REVIEW: “DEADPOOL 2” (2018) 20th Century Fox

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So yes, in case somehow you’ve been stuck under a rock or living in Wakanda and you’ve missed all the wonderful promos leading into the release of this film, yes, Wade Wilson (Ryan Reynolds) as his alter-ego DEADPOOL are back for another round. And while the laughs and action are still there, your going to be hard pressed to find a movie more over the top than “DEADPOOL 2”. Director David Leitch takes this one to a whole new level entirely and it works namely because the violence here is just creative vs. all blood, guts and gore. And sure, it defies all logic most of the time, but you can’t help but laugh at the zingers being thrown at you left and right throughout and Reynolds’ charm is undeniable.

We come into the film with Williams having settled into something resembling normalcy, kinda right where you expected him to be – spending his days dispatching villains now that he can with those mutant healing powers – they allow him to recover from gunshot wounds or worse. His nights are spent with Vanessa (Morena Baccarin), the love of his life. But some terrible things happen, leaving a depressed Deadpool to crash on the couch at Professor Xavier’s School for Gifted Youngsters making for some hilarious camp X-Men jokes fall in to place.

We have a mix of some of the old friends, the CGI Colossus (voiced by Stefan Kapicic), Negasonic Teenage Warhead (Brianna Hildebrand), Blind Al (Leslie Uggams), and of course our favourite taxi-driver-wanna-be-super-hero Dopinder (Karan Soni). But we also have a whole new fun group come into play, albeit for some it’s not for long journey – but Peter (Rob Delaney), Zeitgeist (Bill Skarsgård), Vanisher (Brad Pitt), Bedlam (Terry Crews), Shatterstar (Lewis Tan), and Black Tom Cassidy (Jack Kesy) add a fun plot point to the whole film. They are all part of the newly recruited/dubbed ‘X-Force’ group, which seemed like a good idea at the time, but sadly and hysterically I might add, they are gone in quick succession. My personal favourite and one of the last standing through it all, is bad-ass Domino (Zazie Beetz), whose superpower is undeniably “luck”. Our villians could be one of three very different people at various times throughtout. Cable (Josh Brolin) comes into to try to kill Russell aka Firefist (Julian Dennison), who might or might not be ready to step into villian shoes in a big way, or can we call the creepy Headmaster (Eddie Marsan), the biggest villian of the film. That will be for you to decide and see what happens as telling more of this story just defeats the purpose of the fun you will have while watching it. Also, there are cameo moments galore and I hope no one ruins them for you beforehand because they are just plain fun! While I wasn’t crazy about this storyline in comparison to the first one, the one-line zingers are comedy gold. Pay attention as they go fast..very fast.

That being said, go into this movie knowing that it is a campy, corny, over the top superhero/action/comedy that is just about crazy shooting sequences and one-liners, and you’ll be fine. Do not go into this movie expecting deep plot, meaningful conversations among characters, or anything remotely resembling a serious action or drama movie – because that’s not what it’s all about. And yes, this one features the best post credits scene EVER – so don’t make the silly mistake of walking out when the film is over..stay for both sequences..you will be glad you did.

Grade: B+
@pegsatthemovies

Media Review Screening: Monday, May 14, 2018 ~ Courtesy of 20th Century Fox
DEADPOOL 2 WILL BE OUT IN THEATERS NATIONWIDE/WORLDWIDE FRIDAY, MAY 18, 2018

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REVIEW: “HAIL, CAESAR!” (2016) – Universal Pictures

