Tag Archives: Oscar Isaac


I know I’m supposed to love this “SPIDER-MAN: ACROSS THE UNIVERSE” and be drooling all over this film directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, because everyone is, as well as hailing it as the greatest movie ever. Now those, as we like to joke are, ‘fightin words’ and something that just cannot be uttered by me – not for this film at least. And yes, I know I will probably get crucified for not agreeing. But then again, following and loving something just because the crowd does, has never really been my forte’. As well, I’ve always been pretty good in standing my ground and here will be doing just that and also noting that it’s okay to have differing opinions. It keeps things like movies interesting.

Now first off, don’t get me wrong, I enjoyed Across the Spider-Verse way more than I thought I would, but I mean who knew there were so many Spidermen besides Tobey Maguire Andrew Garfield & Tom Holland. Well I just found all this out in Spider-Man:Across The Spider Verse that there are a vast amount of them – and it took over two hours to do so. That I was not ready for and my initial question was why? And then I answered it myself by noting “this is what comic books are” a fantasy world, in this case, universes – then it also became clear that that is literally the point of showing all those comic book stills inbetween. So while I still had that unsatisfied feeling when I realized I was watching the first half of a really long movie, I feel like I understand it a lot more after thinking about it. Doesn’t mean it’s in my wheelhouse, but sometimes, getting out of said wheelhouse is what needs to be done.

Jessica Drew (Issa Rae), Gwen Stacy (Hailee Steinfeld), Peter B. Parker (Jake Johnson) and his daughter Mayday in Columbia Pictures and Sony Pictures Animations’ SPIDER-MAN™: ACROSS THE SPIDER-VERSE.

Having not seen the first one, I picked up pretty quickly what was happening in this new web-slinging, multiverse-traveling adventure. It clearly takes place a year or so after the events of the first one – ‘Into the Spider-Verse’; and sees Miles Morales (Shameik Moore) back. Having been Spider-Man for about a year now after being bit by a mutant spider, his parents still have no idea, even though his father, Jefferson (Brian Tyree Henry), is a cop who frequently works with “Spider-Man” to stop other villians with super powers. He is once again teaming up with Spider-Girl Gwen Stacy (Hailee Steinfeld), trying to fix something he clearly thought had been fixed before that wasn’t fixed properly. Included in all this is a whole lotta other Spider-People of this multiverse (that I’m trying to piece together and understand), for a big high stakes mission. This time around, the Spider-People face off against villian The Spot (Jason Schwartzman), whose powers threaten the stability of the entire this Spidey multiverse as he is able to move through spots he creates from one place to another, very quickly and simply. Issues are amplified when Miles and the Spider-People, led by Miguel O’Hara (Oscar Isaac), disagree on how to best deal with this new threat.

Miles Morales (Shameik Moore) and Gwen Stacy (Hailee Steinfeld) take on The Spot (Jason Schwartzman) in Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN™: ACROSS THE SPIDER-VERSE.

A lot of this moves at a pace that is zip-flash fast so keeping up is key. The parts that probably worked the best for me as a first time viewer were the family ones. One of the most effect scenes on an emotional level is Miles’ relationship with his mother Rio Morales (Luna Lauren Velez), as he wrestles personally with the idea of revealing his superhero Spidey-alter ego to his parents, a decision that creates great conflict within his family. Watching Miles’ struggle to come out as Spider-Man in a particularly moving scene with his mother that is so heartbreaking and is bound to resonate with many who have struggled to reveal things of themselves to others, whatever it may be. Meanwhile, Steinfeld’s Gwen Stacy also has some intense family matters lll for her character, especially as it pertains to her relationship with her father Captain Stacy (Shea Whigham), regarding her suposed murder and loss of her Peter Parker (Jake Johnson), (whose animated character looks surprisingly a lot like Jake Gyllenhaal). Intially thinking Gwen was a lead character and the films focus would be on this, as she has a pretty extended opening focusing on solely on just her, but then with it doing a round-about and not going that direction was confusing at times, but as they say ‘All’s well that ends well”.

The animation is incredible, especially during a long intro scene in a different universe, along with the action and soundtrack. There are so many different styles and techniques. Some again, took time of afterwards for processing if you don’t know the stories, to digest and make logic of. As well, some of the dialogue gets to be a bit too corny and tries to hard to be quirky and fast-talking, which seems to be a Marvel staple now. My other issue is that the story felt a little messy and all over the place, and there were moments that felt weren’t really necessary to the plot of the movie itself. That plus the fact it was almost two and a half hours, which was a longer than it needed to be, only then to realize at the end it’s only essentially half of a movie. So now we’ll have to wait an see how the second part pulls it all together or the five parts which are sure to follow that one. Which leads me into my “Think about your favorite movies”; now imagine that when you saw them for the first time, someone cut it off halfway through and made you wait a year for the rest. A truly great movie needs to be able to stand on its own. Also, no post credits so no need to stay after this two hour plus run time.

