Mads Mikkelson | Peggy at the Movies

It all starts with a stolen bicycle. Something taken from someone that usually might not have much merit to it, yet here in ‘RIDERS OF JUSTICE’, it has everything to do with what happens next in director Anders Thomas Jensen’s latest foray into a wonderful film that gives us drama, dark comedy, action and explores just how far someone can go to justify their anger and avoid facing their grief.

Markus (Mads Mikkelsen), is a soldier who is called back home due to his family’s being in a bizarre train accident. His wife Emma (Anne Birgitte Lind) tragically dies in it, but their teen daughter, Mathilde (Andrea Heick Gadeberg), survives. While grieving, she seeks answers for what happened and why. She’s coping by questioning the universe and religion as well, but Markus tells her those are nothing but dead ends. There is nothing good that will come from trying to make sense of it. It was all just a tragic accident and coincidence — end of story. But then where would be the storyline in all this – because one crazy tale is about to be told.

Markus is a soldier, and he sees himself as a man’s man so to speak, so he does what most men do to process loss: he tries to drink and smoke his pain away. He knows no other way to process his grief. That is until one day a mathematics/statistician named Otto (Nikolaj Lie Kaas), and his colleague Lennart (Lars Brygmann), show up to tell him the accident wasn’t a coincidence. Now both of these characters have just lost their job, and because of this, they have time, time to research the statistics of this train accident. And in fact, all ‘stats’ show it was a planned murder by a local gang called Riders of Justice, and they can prove it. And so it begins – Operation ‘Make the Riders pay’ for what they have perceived to have done, is underway.

The team Otto and Markus assemble almost seem like a nerdy group of Avengers, as it’s essentially both of them, along with Lennart – who must be an absolute burden to psychiatrists round the world, and yet he fashions himself one as well, and Emmenthaler (Nicolas Bro), a extremely sensitive I.T. genius. They look like they are highly intelligent and they are, but they are also physically and emotionally damaged men as well. Markus on the other hand, just doesn’t care. He’s fueled by the notion they have planted him with and will stop at nothing for revenge, he’s like a human torpedo determined to blow everything up — and by everything, I mean the guys he believes are involved in this plot. Markus is the muscle, the executioner, and the rest of the team is the brains behind the operation.

Jensen’s not interested here in making a plain, basic revenge movie. No, he wants to explore what’s beneath these men’s grief, shame, and humiliation. He pits Markus’ masculinity and the others vulnerability, using it against each other to see what happens as this group has only one common goal — destroy the gang — but seemingly not much else. Markus only knows how to solve a problem if it involves violence and guns, as ‘feelings’ and ‘words’ are useless to him. He only knows and believes that there is only one way to handle things, with action i.e., ‘actions speak louder than words’, a prevalent use of the motto for this film. He can’t find a way to connect with his daughter, who’s desperately in need of parental support and guidance, as she wants him to see a therapist. Instead he mocks the quasi-diagnosis his daughter and her boyfriend Sirius (Albert Rudbeck Lindhardt) make, even though he knows he will have to confront his feelings at some point. Markus refuses it because he realizes he couldn’t be in control of the situation, which is the only thing he has on the battlefield — and, ultimately, in life.

The rest of the characters are vastly different from Markus, but they all have their suppressed emotions to face as well and it’s kind of fascinating to see how the film lays them out in the most unexpected ways. Sometimes it almost seems far-fetched how Jensen makes the men connect, but he is once again, so good at creating unlikely bonds between the men, that it works out ridiculously well as the balance between very dark comedy, drama and action is perfectly handled. But makes no bones about it, there is a ton of shooting, killing, and bone-breaking in Riders of Justice, but ultimately, all that is a distraction. To be honest, the experience here is something like none other and is absolutely superb. It is comedy, it is war, it is death, sadness and violence – all wrapped up in one, but one in which in a portion of your mind, you are rooting for it in the weirdest way possible, and then you get slammed with a twist that in the darkest recesses of your mind, you never saw coming. Plus, the whole mathematical statistics of how they explain things is so very real, it makes you really take a moment to stop and think as well.

