Tag Archives: Tuppance Middleton

REVIEW: “DOWNTON ABBEY: A NEW ERA (2022) Focus Features

“Why would anyone want the actors to talk I would have thought silence would be a blessing.” Dowager Countess of Grantham

There is one thing you can always count on when visiting Downton Abbey – it’s a busy place. People hustling and bustling around, from the Crawley family themselves, to all the downstairs employees who are a family unto their own.

But as all things do – time goes on and things change. Hence we find ourselves with “DOWNTON ABBEY: A NEW ERA” and boy what an era this turns out to be for all at Downtown. So much is changing in the world and this new Downtown Era transfers beautifully to the film screen, mostly because it has a new vision and a new director in Michael Engler. The original cast whom we’ve all come to know and love is mostly back with Dowager Countess (Maggie Smith), as always leading the way and as is tradition, she gets most of the best lines. The Granthams’ Robert (Hugh Bonneville), and Cora (Elizabeth McGovern), as well as daughters Lady Mary (Michelle Dockery), and sister Lady Edith (Laura Carmichael), are back as well with their families, though notably missing is Henry Talbot whose is away racing cars. This doesn’t bode well with Mary as she feels this takes precedence in his life and this might lead to a ‘wandering eye’ here or there. Though front and center is Tom (Allan Leech), who opens the film with his marriage being celebrated by all to Lucy (Tuppence Middleton).

The family and titles might be a bit hard to keep up with, but fans of the series have no problems remembering them all, For new fans, this film really has done a superb job in opening up the plot and the setting in this film in a truly new era.

The are two revolving plot lines in a New Era, one brings us the future, but the other brings us to the past. More specifically, the Dowager Countess’ past. But as half the household vacates Downton leaving Lady Mary behind to manage things at home. The rest of the family including Mr. Carson (Jim Carter), vacate to a beautiful seaside villa in the South of France that Lady Violet Crawley, the Dowager Countess of Grantham has mysteriously inherited from a Count that she met many many years ago. The Villa and the scenery surrounding the mystery is of course beautiful, but it also opens up the story to some very emotional family disclosures, and I will leave it there as the Countess herself notes: “I will say goodnight… and leave you to discuss my mysterious past.” And to tell you more would spoil it all.

On our other story set within the film, we watch as Downton Abbey moves to 1929 and with it, brings in not just the jazz age, but the movies itself within its doors. Movie lovers will remember that 1929, also heralded the end of the Silent movie era and talkies were taking over and the movie industry itself was being revolutionized with this. They manage to fit a lot in here with this theme as Jack Barber (Hugh Dancy), comes to town as a director wanting to make a movie using Downton as his location, also something that is changing – shooting from the backlots of studios to actual location shoots. Since Downton has fallen into some disrepair, the large location fee is most welcome – as is some of the movies cast, bringing in two famous silent films stars Guy Dexter (Dominic West) and Myrna Dalgleish (Laura Haddock), much to the enthrallment of Daisy (Sophie McShera) and Anna (Joanna Froggat).

The music score in this movie by John Lunn with the Downton theme that is so familiar to it’s audience, is effective in this movie and perfectly suits the family dynamics emotional side. As well, the wonderful soundtrack additions of the Jazz Age and songs of the era to round it all out. This film manages to have strong female characters and not only that but it’s also the perfect example on how to include gay characters without it feeling forced. Add in a certain amount of hi-jinx all around, and you’ve got yourself the follow-up movie we all needed.

The two stories are quite beautifully woven together and with so much of the original cast present, along with some wonderful new additions- this one works well in updating the story if this family we never seem to tire of.

Grade: B

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Review Screening: Friday, May 13, 2022 ~ Courtesy of Ginsberg/Libby PR

“DOWNTON ABBEY: A NEW ERA” FROM FOCUS FEATURES IS NOW IN THEATERS

REVIEW: “THE IMITATION GAME” (2014)

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Note: “The Imitation Game” release date in the U.S. is November 28th, 2014 ~ this review contains no spoilers as the movie is based on historical fact already known.

Do you know who Alan Turing is? I’m going to guess not. After you watch this movie you will most likely be saddened by this fact as I know I was.

Alan Turing (Benedict Cumberbatch) was a master mathematician who finds himself plunged into the secret code-breaking underbelly world of Bletchley Circle in World War II when he’s hired by the British government – along with a team of code breakers – to crack Nazi Germany’s supposedly impenetrable Enigma code and end the war. He makes no friends in his inner circle all throughout his life, but not due to the fact that he doesn’t want them, he is one of those people who are of such true genius they never really learned how to be socially adept. the ig 1

Turing wrestles with a multitude of impediments – shyness, homosexuality (which at the time was illegal) and the overriding pressure of heading up such a mammoth venture would be daunting for anyone trying to stay true to his heart and his extraordinary skill along the way. Not only was Turing unconventional, but his methods were as well. His deterrents included Naval High “Commander Denniston” (Charles Dance) who tries to shut him down more than once, and in the beginning, most of his team, the somewhat caddish “Hugh Alexander”(Matthew Goode), Keira Knightley as “Joan Clarke”, who becomes Turing’s main confidant and for a moment in time, his fiance, the spy amongst them, “John Cairncross” (Allen Leech) and “Peter Hilton” (Matthew Beard) who’s heartbreaking moment occurs when he realizes even though they have broken the code, they most likely can’t save his brother serving on a naval ship due to the nature of the beast that is war and the secret games that must still be played to ensure the safety of millions rather than just one. the ig 3 Mark Strong comes in as MI6 specialist “Stewart Menzies” another small but brilliant turn here as he is probably the only one that has Turing’s back during all this..well him and the man who lives at 10 Downing Street at the time, Winston Churchill that is. 😀 the ig 2 I would also be remiss in not mentioning Rory Kinnear as “Nock” the police detective who is really at the root of Turings out-ing so to speak as he, along with “Sergeant Staehl” (Tom Goodman-Hill) & “Supt. Smith” (Steven Waddington) are the ‘bobbies’ who dig into Turings past after a reported robbery at his home. Even though once Nock interrogates Turing and finds out his whole story, he is reluctant to move forward, the damage has already been done.

the ig 4 The story behind this film is just as harrowing as the one being solved. Here is a man who should have been touted as a worldwide hero in history books everywhere, who’s face should probably be on some type of pound currency, yet we’ve never heard of him as he was persecuted by his own nation for being homosexual and made to either undergo chemical castration or serve 2 years in prison because of this fact. Think of all the people in the city you live in ~ as it might not have existed if not for Alan Turing. Here is a man who saved 14 MILLION lives, yet killed himself due to the fact he was shunned by his own country instead of celebrated just because of who he was sexually. And yes, he was the inventor of what was for years referred to as the ‘Turing Machine’ yes ladies and gentlemen..what we now call ‘computers’. Finally in 2013 this was changed by Queen Elizabeth and rightfully so because it’s the true shame of a nation to deny this man his rightful place in it.
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This film is a tour de force for me, not only because of it’s place in history, but because of the man himself. I believe this powerful film will stay with me for some time to come and I can only hope it does the same for anyone who sees it. It even more elevated by strong performances across the board of not only Cumberbatch, who is definitely in the performance of his career so far, but his strong supporting cast as even Knightly, who usually dismal performances can break up the direction of a film, carries on well. Come Oscar time I’m betting on the fact we will see some nominations here of not only film, but performances as well.

Grade: A

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