REVIEW: “WHERE’D YOU GO BERNADETTE” (2019) Annapurna Pictures

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Imagine my surprise sitting five minutes into this movie and realizing it all seems so familiar somehow.  Unfortunately that is the fate of being an avid reader as well as film goer, I realized I’d read Maria Semple’s wonderful 2012 novel “WHERE’D YOU GO BERNADETTE” (no ? mark by the way) maybe a year or more ago.  And the bad thing about doing so, is it takes you into that dreaded  “spoiler alert” zone which we all try to avoid.

As director Richard Linklater has nabbed this one up and added Cate Blanchett in the lead role of Bernadette Fox, Billy Crudup as her husband Elgin, and rounding out the lead family roles with newcomer Emma Nelson as their daughter Bee.  He takes this rather dark comic tale of a highly creative, yet completely unhappy woman, who’s suppressed her creative talent for a few decades and finally seems to rediscover it through an unlikely journey.  The book is also, as the title suggests, a mystery, though the film seems to leave this portion by the wayside.  The story told comes mostly from two viewpoints. The first part which let’s us get to know the character we are dealing with, comes from Bernadette herself in emails to ‘Mangula’ her India based ‘virtual assistant’ and really have her coming off like a rich woman, who does nothing but bitch and moan about the other women in the picture, neighbor Audrey (Kristen Wiig) and Soo Lin (Zoe Chao). All this whilst living in a decaying mansion meant to have be re-done for years, and did we mention the loads of wealth thanks to husband Elgin having accrued it as a tech titan.

The other half is mostly woven together by Bee, who’s become the sole focus in her mother’s stuck in neutral life. It soon becomes clear that Bee’s also the only person in Bernadette’s orbit who truly understands and accepts her and her ridiculous bad behaviour towards pretty much anyone within shouting distance.  The endless seams being put together here a lot of Bernadette’s misery, the odd way she defects from the community she lives in as they shun her. Yet even though she practically destroys neighbor Audrey’s house, oddly she is also the one to help her escape from the realities she can no longer face and helps her embark on a new journey of adventure and discovery.

Linklater’s undertaking of this book was maybe as task he wasn’t quite up for as while he does great by casting Blanchette who relishes this type of character and can play this persona in her sleep, but he also misses some very pertinent portions of the book that makes the film seem almost uneven.  It’s like he left the best parts of the book on the cutting room floor. Wiig is wonderful as well, and some cameos by Lawrence Fishburne, Megan Mullally, and Steve Zahn are fun, and newcomer Nelson does well on her first go round her being in such stellar company, she definitely holds her own.   While the cinematography is wonderful once they get into the Antarctica portion of the film – it’s almost piecemealed together with what the purpose is of her leaving, what she is trying to do out there, how she gets there, how her husband and daughter try to find her is just given to you here, and it’s lines are not well connected, whereas as the book makes you really understand and feel the panic of not knowing where her mother is or why. Again, major plot portions are skimmed over when they are integral to the story.  Linklater just took to long to help us understand the complexity of Bernadette and her real struggles in skips and starts rather than with the flow that was needed.

While the film has it’s quirky, funny moments, I feel like a lot of this was a swing and a miss for Linklater who is always trying to challenge himself. There are things to appreciate, like the musical score and performances but not a whole lot else in this rather uneventful and non memorable film.  In other words I’m telling you to read the book and do so after you’ve seen the film. It will make much more sense then.

Grade: C

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Media Review Screening: Tuesday, August 13, 2019 ~ Courtesy of LAFTV Film group.

“WHERE’D YA GO BERNADETTE” IS IN U.S. THEATERS NOW 

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Insta-Review: “HALLOWEEN” (2018) Universal

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Yes..#MichaelMyers is back after 40 long years locked away in an asylum. And so is #JamieLeeCurtis as #LaurieStrode – the one who barely escaped him all those years ago.
Now you have no idea how excited I was for this..I was completely prepared to have my pants scared off.. I mean come on..this is #Halloween right…Wrong.
We start off with two “investigative” journalists from the U.K. doing a research project on Myers and actually visit him. Then of course somehow (they don’t show this) he escapes while being transferred and of course goes on a killing spree.
This is where it gets even more ridiculous. Laurie, who lives in isolation in a state of complete paranoia and whose house is equipped with everything from a full blown arsenal, to traps, gates and her very own ‘panic basement’ but yet some how her estranged now adult daughter Kathy (#JudyGreer) her husband Ray (#TobyHuss), along with her granddaughter Allyson (#AndiMatichak), don’t really seem super worried that he’s killing all there friends. Finally they get it, but these parents actually leave their child behind because she’s at a high school dance.. this is where it just went so wrong for me…cause that would never happen.
Long story short…it seems as though #MichaelMyers even though he’s gotta be at least 70, can plow through and slash up a bunch of people all while getting ran over, shot a few times and stabbed more times than I can count. They should just call him the Energizer Bunny Slasher because clearly he can take a licking and keep on ticking.
I never jumped once, was never even the slightest bit scared..at times I almost felt bored. The dialogue can bit a bit ridiculous at times..but the one thing I loved and you should go to see it for…the music…ahhhhhh the wonderful old creepy music is back. Too bad it was the best part of the film.
The ending is decent and Jamie Lee does her best with this.. and well..it is Halloween so I will say to see it.. but if they try to say Myers survives the ending and try to do a sequel..I will say no to that.
Happy Halloweenie everyone!

