REVIEW: “ALITA: BATTLE ANGEL” (2019) 20th Century Fox

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From the dark depths of the cold Los Angeles winter evening, I dared dragged myself to go see this film. With my having already skipped one media screening, I decided to take my own dare and see “ALITA: BATTLE ANGEL” as it is the last one under the 20th Century Fox’s banner before the Disney takeover.

Needless to say, I should have picked truth – as while it took 10 yrs to get made, it only takes 10 minutes to wish you had stayed at home as it’s a film completely and totally taken from a barrage of other films.

Now I’ve not read the source material but I do know that Alita was originally a Manga comic series which is a Japanese graphic art novel. It seems James Cameron, along with Robert Rodriguez, are bringing the first of four of these books to the cinema with this film. From the little research I did into this, eastern stories have a lot of tradition – one being that any hero is the last practitioner of a secret and are martial arts experts. In Alita’s case this is something that I read to be Panzer Kunst which means Tank Art according to the online translator. She also, predictably, has no memory of her past which means we can go on this voyage of growth and discovery together riiight?!! well….

The story is set in the South American, Iron City in the shadow of a gigantic floating station from another lifetime, three hundred years after a great war. So: post apocalyptic dystopia. There is a blend of architectures, super cyberpunk characters, ruins and fragments of forgotten technologies. It looks great and the CGI is fantastic. It all starts with ex-engineer Dr. Dyson Ido (Christoff Waltz) finding the head and shoulders of a female cyborg in a junk pile. Somehow, magically the brain is still alive. So like in the story of Humpty Dumpty, he puts her back together again and proceeds to treat her as his daughter who was, you guessed it, named Alita played here by Rosa Salazar. Alita has no memory of who she once was but she immediately finds love with the handsome motorcycle riding human Hugo (Keenan Johnson) and also finds out within hours that she can fight like a badass. When Hugo introduces Alita to the brutal spectator sport of Motorball where the carnage is more important than the score and the winner gets a ticket to the space station. All bets are on you know who is going to want to be a Mortorball star and where this film is heading.

‘If’ this film, which had it maybe been made 10 years ago before we had say Pacific Rim, or ‘if’ it had maybe one original idea of its own, I might have really enjoyed it. As is, ‘Motorball’ the game it portrays, is a COMPLETE and total ripoff of the original 70’s Rollerball with James Caan (catorgically a much better film by the way). ‘If’ maybe the baddies like Zapan (Ed Skrein) weren’t simply already done so many times before, or ‘if’ Jennifer Connelly & Mahershala Ali had just not phoned in their performances and ‘if’ they had given them some grit. All those ‘ifs’ just make this too hard of a film to roll with all the way through.

While the character development is quite decent, it’s the characters themselves that gave me question. Some might not be bothered by the huge Manga eyes on Alita, but for me they were just plain creepy. Add into that, the whole doll-like 12yr old look that reminded me of the ‘Big Eyes’ paintings – another ‘not working’ item for me. I even got a bit creeped out of sorts by Christoph Waltzs’ Dr. Ido at the beginning when he leans over her broken machine body as he first finds her and says ‘You will be my little angel’. Granted, he turns out to be a ‘good guy’.

This was by far not the worst Sci-Fi I’ve ever seen, but it is one of the most lackluster. My take is if you love the comic story it’s based on, you will probably understand the film and like it a lot more as I didn’t hate it and as a time killer it was decent enough. While Alita: Battle Angel didn’t leave me wanting more and the next chapters don’t entice much, the cold hard fact is this film would probably have been best had it been done 10 yrs ago as we might not have seen the same-type cyborg movies that have already been done so many times previous to it and this would have seemed fresh & new. As it was, I’ve seen it and it just was all used material from so many other films.

Lastly, do you need to watch it in IMAX/3D? The flying jumps and weapon projectiles do look good – but it’s a lot of extra money for something that isn’t essential.

Grade: C-
@pegsatthemovies

Media Review Screening Tuesday, February 7, 2019 ~ courtesy of 20th Century Fox
“ALITA: BATTLE ANGEL” IS OUT WORLDWIDE AS OF FRIDAY, FEBRUARY 15, 2019

REVIEW: “SPECTRE” (2015) MGM

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spectre
As anyone who knows me will agree that I am a massive James Bond fan..the kind that believes Bond can do no wrong, so imagine my surprise at finding myself at times here, rather bored. With a fantastic opening sequence filmed a-la Birdman style of one long shot, proved to be the most exciting highlight of the film. And it was all over in 4 minutes.
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Being SPECTRE is the 24th James Bond movie and one of the biggest, most anticipated movies of the year, I was sadly disappointed in my man James this time round.

Daniel Craig is still Agent 007 and Christoph Waltz is our main villain Ernst Stavro Blofeld. The films usual recurring characters are all present and accounted for: Ralph Fiennes as M, Ben Whishaw as Q and Naomie Harris as the ever faithful Moneypenny, while Léa Seydoux is Madeleine Swann the beautiful and dare we say it, age appropriate Monica Bellucci as Lucia are the Bond girls or better yet, ladies, this time.
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While M battles political forces to keep the 00 agent program alive, Bond infiltrates a secret meeting where he begins to slowly peel back the layers to reveal the terrible truth behind SPECTRE.

Directed once again by Sam Mendes, SPECTRE falls a bit short for me from his previous fantastic endeavour the wonderful ‘Skyfall’. The film being long in the tooth with it’s storyline that at times is hard to follow and lacks the ebb & flow of a great Bond film. The Bond villains are for me, always the best because you need a villain that you love to hate and films like this ride or die on their villains. Proving my standing motto of “You’re only as good as your villain” to be true, Waltz here falls short and whether it’s the script or his performance, you feel no ooommmpha from him at all. He doesn’t make you care either way for him in the slightest. Dave Bautista as a non-speaking Hinx doesn’t add any mileage to the villain aspect either.

Eon Productions, Metro-Goldwyn-Mayer and Sony Pictures Entertainment announce the 24th James Bond adventure

Eon Productions, Metro-Goldwyn-Mayer and Sony Pictures Entertainment announce the 24th James Bond adventure ” SPECTRE. “


The cars though are magnificent as always. Aston Martin’s new coupe was created exclusively for Spectre and was unveiled in December 2014 at the official press launch of the film. Director Sam Mendes introduced the car as “the first cast member” with only ten of them being manufactured and eight of those ten being used for Spectre filming, along with two show cars.
Same with the gadgets.. though noticeably not as many as previous films we do see this fun exchange ~
Q: “And 007, one last thing for you.”
Q gives the watch to Bond.
Bond: “Does it do anything?”
Q: “It tells time.”

Sadly, Spectre is not my favorite Bond movie of recent times. It’s good although it’s truly not top-flight 007. While not terrible, it won’t add or subtract any points or do any serious damage to the franchise.

All in all..while I didn’t hate it, the film just proved to be too long, with a bit of a flimsy story line.

Grade: C+
@pegsatthemovies