7 DAYS OF OSCAR COUNTDOWN ~ DAY 4 ~ BEST ACTOR

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Here we are – Day Four of the ‘SEVEN DAYS OF OSCARS’ countdown and we are at ‘Best Actor”. Once again I give who I think will win – and what my pick would be – as those two choices sometimes differ.

ACTOR IN A LEADING ROLE
NOMINEES

TIMOTHÉE CHALAMET
Call Me by Your Name
A lovely young actor to burst upon the scene and while I think he has a good career ahead of him, this isn’t really a winning performance for me.

DANIEL DAY-LEWIS
Phantom Thread
Oh Daniel, mind you I’ve only just seen this film, but I do wish he was going out with one of his really truly amazing performances rather than this being it.

DANIEL KALUUYA
Get Out
Good performance, but was it really enough to win? I guess we will find out as there is a chance of this, and more than just an outside one. While it’s not my choice, I do know it’s a definite possibility. No matter, again a great career ahead for this young actor.

GARY OLDMANMY PICK/WINNER
Darkest Hour
Gary, Gary, Gary – you have always been one of my favourites, and I really hope this is finally your swan song.

DENZEL WASHINGTON
Roman J. Israel, Esq.
While I love Denzel, I do think this nomination was what we can call ‘the Meryl Streep’ where they throw you in to fill the category. And since they couldn’t nominate James Franco, that’s what they did. Sad, but true as it’s a basic good Denzel performance – just not great as we all know he can do.

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DAY 5: COUNTDOWN TO THE OSCARS “BEST ACTOR”

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ACTOR IN A LEADING ROLE

Casey Affleck, Manchester by the SeaWINNER
Affleck’s character just didn’t play as someone I could feel much empathy for — but on the other hand, I didn’t hate him either. Having a Q & A with him after the film gave me more insight that I probably wouldn’t have had or felt, had I not listened to him explain the character more and gave him more likability. Just overall, not enough to warrant an award from me though.

Andrew Garfield, Hacksaw Ridge
While I don’t think Garfield necessarily did bad here performance wise, the trying-to-do a strong southern accent was bad and unsuccessful and yes, bothered me. Add that into an awful opening 45 minutes equals to no award by me.

Ryan Gosling, La La Land
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And yes he talented, so very talented as we’ve seen in past films he should actually have won for. This ‘cutsey’ good performance was just not award cutsey enough for me.

Viggo Mortensen, Captain FantasticMY PICK
I loved, loved, loved Viggo Mortensen’s performance – to put it clearly, he’s an actor’s actor and was just so good here. Am I hoping for an upset over Affleck & Gosling.. you can bet I am holding my breath for it.

Denzel Washington, Fences
Was Denzel good in this role? yes, yes he was and he won a Tony for it – he just didn’t do anything unexpected in the film. Sometimes he talked so much and so fast, I lost actual track of what he was saying. That being said, sometimes doing the dual role of acting & directing a film, one can lose a little on either side of that coin.

@pegsatthemovies
Thanks all for taking the time to give this a read. Let me know your thoughts on if you agree or disagree with my picks. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

GOLDEN GLOBES 2017 (Part 2) ~ FILM/ACTING PICKS

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Here we are with part two of my Golden Globes picks – this round is Film and Acting.
I’ve seen almost all the films presented this year, even the foreign ones – though yes, I’ve missed a few as there is only so much one human being can do! I also have a few categories where I just didn’t like any of the nominees enough to make a ‘MY PICK’. You might agree or even better, you might disagree ~ it’s all good.
So with that..I give you #peggyatthemovies 2016/17 Golden Globe picks! Cheers!

BEST PICTURE (DRAMA)

Hacksaw Ridge
Mel Gibson is riding the come back high with this decently done war film. While it’s war scenes are done very well, it’s riddled with a lot of cheesy storyline in the first hour.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, it really never struck me as Award material when watching.

Lion
A sweet and rather powerful story of a child’s journey into being a man, and finding not only his true story, but his family’s also.

Manchester by the Sea
While I didn’t dislike this film, it was monotonous and so slow for long periods throughout. I found the last 1/2 hr. to be the best as we finally found out what was going on.

Moonlight – WINNER
While watching this film, I couldn’t help thinking I’ve seen this story before..and we have – except it was done much better on the ‘The Wire’.

I just really don’t have a pick in this category as I didn’t truly love any of these nominees, so I’m just going with what I think will win.

BEST PICTURE (COMEDY/MUSICAL)

20th Century Women
Remember how I mentioned I hadn’t seen all the movies – this is the one that my screening is actually this Tuesday.

Deadpool
Funny, fun, fast and R-rated sheer entertainment made this a favourite of mine.

