Category Archives: Comedy

Film Review: “NIGHT SCHOOL” (2018) Universal

As I was fortunate enough to see a bunch of movies this week – it also makes it hard to keep up and write full reviews on them all – so I did a quick Instagram posting on this one that I just copied on over. So since it’s coming into the busy time of year – I will get to every film I can, some full reviews will be here – some shorter ones on Instagram – so hey, why not give me a follow there also. peggyatthemovies -https://www.instagram.com/p/BoPgu8dFOD2/?taken-by=peggyatthemovies
Thanks all!

How I wish #NightSchool would have followed in the footsteps of #GirlsTrip as it’s from the same creators. It’s unfortunate as the first 30min of this movies are quite funny…but it relies completely on #KevinHart who plays the same role over and over with the same short man jokes and girlfriend who is out of his league that he has to impress to keep #MegalynEchikunwoke running throughout. Once we finally get #TiffanyHaddish and a pretty funny supporting cast including #TaranKillam #MaryLynnRajskub #BenSchwartz #AnneWinters #RobRiggle #RomanyMalco #JacobBatalon & #AlMadrigal there are a few more pick me up moments. I couldn’t help wanting more Haddish humour throughout the whole film and with a requisite dance off sequence now seemingly required in all comedies, and a gross out scene, I left feeling as though it was a half hearted attempt.
Grade: C-
Checkout all my movies reviews at peggyatthemovies.com or ventsmagazine.com
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Film Review: “SMALLFOOT” (2018) – This WBA movie is good family fun – great soundtrack – but will it stand out in a crowd

With this new addition from WBA (Warner Bros. Animation) to the animation game, this clever little spin on the BigFoot/Smallfoot switch-a-roo works fairly well in getting it’s message across. With an all-star voice over cast, that adds a wonderfully sequenced soundtrack with everyone from Channing Tatum, James Cordon, and Common & Zendaya adding their own spin of musical genres. “Smallfoot” cleverly inverts the point-of-view tale of how human and Yetis is to be told, but behind every animation movie, there is a message, and for me this one got a bit dark toned for a moment before it luckily lighted up into a nice, easily understood ending for the kids.

‘SMALLFOOT’ follows the tales of a clan of bigfoots living high up in the Himalayan mountains whose peaceful and orderly lives are disrupted when one of their own Migo (Channing Tatum), stumbles upon a a plane crash in the path of the young Yeti when he was flung off-course during gong target practice. See in Yeti mythology banging the gong raises the sun every day, to follow in his father Dorgle (Danny DeVito), footsteps. It means every morning he catapults himself headfirst towards a giant gong in order to wake the sun up. While investigating the airplane wreckage, Migo discovers a ‘smallfoot’ – a human – who is just as startled to come across the ‘mythical’ being as is the bigfoot itself. It isn’t just that these smallfoots (pssst smallfoots are humans 🙂 ) have thus far been the stuff of myth in fact, it’s that their very existence goes against the community’s long-held beliefs, which are literally set in stone and worn around the neck of the high and mighty Stonekeeper (Common). So as you can probably expect, that very individual is told to either rescind his account or face banishment from the community, but by bravely choosing the latter, opens up a whole new path of knowledge, understanding and enlightenment for his fellow 18-foot hairy denizens.

Lest you think that the movie ends up being too heavy-handed, I can reassure you that it never goes to dark for kids, or for that matter turn preachy. On the contrary, there are plenty of amusing details along the way – like how the fun-loving Migo is at first perfectly content to follow what is told, or the finding out about the S.E.S. (Smallfoot Evidentiary Society) a rebel band of Yetis led by the Stonekeeper’s own daughter Meechee (Zendaya), who assists Migo on his quest to find the Smallfoot and prove once and for all, they aren’t lying or delusional. or how Migo first runs into Percy, an animal TV show host whom is not only desperate to save his show and become famous, but he will become unlikely best buddies with Migo – who in his desperation for clicks tries to convince a fellow reporter to dress up in a Yeti costume so he can pretend to have captured one on camera.

