GOLDEN GLOBES 2017 (Part 2) ~ FILM/ACTING PICKS

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Here we are with part two of my Golden Globes picks – this round is Film and Acting.
I’ve seen almost all the films presented this year, even the foreign ones – though yes, I’ve missed a few as there is only so much one human being can do! I also have a few categories where I just didn’t like any of the nominees enough to make a ‘MY PICK’. You might agree or even better, you might disagree ~ it’s all good.
So with that..I give you #peggyatthemovies 2016/17 Golden Globe picks! Cheers!

BEST PICTURE (DRAMA)

Hacksaw Ridge
Mel Gibson is riding the come back high with this decently done war film. While it’s war scenes are done very well, it’s riddled with a lot of cheesy storyline in the first hour.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, it really never struck me as Award material when watching.

Lion
A sweet and rather powerful story of a child’s journey into being a man, and finding not only his true story, but his family’s also.

Manchester by the Sea
While I didn’t dislike this film, it was monotonous and so slow for long periods throughout. I found the last 1/2 hr. to be the best as we finally found out what was going on.

Moonlight – WINNER
While watching this film, I couldn’t help thinking I’ve seen this story before..and we have – except it was done much better on the ‘The Wire’.

I just really don’t have a pick in this category as I didn’t truly love any of these nominees, so I’m just going with what I think will win.

BEST PICTURE (COMEDY/MUSICAL)

20th Century Women
Remember how I mentioned I hadn’t seen all the movies – this is the one that my screening is actually this Tuesday.

Deadpool
Funny, fun, fast and R-rated sheer entertainment made this a favourite of mine.

Florence Foster Jenkins
Not sure how there is a nom for this one, but hey, I guess they gotta fill up the category somehow.

La La LandWINNER
With an opening scene that is just truly beautiful and so well done, you would think the rest of the film to be just as good. It’s not. Mind you it’s a good watch, just a little to far-fetched, cutsey perfect for me.

Sing StreetMY PICK
Now this movie, sadly got missed by so many and IT’S SO SO GOOD!! I would pick this as best film of all the choices given to us as Globe nominees film wise, drama or comedy, on this one. Sadly, it won’t win and it’s so deserving.

Best Director

Damien Chazelle, La La Land
While Chazelle made one of my top fav. films ever with ‘Whiplash’, and again, he does a good job with the direction of this pic, it’s just not as gripping of a film.

Tom Ford, Nocturnal AnimalsMY PICK
Hands down my favourite film of the year. This film terrorized me in all the best ways possible. And it was made possible all by Mr. Ford.

Mel Gibson, Hacksaw Ridge
Again, he’s on the comeback-kid tour right now, and really did a spetacular job on the war scenes, but I don’t think he’s been forgiven enough to win his first time back.

Barry Jenkins, MoonlightWINNER
Gotta give it to Barry Jenkins for even getting this movie made. I know from being in a Q & A after the film, how hard they all worked. It just didn’t work that well for me. Many love it.

Kenneth Lonergan, Manchester by the Sea
While the film was aesthetically pleasing, again I just can’t call it a ‘fav’ for me. And while I’ve really liked some of his other work, this one isn’t my pick.

BEST ACTOR (DRAMA)

Casey Affleck, Manchester by the SeaWINNER
I liked Casey in the film, I did. And having an insightful & humourous Q & A with him afterwards helped make me like the film just a bit more than I did. I just didn’t see it as an Award winning performance.

Joel Edgerton, Loving
Didn’t do it for me. Honestly, when was the last time you heard Edgerton actually speak with his native accent..yeah I can’t remember either and him trying to do the backwoods southern didn’t work for me.

Andrew Garfield, Hacksaw Ridge
Again, the accent thing bothered me here. Do I think the performance was bad, no. But it didn’t warrant an Award either.

Viggo Mortensen, Captain FantasticMY PICK
Mortensen has been pretty underappreciated in his career. I say we make that right here. Even though I know it won’t happen, it would be great to see.

Denzel Washington, Fences
Denzel..oh Denzel..how I adore you. You pretty much own every role you do.

