REVIEW: “THE LEGO MOVIE 2: THE SECOND PART (2019) Warner Bros.

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The Lego Movie took the much-loved plastic childhood toy and built it into meta-comedy franchise that played equally well for kids and adults. Already spawning a more than one spin-off, including the truly not for kids The Lego Batman Movie, now comes the sequel to the original, The Lego Movie 2, which is fast & frenetic in it’s pacing, even if not exactly fresh.

In truth, this “THE LEGO MOVIE 2” doesn’t stray too far from the original, picking up briefly where its predecessor ended, when the Duplo toys arrived to cause havoc. The story then moves on five years; Bricksburg is no more and now our Lego friends live in Apocalypseburg, a Mad Max-style nightmare, complete with a half-buried Statue of Liberty (nod to Planet of the Apes??!!). Only Emmet (Chris Pratt), our orange-vest-wearing construction worker hero, is his same almost annoying, upbeat self. He’s even built a house for his love, the Goth-clothed Lucy (Elizabeth Banks). But then along comes an alien, General Mayhem (Stephanie Beatriz), capturing all Emmet’s friends and shipping them off to the Syster System to do the bidding of Queen Watevra Wa’Nabi (Tiffany Haddish), who wants to get married and zeroes in on Lego Batman (Will Arnett).

Emmet sets out on a rescue mission, but it’s only when he meets Rex Dangervest (also Pratt) – a future version of himself – that he learns to toughen up in this mean world. Once again there is plenty of fourth wall-breaking, plus more pop culture references than you can shake a stick at with everything from 2001: A Space Odyssey, Twilight, to Back to the Future. The cameos even get really weird, with Bruce Willis turning up as a sort of Lego John McClane from Die Hard at one point. The problem with all that, while it might be entertaining for some adults, kids have no idea what these references are and the plot is lost on them, hence they then get bored.

With some cute styled like musical scenes, there are show tunes galore – the best being Catchy Song, which also gets plenty of airtime here. Repetition does weigh it down, with the breakneck pacing ironically causing the film to drag at times, again especially draining for the kids, with Mitchell’s insistence on wham-bam action almost as tiring as Haddish’s talkative shape-shifting Queen.

So all in all, The Lego Movie 2’s insistence on never slowing things down to take a breath can be almost tiring as at times it felt as though there were too many events and gags crammed into a scene. But with Richard Ayoade voicing a talking ice cream, the inventive humour that made the first film special, can still shine through at times. Just probably more for adults than for kids.
Grade: C
@pegsatthemovies

Media Review Screening: Saturday, February 2. 2019 ~ Courtesy of Warner Bros.
“THE LEGO MOVIE 2: THE SECOND PART” IS OUT WORLDWIDE AS OF FRIDAY, FEBRUARY 8, 2019

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SPIRIT AWARDS NOMINEES – WEEK TWO SCREENING REVIEWS

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Started and finished up Week Two of Spirit Award nominee screenings. Closed it all out on Saturday and granted I didn’t see everything yet, but have gotten in a good portion of those nominated and while some they did provide screeners for most, a few did not (I’m looking specifically at you “Thoroughbreds”), or I made the screenings. From here on it gets real as (drum roll) we vote.

“WILDLIFE” Dir: Paul Dano

‘Wildlife’ is a perfect example of how you can put two very good actor/actresses in a film and it still doesn’t make it good. Jake Gyllenhaal is just plain wooden in his role here and Carey Mulligan almost overacts her role as a cheating housewife. Almost painful to watch what could have had potential, just did not work.
Grade: D

“SUPPORT THE GIRLS” Dir. Andrew Bujalski

I found myself having a soft spot for this one even though it might not have been the best movie I’ve seen – it most definitely had it’s moments while giving a absolute spot on portrayal of what it’s like working in the service industry, most especially in the “Hooters” type atmosphere. Regina Hall leads the cast as the general manager, but almost stealing the show from her are the ‘girls’ Haley Lu Richardson, AJ Michalka, and newcomer Shayna McHayle. James Le Gros as the grubby bar owner rounds this out. It’s definitely got a good #GirlPower message to women servers around the world!
Grade: C+