So even though ‘Smallfoot’ never hits the gold standard of feature animations, there is plenty of fun and laughs to be had in this fable on lies and ‘myth-understandings’, as well as on mis-communication and the lack thereof. Like I said, you’ll be pleasantly surprised that its makers haven’t opted for just another superficially glossy piece of kids’ entertainment, and have instead decided to evolve the narrative in more complex and satisfying ways. I brought a 5 year old who loved it and completely understood all of it and that’s a big plus in kids movies today as not all have the younger kids in mind when made. It isn’t small or unambitious by any measure, and is in fact big on both entertainment and emotion, so you’ll find that there’s something for every member of the family – big or small – in this delightful celebration of wonder, discovery and truth.

Grade: C+
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Media Review Screening: Saturday, September 22, 2018 ~ Courtesy of Warner Bros.
“SMALLFOOT IS OUT NATIONWIDE FRIDAY, SEPTEMBER 28, 2018 // WORLDWIDE RELEASE FOLLOWING IN OCTOBER 2018

Review: “A Simple Favor” – or is it simply an unfavorable one (2018) Lionsgate

First things first, “A Simple Favor” is not really a mystery film, though it tries very hard, it seemed almost a spoof of a mystery. As much as the marketing would have you believe, and for those looking for the next Gone Girl or Girl on The Train, you might want to continue your search. The story here is far-fetched, overcooked and unravels in such a hasty-type way that it’s hard to treat much of it seriously. Director Paul Feig (best known for his comedy), is seemingly aware of the story’s inherent ridiculousness and keeps the film light and easily digestible, but the result is a weird hybrid of a comedy-mystery that doesn’t hit home with either genre completely and comes off spoof-like as there are whole bricks of time that you aren’t sure if a certain part was meant to be funny or dramatic, so the laughs are small.

The film, based on the novel by Darcey Bell, gives us neurotic Mommy Vlogger Stephanie Smothers (Anna Kendrick,) a widowed mother to a young son. Her goody two-shoes personality makes her pariah amongst the other parents by being so overly perky that the sneers and snark given behind her back are viciou,s but quite true. But she’s also so desperate for human connection that she’s willing to befriend Emily Nelson (Blake Lively), the martini-guzzling fashion industry executive who is not exactly a hands-on mother to her son. We soon learn that martinis and playdates shouldn’t be mixed. Before long they become best friends, at least in Stephanie’s mind they are and when Emily disappears, Stephanie steps out of her shell to solve the mystery via her vlog. I kid you not.

Kendrick’s role is attuned to her goofy charms, though she always comes off as being more of a teenager than an adult. While on the other hand, Lively convincingly embodies the enigmatic nature of her character in a crucial supporting role. And then we have Henry Golding, who hot off his Crazy Rich Asians role, gets the rough end of the deal playing Emily’s husband Sean, a character who, while not entirely likeable, is cruelly used and manipulated by the two females throughout the film. Though I will say, his roles were so similarly played to me as in, not a huge range in the difference of the two characters.

To be honest, the only consistency between all the characters is that none of them are particularly likeable. They each make questionable decisions, are gratingly self-centered and become increasingly obnoxious as the film progresses with its dubious twists. By the end, you’ll be hard pressed to care about any of them. This is no more evident than in the film’s tacked on “where are they now?’ postscript that feels completely unnecessary and ill informed in assuming audiences care enough about the characters to know where they end up.

On the upside, Feig, who is more proficient in making fun films rather than serious ones, keeps the film feeling light and easy-going. The audience is teased with a stylish soundtrack filled with classy French music (seriously one of the best parts of this entire film is the soundtrack), and there are some funny scenes that incite light giggles rather than any laugh out loud bursts of humour. These meager positives don’t improve the narrative but at least they make it a little less painful to digest. Ultimately, ‘A Simple Favor’ spends two hours flipping between being a trash novel & a parody of one. As the end credits roll, I still didn’t know. And the whole blend of trying to switch between the ‘mystery’ and the ‘comedy’ got tiresome after a while. But hey, everyone tries to give the audience a good time.

