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REVIEW: “ROOM” Q & A w/Author/Dir/Prod/Actor/Composer

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At the start of Room we find “Ma” (Brie Larson) and her son “Jack” (Jacob Tremblay) living in a backyard shed they call “Room” and being held by their captor “Old Nick” (Sean Bridgers). Since Jack has never known there to be an outside world, he has no idea that anything exists outside of Room.

From that moment on it’s a ripped-from-the-headlines Law & Order:SVU episode, which isn’t to say that’s bad as I watch the show faithfully. I’m truly not giving anything away to state the obvious that Ma and Jack escape Room, as the movie is more about the ability of each to cope with the outside world. For Jack, everything from that point on is a completely new experience. Ma, despite having lived for 17 years in the ‘real world’ before being kidnapped as a teen, being held captive and having a child, encounters different obstacles – as the world has moved on, and she also encounters doubts about her own ability to be a mother to Jack.

I’d been expecting a suspenseful drama-thriller about a daring escape, and what it would entail and the follow-up to this as the movie is based on a novel by Emma Donoghue. As the first half of the film concentrates on life inside Room for Ma and Jack as all she has told and convinced Jack for five years that all is well and that what they have is a normal life, that what they see on television is not real, but everything from the single bed to the lidless toilet tank is definitely their reality. She does sacrifice much as she tries to keep Jack happy and safe, even to the point of giving herself over to her captor on a regular basis in exchange for food and other items for Jack and herself.
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To say that this first half moves slowly would be to understate things. We don’t just get a slice of the life that they lead in Room – we actually get the entire pie, and most of it just isn’t all that exciting or intriguing. We do get to see a little into the characters of the characters but in any event, it’s just way to much time spent watching their every move which gets a bit monotonous and leads to some impatience with where they are heading with the film.

As we finally build up to the escape you have the only brief moment of suspense of the entire film. Once they do escape the focus quickly shifts from a struggle for survival to a struggle to understand. Ma’s parents, “Nancy” (Joan Allen) blink-and-you- miss-him William H. Macy as her dad “Robert”, have different reactions to the return of their daughter and the arrival of their grandson whom they didn’t even know existed. In the years since her abduction, her parents have separated; her mom now lives with her boyfriend “Leo” (Tom McCamus). Add in to all this the slew of media hype, lawyers, and so much more adding in to the stress of adapting to all of it sorta gives the impression that escaping may have been the easy part.

The acting is good..not great, but Larson’s has a few moments though can also be awkwardly annoying at times and the same can be said for young Jacob Tremblay though he carries himself very well and holds his own here.

But truly nothing can overcome what’s basically a tedious script and film. The movie is mostly a series of plodding events and could honestly have been titled as such as packs no punch at its core. Usually when there is no action, you look for meaning, but when there is no meaning or action, you look for the exit. The film suffers from spending too much time contemplating things and not enough time doing them – or even at the least discussing them.

Grade: C
@pegsatthemovies

Screening: Monday, October 12, 2015 – Courtesy of the A24 & PGA
In Theatres Nationwide

POST Q & A with Author/Screenwriter: Emma Donoghue, Director: Lenny Abrahamson, Actor: Jacob Tremblay, Composers & Producers

With a very full stage of everyone behind the movie including the young Jacob Tremblay who as an 8 year old..should have been in bed at 9:30pm on a weeknight..:D But they did go into some depth of how they made the film of getting Brie & Jacob to spend time together so as to get to know each other so as a child, Jacob would feel more comfortable. Directors & Producers talked about location shooting and the Composer on his musical choices for the film. Poor Jacob had the longest question I’ve ever heard asked to anyone at a Q & A, adult or child, to the point where the audience started to laugh..since not even I could keep up with the length of it, it was mostly about being a child actor and what he brought to the table..and I must say he answered as best he could. All in all, they did seem a great group to work with. Just wished I liked the film more.

REVIEW: “SELF/LESS” (2015) FOCUS FEATURES

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“SELF/LESS” is billed as psychological science fiction thriller with Academy Award winner Ben Kingsley as “Damian” as an extremely wealthy man dying from cancer who finds out about a radical underground medical procedure called “shedding” that can transfer his consciousness into the body of a healthy young man in Ryan Reynolds the younger version of Damian. As with anyone given back a younger self, Younger Damien then proceeds to take full advantage of that situation but with all the knowledge of his older self, to mix it up New Orleans party style. As long as he takes his ‘special’ pills that is. self less 1

