REVIEW: FAST & FURIOUS PRESENTS: “HOBBS AND SHAW” (2019) Universal

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So “Hobbs and Shaw people…much as I hate to admit it…I thoroughly enjoyed myself throughout most of this film!! Dwayne Johnson as “Hobbs” and Jason Stathom as “Shaw” continue their cantankerous, yet funny bantering relationship in their first foray out alone in spin-off land of the ‘Fast and Furious’ franchise.

Let’s face it..we don’t go into these movies for the acting or the story line. We go in it for the action, stunts and for the sheer purpose of being entertained. You get all that plus some great humor schticks courtesy of Ryan Reynolds and Rob Delany, as the two Agents who recruit our lead characters to join the fight to save the world, and Kevin Hart as the Air Marshall who is dying to be part of their team and make the duo a trio. 

Add in Idris Elba as your villain “Brixton” or as he calls himself #TheBlackSuperman and you’ve got yourself a movie worth watching.

Oh and lest we forget the beautiful Vanessa Kirby as Shaw’s sister “Hattie”, who holds her own and makes it believable..and the wonderful Helen Mirren as their mom “Queenie” and we back are a rollin’..rollin’..rollin’.

Now again, we aren’t there for the story as it’s the usual ‘saving the world’ dramatics and the ending is a bit weak, as there is only so much hypocrisy of silly stunting one can handle.  But the soundtrack helps boom this one right along to make it an entertaining and fun time for all. And that’s all it needs to be.

And of course stay for the end credits – because you know you should! 


Grade: B-

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Media Review Screening ~ Tuesday, July 30, 2019 ~ Courtesy of Universal 

“HOBBS AND SHAW” hits  theaters Worldwide starting Friday, August 2, 2019 

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REVIEW: “DEADPOOL 2” (2018) 20th Century Fox

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So yes, in case somehow you’ve been stuck under a rock or living in Wakanda and you’ve missed all the wonderful promos leading into the release of this film, yes, Wade Wilson (Ryan Reynolds) as his alter-ego DEADPOOL are back for another round. And while the laughs and action are still there, your going to be hard pressed to find a movie more over the top than “DEADPOOL 2”. Director David Leitch takes this one to a whole new level entirely and it works namely because the violence here is just creative vs. all blood, guts and gore. And sure, it defies all logic most of the time, but you can’t help but laugh at the zingers being thrown at you left and right throughout and Reynolds’ charm is undeniable.

We come into the film with Williams having settled into something resembling normalcy, kinda right where you expected him to be – spending his days dispatching villains now that he can with those mutant healing powers – they allow him to recover from gunshot wounds or worse. His nights are spent with Vanessa (Morena Baccarin), the love of his life. But some terrible things happen, leaving a depressed Deadpool to crash on the couch at Professor Xavier’s School for Gifted Youngsters making for some hilarious camp X-Men jokes fall in to place.

We have a mix of some of the old friends, the CGI Colossus (voiced by Stefan Kapicic), Negasonic Teenage Warhead (Brianna Hildebrand), Blind Al (Leslie Uggams), and of course our favourite taxi-driver-wanna-be-super-hero Dopinder (Karan Soni). But we also have a whole new fun group come into play, albeit for some it’s not for long journey – but Peter (Rob Delaney), Zeitgeist (Bill Skarsgård), Vanisher (Brad Pitt), Bedlam (Terry Crews), Shatterstar (Lewis Tan), and Black Tom Cassidy (Jack Kesy) add a fun plot point to the whole film. They are all part of the newly recruited/dubbed ‘X-Force’ group, which seemed like a good idea at the time, but sadly and hysterically I might add, they are gone in quick succession. My personal favourite and one of the last standing through it all, is bad-ass Domino (Zazie Beetz), whose superpower is undeniably “luck”. Our villians could be one of three very different people at various times throughtout. Cable (Josh Brolin) comes into to try to kill Russell aka Firefist (Julian Dennison), who might or might not be ready to step into villian shoes in a big way, or can we call the creepy Headmaster (Eddie Marsan), the biggest villian of the film. That will be for you to decide and see what happens as telling more of this story just defeats the purpose of the fun you will have while watching it. Also, there are cameo moments galore and I hope no one ruins them for you beforehand because they are just plain fun! While I wasn’t crazy about this storyline in comparison to the first one, the one-line zingers are comedy gold. Pay attention as they go fast..very fast.