Ultimately, It wasn’t the best movie I’ve ever seen and all the actors play roles they are typically type cast for. It was surprisingly unfunny, oddly kind of enjoyable, even as super far fetched as it was. It’s a strange blend of mystery and comedy that doesn’t gel into a cohesive whole. As a piece of entertainment, it’s entirely disposable, but I give it kudos for not being the same old recycled material we’ve all been seeing lately.

Grade: C+
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Media Review Screening: Tuesday, September 11, 2018 ~ Courtesy of Lionsgate
‘A SIMPLE FAVOR IS NOW PLAYING NATIONWIDE // Worldwide release to follow

REVIEW: “MAMMA MIA! HERE WE GO AGAIN” (2018) Universal Pictures

Oh my my my my “MAMMA MIA!! HERE WE GO AGAIN” had me from the moment one with my devotion and love for true icons ABBA & C-H-E-R all in one movie. What I didn’t expect, was an actual good movie.

Starting off, this sequel to ‘Mamma Mia’, which also presents itself as a prequel, in my world, this is a two-for-one deal of epic-ness that I loved from the get go. “Here We Go Again” has a much better story line than the original, and while all your faves return, you also make some great new ones. Writer/director Ol Parker – gets some good deeper cuts in, too with this being a new, complex and more mature story involving the characters we’ve known, and sang and danced along with for the past decade. The film quickly establishes the parallel stories with it’s fantastic opening number of “I Kissed A Teacher” and boom! we are introduced to the world of a young Donna (played terrifically by Lily James). Moving along back into the world of Sophie (Amanda Seyfried), is re-opening the hotel her mom Donna (Meryl Streep) ran. Donna died the previous year (this isn’t really isn’t a spoiler). In her mom’s honor, Sophie has renovated the place and is ready for a big celebration, with nearly every important person in her life invited, including Sam (Pierce Brosnan) and Donna’s Dynamo sisters – Tanya (Christine Baranski) and Rosie (Julie Walters).

“Here We Go Again” explores within it’s flashbacks, a vibrant and spontaneous Donna of the 1970’s, as she seeks an adventurous life – and we see how she meets the three younger versions of the men whom will play major roles in her life – Harry (Hugh Skinner), Bill (Josh Dylan) and Sam (Jeremy Irvine). It would take more space than I have to touch on every performance, so I’ll just sum it up and highlight a few. With this turn as Donna, Lily James is now officially a STAR as she will charm the socks off of you. In one simple, minute-long scene, Brosnan redeems himself for his lack of singing ability from the original. And in spectacular fashion with white silk wig and pantsuit to match, the one..the only..Cher makes a grand entrance in the final act as Sophie’s grandma… and instantly captivates the screen. And though how she gets to the point of singing is a big spoiler that I just can’t reveal, I will happily admit to yelling out “YES! YES! YES” when it did happen, media screening or not. (no one usually does something like this during them – but I wasn’t alone in my squealing joy of this.. so 🙂 )

Every single person here, from our older versions of Harry (Colin Firth) & Bill (Stellan Skarsgård) doing a bit of ‘Titanic’ for us all, to Fernando (Andy Garcia) & Sky (Dominic Cooper), looks like they’re having an absolute blast, and that happiness is resonates throughout the film and spreads to the audience. ‘Here We Go Again’ provides a carefree, yet meaningful, fun energy that’s so hard to find these days, even in musicals. I got chills during performances of “Mamma Mia!” and “Dancing Queen”, though those are saved till a little later in the film, as the first half has some of Abba’s lesser known hits dominating – though a true ABBA fan will know them!

Sure Mamma Mia 2! might not be perfect – and I might be a sap for anything musical related to ABBA & Cher – but I can guarantee a good time will be had by all who see it. And the beautiful, sweet final scene has a spirit all its own, touching on loss and new life in ways that will hit very close to home. I can only say — I do, I do, I do, I DO want you to see this film.

