Tag Archives: Andy Serkis

REVIEW: “THE BATMAN” (2022) Warner Bros

Sitting down to write this review, reminding myself that there is really only three comic book characters I have ever truly cared about. The X-Men, which I devoutly every Saturday morning at 11am; Superman, along with having a weird connection to a few of the films – which is another story entirely, and you guessed it, Batman. Batman defied logic for me as he didn’t need a super power, his super power was being Bruce Wayne as well, as he fought off The Penguin, The Riddler, or The Joker, whichever villain you pick. And he always did it with the help of Alfred, who not only took the role of the dad figure in his life, but helped him become The Batman in every way. Sometimes there was Robin by his side, sometimes there wasn’t, but even from the beginning in order for Batman to be, there must be Bruce Wayne as well. And while there have been many actors portraying him, numerous takes and variations of him as well during the years, this time we have Robert Pattinson picking up the baton here in dual role of The Batman/Bruce Wayne.

This 2022 version of the film is directed by Matt Reeves and as noted, stars Robert Pattinson (The Batman) and features quite a few villains, bringing back The Riddler (Paul Dano), and The Penguin as his true self here, Oswald Cobblepot (Colin Farrell), in two very different plot arcs. The Riddler here as well, brings a very different look to what we normally see as his costume as revealed in the trailer. Dano wears what basically looks like a full head cover with goggle type eyes looking more Unabomber-ish than what we expect and know The Riddler to be, with his identity not being fully revealed for some time. And Farrell as The Penguin/Cobblespot is completely unrecognizable as himself with some incredible makeup/prothesis done here. As well, helping defend Gotham City on the law and order side is James Gordon (Jeffrey Wright), who seems to be the only law enforcement that is on Batman’s side, but alas still with the inevitable mustache.

And yes, the story line is very much the usual fare of villains courting danger in the city of Gotham and one of our most prominent ones here is Carmine Falcone (John Turturro), who is running an underground club, and may or may not have connections to The Penguin as well. As always trusty Alfred Pennyworth (Andy Serkis), is there to help The Batman through all the ups and downs of dealing with a city that has a love hate relationship with him. Speaking of a love/hate relationship, back again as well is Catwoman (Zoe Kravitz), and one of the true highlights of the film. And how can you not love that they take it back old school somewhat, as even in the cheesy TV show, Batman & Catwoman had constant love/hate relationship and here, that story line features again. As well Kravitz gives it back to the old school ‘exotic’ as well, heralding back to the days of Eartha Kitt, Julie Newmar and Michelle Pfeiffer, bringing back to the role something essential that had been sorely missed.

To delve into this entire movie after you see it is like unpacking after a long vacation, and I mean really long vacation as this is a very long movie with a lot to unpack. You won’t find me giving away any storyline spoilers here but there are moments to love, from the dark gritty mood of it all, to the set pieces, to the cinematography, and the remarkable film score are all simply wonderful. The action is good throughout most of the film, but slows itself down at times almost a second to much with making this Batman into more ‘detective’ versus a Caped Crusader who just gets summoned by the infamous bat signal to help whatever crime is occurring in the Gotham City. It also felt like it could’ve ended at least three different points in times before it did and left us with a bit of hanging suspense for what’s to come. The ending as is, plus the post-credits scene almost betrays the fact and leaves one to realize this is definitely not a one off Batman like they have professed it to be.

And then we come down down to performance as we all have our favourite Batman and on everyone’s mind is how Robert Pattinson will fare as The Caped Crusader himself, The Batman. For me your Batman is only as good as your Bruce Wayne, it’s a fine line and both have to be equally as good for a true Batman to be. But Pattinson doesn’t connect here at all with the Bruce Wayne aspect of the character, to the point where I had flashbacks to him reminiscent of his Twilight character days. His Bruce Wayne portrayal here is not done in the usual classy, almost elegant manner of the billionaire who hides behind his mask. Now, on the better point is his Batman isn’t bad, not great mind you, but definitely not bad enough to distract through the movie as a whole, but enough to distract when being Bruce Wayne. In other words, he is good, but not great. Farrell however is very good as Cobblepot and again, you wouldn’t know it was him had we not known in advance who was under that look. And Paul Dano, while not the best Riddler look, his performance of the character, especially at the end was nothing short of spectacular. But there is also one huge standout here and that my friends is John Turturo as Falcone. He is a perfect villain and gives everyone on the screen a go for their money with his role being as decadent as it is. And lastly we have Catwomen who with her eyes made up, brilliant and beautiful as Selina Kyle, add her cat mask and ‘adventures’ on her motorcycle, and again, the love/hate relationship with Batman done with some very real chemistry, here she is a big meow in all the right ways.