“COLETTE” Dir: Wash Westmoreland

Colette is yet another true story of female empowerment – a woman with real talent trying to break out of the gilded cage she finds herself trapped in. Colette is the ghost writer of a series of novels about her own life, but because of the times, her husband says they are his and takes credit for them – until she steps out of the cage. While not Keira Knightly’s biggest fan, she does the brooding Victorian women like no other. Dominic West delivers a reliably solid performance as expected, with the supporting cast also doing the same. Sadly, the film seems much longer slog than its 111 minute run time, notably the whole middle portion of the film being somewhat pedestrian as well.
Grade: C

“YOU WERE NEVER REALLY HERE” Dir. Lynne Ramsay

What a huge letdown this film was for me. Most definitely inspired by ‘Taxi Driver’, and ‘inspired by’ is where it shall remain as this pointless plot about Joaquin Phoenix as hired enforcer with clearly some mom issues of his own. This plot falls all over the place with bad, slow pacing and brings nothing new to the table. Yes, I get it, it supposed to be an ‘art’ film – but even those have to have some semblance of some type of clever conversation or suspense.. anything really. To those that loved it..kudos..
Grade: D

“CAN YOU EVER FORGIVE ME” Dir: Marielle Heller

Melissa McCarthy brings a whole other side to her acting her with this strong dramatic turn as a celeb bio author who books cease to be published so instead she resorts to ‘authoring’ fake celebrity letters. Something which she is very good at, probably better than writing her actual books truth be told. Aided by the fantastic supporting performance of Richard E. Grant, this film is non-stop literary fun from beginning to end..and by end we mean in jail for fraud.
Grade: B+

“BLACKkKLANSMAN” Dir: Spike Lee

I will confess, Adam Driver kinda kept me away from watching this film because my admitting that I am just not a fan might make some upset because of the whole Star Wars thing etc.. etc.. so Star Wars fanboys I apologize, as I actually liked him here. But come on, John David Washington, was perfection. This movie had me from moment one, and made me laugh with disbelief, but it also made me cry at the very end when you do realize that we ARE letting it happen again – and that breaks my heart. #RIPHeatherHeyer
Grade: A+

“EIGHTH GRADE” Dir: Bo Burnham

I mean all I can say is read my review here to know how much I loved it.
https://peggyatthemovies.com/2018/07/17/review-eighth-grade-2018-a24/
Grade: A-

“WON’T YOU BE MY NEIGHBOR” Dir: Morgan Neville

Again, my review from when I saw this wonderful film earlier in the year.
https://peggyatthemovies.com/2018/06/01/review-wont-you-be-my-neighbor-2018-focus-features/
Grade: A+

@pegsatthemovies

Spirit Awards Review Nominee Screenings – week one

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So I am a member of Film Independent and every year they do a two-week long jaunt of screenings of all the Spirit Award Nominees. As a lover of Indie films, these two weeks are quite heavenly as not only are the screenings just a short distance from me, but let me see and open my eyes to many films that you don’t always get a media screening invite for. It gave me personally an extra benefit this year as I was quite ill, especially these past few months and missed quite a few of screenings I did have. So onward with brief thoughts and grades on everything I’ve seen so far. Mind you, I did miss some of these even, as not only do they do a whole block of them on weekends as in four in a row – I had a medical time-out for most of the week. Luckily, many of the films are luckily on Netflix, Prime or Hulu – and as voters are also provided with links to watch all of nominated films. But truthfully, watching films on a laptop just seriously isn’t how they are meant to be viewed now is it. So with that in mind – here we go. (following in the format of the Film Independent Screening Awards schedule)

Day One:
“SORRY TO BOTHER YOU” Dir: Boots Riley

I was really loving the first part of this film as it was satire sharp, imaginative and funny. But not only does it run too long, but that bizarro left turn it takes in the last third of the movie will surely leave most as bewildered as I was.
Grade: C-