Grade: B
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Media Review Screening: Monday, July 16, 2018 ~ Courtesy of Universal Pictures
“MAMMA MIA! HERE WE GO AGAIN” WILL BE OUT NATIONWIDE/WORLDWIDE ON FRIDAY, JULY 20, 2018

REVIEW: “EIGHTH GRADE” (2018) A24

“EIGHTH GRADE” – directed by Bo Burnham, is a candidly witty and honest film about the life and times of the super-relatable, awkward eighth grade student Kayla (Elsie Fisher), as she lives her way through her last weeks of middle school and prepares to enter the big, bad world of high school.

From the beginning, we the moviegoer, are pulled into an awkward teen video blog being shot by Kayla, in which she discusses, with all of the stammering teen lingo, the importance of being yourself to her very scarce amount of viewers. After Kayla stumbles her way through this vlog, a bright, electronic, loud song comes on as we see her walking up the sidewalk and into her school. Immediately the songs from the film pull you into the story, which abruptly ends as soon as the scene switches to Kayla sitting in her classroom. As we watch throughout the movie, the music in this film is designed to be not background music, but foreground music, playing its own role in the film. The music lifts when Kayla is lifted, builds the tension in her anxious, nervous moments, and stops abruptly in big moments, as though the audience is personally in and experiencing the moment with her.

The plot line of the movie takes even the most ‘popular’ people back to middle school in that the awkwardness and pain of trying to fit in, as well as the joy in figuring out who you are. These sheer realization moments are so relatable that it hurts as much now, as it might have then. The camera work with awkward close-ups, immediacy of confusing acts caught in slow motion, and montages that represent the sporadic-ness of the middle school girl’s mind follows the actions and thoughts of Kayla in such a way that the audience feels like they are reliving middle school with her. Through the first crush on a boy Aiden (Luke Prael), to trying to fit in with the popular girls Kennedy (Catherine Oliverie) & Steph (Nora Mullins) – to being at the mall trying to ‘hang out’ and having your older ‘cool’ high school freshman guide Olivia (Emily Robinson) and friends Riley (Daniel Zolghadri) & Trevor (Fred Hechinger), catch your dad (Josh Hamilton) spying on you at the mall.

Much unlike other middle school or high school coming-of-age stories, the film beautifully and accurately explores the eighth grader’s journey in trying to figure out who they are and find their identity as a person with all of the awkward, painful, triumphant and hopeful moments that come with this stage of life. Again, we the moviegoer watch with the struggles with Kayla as she tries to find herself amidst trying to be someone she’s not.

The acting by the entire supporting cast is so spot on – but the complete and total standout of this film is Elsie Fisher. What a brilliant, bright, nuanced performance this young actress gives. Keep an eye on this one people, as I predict she will be doing so much more and probably even better. All in all, this movie can be hard to watch, but I think that that’s because it is honest and truthful about what eighth grade can be like. I think some will relate more to it than others, but ultimately, it’s a really well-done take on the struggle that is middle school.

Grade: A-
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Review screening: Thursday, July 12, 2018 ~ Courtesy of Film Independent
‘EIGHTH GRADE’ IS NOW PLAYING NATIONWIDE AND IN U.K. // WORLDWIDE RELEASE DATE UNKNOWN AT THIS TIME

Post Q & A photo – Bo Burnham, Elsie Fisher, Elvis Mitchell – interview at Film Independent.