Spider-Man/Miles Morales (Shameik Moore) in Columbia Pictures and Sony Pictures Animations’ SPIDER-MAN™: ACROSS THE SPIDER-VERSE.

So for those in the back who feel differently, I am saying that it was a good movie, but it wasn’t the greatest one and to call it that just seems so out of place for me. I did have a good time watching it and it’s by no means a bad movie, just not the “Masterpiece” everyone is building it up to be and is certainly not, “The Greatest Animated Movie Of All Time”. I think you have to be a BIG DC Universe fan or comic book one to understand why alot of it is happening to be sure. A lot of it just didn’t resonate to me and the windup into it started to really drag in the middle, all to just to get to a point where they basically said “see ya next time”.

And yeah, I will go see the next one in two years – hope you will too as who knows, maybe it will be the one to reveal all.

Grade: B-

Follow me on twitter: @pegsatthemovies or Instagram: Peggyatthemovies


Review Screening: Tuesday, May 30, 2023 ~ Courtesy of Sony Pictures

REVIEW: “STAR WARS: THE RISE OF SKYWALKER” (2019) LucasFilm/Disney Pictures

Ah, that familiar opening sequence that we know so well.  Where we know we are going to a galaxy far far away…is about the only thing left from over from the original that will never get old seeing. Even with “STAR WARS: THE RISE OF SKYWALKER” having this terrific memorable opening sequence, it is sure note that this isn’t a ‘George Lucas’ vision of Star Wars. To be fair, when it comes to Star Wars, the appreciation and the significance of it all is not lost on me, as well as the quality and enjoyment of the films that people feel. But alas, I probably am not in the high percentile of top fans and really wouldn’t consider myself a big Star Wars fan per se. While having seen most of them, I was just one who never grasped onto to the films so completely as others have. With that, seeing the conclusion of the Skywalker series wasn’t going to make me emotional mess in the lead up as maybe it would be to some others – so just know this review truly has no bias on that end.

Episode IX takes place some number of years after The Last Jedi where Rey (Daisy Ridley) has been training to take down the first order.  The Resistance lead by Leia (Carrie Fisher) are figuring out a way to lead the charge with the few alliances they have left, and Kylo Ren (Adam Driver) is trying to become a powerful Sith. The unknown time after which this is set definitely has a few holes in the character progression that were possibly needed in order to ‘damage control’ on the story direction. It’s is also hard to talk about the film without spoilers, but doing my best to get across the jist of it, without really going into heavy spoiling. The Emperor Palpatine (Ian McDiarmid) is not a spoiler as it’s in the trailers and posters so mentioning him, but not any external story elements stemming from his return noted.

As mentioned the biggest problem with Episode IX is the direction of this story. There is just an excess of side stories in the film which absolutely kills the run time and the effects of what the main story being told is. And can we say Cameos GALORE? Boy there were some good ones though. But if you were of the thought that ‘Force Awakens’ had nothing original to offer, well the Rise of Skywalker will double down on that premise. It’s hard to believe how they set it all up, had conflict and executed the conclusion of these characters, all in one unsuccessful sweep here. Plus smack dab in the middle of battle, leading us down the road to clearly what is to become the new series of films or possibly a new show for Disney +, with a quick little story line with Finn (John Boyega) and Janna (Naomi Ackle) have a little convo about how they came to be Troopers and how they need to ‘try and find where they came from.’ Yep, there is your next movie or TV story line people.

As many have already said, there was clearly no plan by Disney for the trilogy. What Abrams set up, then Rian Johnson stepped in and had total control to then do what he wanted, and now Abrams is back to ‘save’ the film by bringing back the Emperor. Okey Dokey. The way the film quickly establishes how and why it is nothing short of lazy. Because there was no mention in the previous sequel films, the Emperors return is ruined due to the franchise factor forcing it back in. The film originally was having Colin Trevorrow as director, so there was clearly no connecting person here like George Lucas and his vision, to step in and help the story take place and progress. Bringing in different directors bring a new look to the film is not a problem, if you can still have a solid story told throughout. Then the bunch of side stories that are being told, just fail to have the time to conclude properly. Maybe they needed more than one film in order to explore them – or should have done so previously. Everything is just rushed into the film and Rey, Finn, Po, Ren and the Emperor, all have to share the screen and some arcs don’t feel earned.

The new band of heroes here as well, just don’t have the same charm, personalities or chemistry together (actually this is the first movie in the new trilogy, where they do stuff together). They feel more like they have been cast for a commercial shoot of the film versus what type of character and personality they had to portray – they are all just so empty, like cardboard-cutouts with calculated screen-time and one-dimensional personalities. Most of them hardly even have an arc or any real character-development over the course of these three movies. The final scene with Kylo Ren and Rey is laughable bad, you’ll know what this is if you’ve seen the film, and if not, you soon will. I was just in awe that the writers ruined a perfect moment by including a said ‘particular action’ which eluded gasping laughs. One character though who was fun and has always been great, is C-3PO (Anthony Daniels). He always been essentially kinda bullied and the film knows this and consequently builds on this to create a somewhat compelling character. Chewbacca (Joonas Suotamo) wins for the most emotional moment though. Finn and Po Dameron (Oscar Isaac), had character problems that needed to be established in the earlier films as their pay offs don’t feel earned. Rey was also somewhat disappointing mostly due to the direction of the story, but her arc is so unbalanced throughout the first two films that once her character conclusion is just unsatisfactory.