Florence Foster Jenkins
Not sure how there is a nom for this one, but hey, I guess they gotta fill up the category somehow.

La La LandWINNER
With an opening scene that is just truly beautiful and so well done, you would think the rest of the film to be just as good. It’s not. Mind you it’s a good watch, just a little to far-fetched, cutsey perfect for me.

Sing StreetMY PICK
Now this movie, sadly got missed by so many and IT’S SO SO GOOD!! I would pick this as best film of all the choices given to us as Globe nominees film wise, drama or comedy, on this one. Sadly, it won’t win and it’s so deserving.

Best Director

Damien Chazelle, La La Land
While Chazelle made one of my top fav. films ever with ‘Whiplash’, and again, he does a good job with the direction of this pic, it’s just not as gripping of a film.

Tom Ford, Nocturnal AnimalsMY PICK
Hands down my favourite film of the year. This film terrorized me in all the best ways possible. And it was made possible all by Mr. Ford.

Mel Gibson, Hacksaw Ridge
Again, he’s on the comeback-kid tour right now, and really did a spetacular job on the war scenes, but I don’t think he’s been forgiven enough to win his first time back.

Barry Jenkins, MoonlightWINNER
Gotta give it to Barry Jenkins for even getting this movie made. I know from being in a Q & A after the film, how hard they all worked. It just didn’t work that well for me. Many love it.

Kenneth Lonergan, Manchester by the Sea
While the film was aesthetically pleasing, again I just can’t call it a ‘fav’ for me. And while I’ve really liked some of his other work, this one isn’t my pick.

BEST ACTOR (DRAMA)

Casey Affleck, Manchester by the SeaWINNER
I liked Casey in the film, I did. And having an insightful & humourous Q & A with him afterwards helped make me like the film just a bit more than I did. I just didn’t see it as an Award winning performance.

Joel Edgerton, Loving
Didn’t do it for me. Honestly, when was the last time you heard Edgerton actually speak with his native accent..yeah I can’t remember either and him trying to do the backwoods southern didn’t work for me.

Andrew Garfield, Hacksaw Ridge
Again, the accent thing bothered me here. Do I think the performance was bad, no. But it didn’t warrant an Award either.

Viggo Mortensen, Captain FantasticMY PICK
Mortensen has been pretty underappreciated in his career. I say we make that right here. Even though I know it won’t happen, it would be great to see.

Denzel Washington, Fences
Denzel..oh Denzel..how I adore you. You pretty much own every role you do.

BEST ACTRESS (DRAMA)

Amy Adams, Arrival
While I really enjoyed this film, one of the best Sci-Fi I’ve seen, she really shoulda gotten this nom for Nocternal Animals because thats where she really shined.

Jessica Chastain, Miss Sloane
I think Jessica is wonderful, though I did not see this film yet.

Isabelle Huppert, ElleMY PICK
Huppert simply put – blew me away in this one. I don’t think I’ve ever quite seen a performance like it, and probably never will again. Sadly, I’m guessing she won’t win.

Ruth Negga, Loving
I liked this performance so much once she started speaking and really putting forth as the first 30+ min she just really never said anything.

Natalie Portman, JackieWINNER
Yes, we all know they are going to give the award to Natalie. And while she was good here, she doesn’t even come close to Huppert.

BEST ACTOR, COMEDY

Colin Farrell, The LobsterMY PICK
Colin was so fantastic in this funny, bizarrely good film that he was hands down, best in category for me.

Ryan Gosling, La La LandWINNER
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And was really cutsey good here as well as the film was. Just not Award cutsey for me.

Hugh Grant, Florence Foster Jenkins
While his performance was one of the better spots in this film, it’s so far from Award worthy.

Jonah Hill, War Dogs
Clearly they were desperatly trying to fill up this category here. Did anyone see this film besides me at a free screening months before it came out? Yeah I’m guessing not – there is a reason for that.

Ryan Reynolds, Deadpool
I truly did love Ryan in this film – but again, Award worthy..nah..

BEST ACTRESS, (COMEDY)

Annette Bening, 20th Century Women
Dang on this one, my screening is Tues. night.

Lily Collins, Rules Don’t Apply
I was out of the country when this one came out and by the time I got back, it was gone out of theatres.

Hailee Steinfeld, The Edge of Seventeen
Cute film, cute performance – I do think there will be awards sometime in her future.

Emma Stone, La La Land
Yeah – I like Emma and another cutsey performance. That’s really all there is to it.

Meryl Streep, Florence Foster Jenkins
Okay again, do they just use Meryl every year as a filler for a supporting category. And while I think she is one of the greatest actresses of our time, it’s when she gets nominated year after year for this reason only that makes it tiresome.