BEST ACTRESS (DRAMA)

Amy Adams, Arrival
While I really enjoyed this film, one of the best Sci-Fi I’ve seen, she really shoulda gotten this nom for Nocternal Animals because thats where she really shined.

Jessica Chastain, Miss Sloane
I think Jessica is wonderful, though I did not see this film yet.

Isabelle Huppert, ElleMY PICK
Huppert simply put – blew me away in this one. I don’t think I’ve ever quite seen a performance like it, and probably never will again. Sadly, I’m guessing she won’t win.

Ruth Negga, Loving
I liked this performance so much once she started speaking and really putting forth as the first 30+ min she just really never said anything.

Natalie Portman, JackieWINNER
Yes, we all know they are going to give the award to Natalie. And while she was good here, she doesn’t even come close to Huppert.

BEST ACTOR, COMEDY

Colin Farrell, The LobsterMY PICK
Colin was so fantastic in this funny, bizarrely good film that he was hands down, best in category for me.

Ryan Gosling, La La LandWINNER
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And was really cutsey good here as well as the film was. Just not Award cutsey for me.

Hugh Grant, Florence Foster Jenkins
While his performance was one of the better spots in this film, it’s so far from Award worthy.

Jonah Hill, War Dogs
Clearly they were desperatly trying to fill up this category here. Did anyone see this film besides me at a free screening months before it came out? Yeah I’m guessing not – there is a reason for that.

Ryan Reynolds, Deadpool
I truly did love Ryan in this film – but again, Award worthy..nah..

BEST ACTRESS, (COMEDY)

Annette Bening, 20th Century Women
Dang on this one, my screening is Tues. night.

Lily Collins, Rules Don’t Apply
I was out of the country when this one came out and by the time I got back, it was gone out of theatres.

Hailee Steinfeld, The Edge of Seventeen
Cute film, cute performance – I do think there will be awards sometime in her future.

Emma Stone, La La Land
Yeah – I like Emma and another cutsey performance. That’s really all there is to it.

Meryl Streep, Florence Foster Jenkins
Okay again, do they just use Meryl every year as a filler for a supporting category. And while I think she is one of the greatest actresses of our time, it’s when she gets nominated year after year for this reason only that makes it tiresome.

BEST SUPPORTING ACTOR

Mahershala Ali, Moonlight
While I wasn’t the films biggest fan, if I had to pick a part that I liked, it was the first segment with this guy in it.

Jeff Bridges, Hell or High WaterWINNER
While I might not have seen awards coming for this movie, Bridges came through on this performance in a big way.

Simon Helberg, Florence Foster Jenkins
This character was cute & funny..at first..then it just wore on you.

Dev Patel, Lion
I’m a big Dev Patel fan and while the child actor might have stolen the show, he did bring it all t

Aaron Taylor Johnson, Nocturnal AnimalsMY PICK
Some think he doesn’t deserve this. I think he TOTALLY does. Sure his roles leading up to this have been sub-par, but thats what makes this one so good – he did a complete 360 and brought the ‘terrifying’ to this role in a most fantastic way. Anytime someone can surprise me with a performance this good, yes they deserve a nom.

BEST SUPPORTING ACTRESS

Viola Davis, Fences
Viola has proved herself to be one of the most standout actresses in Hollywood. She most definitely deserves the nom here. Plus, if she wins, you know it will be one fun acceptance speech!! 🙂

Naomie Harris, Moonlight
Liked it – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it.

Octavia Spencer, Hidden FiguresMY PICK/WINNER
Now I called this when I saw the film back in November. The whole movie is good with really good performances, but she takes it here for me. She has been and is my only and clear choice.

Michelle Williams, Manchester by the Sea
Really, a blink of seven minutes total on screen..though the last scene with her and Affleck is the one what finally made me like the film better, still.

BEST SCREENPLAY

Damien Chazelle, La La LandPOSSIBLE WINNER
I think I’ve said my take on this film enough and while I think Chazelle has a fantastic career ahead of him, I

Tom Ford, Nocturnal AnimalsMY PICK
Having done a Q & A with Ford after the film really brought the ‘how’s & why’s’ insight into my fav. film of the year.

