it, smaller people need much fewer resources. With multiple meanings to the title, this is a concept that sounds incredible on paper but doesn’t exactly translate into that great of a movie. Throughout the first act, I found myself immersed in this world and couldn’t wait to be taken on its journey, but I soon found myself losing interest when political and religious elements began to take over and it started to go very sloooowww. And it’s sad as this is a movie that could’ve done so much more with its premise.

Without giving anything away, there are many characters such as Niecy Nash playing a Leisureworld salesperson, or that of Dusan Mirkovic (Christof Waltz), The Lonowski’s, Jeff (Neil Patrick Harris) & Laura (Laura Dern) or Paul’s good friend Dave (Jason Sudeikis), that come in and out of this film in a heartbeat, pretty much leaving them in the dust, when in reality they were actually interesting and added a layer to the overall story. It felt as though Director Alexander Payne wanted to focus so much on the idea of the Downsizing concept, that he sidelined quite a few characters along the way. His films have always been about characters, and while Paul and Ngoc (Hong Chau) share some great chemistry throughout this film, it’s hard not to wish that all of the characters throughout the first act were present throughout the entire film. This was a very curious issue I had while watching and definitely upon reflection.

As soon as you’re brought into this other world that has been built for those who shrunk themselves over the years, you will find yourself kind of transfixed at how interesting the visuals are and how lackluster the comedy is, but what you don’t expect is for the film to take a dramatic turn and really have you thinking hard about the world we live in and whether or not certain lines of dialogue are true about society in general. This is an eye-opening film in that regard and the third act is incredibly ambitious, but I just don’t think it really sticks the landing that it strives to achieve.

In the end, this is one of the most original ideas I can recall in recent memory, but an idea doesn’t make a film great. It’s the film itself that needs to win you over as a whole, and Downsizing just didn’t do that for me. On many accounts, this is a very impressive movie from a technical standpoint and it takes risks that I didn’t expect it to, but the risks it takes will only work for a few audiences members that can relate to it.

This is a movie that promises a lot and tries to deliver on all of those promises, while also shoving in side plots that make this film too emotionally complex to really be invested in the satirical aspects by the end. I wish this film went through a few more rewrites, because there is a satirical masterpiece of a movie in here somewhere, but it’s just not the product that you’ll be seeing in theatres soon. Downsizing might be worth your time in terms of originality, but I wouldn’t get your hopes up on it being a favorite.

Grade: C-
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Media Review Screening: Wednesday, December 5, 2017 ~ Courtesy of Paramount Pictures
DOWNSIZING is now playing in theaters nationwide. To be released Worldwide in January 2018

Comedy, Movie Reviews, Movies, Uncategorized

REVIEW: “WILSON” (2017) Fox Searchlight

03/26/2017 Peggy Marie 2 Comments

Based on the graphic novel by Daniel Clowes.Woody Harrelson is Wilson, probably one of the most random and least liked characters I’ve come across so far this year. He starts and goes throughout the film, with a random series of unpleasant tics of being the most annoying person in the world, rather than a convincing human being. This problem extends to the film itself. It thinks it’s intelligent and possibly a comedy as it supposedly gives us earth-shattering insights into the human condition with establishing Wilson’s unreliability at the outset, pitting his self-righteous voiceover narration against the realities of his condescension toward strangers. But the character we end up seeing never really adds up to more than the sum of his vulgar outbursts and flagrant disregard for conventional social graces, schizophrenically flipping from pessimism to arrogance to sentimentality sometimes within the same scene and not done well, with the character coming off as more mentally unbalanced than anything else.

The film’s events are driven by the death of Wilson’s father, which inspires in an increasingly lonely Wilson a desire to reconnect with his ex-wife, Pippi (Laura Dern), and the daughter, Claire (Isabella Amara), he discovers she didn’t terminate the pregnancy as he had assumed, but put the child up for adoption. But his oddly portrayed idea of a conventional nuclear family doesn’t track with his distaste for what he sees as the soul-sucking suburban lifestyle, a contradiction that the filmmakers either don’t recognize or refuse to address for the sake of indulging in easy potshots at suburbia. Such contradictions are simply part and parcel of the film’s confused whole. Throughout its running time, Wilson lurches from melancholy to cartoonish slapstick, to dropping f-bombs for the sheer sake of no reason whatsoever, but to be more annoying and it’s just unable to settle on a consistent tone.

Wilson, Pippi and Claire are surrounded by caricatures oddly done mix of middle-and upper-class insularity. The worst is Polly (Cheryl Hines), Pippi’s sister, who’s so monstrously judgmental of her sister’s lifestyle that she’s willing to lie to Wilson about what Pippi does for a living when he embarks on his quest to reconnect with his ex-wife. Clowes might have intended this graphic novel to be a critique of the kind of out-of-touch smugness Wilson represents, but the film often feels like an symbol of just that toxicity. Add in the factor of bad acting from everyone except for the two-minute scene with Alta played by the always strong Margo Martindale, to the fact that it’s not funny in the slightest should have many skipping this one till they can see it on VOD.