But as you figure out within the first 15 minutes of the film, all is not as it seems as Reynolds “Younger Damian” starts experiencing flashes of a woman “Madeline” (Natalie Martinez) and a child “Anna” (Jayne-Lynn Kinchen), which leads to him going on an action-fueled rampage to figure out the mystery of who they are and what they lead to – aka the body’s origin – and the underground organization lead by a “Professor Albright” (Matthew Goode) that will kill anyone who tries to find out its secrets.
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This film’s only surprise for me was that I thought I was going into a sci-fi type film (the premise seemed quite interesting from the trailers) – was actually a sluggish, very predictable, ‘point/less’ (pun intended) action film. And while I might question why we are led to believe that Ben Kingsley is one of the main attractions of the film, as he’s only there for a very short period in the first act, I will say I did absolutely love the use of Louisiana flare and colour that they squeeze in at every possible moment from jazz bands to Mardi Gras and yes, even chicory coffee!
Beyond that we are left with Michelle Dockery “Claire” (trying her hardest to give a good American accent) as older Damian’s daughter with whom he feels that if given another chance by doing this shedding experiment, he can repair his relationship with her. Add in a supporting cast of older Damien’s best friend “Martin” (Victor Garber) & his wife “Judy” (Melora Hardin) with a few secrets of their own that the younger version will discover and a interchangeable henchmen “Anton 1” (Derek Luke) and “Anton 2” (Brendan McCarthy) and you’ve wrapped up your film in a handshake.

Ben Kingsley as Damian in ``Self/less.''
Ben Kingsley as Damian in “Self/less.”

While I was told there has been comparisons with a 1966 John Frankenheimer film called “Seconds” which I’ve not seen, I can only say that SELF/LESS might have tried hard to be this but took a sharp left turn in the wrong direction as it’s more interested in sending Damian on the run with an upset wife and child in tow as he tries to keep them in the dark over what’s really happening..and you can imagine how realistic that all is. (clue: it’s not)
Essentially the story is your basic standard fugitive plotline with any inter-personal connections aspect of it being severely underwritten.

Rating: D
@pegsatthemovies

Screening: Tuesday, June 23rd, 2015 at The Grove-Pacific Theatres courtesy of Focus Features & LAFTV
NATIONWIDE RELEASE: Friday, July 10th, 2015

ME AND EARL AND THE DYING GIRL (2015) Fox Searchlight

Yes, I know it’s all about Jurassic this weekend..but hey if that’s sold out – go see this wonderful indie.. it’s truly a lovely film!

Peggy Marie's avatarPeggy at the Movies

me & earl

Not being a huge fan of this genre of ‘dying’ teen movies, it would be so easy to sum up this film with just the title alone and leave it at that.

It would also be easy to criticize the fact that Me & Earl & the Dying Girl is directly aimed to the young teen Fault in Our Stars crowd with whom it’s guaranteed to be a summer box office moneymaker.
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And while all of that is true, what people will be missing if they don’t go to see this film is a truly good, touching, funny, quirky and well acted film. I went in to this film wanting to dislike it for so many reasons, the sheer fact of its utter teen-dream marketability and knowing how it will end thanks to the title. And to my pleasant surprise, while watching, I felt my mind change, change and then…

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REVIEW: “SPY” (2015) 20th Century Fox

Peggy Marie's avatarPeggy at the Movies

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With the release of “SPY”, 20th Century Fox is putting out it’s second spy genre film of 2k15 with the first being the hugely entertaining ‘Kingsman:The Secret Service‘. But Melissa McCarthy’s latest jaunt into comedy had me contemplating if it was just going to be another one where she wears out her welcome by playing the same character-type once again. I’m pleased to report this is not the case and you will find yourself laughing your way through this one. Not only because of the fact that McCarthy is more or less doing character assassinations on most of those stereo-typed characters of her past, but it’s with a strong supporting, hugely funny and entertaining cast which really pulls this film all together.
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McCarthy plays “Susan Cooper”, a deskbound CIA analyst acting as the eyes and ears for expertly named-and-trained field agent, “Bradley Fine” charmingly done here…

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OSCAR PICKS COUNTDOWN! ~ BEST DOCUMENTARY/BEST FOREIGN FILM

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Note: I owe a debt of gratitude here to a high school friend, Michelle Iansiti, whose dad always insisted on seeing all the nominated movies and is the person who instilled this in me to do this and I have almost every year since. I saw Mr. Iansiti a few years back after many many years..and thanked him for this. 🙂
Usually I do a countdown each year starting about 5 days before “Oscar Sunday” aka “My Superbowl of Movies Sunday” and I basically stick with the top categories; Best Supporting Actor, Best Supporting Actress, Best Director, Best Actor, Best Actress and Best Picture. I’m adding 2 categories this year as I did see almost all of them for Best Foreign Film & Best Documentary, and starting early since I will be gone later this week and unable to post – I’m setting up timed postings and will be hoping they work!! My listing will be what’s nominated in the category, my pick of whom I’d like to win, and what probably will win – which are not always one and the same ~ and a possible winner.
So let’s get started!!!