Barry Jenkins, MoonlightWINNER
Again, I completely commend Jenkins for even getting this film made. And I think it’s between him & Chazelle for who is the critical darling of the year.

Kenneth Lonergan, Manchester by the Sea
Respect to the writing, though I might have enjoyed the process of it better as a book.

Taylor Sheridan, Hell or High Water
Well done for being remembered from earlier in the year. Worthwhile watch – not a win for me.

Best Animated Feature Film
While I saw all of these besides ‘Zucchini’ I just don’t have commentary for all of them. Just a pick.

Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
ZootopiaMY PICK/WINNER

Best Foreign Language Film
Have seen all but ‘Divines’ and I only have one hands down pick and what will hopefully be the winner!

Divines
ElleMY PICK/WINNER
Neruda
The Salesman
Toni Erdmann

Follow along to see what happens with my live tweets during the Awards at @pegsatthemovies

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PITCH PERFECT 2 (2015) Universal

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Yep…the Bella’s are back with new additions and some of the same cliches. The boy’s are there too though not so predominant this time round, even the Green Bay Packers brought a batch of a cappella linebackers to this one, along with a wanna-be group, The Tone Hangers.
But what would the story be if not for new rival a cappellas, German based “Das Sound Machine” featuring the beautiful badass “Kommissar” (Brigitte Hjort Sorensen) & her side-kick “Pieter” (Flula Borg) to duel it out with with an ending that comes as no surprise to anyone. Even so, never underestimate the power of the teen girl viewing audience as the ‘Pitches’ took down ‘Mad Max’ for top grossing film of the weekend box office. pp5

The tone of the film is set in the opening routine, in which Rebel Wilson’s “Fat Amy” has a wardrobe malfunction on stage while dangling upside down at a performance in front of the POTUS & FLOTUS no less. This unlikely set-up forms the premise that takes us through what happens when the group is suspended from competing – unless they can pull off a win the world a capella championships in Copenhagen which no American team has ever done before.
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It’s pretty much all the same crowd – our jaded commentators “John” (John Michael Higgins) & “Gail” (Elizabeth Banks – whom most impressively also directed the film); leader of the pack “Beca” (Anna Kendrick) who also has a side-plot in wanting to become a music producer and keeping her music internship a secret from the rest of the Bellas, a cappella over-achiever “Chloe” (Brittany Snow), butch girl “Cynthia Rose” (Ester Dean), will do anything “Stacie” (Alexis Knapp), the ultra whisperer “Lilly” (Hana Mae Lee), “Flo” (Chrissie Fit) immigration story survivor extraordinaire and yes, of course previously mentioned, “Fat Amy” (Rebel Wilson). Even “Aubrey” (Anna Camp) shows up though is graduated and running a ‘boot camp’ for a cappellas where they get their harmony back with some hi-jinks to give us a laugh or two. The films secondary biggest plot revolves around Hailee Steinfeld as newcomer “Emily”, the group’s latest addition, who writes and sings her own original music which is unheard of in the a cappella world. Steinfeld is pretty terrific and has good screen presence and holds her own as the newbie here.
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There are some solid singing and dancing performances throughout with highlights in scenes in which the rivalry between the Barden Bellas and German reigning champions Das Sound Machine comes to a head; some hilarious confrontations between lead singers Kommissar and Beca follow with a few of the one-off scenes being a bit clumsy, though the sequence at the private party sing-off is a high point as it’s fun and musically clever.
At this point though, the humour factor is getting cheap, the fat jokes are wearing thin and getting on your nerves. Others are falling hard & flat and some are just leaving a bad taste in your mouth they are so crass and offensive.
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I did like the first Pitch Perfect, but in that ‘oh it’s cute way’ that you do like some films as it gave you that ‘Rocky’-underdog feel to it. This one, while it has it’s entertaining moments, lacks that. All the plot points are stepping stones for the climactic finish in Copenhagen, when everything comes together in by far the best part of the whole film, with dynamic harmonies and rhythms, it’s just too bad the film best perks wait until the very end to grab you.