Honestly, Mikkelson is like a well balanced glass of wine here. One thing that is made clear after watching – not only does Mikkelson have the uncanny ability to be able to pick these projects, as well as have co-stars that just might be the most unlikely group to put together, yet are perfectly adept at enhancing his story and his performance every time. It also makes me so happy he continues to make quality films like this one, in his own language, as a translation to English, would just not be workable with a film like this one.

And it might also just be the best film of the year so far.

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Review Screening: Courtesy of ~ Ginsberg/Libby PR

“RIDERS OF JUSTICE” IS OUT IN SELECT THEATERS IN LA/NYC ON FRIDAY, MAY 14, 2021 // EVERYWHERE MAY 21, 2021

So I’ve seen a bunch of films lately that have all been pretty average or just plain bad..with one I really liked!! And as sometimes we all feel like a bad film has just sucked it out of us, I didn’t even feel like giving some of them a review..but then decided to suck it all in and just put them all in one with a few bits about each and let everyone make up their own minds to see them or not.

I’m starting with the one that actually surprised me out of the group because I actually did like it…not love it mind you, but a good ‘like’ is pretty much all I’m looking for now-a-days from a film!
So let’s begin:

CINDERELLA (2015) Disney Studios – Every little girl knows this story by heart growing up..it’s truly a little girls fantasy that no matter how crappy things are, you have the chance of one day meeting your ‘prince’. We all bank on it somewhat that it could actually happen. And then you grow up. ha! What surprised me was how much I liked revisiting this version of the story. Richard Madden as “Prince Kit”, (whom I loved and miss as Robb Stark), really made a very believable Prince and Lily James is a quite wonderful “Cinderella”. Cate Blanchett as the wicked stepmother was perfect, and it’s always nice to see ‘Daisy’ from Downton Abbey (one of my fav. characters of that show) Sophie McShera “Drisella” and Holliday Grainger “Anastasia” doing a fun spin on the wicked stepsisters. Throw in Stellan Skarsgard as the “Grand Duke” and Derek Jacobi as the “King” and you have a well-rounded out cast that brings some new blood & life to this story. And that’s what I liked best of all about it. Told in a little bit more updated version, though not time-wise, but tale-wise, brought it all to life in a really nice wrapped up gift. Was it super fantastic and the best Cinderella story ever told..nah..but it certainly was a nice breath of fresh air and a decent enough way to spend an afternoon reliving the little girl inside of me.

Grade: C+

Next on the list:

INSURGENT (2015) Lionsgate/Summit Ent.
For this one I actually looked back at my review of “Divergent” from back in March of 2014. https://peggyatthemovies.com/2014/03/26/peggyatthemovies-review-of-divergent-2/ .

Basically I could just repeat it almost word for word except for a few minor things.. Like first off how this one was worse, second of all; bad bad casting decision on Naomi Watts as “Evelyn”, Four’s mother. And yes, the lovely Theo James reprising his role here, though annoying enough he kills the best character they had of all as I noted in my Divergent review also, “Eric” (Jai Courtney) this time round. You know my motto, you’re only as good as your villain and Courtney played a good villain.
Miles Teller as “Peter” steps it up some this time, but after you’ve seen him in Whiplash, it’s hard to take this performance seriously as you now know what he’s truly capable of. Ansel Egort “Caleb” is pretty non-existent both in character and performance, and Shailene Woodley coming back as “Tris” is annoyingly bad…again. I mean in an opening scene she decides to chop off all her hair for a new look.. now we know with the hack-knife that she’s using there is no way this is coming out well.. but oh no..not with Shailene..it’s perfectly coiffed hair cut. Please. Stop it.

I didn’t hate the first one, but I liked this one even less and losing a good villain and not adding anyone of consequence..I think I might be out of town, or ya know, busy washing my hair for the next one.

Grade: D

Moving on—

DANNY COLLINS (2015) UNIVERSAL

Sigh. I j’adore Al Pacino. I always have. I’ve met him a few times, sat next to him at a movie at Sony once and he shared his candy with me and is truly one of the nicest guys ever. He’s also Al freaking Pacino!!! I mean… enough said right.