(Photo by MEGA/GC Images)

All in all as you unwrap it all in your head to process it, and it will take a more than a moment to do so, you can’t help but come to the conclusion that it was good, just maybe not great. But as well it’s probably, no it’s most definitely too long and it’s a bit unclear on the direction they will go next, but it’s a solid, entertaining time in the seemingly never ending line of Caped Crusader contenders. Where it rates for each person, will be just that, up to each individual person.

Grade: B

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Review Screening: Thursday, February 24, 2022 ~ Courtesy of Warner Bros.

“THE BATMAN” FROM WARNER BRO. PICTURES WILL BE OUT IN THEATERS FRIDAY, MARCH 4, 2022

REVIEW: “STAR WARS: THE RISE OF SKYWALKER” (2019) LucasFilm/Disney Pictures

Ah, that familiar opening sequence that we know so well.  Where we know we are going to a galaxy far far away…is about the only thing left from over from the original that will never get old seeing. Even with “STAR WARS: THE RISE OF SKYWALKER” having this terrific memorable opening sequence, it is sure note that this isn’t a ‘George Lucas’ vision of Star Wars. To be fair, when it comes to Star Wars, the appreciation and the significance of it all is not lost on me, as well as the quality and enjoyment of the films that people feel. But alas, I probably am not in the high percentile of top fans and really wouldn’t consider myself a big Star Wars fan per se. While having seen most of them, I was just one who never grasped onto to the films so completely as others have. With that, seeing the conclusion of the Skywalker series wasn’t going to make me emotional mess in the lead up as maybe it would be to some others – so just know this review truly has no bias on that end.

Episode IX takes place some number of years after The Last Jedi where Rey (Daisy Ridley) has been training to take down the first order.  The Resistance lead by Leia (Carrie Fisher) are figuring out a way to lead the charge with the few alliances they have left, and Kylo Ren (Adam Driver) is trying to become a powerful Sith. The unknown time after which this is set definitely has a few holes in the character progression that were possibly needed in order to ‘damage control’ on the story direction. It’s is also hard to talk about the film without spoilers, but doing my best to get across the jist of it, without really going into heavy spoiling. The Emperor Palpatine (Ian McDiarmid) is not a spoiler as it’s in the trailers and posters so mentioning him, but not any external story elements stemming from his return noted.

As mentioned the biggest problem with Episode IX is the direction of this story. There is just an excess of side stories in the film which absolutely kills the run time and the effects of what the main story being told is. And can we say Cameos GALORE? Boy there were some good ones though. But if you were of the thought that ‘Force Awakens’ had nothing original to offer, well the Rise of Skywalker will double down on that premise. It’s hard to believe how they set it all up, had conflict and executed the conclusion of these characters, all in one unsuccessful sweep here. Plus smack dab in the middle of battle, leading us down the road to clearly what is to become the new series of films or possibly a new show for Disney +, with a quick little story line with Finn (John Boyega) and Janna (Naomi Ackle) have a little convo about how they came to be Troopers and how they need to ‘try and find where they came from.’ Yep, there is your next movie or TV story line people.

As many have already said, there was clearly no plan by Disney for the trilogy. What Abrams set up, then Rian Johnson stepped in and had total control to then do what he wanted, and now Abrams is back to ‘save’ the film by bringing back the Emperor. Okey Dokey. The way the film quickly establishes how and why it is nothing short of lazy. Because there was no mention in the previous sequel films, the Emperors return is ruined due to the franchise factor forcing it back in. The film originally was having Colin Trevorrow as director, so there was clearly no connecting person here like George Lucas and his vision, to step in and help the story take place and progress. Bringing in different directors bring a new look to the film is not a problem, if you can still have a solid story told throughout. Then the bunch of side stories that are being told, just fail to have the time to conclude properly. Maybe they needed more than one film in order to explore them – or should have done so previously. Everything is just rushed into the film and Rey, Finn, Po, Ren and the Emperor, all have to share the screen and some arcs don’t feel earned.