87th Oscar Awards 2015 Best Documentary Feature - Nominations
BEST DOCUMENTARY:

“Virunga”
Orlando von Einsiedel, Joanna Natasegara
Strong contender for the win. I loved this doc. It was well filmed and well done.

“Citizenfour”
Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky
My least favourite documentary of the list. Couldn’t stand Edward Snowden as I got the feeling he did this as he thought he was going to be a celebrity of sorts and be famous for all the wrong reasons. Clearly it didn’t work out so well for you did it Eddie.

“Last Days in Vietnam”
Rory Kennedy, Keven McAlester
This was an interesting watch of the end days of this horrible war. Not my choice for winner but still a good film.

“The Salt of the Earth”
Wim Wenders, Juliano Ribeiro Salgado, David Rosier
Did not see this one.

“Finding Vivian Maier”
John Maloof, Charlie Siskel
LOVED this doc. You almost just can’t believe what an amazing eye this woman had who never showed her work to anyone. Her photography is stunning and somehow I think it was meant to be that it was found and is being shown.

My Pick: Finding Vivian Maier
Will Win: Citizenfour
Possible Win: Virunga

87th Oscar Awards 2015 Best Foreign Language Film - Nominations
BEST FOREIGN FILM:
Why is it that it’s almost a requirement for all foreign films to be depressing..I’ve always wondered this as so few aren’t. That being said, my favourite Foreign Film of the year, “Force Majeure” didn’t get nominated though it was expected to.. With that being said…

“Timbuktu”
Abderrahmane Sissako
Interesting and well filmed. Liked it..didn’t love it.

“Wild Tales”
Damián Szifrón
Didn’t see this one.

“Tangerines”
Zaza Urushadze
Good human nature story.. liked this one.

“Ida”
Paweł Pawlikowski
Such a completely different story and I’m not religious in the slightest but it left a lasting impression on me.

“Leviathan”
Andrey Zvyagintsev
Visually, I thought this film was great.. But an odd odd story-line at points.

My Pick: Ida
Will Win: Leviathan
Possible Win: Timbuktu

REVIEW: “INHERENT VICE” (2014) Warner Bros.

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Okay..I’m going to guess some people will be a bit surprised to say the least by this review as I don’t think it possible that there was anyone who was more looking forward to this film than I. Starting with the fact that it’s a Paul Thomas Anderson written & directed by film and I’m a big fan of almost all his previous pics. Then there is the cast..Joaquin, Benicio, Josh, Reese, Eric..even Owen. And then there is the trailer and when it got released I was almost drooling to see this film. And then I got invited to a screening..even MORE excited. And then the day came and I got to go see it!!! And that’s when the letdown began. :/
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Joaquin Phoenix is “Doc” Sportello, a drug-addled hippie private eye or ‘private dick’ as they call it in 1970, who is sniffing out the disappearances of his old flame, “Shasta Fay Hepworth” (Katherine Waterston), and her sugar daddy, billionaire real-estate magnate “Mickey Wolfmann” (Eric Roberts) in 1970’s Los Angeles. What Doc discovers is an underworld complete with a religious cult, a tax shelter and the Aryan Brotherhood. Far out, yes..indeed it is. Inher vice 2

Josh Brolin is the civil-rights-violating Los Angeles Police Department Lt. Detective “Bigfoot” Bjornsen ~ who deep throats frozen bananas as if he’s Linda Lovelace. Along with Maya Rudolph “Petunia Leeway“, “Sauncho Smilax, Esq.” aka Benicio Del Toro, Owen Wilson as “Coy Harlington”, Reese Witherspoon as Doc’s Deputy D.A. girlfriend, “Penny Kimball”, Elaine Tan, with an extremely awful nails~on~chalkboard squeaky voiced character named “Xandra”, and Martin Short as probably the only somewhat redeemingly, only teensy bit funny character,“Dr. Rudy Blatnoid D.D.S.” inher vice 3

The whole film is annoyingly narrated by the nasally voiced “Sortilege” (Joanna Newsom) who speaks in a lingo that I don’t think ever really existed thus making it even MORE ANNOYING..and yeah..sorry..just plain silly bordering on stupid.

I couldn’t help thinking the whole time I was watching that this film is trying so hard to have a field day with all the groovy slang it tries to pull off instead of..oh I don’t know..an actual good comical storyline as it’s billed as ‘Comic Noir”, that it strikes as inauthentic. I’m sure most, including myself, probably expected this to be the next “Boogie Nights,” and yes, it features the most sexual innuendos, if nothing else, that Anderson has had since that 1997 breakout. But the film isn’t funny..and seems to just try too hard to be a bit Coen-esque is the only way I can think to describe it. inher vice 4

Now here’s the best part..hold on to your hats as yes, (screeches to a halt) I left after an hour 40 minutes or so..as while I understood it was trying to tell a story and what it was, what I didn’t care about in any way shape or form, is about that story or how it ends. I didn’t give 2 shits about any character as most were just beyond the silly & ridiculous that I can sometimes find endearing and funny..but I didn’t. And I wasn’t the only one. It was a small screening and not only did my friend also want to leave..but about 5 other people did even earlier than us. I rarely am someone to do this btw..I can usually stick out just about anything, (the last time I couldn’t was Les Misérables after 2 long torturous hours). But with this film, the thought of having to stay another hour as yes, it’s 2 1/2 hrs long..was just not for me. Again, I just didn’t care. I know others will and I wish them the best. For me..nah. And yeah..sorry to all for harshing your mellow dude..but Cowabunga I guess!