Grade: C-
@pegsatthemovies

Media Screening: Monday, October 15, 2018 ~ Courtesy of Universal
‘HALLOWEEN’ WILL BE OUT IN THEATERS WORLDWIDE JUST IN TIME FOR HALLOWEEN #BOO

#Halloweenie #Slasherfilm #horror #scary #notscary #moviereviews #moviegoer #movielover

REVIEW: “WAR FOR THE PLANET OF THE APES” (2017) 20th Century Fox

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With this being the final film in the Apes trilogy saga ~ WOW! does this one have a lot to offer. From charactarization to extraordinary and beautifully done set pieces, along with spectacular next-level CG work that brings such realness to the apes. Of course it has flaws, but they are few. This truly shows how to respect original material, yet reinvent it in a way that enhances and sends it off in the right way.

If you are like me and have, whether secretly or not, always been cheering for the apes, you will love this movie. This movie has so much going on within itself the whole time, you will rarely find a dull moment. It starts with a bit of a prologue from previous films which I loved as it’s always nice to have a reminder – but done simply, clearly and precisly in a matter of a few short sentences. This will make it nice and easy for those who’ve not seen the earlier films in this series.

Of course, as the title dictates, it all starts with war. After the death of the man-hating Koba (Toby Kebbell) in “Dawn of The Planet of the Apes”, we find Caesar (Andy Serkis) looking to lead his klan to a new life where they can live in peace. But after a huge opening scene battle, where we see Caesar letting some humans live so they can take back an offer of peace to their commander known as The Colonel (Woody Harrelson). This offer is clearly rejected when they attack the apes and kill Caesars’ wife & son. And now it’s Caesar turn for revenge. Wanting to take this path of revenge on his own while sending the others off to find the peaceful land his son had found for them, he is unltimately joined by Maurice (Karin Konoval), Rocket (Terry Notary), and Luca (Michael Adamthwaite). Along the way they pick up Nova (Amiah Miller), a young mute girl (how she gets her name is a fun little plot line) and Bad Ape (Steve Zahn), an ex-zoo ape who doesn’t speak the ape language at all and truly adds the perfect bit of fun, zany bit of humour to a oft-times, dark film. We also find out, there was a disease that came after the plague, that cause humans to go dumb as in the case of Nova. This all builds up to the reasoning behind why The Colonel wants to completely exterminate the entire Simian community.

In the midst of all this, we also meet the newest addition to Caesars’ family, one that brings us back around to the very beginning. To those of you that don’t know Cornelius (Devyn Dalton), this goes back old school – we are talking Roddy McDowell/Charlton Heston Apes beginning circa 1968. Along with a few brief appearances by Koba – more of a mirage – reminding Caesar of things such as ‘ape does not kill ape’ and how hate bred inside of him and it didn’t end well, we have a good mix of old and new being brought together to wrap everything together.

As Caesar learns his entire tribe has been captured and taken to a work camp where they are put into forced labour to build a wall, he tried desperately to figure out plans to set them free. See, turns out that The Colonel has a completely different army coming after him because he is killing his own people, including his own son, for coming down with the new ailment that seems to be contagious to some. So what do the apes do? Well what we all should. They stand up and resist and through peserverance and brainpower, they outwit their captors to find their way out. There are moments that you can’t help but think of the narrative and where it leads to and how it matches so much in a way with our past and present state of our country politically.

As for acting, you would think with all the CG effects there really couldn’t be any, and while the human characters aren’t leading the ‘interesting’ pack here, there are moments when you swear Caesar is real. While there is predictability for sure, the very climatic ending is almost in two parts and while I scoffed for a quick moment at the 2nd part, it wasn’t a scoff of disdain but rather disbelief in a good way.

Just remember ~ No one comes out of this film well, after all it is a war.

Grade: A-
@pegsatthemovies

Media Review Screening: Wednesday, June 21. 2017 ~ Courtesy of 20th Century Fox
Nationwide Release: Friday, July 14, 2017

REVIEW: “WILSON” (2017) Fox Searchlight

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Based on the graphic novel by Daniel Clowes.Woody Harrelson is Wilson, probably one of the most random and least liked characters I’ve come across so far this year. He starts and goes throughout the film, with a random series of unpleasant tics of being the most annoying person in the world, rather than a convincing human being. This problem extends to the film itself. It thinks it’s intelligent and possibly a comedy as it supposedly gives us earth-shattering insights into the human condition with establishing Wilson’s unreliability at the outset, pitting his self-righteous voiceover narration against the realities of his condescension toward strangers. But the character we end up seeing never really adds up to more than the sum of his vulgar outbursts and flagrant disregard for conventional social graces, schizophrenically flipping from pessimism to arrogance to sentimentality sometimes within the same scene and not done well, with the character coming off as more mentally unbalanced than anything else.