The new band of heroes here as well, just don’t have the same charm, personalities or chemistry together (actually this is the first movie in the new trilogy, where they do stuff together). They feel more like they have been cast for a commercial shoot of the film versus what type of character and personality they had to portray – they are all just so empty, like cardboard-cutouts with calculated screen-time and one-dimensional personalities. Most of them hardly even have an arc or any real character-development over the course of these three movies. The final scene with Kylo Ren and Rey is laughable bad, you’ll know what this is if you’ve seen the film, and if not, you soon will. I was just in awe that the writers ruined a perfect moment by including a said ‘particular action’ which eluded gasping laughs. One character though who was fun and has always been great, is C-3PO (Anthony Daniels). He always been essentially kinda bullied and the film knows this and consequently builds on this to create a somewhat compelling character. Chewbacca (Joonas Suotamo) wins for the most emotional moment though. Finn and Po Dameron (Oscar Isaac), had character problems that needed to be established in the earlier films as their pay offs don’t feel earned. Rey was also somewhat disappointing mostly due to the direction of the story, but her arc is so unbalanced throughout the first two films that once her character conclusion is just unsatisfactory.

The action as well often doesn’t serve a purpose to the story – it’s just more timely inserted space-battles, chase-scenes and sci-fi fights. Mostly just overblown shiny CGI stuff with a few practical puppets, sets and costumes thrown in to pander to the old fans. These characters didn’t have a lot of time to be together unlike in the original trilogy, so their interactions weren’t memorable. This is also due to the forced jokes and dialogue. I felt like Isaac’s Po was just trying to hard to fill Harrison Ford‘s old shoes of humour when he was Han Solo. Sure the original Star Wars movies had some humor, but in those movies it felt natural, not these wink-wink-moments, slapstick humor and juvenile self aware meme-jokes. What’s worse, is that this movie also tries to be dark at the same time, but this isn’t Empire Strikes Back or Revenge of the Sith, as those movies really were dark chapters in the Star Wars saga with hardly any humor in them.  But in The Rise of Skywalker, it just makes the movie feel even more like a tonal mess, since the movie tries so to be funny, upbeat and happy at the same, making both the humor, the drama and the darker elements feel even more forced and out of place.

The originals worked because they didn’t try to be funny, and the characters were written like they could almost be normal people in the space, whereas the sequel characters are just yelling stuff out that is not natural.  At least the CGI was great. It’s expected to be and it looked cool. What they did with Carrie Fischer was surprisingly good and it fit as well. Yes, it was kind of obvious at points where extreme editing was in play, but her tragic passing was so sad and they had to do what they could after the unfortunate circumstances. (#RIPCarrie). Some of the the battles, while looking good, weren’t all that well executed. As well, lacking a lot of suspense the light-saber duels between Rey and Kylo – on the one hand they were interesting  – on the other they don’t get you as excited as the film wanted you to be. The final fight was just really over the top. I get there’s a finality to the film but there’s so much that’s happening that leaves unanswered questions toward the state of the galaxy.

Lastly, is the music. Yes it’s essentially the same, but John William score is perfect and on every level and is possibly the only thing that elevates the movie. It adds all the tension and emotion to all the Star Wars films to be sure. It’s something we never tire of it after all these films and would still gladly listen to it in future films.

Overall, Rise of Skywalker is underwhelming in it’s execution yet has some good ideas. Even though I’m not it’s biggest fan, there still felt this unsatisfying feeling as the film clearly had no plan and the end result of the story is clearly forced. Is it wrong to have just wanted to see a good conclusion to one of the most popular franchises ever? Instead, the film misses the mark and fails to have an overall finality feeling.

Grade: C

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Media Review Screening: Tuesday, December 17, 2019 ~ Courtesy of Disney Pictures

“STAR WARS: EPISODE IX – THE RISE OF SKYWALKER” IS OUT IN THEATERS WORLDWIDE

INSTA-REVIEW: “LONG SHOT” (2019) Lionsgate

Charlize Theron hasn’t been the best at comedies.. that all changes with Long Shot . Paired up with Seth Rogan here is maybe the key as their characters really have nothing in common. Charlotte (Theron) is running for President and needs a speech writer.. Fred Flarsky (Rogan) is actually a kid she used to babysit whom had an undying crush on her. 20 years later he comes on board her team as said speech writer.
You would think such an odd pairing would have no chemistry..but they most definitely do. And while you won’t find any breaking out of the box – rom com formula here.. it is just a good fun ride of a comedy.
The supporting cast help make that happen in a big way, most especially June Diane Raphael and Ravi Patel. Bob Odenkirk lends a hand as POTUS, Andy Serkis is thrown in for a bit Alexander SkarsgÃ¥rd as Canadian PM & potential romantic partner for Theron, is hysterical as playing the cad. The weakest support coming from O’Shea Jacksons character of Lance, BFF to Fred.