Grade: C+
@pegsatthemovies

Pitch Perfect 2 is in theaters nationwide.

RATINGS SCALE: A = OSCAR-WORTHY; B = ABOVE AVERAGE; C = AVERAGE; D = NOT RECOMMENDED; F = SKIP IT ENTIRELY (+ OR – GIVES IT AN EDGE UP OR DOWN)

+++ BEGIN AGAIN – REVIEW BY #peggyatthemovies +++

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Huh.. Keira Knightly, an actress, trying to be a musician and Adam Levine, a musician, trying to be an actor.. Throw in a super cliche’ script  and Mark Ruffalo in well.. a typical Mark Ruffalo part, and you’ve got the plot of this this sappy movie wrapped up to a tee.

“Greta” (Kiera Knightly) comes on a visit to NYC with her up and coming rock-star boyfriend, “Dave Koch” (Adam Levine), with I might add a horrible 70’s porn~stache which turns into an even less attractive, hideous full beard! Blech..I guess I just don’t get the ‘Adam Levine’ thing..but back to the oh – so – every – cliche – in the book, storyline.  Dave, of course cheats on Greta, which she figures it out by listening to a song he wrote while on a quick trip to LA, but of course, so she goes to find her quirky, unemployed, street guitar playing to no one, but hey, I have an expensive NYC apt. with all sorts of musical recording studio equipment, also British friend, “Steve” (James Corden). Steve takes Greta out to a open-musician night at a bar and makes her sing (cringe-worthy I might add – (ex-b/f Rupert Friend, I hope you don’t hear this as you can actually sing) and lo and behold washed up, drunken music exec. “Dan” (Mark Ruffalo) is drunkenly in the audience after being ousted by his label partner “Saul” (Mos Def as Yassin Bey here) because he is deemed ‘out of touch’. He ‘hears’ the tepid song in an orchestrial manoeuvres kind of way and of course the rest is well..right there in front of your face to see.. Every step of the way.. plodding along with every cliche in the book of “Hey let’s make an album and you a star” story, they set out to record all over the streets of NYC..cuz you know..Punk Rock NEVER did that in the 70’s!! 

This part of the movie is actually not so bad and there are some endearing characters that help pull this off including a small group of kids playing in the back alleys..who viola’ become back up singers.. but okay.. really..it has a few sweet moments and these are them. Also, joining in the revelee now in probably my favourite character of the movie, Dan’s daughter, “Violet” played well by Hailee Steinfeld. She is joined by her mom & Dan’s wife “Miriam” (Catherine Keener), from whom he is heartbreakingly separated from to add of course, misery to mayhem and leave us oh so hoping for that ‘you can see it coming a mile away’ reconciliation of the two. There are also some nice music scenes with Steve Wonder playing during a bit of an homage to running around the streets of New York while listening together to music. But all in all, you see everything coming but not in a way that makes it anything special or different. Of course Dave wants to get back together when he realizes his mistakes, of course Greta wants to be a rebel musician and try to dictate to the label what she wants done with her now, oh so catchy tunes album, of course she rolls with it on her own terms!! And sorry, Keira, but you are not a singer and wearing oh so many stripes & checks bohemian look with your flats, riding a bike with a little straw basket, being almost emaciated looking with your pout or snaggly over-done smiling, all the while having a bit to much posh-Brit for the role, well..does not work. 

I don’t really even need to explain the end of the story..because you know what it is from the beginning. My only 2 standouts are Hailee Steinfeld and James Corden.  I almost feel bad for writer/director John Carney as ‘Once’ was a really good movie.. Twice is not. 

Grade: C –  because some people will just love the sappy overdone story and they deserve to spend money on this movie. For the rest of us, D+

 GRADING SCALE: A = OSCARWORTHY; B = ABOVE AVERAGE~MUST SEE; C= AVERAGE~SHOULD SEE; D = DON’T WASTE YOUR TIME OR MONEY; F = YEAH..NO DON’T SEE THE MOVIE.. ( + OR – ) GIVES IT A BIT UP OR DOWN