Tag Archives: Nicolas Bro

REVIEW: “A TASTE OF HUNGER” (2022) Magnolia Pictures

Heading into Danish director Christoffer Boe’s latest film “A TASTE OF HUNGER”, I had more of a picture in my head of the 1990’s film ‘Big Night’ where the focus of the film was basically making food and making the audience drool over it, while having an almost comedic backstory to boot. This film came close in some ways, but not quite in the same manner.

Here in a different take on a chef’s story, Carsten (Nikoaj Coster-Waldau) has been working for 10 years to build up his small restaurant Malus, in Copenhagen with the only goal being that of earning the oh-so-rare and coveted Michelin star. His wife, Maggi (Katrine Gries-Rosenthal), is his partner in life as well as in business. We see how committed to the cause they are, and while they appear to have a solid marriage and are decent parents, it’s clear the kids and the family are not the priority in that as the quest for that rare restaurant star is. Maggi is at the point of looking outside her marriage for affection with another chef from a competing restaurant, which her young daughter Chloe (Flora Augusta) completely notices and their son August (August Vinkel), has an episode where he randomly wanders off and goes missing due to lack of attention from his parents.

A Movie by Hr. Boe Zentropa

All this deflects from the true story at hand here, again, obtaining the Michelin star, and we watch as Carsten goes through some true Ludo Lefebvre type rages that is seemingly popular amongst chefs to do. But instead of following that trend, we get taken into some really delicious and delicate food porn scenery. It’s beautiful to see such flair given here in the details with each dish being shown in it’s carefully arranged and perfectly cooked manner. The acting portrays the deep desire that every chef has to create a dish that the customer would never forget, as one can almost smell all of the delicious food, as if the scent of sautéed oyster, cooked octopus, and fermented lemons are wafting through the screen right into you. It also conveys what it really means to achieve this prized star for your restaurant as a whole. In essence, their entire life rides on it and while some might think it’s just food, it’s clear to not just Carsten and Maggi, but to their friends who join them while waiting to hear – one in particular Torben (Nicolas Bro), shows how important it is even to him.

While the story isn’t perfect here, it is the opening scenes that are truly the most beautiful to set the tone of the movie with the sequence of beautifully presented food and the music create an enthralling introduction to the movie. Yes, the mish-mash of back and forth flashbacks of the family’s decline into unhappiness might not be all that one wants to watch, but it does let you know why things are happening. As with all families, not everything is what it seems on the outside, but it does take away some from the true point of this film.

So while the food portion of this film will definitely cleanse your palette, the story as a whole might lead you straight into dessert, even with all ending as it does. But it’s definitely worth a taste.

Grade: C+

Follow me on twitter: @pegsatthemovies or Instagram: Peggyatthemovies

Review Screening ~ Courtesy of Ginsberg/Libby PR

“A TASTE OF HUNGER” hits theaters and on demand Friday, January 28, 2022

REVIEW: “RIDERS OF JUSTICE” (2021) Magnolia Pictures

It all starts with a stolen bicycle. Something taken from someone that usually might not have much merit to it, yet here in ‘RIDERS OF JUSTICE’, it has everything to do with what happens next in director Anders Thomas Jensen’s latest foray into a wonderful film that gives us drama, dark comedy, action and explores just how far someone can go to justify their anger and avoid facing their grief.

Markus (Mads Mikkelsen), is a soldier who is called back home due to his family’s being in a bizarre train accident. His wife Emma (Anne Birgitte Lind) tragically dies in it, but their teen daughter, Mathilde (Andrea Heick Gadeberg), survives. While grieving, she seeks answers for what happened and why. She’s coping by questioning the universe and religion as well, but Markus tells her those are nothing but dead ends. There is nothing good that will come from trying to make sense of it. It was all just a tragic accident and coincidence — end of story. But then where would be the storyline in all this – because one crazy tale is about to be told.