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All Hail Caesar!!!
This Coen Brothers satire of old school Hollywood is a perfectly done mix of what our imagination might conjure up of what the Aqua-musicals or dance sequence films from the ‘Golden Age of Hollywood’ could be if they were done today.
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The film centers around physical production/studio head Eddie Mannix, played by Josh Brolin. Mannix is a fixer at the fictitious Capital Pictures in the 1950’s. This involves him dealing with numerous egos, including their box-office superstar Baird Whitlock (George Clooney) and Aqua~movie starlet, DeeAnna Moran (Scarlett Johannson). Not long after the film begins, Whitlock is kidnapped and Mannix begins his quest to get him back with some surprising help along the way from young western actor, Hobie Doyle (Alden Ehrenreich).  
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With a top notch billed cast, you do tend to notice that some of the names receiving top billing, are only in it for short pieces of time or literally there for only a ‘blink-and you missed it’ moment – as such is the case with Jonah Hill’s character Joseph Silverman. Besides that odd glitching, all the supporting cast as a whole are just plain good and you don’t get a bad performance from anyone as even the normally so wooden Scarlett Johannson plays her small part well and unannoying.   Aside from the names mentioned, you’ll also see Ralph Fiennes being spot on as director Laurence Laurentz, Tilda Swinton doing hysterical double time as bickering twin gossip columnist sisters, Thora & Thessaly Thacker. Channing Tatum for whom I must say,  I love where he is taking his career with roles like this, truly dazzles with his singing and dancing number that is so beautifully done it makes you not only yearn for those times of past, but want them back if he keeps doing this.
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Brolin is fantastic in the lead role and turns what could be a very unlikable character into a very endearing and sympathetic one. The real find among the cast is Ehrenreich. The character of Hobie Doyle is simple enough but Ehrenreich manages to turn him into one of the more amusing and interesting characters you’ll find in this film.
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All in all I truly enjoyed the film as a whole and I’m guessing all Coen Bros. fans will thoroughly enjoy it.  However as a second note, my guest didn’t like it as much and he made a good point.  That he didn’t ‘get’ all the innuendos of some of it and said the general public as a whole might not either as it might have that ‘going over their heads’ problem.
For me, I highly recommend this Golden-Age romp through the glory days of Hollywood..
Grade: B-
@pegsatthemovies
Review Screening: Tuesday, February 2, 2016 ~ Courtesy of Universal Pictures 
Nationwide release: Friday, February 5, 2016

REVIEW: “EVEREST” (2015) Universal Pictures

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CourageFearPainStrength – all the words used in the trailer to describe this film based on a true story. Though after watching this movie I can’t help but think they might have skipped a word – Insanity – because truly one must have a bit of this to even attempt to climb this mountain. To know going in that there is a 60/40 percent chance you might not come down..would and does deter most.

In ‘Everest’ we get brought back to 1996 when the big mountain had been actually been conquered enough times that it was no longer the specter it once had been. That didn’t stop people from wanting to climb it, instead it ended up turning it into a business. Leader of the trend is the New Zealand business team “Adventure Consultants” with partners Rob Hall (Jason Clarke) & Helen Wilton (Emily Watson). The teams that head to the summit are a mix of seasoned pros and moneyed amateurs, forking over fortunes to earn both killer views they get momentarily and probably most importantly thing of course, the bragging rights. On one team you have the clients – ‘average’ guy, mailman Doug Hansen (John Hawkes), the big Texan, Beck Weathers (Josh Brolin), journalist Jon Krakauer (Michael Kelly) and the one small Asian woman, a 47 yr old climber of 6 of the tallest peaks in the world, Yasuko Namba (Naoki Mori) along with guides Hall, Andy “Harold” Harris (Martin Henderson) & Michael Groom (Thomas M. Wright) – on the other team “Mountain Madness” you have the college frat guy guide Scott Fisher (Jake Gyllenhaal) & Anatoli Boukreev (Ingvar Eggert Sigurðsson) who refuses to use oxygen even though they will be at a level noted by Hall as ‘Humans aren’t meant to function at the cruising altitude of a 747’
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Having reached the summit and literally touched the peak — their moment of triumph – though problematic as issues with roping and lateness of the afternoon make the timetable of descent turn into a dire situation. A storm sweeps in before certain climbers have turned back. What follows is a brutal waiting game. Among those stranded in the inhospitable climate is Hansen, Harris & Hall – who finds himself curled up in a nook, patiently, almost inhumanly biding his time as numerous attempts to save him come and pass him by due to more storms.
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Having years ago read Jon Krakauer’s book “Into Thin Air” I hadn’t realized this was going to be that story told so vividly so I recommend you go in with little knowledge of the body count as Everest plays a bit in the vein of Apollo 13, as you know the story history wise – but in this one there’s only a slim chance the ones in trouble will make it.