Day Two:
“SHIRKERS” Dir: Sandi Tan

This was a great little women-driven documentary that takes on a journey of a lost film, a strange relationship that made that happen, and all the friends along the way. But maybe it’s the oddness of all of it put together that works so well.
Grade: B

“LEAVE NO TRACE” by Debra Granik

If you asked me if I thought I would enjoy a film about a man (Ben Foster) and his 13-yr. old daughter (Thomasin McKenzie) who have been living off the grid in an urban park of all places, and what happens when they make a single mistake and get caught, well I would’ve have probably laughed a bit and given you a ‘NO’ in response. As it was, I loved this film. It was taunt with drama, and the age old question of what is right or perceived as so, and what is wrong, again, perceived as so.
Grade: A

“HEREDITARY” by Ari Astor

While the film wasn’t scary per se for me, nor a particularly good horror film by any stretch, it did stitch itself together enough to follow along and be entertaining mostly because Toni Collette took it there. I had forgotten about Gabriel Byrne somewhat over the years, but his supporting role along with Ann Dowd, Milly Shapiro and Alex Wolff topping off with good performances of their own, helped bring this film up a notch to be sure.
Grade: C

“ROMA” Dir: Alfonso Cuarón

A completely different take on the trials and tribulations in the life of a maid in to a rather dis-functional wealthy family in 1970’s Mexico City. While Yalitza Aparicio is a breath of fresh air to be sure, along with Marina de Tavira and well, truly the whole cast, I do think it’s a bit over-hyped in the ‘how good it is’ department. Mind you it IS good and I will leave it at that.
Grade: B

Day Three:

“PRIVATE LIFE” Dir: Tamara Jenkins

Both Kathryn Hahn and Paul Giamatti give a completely believable ordeal of what one couple goes through to have a child – including numerous fertility ordeals, tests, fake surrogates, family surrogates, money and most of all their own lives and relationships, in a series of choices that can only make one cringe at times as to what some will choose to endure.
Grade: C-

“THE FAVOURITE” Dir: Yorgos Lanthimos

Let me just shout about how much and how long I’ve loved Olivia Colman. I always felt she was under-utilized so much or not given enough credit for her work. Here, she finally gets her lead role that will no doubt finally change all that and bring her an award. Alongside Rachel Weisz and Emma Stone as her supporting, they do a commendable job of making this odd story come to life. While I didn’t love the film overall, the performances were so strong. Even Nicholas Hoult dons the old British wig and make-up to do a fun spin here as the strangest of cads. All said and done, just give Olivia her due already and be done with it.
Grade: C+

Day Four

“MADELINE’S MADELINE” Dir: Josephine Decker

I tried very hard to find a redeeming quality of this film and I just really didn’t find one. It was all over the place with nonsensical scenes cutting back and forth to add up nothing of what makes a film flow from scene to scene. It completely lacked any sense as you didn’t know if Molly Parker’s character was wanting Madeline (Helena Howard) to be crazy or making her crazy. All in all, it just lacked any and all of the Drama/Mystery/Thriller it is categorized as.
Grade: D-

“MINDING THE GAP” Dir: Bing Liu

As we know not all documentaries are going to be a pleasant, happy experience. This one however, made me feel as though I was watching a long drawn out episode of Teen Mom. And while I’ve never actually watched that show, I’m going to guess if you add in their boyfriends and skateboards, you’ve got it down pat. Enough said.
Grade: D-

“FIRST REFORMED” Dir: Paul Schrader

Ethan Hawke and Amanda Seyfried both give good performances here and once again, without that this would be a truly hard film to sit through in it’s entirety. I just wish the movie didn’t drag so much for so long in many different parts. It’s seems as it’s trying to be a social commentary on despair, climate change, torment and tragedy all wrapped up in a bow that you see the ending coming right at you by the 30th minute leaving nothing to chance.
Grade: C

Day Five:

