Tag Archives: Demi Moore

REVIEW: “THE UNBEARABLE WEIGHT OF MASSIVE TALENT” (2022) Lionsgate

The Man. The Myth. The Legend that is Nicolas Cage.

If “THE UNBEARABLE WEIGHT OF MASSIVE TALENT” had been made with and about anyone other than Nicolas Cage, it probably wouldn’t have worked. That being said, it is and it does. The film was written to highlight some of Cage’s best moments in his career, leaving the viewer with Easter eggs galore. Director Tom Gormican, who wrote the film as well, along with Kevin Etten, takes the direction of the film and taps into the action genre while still being a true comedy. And then, just when you think it’s just a comedy, it switches gears into a crime drama, and then just when you think it’s a crime drama, it shows it’s heart and gives us the family moments. This film is truly candy for your soul.

The premise is pitch perfect with Nick Cage (Nicolas Cage), realizing his life is a mess not just personally, but professionally and biggest of all, financially. So he accepts a crazy one million dollar offer from his agent Richard Fink (Neil Patrick Harris), to attend the birthday party of super-fan Javi Guiterrez (Pedro Pascal). Javi is either his best friend or a villain, and we are not sure which for some time, and there-in lies the bromance fun. Nick somehow winds up being recruited by Vivian (Tiffany Haddish), and Martin (Ike Barinholtz), and working for the CIA to find a kidnapped young girl.

If you love whacky and crazy then Nic Cage and Massive Talent is the film for you. Between this fictionalized version of the star and the younger Moonstruck/Peggy Sue got Married version he sees in his head, the references to the actor’s past films fly left and right. To be clear, this is a downright crazy-fun, goofy movie and everyone involved knows it, which is all part of it’s charm. Cage isn’t the only one taking this film by storm as the scene stealer here is Pascal, who is delightfully charming as the purported cartel kingpin. Pascal’s portrayal of Javi is so over-the-top fun, as he doles out his fandom praise onto Cage at every turn, ensnaring the persona of the actor into every part of his orbit, including the big reveal at the end. Adding in tons of side plots like that of Javi’s brother Lucas Guiterrez (Paco León), and even a romantic sidebar with Gabriela (Alessandra Mastronardi), adds to the film as it never stops moving and making it all work together.

With a supporting cast of Tiffany Haddish and Neil Patrick Harris backing you up, it would be hard for them not to add to the fun, and they do in their key supporting roles. Sharon Horgan is the perfect opposite for Cage, playing his ex-wife Olivia, and Lily Mo Sheen as his daughter Addy Cage, whose whole life has been playing second fiddle to her dad’s career. But it’s the chemistry between our two leads Cage and Pascal, playing off each other that is nothing short of brilliant and  whom deliver it all in one fail swoop of comedy, drama, action, and family combined.

The cinematography brings you to the gorgeous paradise of the film’s setting as the story is incredibly self absorbed and is essentially a film about film where they talk about making a film and maybe will make a film. It has its slower heart-felt moments, but they are timed perfectly and never boring, as it then it flips the script and hits you with belly laugh-worthy bouts of comedy, and true action. For as strange a film as this is, Gormican brings it all together and has everyone playing ball for the same team. Massive Talent is a tight, albeit almost looney film that works from beginning to end. It’s good original fun and goes to show audiences that in order to make a great movie – you do not need to be from the Marvel/DC Universe or more than two hours to be an excellent film. Seems as though all you really need is Nicolas Cage and Pedro Pascal.

Grade: A+

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Review screening: Tuesday, April 7, 2022 ~ courtesy of 42West PR/Lionsgate

“THE UNBEARABLE WEIGHT OF MASSIVE TALENT” FROM LIONSGATE IS OUT IN THEATERS FRIDAY, APRIL 22, 2022

REVIEW: “SONGBIRD” (2020) STX Films

During a pandemic we all might wonder if it’s really a good time for a pandemic film right now – the answer isn’t really definitive as none of us want a something that will instill a probable cause of more anxiety. And considering the staggering amount of cases being reported, the horrible handling of it all and more deaths in one day than 9/11, some might shy away from this one. But yet “SONGBIRD” didn’t instill that in my sometimes anxiety ridden self as it tells an actual story, not a great one, but a story it does have and it wasn’t any worse than the horrible handling that is happening first hand of the actual Covid-19 virus at present.

It’s also essentially the first studio film to be shot in Los Angeles during the pandemic showing us it can be done with all protocols and testing being followed and that is a good thing with the bringing of employment and cash flow back into the city. This one though isn’t dealing with Covid-19 but is set in 2024 with the virus having mutated into another deadlier level aptly called Covid-23 and millions have now died from it. The country is not only under martial law, but has been in complete lockdown for a few years. You must do a viral scan each and every morning and anyone who is infected will be taken by force if necessary and sent into overcrowded quarantine camps again, aptly called ‘Q-Zones’.

There are as with any disease known, people who are immune and these lucky few are given a yellow coded bracelet to wear as proof. Nico (K.J. Apa) is one of these lucky immune people and he is employed by a delivery company owned by Lester (Craig Robinson) which as no one is allowed to step out of their house, an extremely lucrative business. Especially of course to the rich and wealthy as noted by Lester “The rich need their stuff”. Lester monitors all his staff through high tech GPS and an agoraphobic disabled vet Dozer (Paul Walter Hauser) who operates delivery surveillance drones to make sure they get their stuff. The rich here being the Griffin family consisting of William (Bradley Whitford) and Piper (Demi Moore) and daughter with pre-existing conditions Emma (Lia McHugh). William and Emma are not happily married and they are also underground dealers of those special yellow bracelets that can make travel for other rich people possible. Nico is also busy trying to help his girlfriend Sara (Sofia Carson), with whom he has never had a face to face conversion with as their connection is through phone screens and her front door. Sara lives with her grandma Lita (Elpidia Carrillo) who might be at risk of passing her Covid scan. Lastly is of course our villain Emmett Harland (Peter Stormare) who leads the so-called ‘Department of Sanitation’ crew who take the sick to the Q-Zones.

All of this happens very very quickly as writer/director Adam Mason throws everything at us at a very quick paced 90 minutes of runtime. There is no acting standouts here although it was nice to see Demi Moore still giving it a go – though not a fan of her glasses look, she played the bad/good person here well enough. Apa and Carson have a good chemistry even though their whole relationship is done through screens, it was believable. And credit must be given that someone can make a film at all right now let alone write it, pitch it, get it made and released all during a lockdown. Was there moments where you realize with how badly things have been handled, and where empathy is definitely a lacking trait in realization of how many have passed already, yes and it’s definitely not a hope-filled, joyous look at a future that none of us want to see, but there is a story behind it all.

All in all, giving credit where credit is due and while not the best film of 2020, it’s also not it’s worst.

Grade: C-

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Review screening: Courtesy of STX Films

“SONGBIRD” IS NOW AVAILABLE ON VOD