The action as well often doesn’t serve a purpose to the story – it’s just more timely inserted space-battles, chase-scenes and sci-fi fights. Mostly just overblown shiny CGI stuff with a few practical puppets, sets and costumes thrown in to pander to the old fans. These characters didn’t have a lot of time to be together unlike in the original trilogy, so their interactions weren’t memorable. This is also due to the forced jokes and dialogue. I felt like Isaac’s Po was just trying to hard to fill Harrison Ford‘s old shoes of humour when he was Han Solo. Sure the original Star Wars movies had some humor, but in those movies it felt natural, not these wink-wink-moments, slapstick humor and juvenile self aware meme-jokes. What’s worse, is that this movie also tries to be dark at the same time, but this isn’t Empire Strikes Back or Revenge of the Sith, as those movies really were dark chapters in the Star Wars saga with hardly any humor in them.  But in The Rise of Skywalker, it just makes the movie feel even more like a tonal mess, since the movie tries so to be funny, upbeat and happy at the same, making both the humor, the drama and the darker elements feel even more forced and out of place.

The originals worked because they didn’t try to be funny, and the characters were written like they could almost be normal people in the space, whereas the sequel characters are just yelling stuff out that is not natural.  At least the CGI was great. It’s expected to be and it looked cool. What they did with Carrie Fischer was surprisingly good and it fit as well. Yes, it was kind of obvious at points where extreme editing was in play, but her tragic passing was so sad and they had to do what they could after the unfortunate circumstances. (#RIPCarrie). Some of the the battles, while looking good, weren’t all that well executed. As well, lacking a lot of suspense the light-saber duels between Rey and Kylo – on the one hand they were interesting  – on the other they don’t get you as excited as the film wanted you to be. The final fight was just really over the top. I get there’s a finality to the film but there’s so much that’s happening that leaves unanswered questions toward the state of the galaxy.

Lastly, is the music. Yes it’s essentially the same, but John William score is perfect and on every level and is possibly the only thing that elevates the movie. It adds all the tension and emotion to all the Star Wars films to be sure. It’s something we never tire of it after all these films and would still gladly listen to it in future films.

Overall, Rise of Skywalker is underwhelming in it’s execution yet has some good ideas. Even though I’m not it’s biggest fan, there still felt this unsatisfying feeling as the film clearly had no plan and the end result of the story is clearly forced. Is it wrong to have just wanted to see a good conclusion to one of the most popular franchises ever? Instead, the film misses the mark and fails to have an overall finality feeling.

Grade: C

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Media Review Screening: Tuesday, December 17, 2019 ~ Courtesy of Disney Pictures


REVIEW: “ANNIHILATION” (2018) Paramount Pictures

Sometimes I have to step out of the box of basic reviewing. This came to me all at once as I was waking up this morning after viewing “ANNIHILATION” last night – which by and by I really enjoyed. Sure it started off a bit slow, and I could nit-pick over a few things, but by and far it was a fascinating film – until the ending for me. The last 10 minutes took everything I had previously so enjoyed and threw it out the window. What can I say to that? Well I decided to snap it up and make the review like the movie – completely different than the norm.

There once was a lighthouse which started to glimmer,
None could figure out what made it shimmer.
All who went in, never came out,
Save for one, but he can’t recount.


So send in the troops , five brave souls and women to boot.
Into the ‘shimmer’ they went, where suspense and chills met them at each turn,
the gene cycle seemingly constantly to spurn.
Nothing set us up for the finale to come, disappointment was most surely to be done.
While beautifully filmed and fairly well acted, there were a few who could be redacted.

And that here sums up my review – for as surely I loved it all the way through,
the ending left me more than feeling a bit blue.
Before I forget to mention – I adored the group of women in this film – from the anthropologist Cass (Tuva Novotny), nerdy physicist Josie (Tessa Thompson), to Natalie Portmans’ ex-Army, biologist role of Lena. But my two favourites were defintiely the gung-ho beefy, butched up Gina Rodriguez as Anya, a paramedic who takes her ‘Jane the Virgin’ role and throws it right out the door – to the magnificently almost scary, creepy Jennifer Jason Leigh whose cagey psychologist role of Dr. Ventress takes this performance to a very different level.

Grade: C+

Media Review Screening: Tuesday, February 20, 2018 ~ Courtesy of Paramount Pictures
‘ANNIHILATION’ is out in theaters nationwide on Friday, February 23, 2018 // International release starting March 2018