Grade: D
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Media Review Screening: Tuesday, March 21, 2017 ~ Courtesy of Fox Searchlight
Nationwide Release: Friday, March 24, 2017

Thanks all for taking the time to give this a read. Let me know your thoughts if you liked this film or not. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

Comedy, Drama, Movie Reviews, Movies, Rom-Com, Uncategorized

REVIEW: “TABLE 19” (2017) Fox Searchlight

03/05/2017 Peggy Marie 3 Comments

Director Jeffrey Blitz and The Duplass Brothers writing team takes the approach with this one that I know many wedding guests would prefer – skip the wedding and head straight to the reception. Another wise move is assembling a very talented ensemble of funny folks. This cast proves they can get a laugh from dialogue and moments that would probably otherwise not elicit much of an audience reaction because frankly, it’s only the fact that they are talented that makes it happen.

The initial set-up drags a bit as we are introduced to the characters that will soon enough populate the dreaded Table 19 at the reception. Tony Revolori is Renzo, the longing for love high schooler who might be a bit too close to his mother (voiced by Margo Martindale). Lisa Kudrow and Craig Robinson are Bina & Jerry Kepp, a mostly unhappily married couple who own and run a diner together. June Squibb is Jo Flanagan, the bride’s long-forgotten nanny who sees and knows more than most. Stephen Merchant plays the outcast nephew/cousin Walter Thimple, who has been recently released from his prison sentence for white collar crime. Lastly we have Anna Kendrick as Eloise McGarry, the fired maid of honor and former girlfriend of the bride’s brother Teddy (Wyatt Russell), who also happens to be the best man and is now dating the new maid of honor Nikki (Amanda Crew)

This is the island of misfit wedding guests known as Table 19, and purposefully placed in the back corner as far as possible from the family and the other more ‘favoured’ guests. Of course we know immediately that this Team Reject will unite for some uplifting purpose at some point. Comedic timing in a group setting can often come across on screen as forced, and it’s a kudos to the cast that can bypass that..somewhat. Stephen Merchant is our shining star here on that note with his droll Brit humour.

Make no mistake though, this is Anna Kendrick’s movie. She plays Eloise as we would imagine Anna Kendrick in this real life situation. Sure, a wedding reception is low-hanging fruit for comedy, but it’s the third act where Kendrick comes up with comedy drawn from emotional pain, because we’ve all been there and thankfully can look back and laugh at it. The melo-dramatic moments that creep in are oh-so-predictable, but that doesn’t mean it’s all lost. The scenes with Kendrick and Russell are best at the emotional part, but not enough so that it would really leave you wishing for more. In actuality that’s where this film slips up. I was hoping for more comedy, less emotional drama and while we get about a 2/3 – 1/3 ratio of drama to comedy, I wish it would have gone the direction of more laughs as the emotional front isn’t enough to sustain the film as a whole.

Don’t worry though, the film features the required wedding cake mishap, a flirtatious hot-Brit wedding crasher named Huck with a secret of his own (Thomas Cocquerel) and a drunken mother of the bride (Becky Ann Baker) singing karaoke to Etta James’ “At Last”. It’s designed to be a crowd-pleaser, and while it doesn’t quite step up enough to really down and out laugh, it does somewhat succeed as rom-com-ish with a blend of silly, cute, and emotional tugs. Just not enough laughs.

Grade: C-
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Media Review Screening: Wednesday, March 1, 2017 ~ Courtesy of Fox Searchlight
Nationwide Release: Friday, March 3, 2017

Crime, Dark Comedy, Drama, PaleyFest, TV

My “Last Call” with the cast of “Justified” ~ Paley Center Event

04/10/2015 Peggy Marie 10 Comments

Note: Series final for Justified is Tuesday, April 14th, 2015

Being this was my #1 in my review of “Top 10 Shows I am watching right now” with Justified being my numero uno to watch, saying goodbye to it and everyone on it was heartbreaking yet so fun..as they say, parting is such sweet sorrow. So to bid it one last adieu tonight as The Paley Center for Media in Beverly Hills hosted “An Evening with FX channel’s Justified”. Featuring some of it’s top cast members: Timothy Olyphant “Raylan Givens”, Joelle Carter “Ava Crowder”, Erica Tazel “Rachel Brooks”, Jacob Pitts “Tim Gutterson” and the shows creator, Graham Yost who all came to say farewell.

To start off with, with some fun tidbits from the press line interviews:

Jacob Pitts..When I asked him about Tim and Rachel, you know everyone loves them – what are the chances of a spin-off for The Tim & Rachel show?
His answer being he doesn’t think there is much of a chance..though he would not be opposed to it..but said “that’s a small ship in big seas.”
I made the 2nd question a fun one of “Who is the prankster on the set?” and with no hesitation whatsoever, Tim! He’s gotten the writers a few times with what he thinks should be in a scene..and Jacob helped him on some of those capers (lots of laughter) though “we are grown adults who have a professional job to do and we do it coldly and with precision”.. (more laughter)

Joelle Carter.. when I asked what’s next for her, she put it out there that she would love to do another character as strong as Ava..while having a few juicy movie roles come her way also. Which is something I think we all would love to see also. As for rolling around in the dirt and getting battle scars from filming, yeah, when it came to the end of the series, she was glad that part of it was done.