The film’s events are driven by the death of Wilson’s father, which inspires in an increasingly lonely Wilson a desire to reconnect with his ex-wife, Pippi (Laura Dern), and the daughter, Claire (Isabella Amara), he discovers she didn’t terminate the pregnancy as he had assumed, but put the child up for adoption. But his oddly portrayed idea of a conventional nuclear family doesn’t track with his distaste for what he sees as the soul-sucking suburban lifestyle, a contradiction that the filmmakers either don’t recognize or refuse to address for the sake of indulging in easy potshots at suburbia. Such contradictions are simply part and parcel of the film’s confused whole. Throughout its running time, Wilson lurches from melancholy to cartoonish slapstick, to dropping f-bombs for the sheer sake of no reason whatsoever, but to be more annoying and it’s just unable to settle on a consistent tone.

Wilson, Pippi and Claire are surrounded by caricatures oddly done mix of middle-and upper-class insularity. The worst is Polly (Cheryl Hines), Pippi’s sister, who’s so monstrously judgmental of her sister’s lifestyle that she’s willing to lie to Wilson about what Pippi does for a living when he embarks on his quest to reconnect with his ex-wife. Clowes might have intended this graphic novel to be a critique of the kind of out-of-touch smugness Wilson represents, but the film often feels like an symbol of just that toxicity. Add in the factor of bad acting from everyone except for the two-minute scene with Alta played by the always strong Margo Martindale, to the fact that it’s not funny in the slightest should have many skipping this one till they can see it on VOD.

Grade: D
@pegsatthemovies

Media Review Screening: Tuesday, March 21, 2017 ~ Courtesy of Fox Searchlight
Nationwide Release: Friday, March 24, 2017

Thanks all for taking the time to give this a read. Let me know your thoughts if you liked this film or not. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

Review: “ENTOURAGE” (2015) Warner Bros.

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entourage
“The Boys are back in town” — Spread the word around — The Boys are back– The Boys are back…

From the first opening scenes I’m guessing most will know immediately whether or not they will enjoy this film as before the opening credits even roll out we are caught up in the middle of a huge celebrity filled party scene as “Vincent Chase” (Adrian Grenier) is on a multi-millionaire’s yacht celebrating the end of his 9 day marriage with his friends zooming over on a speedboat to join him with nary a girl who’s not supermodel beautiful in sight. Life’s clearly a bitch for these guys..
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Entourage – based on the very popular HBO series that ran for eight seasons, is a fun, fast-paced, energetic look at both sides of the Hollywood machine. Side 1: The glamorous side of fast cars, nice homes & copious amounts of sex; Side 2: takes a really good peek at what goes on in behind-the-scenes deals that go down just to get films made. At 104 minutes long, there is not a moment wasted in packing in a ton of stuff into this glittering ride of a movie. The party scenes are fun, the dialogue is sharp and biting and the actors inhabit their respective characters well.

So remember ‘Medellin’? The film fiasco that was portrayed on the series that almost put a halt to the career of Vinnie Chase. This film picks up from the that as we once again takes a look at the lives of movie star Vincent Chase, his agent (now studio executive) “Ari Gold” (Jeremy Piven) and his group of cronies “Eric aka ‘E'” (Kevin Connolly), “Johnny Drama” (Kevin Dillon) and “Turtle” (Jerry Ferrera) who surround him. This time, the boys are making Ari’s first blockbuster picture ‘HYDE’ with Vince being not only the lead actor but in the directors chair as well. Everything threatens to go off the rails when the movie goes over budget. To get more money for the production, Ari has to go and deal with difficult Texan financier “Larsen McCredle” (Billy Bob Thornton) and his son “Travis” (Haley Joel Osment). Meanwhile, E is dealing with multiple pregnancies, Turtle is trying to court UFC fighter Ronda Rousey, Vince is dealing with his relationship with Emily Ratajkowski and directing his first major film for Ari, and Drama is coping with his stagnant career and a leaked sex tape. It’s all light fun, accompanied by fast cars, LA icon sightings and an absurd amount of celebrity cameos that if you blink you just might miss one of them.
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With various plotlines moving throughout the film, the party scene that occupies much of the middle section of the film is fantastic and the script really starts to move at a faster, funnier pace. But it’s always Ari who brings the film together. He is by far the most compelling character in the film, always ranting and raving, shouting an incessant amount of profanity at his co-workers while dealing with crazy financiers. Piven is a true scene-stealer, spouting off as much as he can and having a lot of fun with the role. As for the other four principle stars, they’re great together, and while it might take you a moment to recognize child-star Haley Joel Osmont, he does really well in this unexpected character turn with perhaps the meatiest co-star role out of all the actors, getting the chance to portray an immature Texan kid overwhelmed by the celebrity lifestyle.
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While this film is far from a masterpiece by any means, it did keep me smiling throughout with some very funny moments, great dialogue and simply put – it just all works. It’s a good summer diversion that delivers everything you want from a movie like this.. a good time.

B-
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Screening Monday, June 1st, 2015 at Pacific Grove Theatres courtesy of Warner Bros.
Nationwide release: Wednesday, June 3rd, 2015