The film truly focuses on the brutality of this type of climbing and what we now know was the beginnings of what the business end of this all is. All these climbs-for-hire have literally created a trash bin of Everest as what goes up, doesn’t always come down. And of course the body count of those left up on the mountain has also increased exponentially since this first tragic event. And let’s not ever forget all the sherpas with whom without them, most of these climbs could never be done.
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So what’s good about this movie? The 3-D is very good. Throughout most of the film you can’t discern between what is the real on-location shots and what is sound-staged. Brolin & Clarke really have the lead acting roles here and both do well. Sam Worthington also comes on well more towards the end as Guy Cotter. Overall it will prove to be a rough watch with it’s ending for some, but it’s a good film nonetheless.

Grade: C+
@pegsatthemovies

Screening: Tuesday, September 15, 2015 ~ Courtesy of Universal Pictures
Nationwide release: Friday, September 18, 2015

REVIEW: “SIN CITY 2 ~ A DAME TO KILL FOR” (PREMIERE 2014)

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Ohhhh Robert Rodriguez..what happened to you since the days of “El Mariachi?” I loved that movie and the sheer basic-ness of it.  Even “Desperado” though somewhat amped up with bigger stars and all, showed you still had spirit.  “Spy Kids” was fun!! Then,..well somehow it became all green screen & well..’film noir’ if that’s what you would like to call it.  “Sin City”  a movie with so much art direction, enough decapitations to make the Roman’s say WOW! yet so very dull and uninvolving.

“Sin City: A Dame to Kill For” seeks to pay homage to the graphic novel  by re-imagining it as a feature film; unfortunately, the big screen and the 3D merely call attention to the aspects of the book that either don’t work or don’t translate easily from one to another because I got lost & a bit bored somewhere in there.  First of all, there’s the narration..ohhhhh so, so much narration, with so many monologues laid over soooo many scenes of people drinking, driving, grimacing or stripping without taking their bras off. (The latter being “Nancy” (Jessica Alba).  Add to all this a ridiculously thick layer of sexism, with every woman in the film portrayed as a prostitute, stripper or man-trap. There’s a policeman’s wife who dares to be over the age of 40, and is well then of course cheated on because ya know..that’s what happens to all women at that age (yawn),  a vengeance-driven dancer who has to mutilate herself to get a man to help her carry out her vendetta. Heaven forbid she do it on her own in a story like this. It seems to try to be a bit self-parody, but completely lacks the sense of humour required.

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As with its the first “Sin City”, which was a whole (gasp!) 9 years ago, this sequel sees directors Frank Miller, who also wrote the novels, and previously mentioned Rodriguez shooting their actors on green-screen and surrounding them with so much animation, hyper-stylized lighting and art direction to make the movie look as much like a comic book as possible.  It’s a clever gimmick for about 10 minutes, but then you start noticing how the actors have been directed not to move their faces much, so that they’ll look more characters on a page.  The blank expressions (and again!! that crushing narration) merely point out the fact that lines like “She didn’t deserve a second thought — and I couldn’t get her out of my mind,” probably work much better on the page than they do when said out loud as they don’t work well.