Markus is a soldier, and he sees himself as a man’s man so to speak, so he does what most men do to process loss: he tries to drink and smoke his pain away. He knows no other way to process his grief. That is until one day a mathematics/statistician named Otto (Nikolaj Lie Kaas), and his colleague Lennart (Lars Brygmann), show up to tell him the accident wasn’t a coincidence. Now both of these characters have just lost their job, and because of this, they have time, time to research the statistics of this train accident. And in fact, all ‘stats’ show it was a planned murder by a local gang called Riders of Justice, and they can prove it. And so it begins – Operation ‘Make the Riders pay’ for what they have perceived to have done, is underway.

The team Otto and Markus assemble almost seem like a nerdy group of Avengers, as it’s essentially both of them, along with Lennart – who must be an absolute burden to psychiatrists round the world, and yet he fashions himself one as well, and Emmenthaler (Nicolas Bro), a extremely sensitive I.T. genius. They look like they are highly intelligent and they are, but they are also physically and emotionally damaged men as well. Markus on the other hand, just doesn’t care. He’s fueled by the notion they have planted him with and will stop at nothing for revenge, he’s like a human torpedo determined to blow everything up — and by everything, I mean the guys he believes are involved in this plot. Markus is the muscle, the executioner, and the rest of the team is the brains behind the operation.

Jensen’s not interested here in making a plain, basic revenge movie. No, he wants to explore what’s beneath these men’s grief, shame, and humiliation. He pits Markus’ masculinity and the others vulnerability, using it against each other to see what happens as this group has only one common goal — destroy the gang — but seemingly not much else. Markus only knows how to solve a problem if it involves violence and guns, as ‘feelings’ and ‘words’ are useless to him. He only knows and believes that there is only one way to handle things, with action i.e., ‘actions speak louder than words’, a prevalent use of the motto for this film. He can’t find a way to connect with his daughter, who’s desperately in need of parental support and guidance, as she wants him to see a therapist. Instead he mocks the quasi-diagnosis his daughter and her boyfriend Sirius (Albert Rudbeck Lindhardt) make, even though he knows he will have to confront his feelings at some point. Markus refuses it because he realizes he couldn’t be in control of the situation, which is the only thing he has on the battlefield — and, ultimately, in life.

The rest of the characters are vastly different from Markus, but they all have their suppressed emotions to face as well and it’s kind of fascinating to see how the film lays them out in the most unexpected ways. Sometimes it almost seems far-fetched how Jensen makes the men connect, but he is once again, so good at creating unlikely bonds between the men, that it works out ridiculously well as the balance between very dark comedy, drama and action is perfectly handled. But makes no bones about it, there is a ton of shooting, killing, and bone-breaking in Riders of Justice, but ultimately, all that is a distraction. To be honest, the experience here is something like none other and is absolutely superb. It is comedy, it is war, it is death, sadness and violence – all wrapped up in one, but one in which in a portion of your mind, you are rooting for it in the weirdest way possible, and then you get slammed with a twist that in the darkest recesses of your mind, you never saw coming. Plus, the whole mathematical statistics of how they explain things is so very real, it makes you really take a moment to stop and think as well.

Honestly, Mikkelson is like a well balanced glass of wine here. One thing that is made clear after watching – not only does Mikkelson have the uncanny ability to be able to pick these projects, as well as have co-stars that just might be the most unlikely group to put together, yet are perfectly adept at enhancing his story and his performance every time. It also makes me so happy he continues to make quality films like this one, in his own language, as a translation to English, would just not be workable with a film like this one.

And it might also just be the best film of the year so far.

A

Follow me on twitter: @pegsatthemovies or Instagram: Peggyatthemovies

Review Screening: Courtesy of ~ Ginsberg/Libby PR

“RIDERS OF JUSTICE” IS OUT IN SELECT THEATERS IN LA/NYC ON FRIDAY, MAY 14, 2021 // EVERYWHERE MAY 21, 2021