REVIEW: “UNCLE DREW” (2018) LIONSGATE

Taking this Pepsi ad/web-series one step further, Director Charles Stone III turns “UNCLE DREW” into a full length 1 hr 43min run-time feature film. As someone who doesn’t really follow basketball, I might have only known who a few of the players were. Though even if you’ve never seen the Pepsi ad, you will catch on immediately that it is a lot of young players were made to look old, enhancing the effects by adding in Shaq as basically the basketball Wolverine. Besides that, this is a very familiar story-line of the forlorn seeking justice in the form of an underdog sports match. And so it goes ——

Dax (Lil Rel Howery), a basketball obsessed Foot Locker salesman whose dream to coach a tournament- winning street ball team. This dream is made all the more sacred due to the fact his longtime rival, Mookie (Nick Kroll) swatted out his game winning 3 pointer in a high school final match up, which he has never lived-down. Then to top it off, Mookie not only steals his prize player Casper (Aaron Gordon), but his team and his materialistic girlfriend Jess (Tiffany Haddish). Dax has spent his life savings on Harlem’s Rucker Classic registration entry fee and is desperate to get another team when he learns from Louis (Mike Epps) and Angelo (J.B. Smoove) about the legendary street player Uncle Drew. Dax finds the now 70-something Uncle Drew (Kyrie Irving), a street-ball legend who famously played in the same tournament 50 years earlier. Uncle Drew agrees to play for Dax if he can recruit his own roster of players. The adventure begins as the duo road trips to convince Drew’s old teammates to join the team. So off we go and meet Preacher (Chris Webber), wheel-chair bound Boots (Nate Robinson), Big Fella (Shaquille O’Neil) and the legally-blind Lights (Reggie Miller).

The first third of this movie had quite a few good jabs at laughter and puns with some good comedic timing moments. From there it seemed to turn itself more into trying prove itself as a ‘good family film’. And while it somewhat succeeds at that, although having Kroll play the same role he always plays, and casting Lil Rel as a Kevin Hart type character – makes it fall somewhat short in this aspect as you can’t help but compare the two. Acting isn’t really a strong point here as per usual, basketball players aren’t really the best of actors. But it doesn’t matter as in essence, I don’t think this movie set out to be anything along those lines of best actor, best film etc… I think it set out to be exactly what it is, a little bit funny, cute portrayal that shows family isn’t always just blood relatives, it is what you make it to be by whomever steps up to the plate.

Grade: C-
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Media Review Screening: Tuesday, June 26, 2018 ~ Courtesy of Lionsgate/Summit Entertainment
“UNCLE DREW” WILL BE OUT IN THEATERS NATIONWIDE FRIDAY, JUNE 29, 2018 // WORLDWIDE RELEASE FOLLOWING IN JULY 2018

REVIEW: “DEADPOOL 2” (2018) 20th Century Fox

So yes, in case somehow you’ve been stuck under a rock or living in Wakanda and you’ve missed all the wonderful promos leading into the release of this film, yes, Wade Wilson (Ryan Reynolds) as his alter-ego DEADPOOL are back for another round. And while the laughs and action are still there, your going to be hard pressed to find a movie more over the top than “DEADPOOL 2”. Director David Leitch takes this one to a whole new level entirely and it works namely because the violence here is just creative vs. all blood, guts and gore. And sure, it defies all logic most of the time, but you can’t help but laugh at the zingers being thrown at you left and right throughout and Reynolds’ charm is undeniable.

We come into the film with Williams having settled into something resembling normalcy, kinda right where you expected him to be – spending his days dispatching villains now that he can with those mutant healing powers – they allow him to recover from gunshot wounds or worse. His nights are spent with Vanessa (Morena Baccarin), the love of his life. But some terrible things happen, leaving a depressed Deadpool to crash on the couch at Professor Xavier’s School for Gifted Youngsters making for some hilarious camp X-Men jokes fall in to place.

