Tag Archives: Coda

THE DAY IS HERE!! COUNTDOWN TO THE OSCARS ~ BEST PICTURE

It’s HERE!! The Holy Grail of all Holy Grail’s aka the Superbowl Sunday of Movies – otherwise known as ‘THE OSCARS’. It’s the final day of my Oscar Countdown and I’ve saved the biggest and best for last. This is a very good slate of films, and most of them deserve to be here. And for the last time this year – I give who I think will win – and what my pick would be – as those two choices sometimes differ. And the nominees are:

BEST PICTURE

NOMINEES

BELFAST Possible upset win

Belfast was beautifully film in black and white, with a wonderful cast lead by a young man that should’ve had a Best Actor nom himself, Jude Hill. It’s a story-telling film, and be on the lookout everyone as we all forget sometimes that the Academy loves these kinds of films, as do I. It’s a very big possibility as the upset win – and I won’t be mad at that one at all.

Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers

CODA WINNER/MY PICK

CODA is a one-of-a-kind film. It’s tells so much, it’s got so many layers to it and for the first time in memory, features an almost entire deaf cast that speaking in ASL almost for the entire film. It’s about a father/daughter relationship, about life’s struggles, about the struggles of the disabled, and the story of one girls dreams woven throughout it. Some might see it as weak – I saw it as nothing but beautiful. Again, it’s story-telling at some of it’s finest.

Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers

DON’T LOOK UP

I’ll never understand the hatred for this one – I enjoyed it. It played upon so many real-life things, maybe not always done perfectly, but done so sarcastically and I love wit and sarcasm like this. Will it win, nah, but it was fun.

Adam McKay and Kevin Messick, Producers

DRIVE MY CAR

We’ve had a couple great upsets last year with an International Film sweeping the Awards. Do I think the three-hour runtime might have hurt this one with Oscar voters – maybe. But I loved every minute of it as it was one of the few movies of that length that I had no problem sitting through.

Teruhisa Yamamoto, Producer

DUNE

I know many people have mad love for this one – I am on the ‘like’ side of it. I don’t think it’s going to be the upset or my win. Sorry Dune fans – nothing but love for you all though.

Mary Parent, Denis Villeneuve and Cale Boyter, Producers

KING RICHARD

King Richard is just a heartwarming story – no doubt about it. While it’s not perfect and yes, glosses over a few things but it’s sad that it never found that audience in theaters. For me as a tennis fan, it worked and it has a great ending that got even me emotional.

Tim White, Trevor White and Will Smith, Producers

LICORICE PIZZA

I had such high hopes going into this one – having heard the raving reviews up until that time. They made it extremely hard to see for a long time though, and when I finally did, I was more than just a little bit let down. No one runs from one side of the Valley to the other – no one. It had a few fun moments, but the Asian speaking thing was not funny, and I was surprised at how someone thought it would be.

Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers

NIGHTMARE ALLEY

I can’t begin to explain how much I love Guillermo del Toro. This film was one of my favourite of the year – though I realize others didn’t feel the same, and I saw their points as well. If I could pick two – this would be my second pick.

Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers

THE POWER OF THE DOG

Again, the hype around TPOTD before it even came out was this one person telling me it was going to be the Best Picture of the Year. After seeing it, while I tend to disagree with that point, that I think they now do as well, it does have something to it. Let’s be clear, I don’t dislike film, it’s just not the end-all, be-all that was hyped to me. And I’m not sure it’s backed up with favorable response from absolutely everyone either. The ending though – that ending wow’d me.

Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers

WEST SIDE STORY

West Side Story also won’t win. But I do think it was terrific and I was floored by the dancing, chorography and costumes. It’s not about whether it’s better or worse than the original. It’s about the age old question of should some things be re-made at all? I can’t answer that one – but I do love originality.

Steven Spielberg and Kristie Macosko Krieger, Producers

The last thing I can say is forget about fighting over who wins or who loses. Everyone likes different things, celebrate that instead. And most of all – Enjoy the Oscars!

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REVIEW: “CODA” (2021) Netflix

Catching up on some quick reviews from 2021 that I didn’t get to and starting off with the wonderful “CODA”.

I feel that at this point what can be said about “CODA” that hasn’t already been said by a gazillion critics since the movie’s debut on Apple TV+ earlier this year? Sadly, I don’t have the Apple so I only got the chance to see it while kitty sitting! But this story of a teenager, Ruby (Emilia Jones), who is the lone hearing person in her deaf family just struck such a cord with me that I would be remiss to not at least say how much it really just hit home with so many. It also continued to further the conversation on why Deaf and disabled stories need to be told and what writer/director Sian Heder did was open that door if even just a little, it’s finally deservedly been done in a most wonderful and effective way.

The Rossis family are, in many ways, just like the average American family. They also happen to be predominately Deaf and by telling this story, which is filled with so compassion and humour (spoiler alert- people with disabilities can be funny as well), it did a lot to further the sadly, under-discussed topic of disability representation in films with people with actual disabilities. There are so many elements of this movie to love. Every thing from Troy Kotsur’s portrayal of Frank Rossi, the embarrassing father, who talks about sex with a boy Ruby likes, but yet is also her biggest supporter in learning what her true passion is and why she feels obligated to help her family, and finally sees what her true passion is and why she loves music. Marlee Matlin, whose portrayal of her mother Jackie, widely opens up the door so far closed until now, onto the unspoken of discussion on how disabled/Deaf parents relate to their children. The aforementioned Jones and Daniel Durant as her brother Leo Rossi, who is as well deaf, as two siblings whose desire for responsibility and independence are brought to the forefront, but the story in how they are perceived in totally different ways, is what makes it all the more special.

And the acting is just truly one of the best things that just makes the film all the more special. Every single person from Kotsur, Matlin as the openly in love deaf couple showing they not only have to deal with the same hardships hearing people deal with, but add into that, their being deaf to the outside world, to the wonderful Emilia Jones, who characterizes flawlessly the hardships, the happiness and finally comes into her own in spectacular fashion. I hope we see many awards nominations and wins come there way this season as it’s all much deserved.

This movie captured the little things that I think we all didn’t know we truly wanted to see and learn about in the ‘disability narrative’, one that I know I want to see more of.

Hopefully we all will.

Grade: A

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“CODA” is now showing on Apple TV+