Graham Yost.. As I was going to pitch him the Rachel/Tim spinoff idea as he’s the creator riiigght.. Jacob came running up behind him and wanted to pitch it himself, we had a few good laughs as I called him out on totally trying to poach and pitch my idea..heyyy.. 🙂 it was all in good fun as while Graham likes it too, sadly..it’s not gonna happen.

Timothy Olyphant.. I asked him what’s next for Timothy Olyphant and as he’s noted on various shows like Ellen & Conan..he’s looking for a job!! And yep..he is. We talked tennis for a moment as I’ve sat by him at Indian Wells for a match watching his good friend Mardy Fish play, and asked if maybe the pro-tennis circuit was on his radar. Fear not all, he’s sticking with acting. And on him being the prankster of the set.. naaahhh..we agreed he’s an angel and they have no idea what they are talking about. ha!
Sadly I didn’t get the chance to interview Erica Tazel as press line was being wrapped up and I had to choose between that or running in and getting a seat at the panel.

Moving along to the panel – you can tell how much this cast not only enjoyed working with each other and on this show, but the respect they have for each other, and most definitely Elmore Leonard, who passed away in 2013 during the 4th season of the show, acknowledging how much they missed working with him. There is no doubt the man had a way with words, but this cast delivered those words like no other. He definitely made an impact on all the cast who worked with him and that they wanted to carry on his legacy in the right way was made apparent.

The fantastic guest stars that they had over the years who made fantastic characters, some of the favourites names by the cast: Margo Martindale “Mags Bennett”, Jere Burns “Winn Duffy”, Ron Eldard “Colton Rhodes” and Sam Elliott “Avery Markham” to name a few. They loved all their guest stars and for those of you wondering..while not a villain.. Patton Oswalt aka CONSTABLE BOB LIVES!!

Jacob puts it out there that he would have been fine with Boyd Crowder killing off his character Tim, though hey..he just might as we won’t know until next week!
They all seemed to agree that on favourite scenes, the #1 by far was the animal in the bag with Dickie and Coover. And the shows willingness to always just ‘go for it’ and ‘swing for the fences’ is something Olyphant notes that he just loved.
One of Joelle’s best scenes was of course probably one of ours also, where Ava gets her hair cut in prison. Now little did we know at the time, that was actually her real hair stylist who she kept saying she was sorry she was hurting her but she’d never cut hair with a shiv before!!!

While we got no spoilers for the finale..though trust me, some people tried, but hey, we REALLY don’t want it spoiled do we!! I for one, want to see it unfold as it happens because there are so many ways it can go and I’m excited for it, but we did get a note that the finale will have a lot of flashbacks from the past as Graham Yost appreciates that the fans pay close attention to these facts. Also, we do find out ‘What matters to us’ as Raylan has said to Boyd.

Now right smack in the middle of all this, Jacob Pitts announces he’s gotta use the restroom and to the ensuing laughter that comes with that announcement, Graham Yost asks to “please leave his mike on for this”. Stellar moment of laughs with this stellar cast.

And yes, they all took some souvenir’s from the set: Graham Yost – a “Welcome to Harlan County” sign which received a big collective “ahhhh” from the audience as I think we ALL want one of those. Erica Tazel – took her nameplate. Joelle Carter – took her parking spot nameplate. Timothy Olyphant – took something he had made during early during the shooting of the show, didn’t name what it was tho..maybe his awesome hat..we don’t know..but he pretty much readily admitted he took stuff all along..ha! Jacob Pitts – I think he said socks.. yep..socks.

Favourite violent scene – hands down the arm-chop and the Winnebago fight won!!

As I’ve noted before in panels like this, some of the best questions and funniest moments are when the audience gets to ask questions as you NEVER know what will happen.
First off Timothy being asked on his being possibly being type cast in Western type series i.e., Deadwood and now Justified, though not exactly a western..kinda the genre is what the point was being made..his response was priceless “you mean being cast as a badass, yeah that would be awful wouldn’t it” in other words, nope not worried.
Then asked about his similarity of looks to Garrett Dillahunt (Ty Walker) not worried at all..he’s a great actor and had a beard after all.

And yes, Walton Goggins teeth are that white in real life!! says Joelle..she’s seen them up close..

The character of Boyd Crowder was actually supposed to die in Season 1 but the chemistry between Raylan & Boyd was undeniable so they decided to keep him around for awhile.. and here we are at the series finale and he’s still standing..as of now.

I think the fact that they noted they were all brought to tears on set at the end of filming says a lot of how much they noted they will all miss working with one another.

And with that we say goodbye to the wonderful cast and creator of Justified. Thank you for an amazing six seasons and for entertaining us so well through it all. To everyone from cast, guest stars, writers, producers and crew, a heartfelt–Thank You!

And that concludes my fantastic last ‘date’ with the cast of “JUSTIFIED” Hope you all have enjoyed the show as much as I have and be sure to tune in for the series finale, Tuesday, April 14th.

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Peggy at the Movies