Tag Archives: Brett Dier

REVIEW: “ABOUT MY FATHER” (2023) LIONSGATE

About My Father” is a 2023 comedy film directed by Laura Terruso and stars comedian Sebastian Maniscalco as essentially himself. The tag-line is it’s a comedy based on his life in Chicago and connection with his father, Salvo Maniscalco (Robert De Niro), an over-the-top Chicago hairstylist. A few of the cast here, including De Niro and Kim Cattrall, are what drew my attention and having just seen the excellent film done by Ray Romano ‘Somewhere In Queens’, I thought this would be a great addition in that category. Therein lies my first mistake. Lightening rarely strikes twice.

The film follows Sebastian, who in real life is apparently quite a successful stand-up comedian, here though, he works at a hotel. As he prepares to propose to his girlfriend, Kelly (Leslie Bibb). Salvo isn’t happy about this and even less so that Sebastian is heading out of town to Kelly’s wealthy family home, to be with her eccentric family, right-wing Senator Tigger Collins (Kim Cattrall), and hotelier Bill Collins (David Rasche), and brothers Lucky (Anders Holm), and Doug (Brett Dier) for the 4th of July, something they always spend together in the city. So it comes as no surprise that the gathering soon goes awry. And so begins the collision-of-the-families movie where both sides are faced with a clash of class and culture between Salvo’s blue-collar immigrant worldview – where he gives the inevitable old guilt speech of how he scrambled to come here to give his son a better life-song and dance. Then there is Ellie’s family’s bubble of born with a silver spoon affluence, finding Sebastian in the middle between both sides hoping they’ll be able to see eye to eye. This is where the hijinks is supposed to begin as Salvo does what he can to try and sabotage the relationship.

Kim Cattrall as Tigger, Leslie Bibb as Ellie, and David Rasche as Bill in About My Father. Photo Credit: Dan Anderson

Now, fair play here – I’ve never seen Maniscalco’s full comedy act so I can’t judge it on the whole, I have however seen a few clips and some of his interviews, most particularly the one where he puts down his wife abhorrently to her face. It’s not a pleasant watch, but I went into this with open arms again, mostly for De Niro and Cattrall. What I got was De Niro starting off the film in a bad wig, trying to de-age his character into the 80’s with ZERO success. He basically phoned in this performance. The film itself doesn’t even extend the courtesy of trying most of the time, it just crashes and burns almost harder with each scene — almost like it’s run on autopilot. Shot like mediocre sitcom, with jokes and scenarios so dull you can practically feel the energy being sucked out of the theatre while you have resigned yourself to just sitting and watching it happen.

Maniscalco might be a successful stand-up but his screen presence is paltry by comparison, and the script he’s co-written with Austen Earl is bland in its comedy and vapid in its saccharin message about the importance of family. Throw in a quick thread about how this is the heartwarming coming-together of “two different types of immigrant stories” in the eleventh hour when one of those stories is so hilariously tone-deaf, it almost has you grinding your teeth in dismay. Every decent comedic performer is underutilized, even Cattrall tries to work with the material she’s given and has a moment or two, De Niro is so sadly used here it should be illegal.Though a shout-out is owed to David Rasche who earns the most genuine laughs (mind you these are short and few) as Ellie’s overbearing father, doing all he can to save the scenes he is in.

Sebastian Maniscalco as Sebastian and Robert De Niro as Salvo in About My Father. Photo Credit: Dan Anderson

Beyond that, nothing here will come at a surprise to the viewer, not the beginning, not the middle, not the end, so whether the jokes somehow land with them or not is for each to decide. With the film being slow at times, picking up the pace into absurd-ness at others. I wish I had laughed more than once.

Grade: D

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“ABOUT MY FATHER” FROM LIONSGATE IS OUT IN THEATERS FRIDAY, MAY 25, 2023

Review Screening: Thursday, May 11, 2023 ~ Courtesy of Lionsgate

REVIEW: “FRESH” (2022) Searchlight Pictures

One thing not to be expected upon watching the opening scene of “FRESH”, director Mimi Cave‘s new horror comedy thriller, is laughing your head off at said opening scene with Chad (Brett Dier) and Noa (Daisy Edgar-Jones), while watching them on a date. Chad is the guy you never want to find yourself on a date with, but it’s hilarity like this that makes you think this is just going to be a harmless little rom-com. Well you will have sorely mis-judged your expectations because you are about to be taken on a fantastic wild little ride that you will not soon forget.

As we’ve now met Noa on the date from hell, we soon find out she is just one of the many young, single women who has been looking for love in all the wrong places, like dating apps, hence the terrible date with Chad. So when she randomly meets the charming and very good looking Steve (Sebastian Stan), in the produce section at the local grocers, she falls for his charming ‘cotton candy grapes’ line and ends up exchanging numbers. From there, things move fast, a little too fast if you were to ask her best friend Molly (Jojo T. Gibbs), as Noa ends up throwing caution to the wind and goes on a weekend getaway with Steve. But I mean who wouldn’t – honestly, they have great chemistry and he is fun, different and yes, re-‘Fresh’ing.

Honestly, not knowing much about this film is how you should go into watching this one, as it made me feel glad to not have anything revealed to me beforehand. Watching everything unfold as it does and finding out who Steve really is, is just something that needs to be as savoured as the meals Steve prepares for Noa. But be prepared as this skillfully directed film has a plot that is as diabolical as they come and those meals Steve cooks, can be profoundly disturbing. But perhaps the best part is as psychologically terrifying as this one is, it barely touches on any in your face violence or gore, but instead its the sheer psychological terror of each minute, that keeps you entirely focused on what’s happening in front of you. And mind you, some of the things happening will chill you to your core as the subject matter is grisly, but in mostly in the thought of it all because it is so realistically handled by Cave’s direction here as it’s definitely not for the faint of heart.

Fresh can be genuinely disturbing and unsettling, at times even nauseating, but you will also find that you can’t look away for a second and this is mostly because of two factors, those being Sebastian Stan and Daisy Edgar-Jones. They are insanely good here as Stan is so charming, yet so dark and mysterious, turning into almost repellant, and yet feels like he is what you would get if swiped right on a hot Tinder version of Hannibal Lecter, because yes, we would swipe right on him. Edgar-Jones, plays her persona more than just convincing as she uses reverse psychology on Steve and does it so competently and never gives into the victim cliché. And there is a dance scene that should just not be missed by anyone and this whole film should truly fall into cult classic heaven. Even the supporting cast comes through here adding belief into each scene. While I admit it’s one fault is the ending felt a bit rushed and cheesy, but with the first 30 mins getting you in the mood before revealing the big “surprise” twist, it really doesn’t matter.

Sebastian Stan and Daisy Edgar-Jones in the film FRESH. Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved

But again, I can’t stress enough to go into this as blind as possible but also be prepared for what’s to come as It can get quite unnerving and rather intense at times, but in oddly all the right ways. Here is what I know and what will stick with me for some time – Mama Rosa’s meatballs will never look the same for me for some time to come, and after watching this and The Tinder Swindler, I am never dating again – well that is until ‘Steve’ pops up on my phone.

Grade: B

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Review Screening ~ Courtesy of Ginsberg/Libby PR

“FRESH” premieres exclusively Hulu Friday, March 4, 2022