“If Beale Street Could Talk” Dir: Barry Jenkins

While I wasn’t Moonlight’s biggest fan, I did find Beale Street to be a far better film to be sure. I still didn’t love it as it left a lot of questions unanswered for me that I wanted to know and made it feel incomplete to me. While Kiki Lane and Stephan James are the leads, for me it was all about Regina King and Michael Beach (who is all of a sudden in so many projects and I love this fact) who really brought home the acting. And while so much of this hit hard, there was just still too much I wanted to know more about.
Grade: C+

And that’s all I’ve seen at this point – but I’ve still this weeks schedule and to make up some of last week’s also. So please come back as I will hopefully be posting more often again.

@pegsatthemovies

INSTA-REVIEW “AQUAMAN” (2018) Warner Bros.

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Two things I never thought I would see. 1. #NicoleKidman in a DC superhero movie or 2. Another DC superhero movie. 😁 okay kidding on the latter – but as most of already seen this with an early overseas debut..I will be quick about even the the film was so very very loooong.

#JasonMomoa is back as #Aquaman and sharing the screen with him is #AmberHeard as Princess Mera, who visits him on land to tell him he must accept his rightful role as ruler of Atlantis even though he is a half breed as his father Tom #TemueraMorrison is ‘surface dweller’ and his mother is a queen. #WillemDafoe is his mentor Vulko..and a terribly mis-cast #PatrickWilson is his half-brother King Orm.

There is so much backstory involved here, much of it so densely written you have a hard time following as they don’t actually make it enticing enough to do so. You have a lot of violence moth above ground and even including it’s very own underwater straight out of ‘Gladiator’ Coliseum battle.

The whole Atlantis concept is quite stunning and well done. A huge strong point of the film itself. But random characters like Black Manta #YahaAbdulMateenII aren’t played well except to let you know early on what #Aquaman2 will be about.

Momoa does single handedly save this one as best he can with a plot that is truly all over the place and much too long and drawn out. And by far, this is not a film for children in the slightest. So will I recommend it for DC fans – sure because they did finally bring something a bit new to the table.

Grade: C
@pegsatthemovies
Media Review screening Wednesday, Dec 19, 2018 – courtesy of Warner Bros.
“AQUAMAN” IS OUT WORLDWIDE AS OF FRIDAY, DECEMEBER 21, 2018

IF YOU ARE IN THE U.S. ~ GET OUT AND VOTE TODAY! 11/6/2018

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Sorry to make a non-movie posting…but to many people have fought for our right to vote and so many discard it as nothing as it’s a mid-term election and seemly not ‘important’ enough.. But it is! Our lives literally are hanging by a thread with our buffoon in office who takes to twitter to tweet up to 10 new lies per day. Too much is at stake for people to not take this seriously and I’m tired of hearing the whining afterwards from the people who didn’t bother to show up at the polls. And many big propositions are also at stake here in all the various States and counties. #VOTEBLUE #VOTEFORYOURLIFE #VOTEFOROTHERSLIVES #WOMENSVOTE #WAKEUP #IMPEACH #RESIST This is our chance to start the change of the disgusting cycle we’ve had to listen to for the past 2 years. His followers are blind and can’t tell right from wrong, don’t bother with them, just get someone who might be questioning the scum policies enacted by the GOP – or someone who can vote for the first time – or someone who can’t get to the polls – let’s get them there to VOTE BLUE! #BLUEWAVE

So again, apologies and all will return back to normal after Election Tuesday here in the US and I thank all the non-US people for your patience in my little rant/preach here! 😀
And thank you to all who do take the time to get out and do this as it is your right. And a hard fought one at that. Don’t let it go to waste.