We have a mix of some of the old friends, the CGI Colossus (voiced by Stefan Kapicic), Negasonic Teenage Warhead (Brianna Hildebrand), Blind Al (Leslie Uggams), and of course our favourite taxi-driver-wanna-be-super-hero Dopinder (Karan Soni). But we also have a whole new fun group come into play, albeit for some it’s not for long journey – but Peter (Rob Delaney), Zeitgeist (Bill Skarsgård), Vanisher (Brad Pitt), Bedlam (Terry Crews), Shatterstar (Lewis Tan), and Black Tom Cassidy (Jack Kesy) add a fun plot point to the whole film. They are all part of the newly recruited/dubbed ‘X-Force’ group, which seemed like a good idea at the time, but sadly and hysterically I might add, they are gone in quick succession. My personal favourite and one of the last standing through it all, is bad-ass Domino (Zazie Beetz), whose superpower is undeniably “luck”. Our villians could be one of three very different people at various times throughtout. Cable (Josh Brolin) comes into to try to kill Russell aka Firefist (Julian Dennison), who might or might not be ready to step into villian shoes in a big way, or can we call the creepy Headmaster (Eddie Marsan), the biggest villian of the film. That will be for you to decide and see what happens as telling more of this story just defeats the purpose of the fun you will have while watching it. Also, there are cameo moments galore and I hope no one ruins them for you beforehand because they are just plain fun! While I wasn’t crazy about this storyline in comparison to the first one, the one-line zingers are comedy gold. Pay attention as they go fast..very fast.

That being said, go into this movie knowing that it is a campy, corny, over the top superhero/action/comedy that is just about crazy shooting sequences and one-liners, and you’ll be fine. Do not go into this movie expecting deep plot, meaningful conversations among characters, or anything remotely resembling a serious action or drama movie – because that’s not what it’s all about. And yes, this one features the best post credits scene EVER – so don’t make the silly mistake of walking out when the film is over..stay for both sequences..you will be glad you did.

Grade: B+
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Media Review Screening: Monday, May 14, 2018 ~ Courtesy of 20th Century Fox
DEADPOOL 2 WILL BE OUT IN THEATERS NATIONWIDE/WORLDWIDE FRIDAY, MAY 18, 2018

REVIEW: “LIFE OF THE PARTY” (2018) New Line/Warner Bros.

‘LIFE OF THE PARTY’ is comedy about a recently divorced mother Deanna (Melissa McCarthy) who decides to go back to college to finish getting her degree after dropping out for motherhood in her junior year. She then ends up in her daughter Maddies’ (Molly Gordon) class and while Maddie isn’t so super thrilled about this fact, much to her surprise, her sorority sisters actually love it. Written and Directed by Ben Falcone, McCarthy’s real life husband (who of course has a bit part), along with Melissa also contributing to the writing portion. The movie is definitely a mixed bag – with only a few highlights and the rest of it to be almost painfully uneven, with hit-and-miss laughs along the way.

The high points of the film are definitely made and taken by McCarthy and her ‘going back to college’ adventure. Her character feels liberated for the first time in her life and truly sets out to find herself. Problem is, she begins partying with Maddie’s friends and sleeping with frat boy Jack (Luke Benward) who is half her age. She of course finds happiness, and her true self in the process.

The film is really funny in places, and when McCarthy plays off an 80’s dance contest and a hysterical dining scene, she is ON!!! – and there isn’t a lot of people who are better at pulling those moments off. Sadly, there isn’t enough of them and the film is completely not funny at all in other places. The odd turns it takes at times being even painful to watch, and then moments later it’s hilarious again. The supporting cast of Maya Rudolph as her best friend Christine and Stephen Root & Jacki Weaver as Deanna’s parents Sandy & Mike, add so much. But it’s the young supporting cast here of Maddie’s friends Helen aka ‘Coma Girl‘ (Gillian Jacobs), Jennifer (Debby Ryan), Amanda (Adria Arjona) & Debbie (Jessie Enis), that give some much needed spark with Jacobs leading the pack. And yes, there is a cameo performance by..(drum roll) Xtina – I mean..

I’ve seen a lot of comedies like this, and of course they’re hard to overly recommend, or discourage people from seeing as you’ve seen worse and you’ve seen better. It’s definitely good for at least some laughs, and a bit of feel good/positive vibes too.

