REVIEW: “MARRIAGE STORY” (2019) Netflix

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As with some of Bambach other films, “MARRIAGE STORY” is long on talk and short on cinema. While most are at least a good watch, this one tricks you into thinking you’re getting a marriage story for the first five minutes, but it’s got a little trick up it’s sleeve and you soon find out that what you almost fell for, is nothing of the sort. With its sorta jokey NY/LA rivalry theme, and in certain LA frames giving us the “Annie Hall” feels, (along with other films in the same vein appear to be evoked here) but the mere mention of these kinds films only highlights the weakness of this one.

There is however, some passing enjoyment to be had.  Laura Dern turns in a stellar performance as Nora Fanshaw, a vicious divorce lawyer camouflaged in California nuances, and there are some fine cameos from Ray Liotta as Jay, opposing lawyer to Dern’s character.  Alan Alda also steps in as Bert Spitz, and is probably the best bit of comedy the film is given, though we are also given a true moment of sadness when you can’t help but notice the wonderful Mr. Alda’s tremors/shaking during this performance.  The wonderful Wallace Shawn, Merritt Weaver as Nicole’s sister Cassie, her mother Sandra (Julie Haggerty) are fun as well.  On the other hand, our two leads: Nicole & Charlie (Scarlett Johansson and Adam Driver respectively), are as bland and uninteresting to watch as is paint drying. With such a lack of chemistry the film soon grinds to a plod and therein leaves us with absolutely no feeling towards them – no matter how much they talk about it, it’s hard to fathom that they have any kind of shared history (even their son, used as a bargaining chip throughout the messy divorce, has about as much appeal as a potato).

During one particularly lengthy argument, which was right on the level with that of a Real Housewives scenario and about as well acted as such, Johannson tries, but can’t strike a spark from herself nor her co-star, the dead-eyed and apparently sedated Driver. I’ll admit, his appeal escapes me, but he can sing — as at one point he inexplicably gets to sing an entire number from “Company” at a piano bar, and pulls it off admirably well. But Baumbach remains firmly within his context setting of affluent, if not wealthy, Brooklyn and L.A. showbiz people and their neuroses. It’s all very narcissistic and more than a little contrived — as it could be said, this is more theatre, with its elaborate, paced plotting intended as build-up to the leads’ Big Scene, which then leaves us no great effect.

In fact, Bambauch makes an unforced error in a courtroom scene where, for the first time, ordinary and everyday people are seen waiting their turn before a judge, who makes a welcome comment to the effect that he is adjourning the case around which the film revolves as there are plenty of people with far fewer resources awaiting their turn. Indeed. And so the inevitable question arises: why should we care about these particular privileged, undoubtedly smart, but politically and socially dull people as they go through the predictable phases in the break-up of a marriage whose reality was never very convincing to begin with? Why should we spend our time watching what amounts to a modernized version of a drawing-room comedy, updated to take account certain contemporary sensibilities. Well that’s for someone else to figure out. The sheer fact that they list this as a ‘comedy’ is truly baffling as our leads provide none of it and if it weren’t for some great supporting roles here, this film would be a complete sham. It also should really be titled ‘Divorce Story’ as the ‘Marriage Story’ title invokes a much happier tune than what is given.

This movie is no joy ride and I tend to say that it should have been 30min shorter. Especially the musical scenes in the end felt like “to much”. Sure, I get it, it’s a reference to the Broadway theme, but it just felt out of place. Maybe this movie is a bit to long by design, to make you feel the dread and despair as a divorce, especially when it gets so dirty, is a process that goes on for much longer than you think it should. They gave us a cute little package of tissues upon entry of the film and I thought I would be using them in an emotional tense, instead the only tears to be shed were the ones of wanting the movie to just end.

 

In the end, this film is overlong, over shouty and brings absolutely nothing new to the table. I think I’ll watch “Annie Hall” again, thanks.