Cheers all ~
peggyatthemovies

REVIEW: “BOHEMIAN RHAPSODY” (2018) 20th Century Fox

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‘Is this the real life?’ ‘Is this just fantasy?’ This is a big question to answer but I do know there is ‘no escape from reality!!’ – And I also know it’s taken me almost two weeks to write about this – even though I feel like I’ve been non-stop talking about it to others online and everywhere of how much I loved it. Even though it’s been a bit, I wanted to wait to release date here in the US to put the review out there. It’s clear at this point many do not, and each person definitely gets their own opinion. Haters are gonna hate and nitpick to find something wrong with anything. And because of the much publicized problems in the making of this movie, I think many are walking into it with the mindset of wanting to dissect it and hate it. But as Freddy would say – on with the show and here, for better or worse, is my two cents view/review!

Freddie Mercury is undeniably a legendary rock god of song. With his 4-octave voice and operatic performances, the artist made Queen, one of the most prodigious rock bands in the history of music. Not to mention Brian May’s riffs. The cinema world has been slow to to recognize this fact, and for me, remiss to tell the remarkable story of the oft blend of music they produced. A story of the band..and the person.. as a more beautiful or tragic tale of Mercury’s life has really never been told except in documentary style. Finally, we get Bohemian Rhapsody– where Rami Malek has the heavy task of playing this legendary and somewhat controversial singer.

There are those who view this a simply frustratingly superficial biopic of the rock-band Queen, one that glosses over the more complex and decadent aspects of lead singer Freddie Mercury’s life. Then there are others who embrace what the makers clearly intended it to be – a warm-hearted crowd-pleaser that revels in the band as a creative force, with emphasis on its charismatic frontman. I’m in the latter portion of this group. I went to a media screening almost two weeks ago and – while acknowledging some of its detractors’ points – I had an undeniably great time along with a whole theatre of people who laughed, cried, got chills and were ROCKED to the soles of our feet.

Plot-wise the film is standard, charting Queen’s stellar ascent, while providing a degree of insight into the lead singer’s turbulent live, both personal and with his band. It kicks off around the time the young Farrokh Bulsara aka Freddie Mercury who is living with his immigrant Parsi family in Middlesex at the time, meets lead guitarist Brian May (Gwilym Lee) and drummer Roger Taylor (Ben Hardy) and in the most cheeky of ways, invites himself into their band ‘Smile’. The evolution of Smile into “Queen” and Farrokh into magnetic stage performer Freddie is charted ever so swiftly in the first part of the film, as is the vocalist’s relationship with girlfriend Mary Austin (Lucy Boynton) – the woman who would end up being his closest lifelong friend. But there are tensions too. Mercury’s conflict regarding his sexuality throws his personal life into turmoil, while excess and ego put him at odds with his bandmates and record company.

But make no mistake as to what the film is. “Bohemian Rhapsody” is a big, brash entertainment that hits all the highlights of Queen’s career – from the creation of the movie’s title song to the band’s triumphant Live Aid performance in 1985. With Dexter Fletcher having replaced Bryan Singer as director partway through the shoot, it still manages to be a slick and seamless piece of film making, at its most thrilling during the dynamic on-stage sequences. There’s an easy and often funny sense of camaraderie between the Queen members, although the others are really only sketched – May for all his iconic guitar sound is the calm voice of reason, Taylor gets the womanizer label and bassist John Deacon the quiet endearing one. Meanwhile the band’s lawyer Jim ‘Miami’ Beach (Tom Hollander) a sort of ‘5th member’ adds some scene-stealing deadpan humour that breaks up the some of the more tense moments giving you a chance to have a laugh also.

I’ve always believed the true essence of success of any band and/or great artist isn’t always the multi platinum albums or the record deals or the fame, but it’s quite possibly that moment when a crowd of a hundred thousand people sing back your song in unison which must be totally euphoric and empowering feeling to have. Watching that, as I did during the Live Aid concert gave me chills and fill with glowing warmth to the point that I will never see it the same view again.