Well here he plays “Danny Collins”, an aging rock star who’s manager & best friend “Frank Grubman” (Christopher Plummer) discovers 40 years after the fact, that John Lennon wrote him a letter telling him to basically stay true to himself at what he was doing at the time. Clearly he didn’t and now decides to change his life and sit down and write the songs that were true to him back then, thinking his now-aged audience will want to hear them. They don’t. There is a back story here that I won’t even get into because it’s so passe’ but I will say that Bobby Cannavale as his son “Tom Donnelly” is refreshingly good and I don’t think gets enough credit for his work ever. Annette Benning “Mary Sinclair” as the hotel manager whom Collins is trying to woo into having dinner and maybe more, with him, of course carries herself. Jennifer Garner “Samantha Donnelly” as Tom’s wife holds her own in this company. There are a few really nice, fun moments and as you see them coming a mile away, a few harder ones also, though you pretty much can see in sight what the ending is. In December I went to a screening with a Q & A with Mr. Pacino afterwards of “The Humbling”. This film is almost a cover version of that one except here he is an aging rock star vs. an aging actor.
But ya know what.. no matter as I will always go see an Al Pacino film.

Grade: C-

Neeexxt…

JAUJA (2014)
I will be deadly honest with you all here. I am not completely sure what this film was even really about. I went because I was invited to a screening with Viggo Mortensen doing a Q & A afterwards and as I am a big fan of his, I thought “sure I’ll go”. Huh.. I think it’s basically a journey of a father, “Gunnar Dineson” (Mortensen) and daughter “Ingebord” (Villbjork Malling Agger) thru a desert though I’m not sure where they are going exactly, and the daughter runs away with her boyfriend in the middle of it, though there is another person they are hunting, or is he hunting them?? And then he meets a witch in a cave while searching for her.. or does he really?? again, completely confused. And then BOOM! all of a sudden it’s present day and it’s the same daughter living in a nice house but without the father. The whole film switches between Danish & Spanish speaking and let’s just all agree to say that I didn’t get it and call me completely lost on this one.. like ‘we have to go back to the island’ LOST. 🙂

I will say Viggo was an absolutely wonderful guy with a lot to talk about. I think he could tell that I might be a little confused by the film and offered to have me to stay for the second screening they were having later. I told a white lie and said I had plans..which I kinda did. They involved me watching the Malaysian Grand Prix a little later. 🙂 And we ended up talking mostly about football aka soccer, as he brought it up when speaking and it turns out we like the same teams. So there ya have it.
Movie grade: D
Conversation with Viggo grade: A 🙂

’71
Being a fan of Jack O’Connell‘s I saw this film a few weeks back and while for the most part, I liked it, and liked his performance as “Gary Hook” the somewhat dis-oriented British soldier who during a riot on the streets of Belfast during the height of the Irish Catholic/Protestant war i.e., 1971, gets left behind by his unit.
What follows was a bit of a convoluted story for me of him being chased down, beaten up, shot, and surviving a bomb attack all in a matter of what..48hrs. I dunno.. a lot of it just seemed a bit implausible for me. And what’s with him always constantly getting the crap beat out of him in pretty much every single film he’s ever done!! ha! Sorry..sorry.. I know I shouldn’t even be commenting that because this is a serious film..but hey. I call it as I see it.

The side story here is of course religion and how much these people hate each other over it..once again..I’m never that great with these story lines because I’m not religious and can’t imagine killing someone over it. But it’s gone on for thousands of years, and as we all know in Ireland, it was really heavy duty for about 30+ or so years until the ‘peace treaty signed about 17 yrs ago, with this time period truly being the height of it all. There is also a nice sub-plot of crooked police detectives “Sgt. Leslie Lewis” (Paul Anderson), “Capt. Sandy Browning” (Sean Harris) helping both sides in a way and the rest of a good supporting cast including Sam Reid as “Lt. Armitage” who is O’Connell’s commanding officer and seemingly the only person really looking out for him & on his side to find him. This is a rough movie, not altogether great, but it will keep you watching till the end.

Grade: C

Almost to the end..

