REVIEW: “THE SNOWMAN” (2017) Universal Pictures

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“THE SNOWMAN” follows Norwegian detective, Harry Hole (Michael Fassbender). Harry has been struggling with drinking and is no longer given any cases when he reluctantly returns to the police force after receiving a note warning him that more women will end up dead. This all is stemming from an old serial killer case that still haunts him. Katrine Bratt (Rebecca Ferguson) is transferred from Bergen, has her own personal reasons for getting involved in the case, and Hole ends up helping her with the investigation into the sadistic serial killer.

It seems the women the killer targets kinda have a link that they all have children. Or so it first seems, but it is actually that they have children who they won’t tell or don’t know who the father is. Which all seems a little bit strange at times, but I guess links a little bit to a plot if you really think about it. You get bored with thinking about it though, as things just get messier and crazier. With so many different things going on in an attempt to confuse the viewer and make them unsure of well what is actually going on altogether to be honest. I guess that is just one of the many problems with the film as it just has to many to really count or try to filter through. Though the fact that everyone is speaking English in Norway without even a nod to note that this is a film totally and completely based and filmed in Norway, is blinding. Remember how they did this with the Americanized version of ‘The Girl with the Dragon Tattoo’ – and while that was no winner of a film, it would win an Oscar up against this mess of a film.

I’m not sure what else there is to say on this review except to try to find out whom is responsible for this terribly done film version of one of the creepiest books I ever read. Is it Fassbender, whom for the most part I’m such a fan of but is dead of anything bearing performance here. Is it Rebecca Ferguson whom we had such high hope for after her fantastic performance in the Mission Impossible franchise, but here is just lacking any luster in her performance. Surely not J.K. Simmons as gazillionaire businessman Arve Stop, who seems to be doing some sort of attempt at a Scandinavian lilt-meets-evil-industrialist voice thing, or a lost-looking Val Kilmer wandering through a subplot as Rafto, Katrina’s father and ex-policeman who was murdered by the killer, as they are in it for two blink-and-you-missed-it scenes – though I will point out both are featured in a much larger way in the book. Or Chloe Sevigny as identical twins or Charlotte Gainsbourg as Harry’s ex-girlfriend Rakel who also has one of the most bizarrely bland love scenes ever filmed with Fassbender. Or is it simply the overly annoying roughly 600 shots of a snowman.

Again, I read the book some years back, and still with that, I could not figure out for the life of me what was happening in this film. No two scenes really connected with each other and I guess the topper would be my guest.. who at one point I heard a small snore come from. Yep, that about sums it up. I would truly give this film an F but for the fact it has some of the most beautiful scenery and roads filming I’ve seen in some time. Made me want to leave the theater immediately and go book a ticket to Norway.

What I do know is that Martin Scorsese’s name is on the film and so is director Tomas Alfredson and they both know better.

Grade: D
@pegsatthemovies

Media Review Screening: Wednesday, October 18, 2017 ~ Courtesy of Universal Pictures
“THE SNOWMAN” is now playing in theaters nationwide.

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2 thoughts on “REVIEW: “THE SNOWMAN” (2017) Universal Pictures

  1. I’ve heard nothing good about this film. So surprising given a prestigious filmmaker like Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy). Oh well. I guess anyone can direct a stinker.

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