Grade: D+

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Media Review Screening: Wednesday, October 30, 2019 ~ Courtesy of LAFTV Meetup

“MARRIAGE STORY NOW OUT IN SELECT THEATERS // ON NETFLIX DECEMBER 6, 2019

REVIEW: “BIRDMAN” (2014) ~ Fox Searchlight

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Ok.. I will admit, I’m rather breathless right now.. I was fortunate enough to see a special screening (thank you EVER so much Jason Watters) of this movie and to simply say it’s fucking BRILLIANT feels like I’m almost understating it.. To say I’ve never seen anything like it and I’m going to venture out on a limb here and say I don’t think most have either..But I’m pretty sure in my stating that fact. It’s almost to difficult to put into words what exactly this movie is about, because it’s that different and special, but when you see, trust me, you will get it, and that gettin is oh so good of a film.  From the 4th or 5th minute in this movie..YOU ARE IN IT..it feels that way..and as they say..’in it to win it’.. And you don’t want to leave it.

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To sum it up as best I can without ruining or revealing to much of the plot of this SUPERBLY acted play within a movie, within a play, yes you read that correctly, starting with a simply superb performance as “Riggin Thomson” is Michael Keaton, playing a washed up actor who in a twist of fate that could possibly be based on a bit of real life (hmmm), once played an iconic superhero character named ‘Birdman’, got pigeon-holed by sequels and has been type-cast ever since.  He is attempting to mount a ‘comeback’ of sorts by doing a Raymond Carver play which he wrote. is directing and starring in and what entails during the 3 preview showings of the play is what this somewhat fantastical, oh so cherry-red, dark comedy takes us through. All the while ‘Birdman’ seems to be a voice in his head telling him things, but is it just a voice and are all the fantastical things he can do all real?  This is all part of the wonderfully different ride you will be on while watching the film feeling you are on the rollercoaster right along with him,  birdman 3

Stealing the show and his play within a movie within a play..ha! I just love saying that..is Riggin’s co-star in both “Mike Shiner” (Edward Norton), who really does a fantastic job here of making us think or believe his character is either completely insane or completely normal. You get to decide while you either shriek with laughter or dis-belief at this guy.  While some of the supporting cast here is so-so for me in this movie. as I’m not fond of either character of “Lesley” (Naomi Watts), who is the rather neurotic lead of the play  or “Sam” (Emma Stone), who plays Riggin’s re-habbed daughter/theatre assistant/stoner/ends up sleeping with Mike role, I did however love Andrea Riseborough as “Laura” who plays quite comically, Riggin’s girlfriend, and “Brandon” (Zach Galifianakis) his agent/lawyer/comic best friend.

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I will sum this up for you very simply, this is probably one of the best films I’ve seen, this year for sure. It’s so original, well thought out and If anything, you must give a huge shout-out to not only the director, Alejandro González Iñárritu for his amazing vision and what he accomplishes in this film with it, but the WHOLE film crew from the producers and most especially the camera crew as noting they did in the Q & A afterwards with producer John Lesher & the film’s star, Michael Keaton, what a great job was done by all in a very short period of time on a very low budget, you will be amazed by what you see and hear as the soundtrack is just as good as the film itself.  This movie has you giving knee-jerk reactions in some scenes that parlay into completely different situations than you thought possible, it will make you think, it will entertain you and end with a scene which is one you will not soon forget, Lastly you will talk about this movie for a long time afterwards. Is this what you might call a “comeback” for Michael Keaton, yeah..it is, and we all know how much not only Hollywood, but we ALL love comebacks, My suggestion to all is run..don’t walk..do not pass go, just get to the theatre and see this very very good movie when it’s released. For me, this would get Oscar nods for film, lead actor Michael Keaton, and supporting actor, Edward Norton.  I’m going to bet on this one that I am right..:)   

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Producer Josh Lesher & Michael Keaton

Producer Josh Lesher & Michael Keaton

Grade:  A (Oscar-worthy)

(see grading scale)

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