THE SALVATION (2014) IFC Films

Since this just came for a one week run here in L.A. a few weeks ago, I had the chance to catch it on at my favourite art-house theatre, the NuArt. But whoa.. what a film. I mean if one more thing happened to Mads Mikkelson’s character here. Well I just don’t think it would be humanly possible. To put it lightly..this is a dark dark film (yes pun intended) that just takes you places that I probably never want to visit again.

It’s a Western, but not like one you’ve ever seen before because it’s not just Cowboys & Indians here. It’s really like how it must have truly been because there were tons of immigrants coming from all over and settling in as cowboys, though in every Western you’ve ever seen, they just pretend that suddenly everyone was just a regular old southern boy without an accent drifting out West. ZZZzzzzz

Well this one is 1870’s America, the gold rush is on, and this peaceful Danish settler “Jon” (Mads Mikkelson) has been separated from his wife & son for 7 years and finally brings them out to be with him. Literally within an hour of being here, they are kidnapped, his wife raped & murdered & young son also murdered by two degenerates, one of them being a character named “Paul” (Michael Raymond–James). Jon sets out, with his brother “Peter”(Mikael Persbrant) to avenge their deaths and hunts them down and kills them, which then leads to the unleashing of notorious gang leader “Delarue” (Jeffrey Dean Morgan) coming after them as Paul was, unbeknownst to Jon, Delarue’s brother. The really weird townspeople then desert him in his hour of need because they don’t want to die, ends up most of them do. Eva Green is thrown in as a character named “Madelaine” who has her tongue cut out so she doesn’t speak..which doesn’t matter as she really can’t act anyways.. and then comes some really hard core horrible death scenes and basically anything that can go wrong for Jon does, until of course it doesn’t.

This isn’t a great film, it a super depressing one to be honest, but it’s also not horrible. Mads is quite good as a cowboy, Jeffrey Dean Morgan even better possibly as the villain, though you know my motto, you’re only as good a your villain..yeah that doesn’t apply here. Jonathan Pryce “Keane”, Eric Cantona “Corsican”, Sean Cameron Michael “Lester” and Jose Domingos “Raul Delgado” all offer good supporting characters. This film was definitely a mixed bag for me.

Grade: C

50 SHADES OF GREY (2015) Focus Features/Universal Pictures

What was the big deal here is all I kept thinking about while watching this film. I thought I was going to be watching the second coming of Deep Throat or some really trumped up S & M film or something the way everyone was going on about it..and all I got was an actually very tame, quite badly done film about this guy, “Christian Grey” (Jamie Dornan) wanting to control this girl “Anatasia Steele” (Dakota Johnson). She’s a literature student who works in a hardware store (of course she does) and he’s a tormented handsome, self-made millionaire businessman..ZZZzzzz oh sorry I drifted off there for a minute just telling with that ridiculous storyline. They are like the new Twilight couple featuring some S & M sex vs. vampires & wolves. Control in the way of having her sign a contract before sex, because he doesn’t spend the night with anyone or have relationships..blah blah blah.. of he does end up doing so, she ends up letting him take her to the ‘The Red Room’ and with some reeaaally bad dialogue thrown in and possibly worse acting, you have the story in a nutshell. I don’t think two people with less chemistry together have made a movie about sex so badly before. And truly, there wasn’t anything hardcore about this. Why all the fuss?? So the guy has a dungeon like room full of sex toys.. a few sex scenes that seriously weren’t that far out there at all. I feel like I must have missed something..but if I did, that’s okay because I will probably miss the next few ones in the trilogy also unless they up their game and their acting ..a lot.

Grade: D

So now you see why I just threw them altogether in one review. I like some, but didn’t love any of them. And now I’m caught up, back and ready to go! 😀
@pegsatthemovies
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Peggy at the Movies

Tag Archives: Mads Mikkelson

REVIEW: “RIDERS OF JUSTICE” (2021) Magnolia Pictures

‘Cinderella’, ‘Insurgent’, ‘Danny Collins’, ‘Jauja’, ’71’, ‘The Salvation’, ’50 Shades of Grey’

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