BEST SUPPORTING ACTOR

Mahershala Ali, Moonlight
While I wasn’t the films biggest fan, if I had to pick a part that I liked, it was the first segment with this guy in it.

Jeff Bridges, Hell or High WaterWINNER
While I might not have seen awards coming for this movie, Bridges came through on this performance in a big way.

Simon Helberg, Florence Foster Jenkins
This character was cute & funny..at first..then it just wore on you.

Dev Patel, Lion
I’m a big Dev Patel fan and while the child actor might have stolen the show, he did bring it all t

Aaron Taylor Johnson, Nocturnal AnimalsMY PICK
Some think he doesn’t deserve this. I think he TOTALLY does. Sure his roles leading up to this have been sub-par, but thats what makes this one so good – he did a complete 360 and brought the ‘terrifying’ to this role in a most fantastic way. Anytime someone can surprise me with a performance this good, yes they deserve a nom.

BEST SUPPORTING ACTRESS

Viola Davis, Fences
Viola has proved herself to be one of the most standout actresses in Hollywood. She most definitely deserves the nom here. Plus, if she wins, you know it will be one fun acceptance speech!! 🙂

Naomie Harris, Moonlight
Liked it – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it.

Octavia Spencer, Hidden FiguresMY PICK/WINNER
Now I called this when I saw the film back in November. The whole movie is good with really good performances, but she takes it here for me. She has been and is my only and clear choice.

Michelle Williams, Manchester by the Sea
Really, a blink of seven minutes total on screen..though the last scene with her and Affleck is the one what finally made me like the film better, still.

BEST SCREENPLAY

Damien Chazelle, La La LandPOSSIBLE WINNER
I think I’ve said my take on this film enough and while I think Chazelle has a fantastic career ahead of him, I

Tom Ford, Nocturnal AnimalsMY PICK
Having done a Q & A with Ford after the film really brought the ‘how’s & why’s’ insight into my fav. film of the year.

Barry Jenkins, MoonlightWINNER
Again, I completely commend Jenkins for even getting this film made. And I think it’s between him & Chazelle for who is the critical darling of the year.

Kenneth Lonergan, Manchester by the Sea
Respect to the writing, though I might have enjoyed the process of it better as a book.

Taylor Sheridan, Hell or High Water
Well done for being remembered from earlier in the year. Worthwhile watch – not a win for me.

Best Animated Feature Film
While I saw all of these besides ‘Zucchini’ I just don’t have commentary for all of them. Just a pick.

Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
ZootopiaMY PICK/WINNER

Best Foreign Language Film
Have seen all but ‘Divines’ and I only have one hands down pick and what will hopefully be the winner!

Divines
ElleMY PICK/WINNER
Neruda
The Salesman
Toni Erdmann

Follow along to see what happens with my live tweets during the Awards at @pegsatthemovies

Review x 2 ~ “NIGHTCRAWLER” & “THE EQUALIZER”

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nightcrawler

Jake Gyllenhaal plays “Lou Bloom”, a man clearly desperate not only in his quest for work as a crime ‘journalist’ in this quite creepy, psychological mayhem of a film, but also as someone so desperate to become a star of his own making in this crime contingent world, that he resorts to just about anything and everything to do so as he’s basically just an unemployed thief and an all around just plain weird dude.

Set on the streets of Los Angeles itself, which can be fun as I recognized almost every location and remember even driving by a few of them as they were filming, we get a really crazy, scary glimpse into the world that happens pretty much every day here, and scarily enough, we don’t even notice it anymore. But what probably got me the most of all of it, I honestly believe that some of what happens with Gyllenhaal’s character Lou actually really does go on. Just take a real look at the news sometimes, or what the paparazzi do here just to get a shot of someone and you too will step back a second and think twice about this movie.

This movie is all about taking the best neighborhoods in Los Angeles and make them seem unsafe. Film a car chase (albeit a really good one at that) that gets your blood pumping and your heart rate up, and make the storytelling interesting, absorbing, creepy, disturbing, and even nervously funny. That’s what I think Director Dan Gilroy pulls off here as for 95% percent of movie and I will admit I was pretty freaked out through most if it, I laughed, I cringed, and I sat numb and transfixed. Only small undeveloped parts of this movie,  like how they just accepted him in the inner circle of new commentators, a disregard for the L.A.P.D ever pulling over a excessively speeding motorist over and over again, how at one point in the middle the character did annoy me to the point of well..complete annoyance.. and an ending that might not have lived up to the movie as a whole, could keep me from calling this truly flawless. nightcrawler 1But those are minor points and some of them just my own feelings as that I know I wouldn’t let this person anywhere near the actual news casting people. ha!  Would I endorse this film as completely realistic? Probably not. I do watch the news, though definitely not everyday and it doesn’t seem fathomable that dead bodies with grisly images would actually be shown all the time like this on television, but again, we have seen it.  But no matter what, you can’t deny how fascinating or how original these proceedings are. Nightcrawler is one bitch of a ride. And sadly, I almost feel guilty for recommending it. But I will. 🙂