Grade: C-
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Media Review Screening: Thursday, May 10, 2018 ~ Courtesy of Warner Bros.
‘LIFE OF THE PARTY’ IS OUT IN THEATERS NATIONWIDE/WORLDWIDE ON FRIDAY, MAY 11, 2018

REVIEW: “TULLY” (2018) Focus Features

Let me preface this review by noting about the two previous films by the writing/directing duo of Ivan Reitman & Diablo Cody. “JUNO” – which I loved, and “YOUNG ADULT” – which I didn’t love so much. This is number three, and while I respect both of them, unless they were trying to make one of the most depressing movies about motherhood I’ve seen in sometime – I’m rolling with a great big WHAT? WENT? ON? HERE?

I realize many other critics are really liking this film so let me try to explain this as I saw it. “TULLY” centers around Charlize Theron as Marlo, a mother of two – soon to be three kids – who has to balance caring for them to the detriment of her own personal life and emotional well being. Marlo’s husband, Drew (Ron Livingston), is the epitome of the hands-off parent, either on the road for work or zoning out while playing video games in bed. Elsewhere, Marlo’s wealthy brother, Craig (Mark Duplass), and sister-in-law, Elyse (Elaine Tan), represent clichés of an equally deliberate kind – you know the type – that annoying couple that can afford to bypass parenting altogether because they can afford to. But then it’s Craig who provides his Marlo with the services of a night nanny (yes, it’s the first we’ve all heard of this type of job) Tully (Mackenzie Davis), and once Tully enters Marlo’s life, her world becomes magically better and the film’s secondary characters fade into the background and remain there. Tully is charming, but her relentless cheeriness and boundless compassion for Marlo belies something strange about her identity in the fact that she may, quite literally, be too good to be true. And this too-good-too-be-true nanny works tirelessly to shake Marlo out of her postpartum depression, Reitman begins to introduce magical-realist elements into the film—a nighttime excursion into the city, an somewhat amusing yet possibly one of the most uncomfortable bathroom breast-milk dumping scenes in film to date, that take us in his deliriously exhausted, weird lead character mindset.

Getting us to question the veracity of Tully’s existence is gimmicky enough, and then its resorts to using an overplayed and contrived narrative device to explain Tully’s inevitable departure from Marlo’s life. This my friends is the twist to the movie. Mercifully, the moment is matter-of-fact almost to the point that it doesn’t count as a “gotcha!” thing, but it still rankles. In the homestretch, the film unearths a number of issues that put us in the position of questioning the rejuvenated Marlo’s ability to be a good mother in the first place. But somehow addressing these concerns is avoided, sweeping them under the rug to clear the path for a happy ending that, as a result of such evasion, registers only as unintentionally disconcerting and giving me a huge disconnect to the entire film I just watched. It’s an unfortunate misstep in a film that initially suggests it’s a comedy – but with only a few sarcastic comedy jumps here and there – it’s again, mostly an almost tragically depressing drama.

I went to far as to asking some of the people that clapped after the film ended, what they saw that I might have missed. Turns out they were just clapping for clapping’s sake. As for performances, I did like Charlize quite a bit, and as a fan of Mackenzie Davis, she too excelled somewhat for me, even though in their whole parts together, they didn’t seem a great fit. Everyone else just seemed an after thought once the two leads took over. I didn’t hate this movie, I just truly had no idea what was going on as it didn’t seem to want to tell me. It just wanted to depress me. It’s also one I never want to watch again.

Grade: D+
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Review Screening: Thursday, April 26, 2018 ~ Courtesy of the PGA
“TULLY” WILL BE OUT IN THEATERS NATIONWIDE ON FRIDAY, MAY 4, 2018 // WORLDWIDE RELEASE TO FOLLOW MAY 2018

REVIEW: “I FEEL PRETTY” (2018) STX ENTERTAINMENT

When the trailer for “I Feel Pretty” first dropped, some people expressed concerns that the storyline and main character were in fact more harmful than helpful to the body positivity/shaming movement. All due to the fact that Amy Schumer is a blonde, white, able-bodied woman of average weight and build. If her body is considered ‘comedic’ then what hope is there for the rest of us? Well… that was the trailer… so until all these naysayers see the actual movie, honestly just sit down. Because it’s really nothing like that. In fact I’d go with it being a rather poignant truth about real life and a pointed comedy. An almost a modern twist of the ‘Ugly Duckling‘ fable.