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The new hero is gambler “Johnny” (Joseph Gordon Levitt) beats corrupt politician “Senator Rourke” (Powers Boothe) in a big game at the poker table but comes to regret it. Rourke becomes a target for Nancy, because the senator killed her lover “Hartigan”(Bruce Willis) who appears periodically as a kinda passive-aggressive ghost, private eye “Dwight” (Josh Brolin) finds himself trapped by the over dramatic manipulation of his ex “Ava” (Eva Green), a femme fatale with a rich husband and a wicked soul.  While I’ve still yet to figure out what makes some think Green is so wonderful all of a sudden in the acting world because I’ve only seen some very mediocre acting, I will give it that she is the only female in this movie who seems to see through this movie’s ludicrousness and dares to one-up it. Her and Brolin’s nudity feels like it should be and they show a lot more skin than any of the strippers (thank you Josh!!:))  and she turns Ava’s greed into one of the few tangible objects in this movie made up principally of special effects. “Marv” (Mickey Rourke) brings a bit of soul to his role, a bit tough-guy with a heart.

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This being Rodriguez’s second sequel in a row now, Machete Kills being the first, in which he turns sex, violence and general exploitation into a rather dull movies at best with yes, stars galore in it.  All either movie had to be was entertaining, but neither accomplished that task; so for a film loaded with decapitations and gun-toting ladies in bondage gear, Sin City 2 gets really tedious really quickly. But this genre definitely has it’s fans and they will probably love it whether it was good or bad.  On a side note: Did anyone else notice or be a bit well..skeeved out by the fact that Rodriguez once cast 13-year-old Alexa PenaVega as a spunky little Spy Kid but now gives the 26-year-old actress roles as a stripper or a whore…hmmm..maybe that’s just weird to me and yes I know. we all grow up..but this..I dunno..was just weird for me.  So as my friend Fisher said to me when I invited him to the premiere on Tuesday…”nah..the premiere party will be a blast with all those different people showing up, but the movie won’t be” and that my friends summed it up completely. Premiere party where I got to meet Demian Bichir who happened to be there and I am such a fan though he’s not even in the movie, was my most exciting moment, the movie…was not.

Grade: C-

 

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Grading Scale: A = Oscar worthy;  B = Above average – must see;  C =  Average  D = Don’t waste time or money  F = Just don’t see  (+ or – gives it a edge up or down)

 

 

“Labor Day”

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Was able to get into a day-before opening – screening of ‘Labor Day’ tonight.  First off, let me tell you that I am one of those people that sometimes roots for the bad-guys and there have been movies where for crimeny sakes, I just want them to WIN! Not because they’ve done something awful & I want to celebrate that, but sometimes just because it would change it up from the good guy ALWAYS winning ZZZzzzzzzzz.  There was a Robert Redford movie called ‘The Hot Rock’ and it was the 1st movie I ever remember seeing that they actually got away with it and it was BRILLIANT!! Well, after telling you all that, it’s kinda what I wanted here.  This is a really good movie and I liked it quite a bit. It’s very well done as this could have gone horribly bad with the wrong actor but Josh Brolin gives a good enough performance that even though you know why he was in jail and escaped – you completely start to sympathize and root for him to come out of this all well & good!!… I seriously am ready to start writing a prisoner after seeing this!  ha!  okay..well not really, because you know my convict would never be Josh Brolin good! hahahahaha I would get the crazy one!

In the meantime, this is an extremely touching movie all around, and not just the story-line of where Frank ~ aka the escaped convict (Josh Brolin) comes into the lives of Adele (Kate Winslet) & Henry (Gattlin Griffith), but the entire back storyline is also very well put in with some flashbacks & present time life reality.  It’s a true love story, but not the sappy kind, the kind with a kick to it and I like when it can go really wrong and then does, but comes back with a punch.  Don’t want to give away too much of the plotline because you all really need to go see this movie for yourselves.. A little show stealer here to watch for is Brighid Fleming as ‘Eleanor’ who along with Gattlin Griffith give very good performances for young actors and hope to see them both become successes in their respective careers.

P.S. – They gave us all a pie dish at the end with a recipe for peach pie included ~ you will understand how cute this is when you see the movie!! 😀

Grade: B   #peggyatthemovies