But this show belongs without argument to Rami Malek as Mercury. Malek physically and vocally transforms himself into the singer. When he struts about the stage wielding his mike-stand and hyping up the crowd, it feels less an impersonation and more a channeling of the actual Freddie – intoxicating and joyous like the real deal. He convinces as the character elsewhere too. His wrangles with his band-mates nicely convey the clash between middle-class student rockers and this flamboyant working-class immigrant. And the scenes with Mary are heartfelt and at times painfully sad. If the script only hints at Mercury’s isolation and at his fear once HIV becomes a part of his life, Malek’s performance does much to convey the rest. All the supporting cast do so well. Gwilym Lee as Brian May, made me feel at times while watching that he was May – that is how astoundingly much he looked the part. Mazello and Hardy as Deacon & Taylor – were simply icing on the cake of how much they came across as this legendary band.

The production’s pursuit of a ‘friendly rating’ admittedly also means that much of Freddie’s crazy lifestyle is only alluded to, and that’s fine. And while the film does convey the tragedy of his illness and early passing, it does forego much of his most probable in-depth AIDS battle in favour of a victorious concert ending. But I get it, it’s not a film about that or that he broke my heart by not informing us till two days before his passing. Bohemian Rhapsody never pretends to be anything more than a celebration of the man and the band – a music-heavy reminder of what a potent and quite ingenious combination they were, whatever the personal conflicts of their lead singer. I have a few wonderful stories of my own of Freddie & Queen and this brought everyone of those fantastic memories back for me.

And while I am aware that this wasn’t the ‘digging deep’ movie that some might have wanted – and honestly if you want every moment in there, this film would be 5 hours long, but instead it swept right along pacing each moment with something you needed to know.. It made me laugh, it made me cry, it gave me chills and most of all – it made me miss Fred and it damn well rocked me.

Grade: A-
@pegsatthemovies

Media Review Screening: Monday, October 22, 2018 ~ Courtesy of 20th Century Fox
BOEHMIAN RHAPSODY IS NOW PLAYING WORLDWIDE – SEE THIS MOVIE

Insta-Review: “HALLOWEEN” (2018) Universal

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Yes..#MichaelMyers is back after 40 long years locked away in an asylum. And so is #JamieLeeCurtis as #LaurieStrode – the one who barely escaped him all those years ago.
Now you have no idea how excited I was for this..I was completely prepared to have my pants scared off.. I mean come on..this is #Halloween right…Wrong.
We start off with two “investigative” journalists from the U.K. doing a research project on Myers and actually visit him. Then of course somehow (they don’t show this) he escapes while being transferred and of course goes on a killing spree.
This is where it gets even more ridiculous. Laurie, who lives in isolation in a state of complete paranoia and whose house is equipped with everything from a full blown arsenal, to traps, gates and her very own ‘panic basement’ but yet some how her estranged now adult daughter Kathy (#JudyGreer) her husband Ray (#TobyHuss), along with her granddaughter Allyson (#AndiMatichak), don’t really seem super worried that he’s killing all there friends. Finally they get it, but these parents actually leave their child behind because she’s at a high school dance.. this is where it just went so wrong for me…cause that would never happen.
Long story short…it seems as though #MichaelMyers even though he’s gotta be at least 70, can plow through and slash up a bunch of people all while getting ran over, shot a few times and stabbed more times than I can count. They should just call him the Energizer Bunny Slasher because clearly he can take a licking and keep on ticking.
I never jumped once, was never even the slightest bit scared..at times I almost felt bored. The dialogue can bit a bit ridiculous at times..but the one thing I loved and you should go to see it for…the music…ahhhhhh the wonderful old creepy music is back. Too bad it was the best part of the film.
The ending is decent and Jamie Lee does her best with this.. and well..it is Halloween so I will say to see it.. but if they try to say Myers survives the ending and try to do a sequel..I will say no to that.
Happy Halloweenie everyone!

Grade: C-
@pegsatthemovies

Media Screening: Monday, October 15, 2018 ~ Courtesy of Universal
‘HALLOWEEN’ WILL BE OUT IN THEATERS WORLDWIDE JUST IN TIME FOR HALLOWEEN #BOO

#Halloweenie #Slasherfilm #horror #scary #notscary #moviereviews #moviegoer #movielover