Tag Archives: Jonathan Majors

REVIEW: “CREED III” (2023) MGM

Adonis Creed isn’t the only person returning here as I myself, am also making a return of sorts. Having been out for months due to Long Covid, I am slowly making it back to screenings and reviews. There is still a bit of challenges on the road ahead, and I am starting slow – but what a great start to have with this film. Let’s also get the talked about elephant out of the room right off – Sylvester Stallone is not in this movie nor did he have any part in it’s making, making it clear to all. There was a big hoopla between him and Irwin Winkler, you can google it if you need to know more. Now on with the review…

Michael B. Jordan not only comes back as Adonis Creed, but makes an impressive directorial debut in the latest of the Creed post-Rocky series, delivering what might be the best Creed yet and a sequel that just might surpass some of it’s predecessor’s Rocky franchise films.

We all know Apollo’s backstory, or at least we thought we did as the opening of the Creed III begins with a flashback to 2005 and a young Adonis (Alex Henderson), plays the younger Adonis and his pal Dame (played by Spence Moore II as a child/Jonathan Majors as an adult). It’s clear that Dame is a boxing prodigy and on his way to the life that Adonis ends up having. Fast forward 18 years and the storyline shows us a retired Adonis Creed who is now a stay-at-home dad with his daughter Amara (Mila Davis-Kent), and successful wife Bianca (Tessa Thompson), who is now a music producer. One day while at the gym he started along with his trainer Duke (Wood Harris), he runs into an his old acquaintance Damian (Jonathan Majors). Dame, as he is better known, was a better fighter when they were kids, with a brighter future than his own, but they got in trouble and Dame is just fresh out from a 18 year jail sentence. Now that he is out, he wants what he feels is owed to him, which is essentially everything Creed has including a chance at the Heavyweight title of the world. In a storyline that not even Don King himself could create, Creed ends up giving him his chance, but it’s apparent he quickly wishes he didn’t as once the demon has been unleashed on the boxing landscape, the same man who unleashed may be the only man who can stop him.

There is a lot of story to be told during the first third of this film and For the sake of spoilers, I won’t go any further into detail, but I’m sure you can guess where that heads. But as we move along into what each and every Rocky or Creed film truely focuses on, and that is the boxing. Just as Stallone directed himself in several Rocky sequels, Jordan takes command and improves on the formula in unexpected ways. While something could be said that as a first-time director, Jordan relies too much on CGI auditoriums to capture the vast crowd on fight night, but the fight coordination itself makes up for the artifical backdrop in a huge way. There is a slow-motion strategy where Duke’s coaching or Creed’s eyes identify weaknesses in the opponent, and we as the viewer, feel as though we are completely involved in moment-by-moment, blow by blow with them. As well, Jordan gives us an upfront show in the tactical maneuvers behind the sport, that many just don’t realize is such a big part of it all. In probably one of the most beautifully filmed as well as probably one of it’s harshest, is when the combination of backstory and present story hit their mark when Donnie and Dame reach the emotional zenith of their match, everything else around them fades away. All at once, fog surrounds the ring, and the screaming fans disappear. The opponents see each other as children, and literal prison bars appear, locking them together in the ring. It’s a thing of beauty.

Acting wise, Jordan shines, and not just behind the camera, but he also delivers another great performance as Adonis. At this point, it feels like Adonis is a part of Jordan and vice versa. It’s his character, and he’s grown well past the days of being in Apollo Creed’s shadow. But make no mistake about it, the absolute steal of the film is Jonathan Majors performance. It goes above and beyond with layers to his story — more than any other villain in this franchise — and he’s more than just a part of one of Rocky or Apollo’s past opponents. He IS that guy and brings this character to life like no other.

With it’s bit of a cheesy Rocky-esque opening, this film quickly takes a twist into finding its own form, Whether this is the final time that we get to see Adonis Creed throws a punch or not, Creed III is the perfect end to this trilogy, if it is the end that is.

Grade: B

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REVIEW: DA 5 BLOODS (2020) Netflix

Here we have Spike Lee’s first film since BlacKkKlansman and “Da 5 Bloods” is sure to evoke all kinda of reactions including my very own. While I watched the movie about 10 days ago, I decided to wait till all the fervor regarding it died down some before putting out my own thoughts.