That being said, go into this movie knowing that it is a campy, corny, over the top superhero/action/comedy that is just about crazy shooting sequences and one-liners, and you’ll be fine. Do not go into this movie expecting deep plot, meaningful conversations among characters, or anything remotely resembling a serious action or drama movie – because that’s not what it’s all about. And yes, this one features the best post credits scene EVER – so don’t make the silly mistake of walking out when the film is over..stay for both sequences..you will be glad you did.

Grade: B+
@pegsatthemovies

Media Review Screening: Monday, May 14, 2018 ~ Courtesy of 20th Century Fox
DEADPOOL 2 WILL BE OUT IN THEATERS NATIONWIDE/WORLDWIDE FRIDAY, MAY 18, 2018

REVIEW: “ATOMIC BLONDE” (2017) Universal Pictures

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Ever since Mad Max: Fury Road, I felt as though Charlize Theron could really do no wrong at playing a kick-ass, strong female character – as let’s face it, she should have been nominated for that role. With “Atomic Blonde”, it feels as though what I thought is correct. Theron’s character, Lorraine Broughton is a concoction of James Bond shaken (not stirred) with a bit of John Wick and perhaps even a little Bourne as an added twist of sour lemon. That is of course except for the simple fact that she could probably kick all their asses while barely mussing up her hair.

“Atomic Blonde” isn’t all sex and violence, though yes, it’s what drives the film, as there is a story in here, though I will say it’s not the most well written one. It’s a 80’s spy flick turned upside down as it’s lead character takes us on a thriller of a ride, done mostly in flashbacks during an investigation being conducted by Eric Gray (Toby Jones), and our own CIA exec Emmett Kurzfeld (John Goodman), who seem to be trying to work together here..sort of. With some fantastic 80’s fashion and a soundtrack that is in and of itself, it’s own character, as every song fits perfectly into it’s scene and makes a huge impression on the audience by making you want to stand up and dance, but instead, you sit because you’re being transfixed by some crazy fun, fantastic action scenes.

The setup: Lorraine is an undercover MI6 agent sent to Berlin in the days before the Wall comes down to investigate the murder of a fellow agent and recover a important list that asylum seeking agent code-named Spyglass (Eddie Marsan), which contains the names of double agents that’s fallen into the wrong hands of Aleksander Bremovych (Roland Møller). James McAvoy plays David Percival, a fellow agent who’s probably been in Berlin a little too long as he’s clearly running a black market on the side and doesn’t really seem to be on the up and up agent-wise. Berlin is at the point of time where there are protests every day with the East & West sides wanting the downfall of the infamous Berlin Wall that separates them. So of course with all that going on, it’s in a complete state of chaos which predicates the plot here. Things are changing and changing fast with Lorraine being basically sent into an impossible situation, which in order to stay alive, she’s needs to not only be one step ahead, but going to have to fight like hell just to survive and get herself out, let alone fulfill the mission.

All in all, it’s the action that makes this film and leaves the storyline in the dust, with Theron truly being an “Atomic Blonde”. The acting beyond the action, isn’t really there. Sofia Boutella, whom usually is the one doing all the ass-kicking, is really in her first role here that she doesn’t, and honestly, you could have left her French agent character Delphine Lasalle out and no one would have missed her, unless of course the sex scene between her and Charlize are important to you, but it’s truly not an addition or would it be a subtraction that would be missed to the plot. Lastly, you know how picky I am with accents but I do give a hush-hush wink-wink to Theron’s playing a British one here. 😉

Grade: B-
@pegsatthemovies

Media Review Screening: Monday, July 24, 2017 ~ Courtesy of Universal Pictures
“Atomic Blonde” will be released in theatres nationwide on Friday, July 28, 2017