In “I Feel Pretty” – Amy Schumer stars as Renee Bennett, an “average” (by society’s standards at least), woman who feels trapped and saddened by her appearance. In fact, her insecurities dig so deeply into every aspect of her life that they keep her from pursuing relationships and enjoying spending time with her two best friends Jane (Busy Philips) and Vivian (Aidy Bryant). But perhaps most devastatingly of all, that disdain she feels for her appearance, well it prevents her from chasing her dream job. So instead of working within the palatial 5th Avenue offices of top beauty brand LeClaire, she is stuck in a basement workspace in dingy building off an alleyway, working on the ‘online’ forgotten section of the company’s website with one pretty non-verbal and sometimes pants-less workmate, Mason (Adrian Martinez).

Like so many of us do in real life, Renee attempts to fix her life by changing her appearance. She heads into a SoulCycle spin class to do just this, but after taking not one, but two falls off her bike (the second one being the ‘magical one’), she awakens from a blackout to find out that she is now drop dead stunningly gorgeous. Or at least, she thinks she is. To the audience – and everybody in her life – she looks exactly the same as she always did – and unlike other make-over movies from years gone by, we are never actually given that glimpse of the person Renee thinks she has transformed into. Which is actually a stroke of genius because it truly makes this a film of it’s own in this sense. We don’t need to know what she thinks she see’s – it’s the fact the only she can see that makes this character truly shine. And shine she does.

Schumer is her best hilarious self here, but don’t think she is the only one. Michelle Williams as Avery LeClare, comes through in what can only be described as a perfect mockery of what is surely a played upon caricature of Ivanka Trump, and she is comedy revelation with her whispery, annoying voice that no one can take seriously. The always and still so beautiful, Lauren Hutton as Lily LeClare is perfect symmetry. In any other film Avery would have been the oh-so-pretty adversary Renee has to triumphant over to succeed. However, this film just does that exact opposite of what you think it will do and cares nothing for the tired female stereotypes that we are so used to and think of and so this movie goes in a very different direction. Not to be left out are the guys of this movie. Rory Scovel as Ethan, who meets Renee at the dry cleaners in a scene that will have you rolling in your seat, and leads into way more hilarity and love, along with hunky Grant LeClare (Tom Hopper), Avery’s brother and almost crush of Renee’s – add the man-factor to this fun film.

But the crux of this movie is that Renee’s body and appearance are never the butt of the final joke. In her scenes with Emily Ratajkowski’s character, Mallory, a model she meets at the gym, the joke is always on society itself and the way in which women with different bodies are so differently treated. There’s no denying that two these women have very different body shapes – one which is universally celebrated as perfection and one which is not. All these scenes do is hold a magnifying glass up to how they are both treated – and the jokes pretty much write themselves. In this case, all you can do is laugh. It is treading this perfect line between humour, physical comedy and body positivity that the brilliance behind “I Feel Pretty” really shines. Some of Schumer’s best moments come from the scenes where she is just let loose on her own, to be her own Schumer-self.

To sum it up – the film is cute, sweet & funny – all the while sending strong message dealing with how one looks and self-esteem is judged in our society. It will also leave you with some emotion that you didn’t see coming at you because it can be a bit of a roller-coaster when you sit through a movie that has you laughing one moment, and then tearing up the next. I think co-star Aidy Bryant, might have said it best when she wrote on her Instagram account. “I’m very proud to be in a movie tells the story of someone who believes confidence is directly tied to looks but learns that confidence comes from within. It’s a movie I wish I could have seen when I was 14.” Yep.

Grade: B
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Media Review Screening: Monday, April 16, 2018 ~ Courtesy of STX Entertainment
“I FEEL PRETTY” will be released nationwide Friday, April 20, 2018 // Worldwide release May 2018