All in all Long Shot – while formulatic, is a fun watch!
Grade: B-

@pegsatthemovies

Review Screening: Monday, April 8, 2019 ~ Courtesy of LAFTV meetup.

 

REVIEW: “STAR WARS: THE FORCE AWAKENS” (2015) Disney Pictures

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32 years after the original Star Wars exploded on our movie screens, the saga is set to continue here in The Force Awakens. Take note that this review is strictly a point of view and won’t contain to much storyline as you should see it for yourself, and definitely no spoilers. One thing before I continue on..Chewie..YOU ARE MY HERO!!!
As the opening log comes on the screen, we are immmediately taken back in time which has to be one of the happiest moments of the film. With that I will just spit it out that first and foremost, this is a good movie, though far far from a great one (It’s no Mad Max) And yes, I just said that.. So all the Star Wars fan-boys can step up now and sue me.. 😀

I’m as big a Star Wars fan as any though after Return of the Jedi, The Phantom Menace couldn’t even come close to comparing. Attack of the Clones was forgettable..Revenge of the Sith – didn’t even bother to see it at a theatre and actually waited for it to be on cable. And I won’t lie..I have a few issues with this film, though not all of them are bad.
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The opening 30 minutes are less than satisfying and to be completely honest was quite ‘lulz’. Here we are introduced to some new main characters Finn (John Boyega) and Poe Dameron (Oscar Isaac – who is terribly underused here). Finn is actually a stormtrooper, but get this..a stormtrooper with feelings?? no ..stormtroopers are not allowed those. But hey they are taking a risk here by doing that right – which is okay by me. Then Poe, who is head of the resistance pilots, gets captured and Finn helps him escape for which when Poe asks why, gets the answer of “Because it’s the right thing to do” what?? that’s just weak.. sorry but it is. It doesn’t fit in a Star Wars film. So as predicted they crash and it seems only Finn survives. But you also know that there is no way Poe is dead & gone, but this goes unexplained for some time, until he magically shows up later with barely a plausable explantion.

While she is no Furiosa, Rey (Daisy Ridley) has somewhat the same inplausability factor when we meet as her as she & Finn are all about saving each other within minutes of meeting. But then again, I like the risk-taking factor of appointing a strong female lead.
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Along with that part of the main cast, we are introduced to the mostly all Britsh/Irish (I guess a galaxy ‘far far away’ is now the U.K. ha!) cast of the Dark Side, notably General Hux (Domhnall Gleason), Supreme Leader Snoke (Andy Serkis) and Captain Phasma (Gwendoline Christie – also terribly underused) to name just a few.

As expected, the robots especially BB8 (Bill Hader/Ben Schwartz – voice consultants), along with Chewbaca (Peter Mayhew) & Hans Solo (Harrison Ford) steal and deliver the best comedic one takes. While the new characters try, they fail quite miserably at trying to deliver cutesy one-liners that aren’t funny.
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While I loved the flashbacks to the Star Wars of old, including the graveyard of old spaceships, Hans Solo getting back onboard with his old ship is nothing less than classic. And who doesn’t want to see Princess Leia (Carrie Fisher) and Solo reunite after years of separation?!! All these scenes and storylines are simply wonderful.

Another big risk and a sad heartbreaking one at that, is saying good-bye to one of the most iconic characters ever concieved in this galaxy or any other for that matter. Did it have to be done? Maybe so because it seems J.J. Abrams had to basically make us try to forget those three intermediate bad storylines and get us back on track to what is important. Though I found Kylo Ren (Adam Driver) to be one of my least favourite characters (and actors) as it just seems to simple to say Skywalker was good out of Vader’s bad, but yet Ren is bad out of Solo & Leia’s good.
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Last note: I’m not the biggest 3D fan, but this film is so enhanced by it, it’s worth it. The final scene of the movie is by far what makes it all worth-while to see this film – as it gives us something to look forward to in Episode VIII and it tells us it will be so much better.

Grade: B-
@pegsatthemovies