REVIEW: “BARB AND STAR GO TO VISTA DEL MAR” (2021) Lionsgate

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Prepare for fun cameos, unnecessary but much loved bouts of singing, and a very different tale of friendship with Director Josh Greenbaum’s wonderfully fun “BARB AND STAR GO TO VISTA DEL MAR.” It’s a fun throwback to a kind of comedy that you don’t see much of anymore, a delightfully silly ode to friendship and surprisingly – to culottes. With hilarious one-liners sprinkled throughout this film, it’s true core is that while romances and spies can take center stage, Barb and Star really show how true friendship will never go out of style and age, well age can be just a number.

The storyline plot is simple, an evil woman and her sidekick are plotting to flood Vista Del Mar with murderous mosquitos and then comedy ensues. That’s honestly the set-up for this film so I didn’t want to beat around the bush when diving into this review. During the first scene, you’re clearly being asked to forget wherever you think this film might be about because it’s more ridiculous than you think. For this reason alone, you MUST continue watching because everything that follows is sheer crazy, silly, corny fun. We follow middle-aged best friends Barb (Annie Mumolo) and Star (Kristen Wiig) who visit Vista Del Mar, are the best of friends and seem all too content with their oh-so-talkative lives – sitting on the display couch in the department store they work in is a highlight of their day – well that and the ‘Talking Club’ they belong to that gives us some wonderfully obscure hilarious moments between Debbie (Vanessa Bayer) and Delores (Phyllis Smith) and let’s just say ‘hot dog soup’ is a highlight. So the notion of them going on holiday naturally already brings a plethora of comedic possibilities to the table – well that and the fact that said table materializes to musical numbers, a mass murder plot, and a love triangle involving charming undercover spy Edgar Paget (Jamie Dornan), only reiterates the absurd fun this film gives us, but it also showcases just how controlled a film it really is given the silliness of it all. As they encounter our charming undercover spy Edgar and unbeknownst to the women, he actually works for our villain Sharon Gordon Fisherman (also played by Wiig) whose plan is to murder all of Vista Del Mar.

The oodles of fun this movie brings us are just too many to mention, but highlights include: Yoyo (Reyn Doi) kid-villain extraordinaire opening with a lip-sync of “Guilty” by Barbra Streisand that will stick in your head for days, a packing of suitcases for the vacation, ‘Trish’, an absolute creation of a best friend of theirs that has a full life and death story to her, to the lounge pianist singing a song called “I love boobies”. Plus the cameos, oh the cameos, they are all over and one must keep an eye out for every single one of them.

One thing to be completely appreciated about ‘BARB AND STAR GO TO VISTA DEL MAR‘ was that in an era when a lot of things feel designed by committee or a reboot of a reboot, it feels like a truly wacky idea that could only come from two friends being real screwball idiots together​ in real life and transferred to the big screen just for the sheer pleasure of it all. The comedic chemistry is just fantastic and so much fun to watch.

So with that a note to Barb and Star  — I demand a sequel, so please pitch where they go or what they do next as it was everything we all needed in life and by far the most I’ve personally laughed in a very long time.  Do I want to go party with Barb and Starr and go everywhere with them? Yes, Yes I do and so should you.

Grade: B+

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Review screening: Courtesy of Ginsberg/Libby PR

“BARB AND STAR GO TO VISTA DEL MAR” IS NOW AVAILABLE ON VOD

REVIEW: “THE BOSS” (2016) Universal Pictures

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Actor, producer and co-writer of this comedy, Melissa McCarthy comes out strong for the first 1/3 of this film featuring her ‘alter-ego’ Michelle Darnell, a character she created with specifics in mind 14 years ago when she was at The Groundlings.

Darnell’s character is a high-powered businesswoman and motivational speaker whose childhood (back n forth between an orphanage and foster care) taught her that the only person she can depend on is herself. She’s self-centered, arrogant and basically completely amoral, seemly part Leona Hemsley/Martha Stewart and an R-rated Little Orphan Annie.
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Michelle generally uses and abuses her personal assistant, Claire (Kristen Bell), and her bodyguard isn’t much more than her personal hype man. When Michelle is arrested for insider trading and sent to jail for five months, everyone abandons her, former lover and long-time business rival Renault (Peter Dinklage) buys her companies and the authorities freeze all of her remaining assets. Looks like someone has to start all over again.
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Long & dull, yet incredibly profane & violent at times, story ensues of Michelle going to and being released from jail. When she doesn’t have anywhere to go, she ends up at ex-assistant Claire’s apartment who now works for a crazy Darnell disciple, Dana Dandridge (played by SNL’s Cecily Strong). Claire’s pre-teen daughter, Rachel (Ella Anderson), convinces her mom that they have to help Michelle and allows her former boss to stay in the apartment until she gets back on her feet, but Michelle’s feet remain reclined on Claire’s couch until her hand is forced and ends up taking Rachel to her Dandelions meeting (think Girl Scouts) where troop leader Sandy (Kristen Schaal) is discussing their cookie sales.

Michelle gets an idea that her “way back” is to form a group called Darnell’s Darlings which will teach girls business skills as they sell brownies that Claire makes from an old family recipe. Michelle gets Rachel to help her recruit various tough girls and other misfits to join up and sell brownies for a percent of the profits and approaches her estranged former mentor Ida Marquette (Kathy Bates) for financing to help expand the business, but as all this is going on, Renault and his assistant Stephan (Timothy Simons) are keeping tabs on the whole deal and just want the payback that he feels her still owes her.
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I could go on.. but the question is almost why?? Trust me, I’m helping you here to avoid wasting your money even bothering to watch this one. “The Boss” is mostly unoriginal, uninspired, unrealistic and unfunny. The clichéd plot lazily recycles the often used story of a main character who has been supposedly ‘hardened’ by a tough life and doesn’t know how to give or receive love. There are a few laughs to be found here and there, again, the first third of the film is good, but the movie’s other problems just kill the mood. Besides that, the movie’s attempts at humor are overly dependent on odd cartoonish violence involving children, cursing around, by and at children, and vulgar sexual references which come off as more crude than funny. McCarthy herself has been much funnier in previous films and hopefully she’ll be funnier again in her future projects. Sadly, her character in this film is one boss who should be fired herself.

Grade: D
@pegsatthemovies

Review Screening: Tuesday, April 5, 2016 ~ Courtesy of Universal Pictures
Nationwide Release: Friday, April 8, 2016