As the movie plays out you realize you really don’t know anything about Lou Bloom except for the fact that he becomes obsessed with filming crime scenes in order to pocket some cold hard cash. He uses a police monitor, finds out where crimes are committed, and captures the hideous crimes on video camera. He gets paid monster dollars for these trysts but eventually gets in over his head when finally at one scene, he gets there before the police. nightcrawler 2There’s an investigation on him, he almost gets charged for murder, but what Bloom might be seriously lacking in social skills, he is smarter than everyone. He starts to blackmail his newswoman, his co-workers, all the while he just slaps on his sunglasses, gives a steely face outward demeanor, and pretty much gives the middle finger to anyone who might get in his way. There is a weird Travis Bickle a la Taxi Driver feel to this character that Gyllenhaal really exudes well.

nightcrawler 3Now the rest of the cast of Nightcrawler is almost just as creepy and definitely as noteworthy. Their roles are equal parts nasty, mean-spirited, unethical, and cold. Bill Paxton as “Joe Loder” is as always, reliable playing a supporting role as a fellow rival to Bloom. He’s jealous, angry, and ultimately pays the price for being his crime scene, videotaping rival. Rene Russo “Nina Romina” (who happens to be married to the director in real life) looks great and is fantastic at playing the coy and somewhat frigid as she manages the news station where Bloom sells his videos. She wants ratings, wants respect, and doesn’t give a shit about what’s right and what’s wrong. Then we have Riz Ahmed as “Rick” Bloom’s sidekick/assistant and he’s startlingly effective. He may be poor and unwanted, but he still has a sense of decency and with a few un-choice words, while he goes down in a wave of flames.

All in all, this movie will stick with you for a while after as I saw it a week ago, and it most definitely has done so. Oh, and I haven’t watched the news since.  ha! 😀

Grade:  B-

#peggyatthemovies

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SECOND REVIEW – “THE EQUALIZER”

equalizer

NOTE: As this movie has been out for awhile, but I was gone and not able to see it till just this week..I did a double header of this and “Nightcrawler” (oh my bum hurt after so long in the seat..trust me!! :D) But it was well worth it.  Both movies had enough edge to them to keep me motivated to watch.

Firstly, I did not know nor would I have guessed that this movie was inspired by the classic TV series, The Equalizer as I don’t remember at all watching it as a kid, I was more a Dynasty child!!..ha!  The film here stars Denzel Washington as “Robert McCall”, a mild-mannered some what of a “mystery man” who spends his days working at a hardware megastore and his nights as an insomniac drinking tea and reading the classics at a local diner When a young girl from the diner “Teri” (Chloe Grace Moretz) finds herself in over her head with the Russian mob, Robert can’t ignore it. Instead, he steps outside of his quiet, controlled world to help her. But what starts out as an attempt to help the troubled teen soon turns into a battle against a crazy vicious pimp and his crime syndicate. equalizer 2

Despite his normal job and his simple life, it soon becomes very clear that McCall isn’t just an ordinary guy taking on an extraordinary situation ~ nor is he just another determined cop. He has a very specific skill set as well as the training that enables him to walk unarmed into a room full of bad guys and kill every last one of them (in shockingly brutal ways) in 30 seconds or less, using a variety of makeshift weapons. And he manages to do it all in the coolest, smoothest way possible. But the character also has his share of quirks ~ from his strange obsession with his stopwatch to an almost superhuman ability to case a room with his almost MacGyver-like tactics. And though his occasionally over-the-top behavior can border on laughable, it also makes him different, like the kind of character that you’d expect to find in the latest flood of superhero type movies. But this isn’t your basic PG-13 movie. It’s dark and gritty and sometimes shockingly, graphically violent, though, at the same time, it’s also undeniably entertaining with a great villain in Marton Csokas as “Teddy”. You know I love my villains when they are played well..and he does a great job here.
equalizer 1
Still, The Equalizer isn’t a fast-moving film. It builds slowly, a little to slowly at times, but taking its time to introduce the characters and to make sure that everyone in the audience knows what a good guy McCall is. It’s also much longer than it needs to be. But Washington carries it all in a way that seems effortless because there’s just something about him that makes even the film’s slow moments seem bearable.

Time and time again, Washington has proven himself to be tough but lovable & reliable if not also adaptable. And in The Equalizer, he gives his role both classic charm and ferocity, making it an extreme but enjoyable enough of a thriller.

Grade: C+

#peggyatthemovies

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