Making a film about the Vietnam War isn’t always on the top of most directors lists as it’s not what one would call a ‘good war’ such as some did for WWII.  And a bit of even the most basic history will tell you the Vietnam War was fought on a soil not many American’s had ever touched let alone wanted to fight for.  Needless to say it was known that it was a tough war because so many opposed it, which was probably the right attitude, but it meant that a lot of returning vets didn’t get the respect they deserved or the help they needed – which is sadly the American way, and actually by no means exclusive to just the Vietnam war. And of course we all had learned about the ‘My Lai Massacre’ in school – where 500 unarmed civilians – men, women, children and yes, even babies – were slaughtered by U.S. soldiers. Women were gang-raped and their bodies mutilated, as were children as young as 12. When their cover-up was eventually busted and brought public, 26 soldiers were charged with criminal offenses but only Lieutenant William Calley Jr. was convicted. Found guilty of killing 22 villagers, he was given a life sentence but served only three and a half years under house arrest. Sound familiar?

Many leaders including Martin Luther King Jr., were opposed to the war as black men were being essentially told (as was everyone as we, the U.S., had initiated the draft) to serve their country, and there weren’t any colleges or doctors writing bone spur deferrals for them. They were asked to protect the freedoms of people in other countries when they still didn’t have real freedom in their own homes. So of course this means POC – and even more specifically black men – were called up in much greater numbers than their white fellow citizens of course, and therefore were also a higher proportion of POC/black men combat casualties in Vietnam. To put the cherry on top of the cake, African American soldiers encountered racists bigots amongst their own ranks, huge discrimination and many disadvantages when it came to promotions/decorations, and lastly,  few to no services if and when they returned home. So yes, there is a lot of history of this war and none of it is good.

Now we’ve seen the Vietnam War done many times, and some of the very well, but Spike, well Spike has got his own tale to tell of this war and in Da 5 Bloods he does just this. The film follows a platoon of four Vietnam vets, headed by level-headed Otis (Clarke Peters) and erratic, Trump-supporting Paul (Delroy Lindo), Eddie (Norm Lewis), and Melvin (Isiah Whitlock Jr.) as they travel along with Paul’s son David (Jonathan Majors) who has his own backstory with his dad, back to their former battleground to recover the remains of their celebrated leader and 5th Blood, Stormin’ Norman (Chadwick Boseman)…and also the pile of gold they stashed along with him.

From there the film zips from thriller to hang-out comedy, action to drama and here is sadly where the film falters some as it’s all over the place with tone as the plot almost changes completely. The mood of a scene can change on a whim, some of them are ridiculous and so far over the top we almost lose the entire sense of the film itself. It’s as if it almost becomes a reflection of the turbulence of the battle they once fought in – where, as we see in superb retro-inflected flashbacks of so much of the controversy of which the 60’s entailed as Lee also puts in a bunch of videos and stills of Martin Luther King Jr., Malcolm X, Angela Davis, Marvin Gaye, Aretha Franklin, The Kent State Massacre and the Fall of Saigon are among the many notable figures and events from the time of the Vietnam War, along with the dramatic events of the present unfolding in the blink of an eye in front of us. Their quest to find Norman’s remains – wanting to give him the hero’s funeral he is painted as deserving – is an arduous one, but is one that is allowing for some truly brilliant character studies of these guys to emerge as well. Of course, to smuggle something to the tune of $7 million of gold back into the United States, the Bloods have to involve Tiên (Lê Y Lan), Otis’ old flame, and a Frenchman named Desroche (Jean Reno). Desroche promises he will get the money to various off-shore accounts that the Bloods will be free to draw from, which truly is up for debate throughout the entire film.

So as not to tell you the entire plot line and give away everything as the film is something you should take the time to watch, delving a little into character study is needed. While all the characters play key roles in this plot, none quite do it like Delroy Lindo does. Lindo, always a great supporting actor, has never really had to really carry the entire weight of a film on his back alone, and here he does a remarkable job of giving us his all. The reflections monologue as he ventures into the jungle is unparalleled by anything he’s ever given us before. Paul is ravaged by PTSD, he is by far and away the most complex and entrancing character on screen, and Lindo brings him to life. You hate Paul – you love Paul – you want Paul to leave – it’s all that and so much more. Almost indescribable. Again this is not about diminishing the other performances in the slightest. Everyone does an incredible job, especially Majors as David. However, it would be remiss not to point out Lindo’s all out one that put’s an incredible hold on you throughout the film.

To summarize it up, after Lee’s last film was there maybe more to be expected, sure there was, and while the message is clear and strong, the sometimes ridiculous plot is saved by the brilliant acting all the way around. For that reason alone my grading goes up a notch.

Grade: B-

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DA 5 BLOODS IS AVAILABLE TO WATCH ON NETFLIX