Grade: D- (not a F)

*Note: Screening at Malibu Theatres, Sunday, December 7th, courtesy of Warner Bros. Film to be out in limited release December 12th; Nationwide on December 25th.
#peggyatthemovies
(See grading scale)

Review: “WHIPLASH” (2014)

Because after seeing this film again last night and having the Q & A afterwards with brilliant, wonderful J.K. Simmons & Dir: Damien Chazelle, I realize that my B+ grade should REALLY be bumped to an A because this movie is THAT good. And the performances.. well there are no words really for how good they are. So with that..

Peggy Marie's avatarPeggy at the Movies

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Before I saw this movie, someone said to me “Oh, it looks like a jazz version of “FAME”. A more mis-informed statement could not be ever spoken! A “Fame” remake this movie is not..If you love music, most especially jazz and have heard all those stories about the inner circle of the jazz greats..this is your movie.. With my basic knowledge of music and somewhat better at knowing those stories, I was able to follow along well. But “Whiplash” is a quite darkly, somewhat disturbing movie about 19 y/o “Andrew” played superbly here by Miles Teller, who eats, lives and breathes being a drummer, who wants so badly to be ‘remembered’ in this life as one of the world’s best he will do and put up with almost anything..again, almost..  His journey through what was at times, hard for me to watch as I’ve experienced people in my life like…

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John Wick Review

Because I love this review of John Wick also so if anyone hasn’t seen it yet..definitely do!!

polarbears16's avatarPolar Bears Watch TV

john-wick

“I heard you punched my son. Why?”

“He stole John Wick’s car.”

“…Oh.”

That’s John Wick for you: darkly humorous, full of action, and made with its own rules in mind. This is far from perfect, but it’s the type of action film that isn’t produced enough these days, one that employs an incredibly simplistic structure, but one that still succeeds aesthetically and violently and creatively. It’s loads of fun, and it looks gorgeous.

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REVIEW ~ “BEFORE I GO TO SLEEP”

 

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Again, another movie where I saw it about 2 weeks ago but when it’s this bad, I almost feel like not writing a review because they sucked all the energy I had for it just watching!!  For the opening first minutes of this movie all I could think of was “50 First Dates” & “Groundhog Day” except this movie isn’t funny as those. Some even might say “Memento” but you can’t compare that fantastic movie even remotely to this one nor is it anywhere near as good as those even with a cast of actors that I truly like.

“Before I go to Sleep” is billed as a “British Crime Thriller” based on a 2011 novel, which I haven’t read as I try not to read the books before the movies nowadays as I literally don’t want to spoil it for myself.  But all I can say on this one is I really hope the book was better than the film because this movie did not “thrill” me in the slightest.

Basically it’s “Christine” (Nicole Kidman) as a woman who wakes up every day remembering nothing at all because, as she is told by her husband “Ben” (Colin Firth) that she had a traumatic accident in her past.  As he starts to fill in her life for her, flashes of her life appear to her and the minute Ben says “you can trust me” is the minute you know somethings up and it’s not what he’s telling her. Christine finds out she has connected with a “Dr. Nasch” (Mark Strong), a psychiatrist who starts to make her realize all is not what she is being told as she is recording things on a hidden camera as to what she remembers. People pop up like her best friend “Claire” (Anne-Marie Duff) whom she was told couldn’t handle being her friend anymore by none other than Ben himself.  BIGTS-0408-0758.tiffAs things start to become clearer she realizes not only did/does she have a son, but as Ben keeps giving her tidbits of her life through his version of it, she finds out pretty much NOTHING is as it seems including the actual realization of is he or isn’t he the real thing. The problem is this could be in some cases extremely suspenseful or thrilling, exciting, scary..you name it, but it’s not. Not one bit of it, Again, not only do you see it all coming, but the way it’s presented to you is agonizing almost in it’s approach. before I go to sleep 2

While I’m a big fan of Firth, somewhat Kidman, and definitely Strong, none of them do any type of exemplary performing here which is sad because we all know what all three of them are capable of. The best pairing in the film comes from Firth and Strong, not in their shared scenes but in their common murkiness, showing a bit of the possibility that either could be a friend or foe.

Grade: D

#peggyatthemovies

(see grading scale)