REVIEW: “THREE BILLBOARDS OUTSIDE EBBING, MISSOURI” (2017) Fox Searchlight

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Step right up Frances McDormand and Sam Rockwell and please just accept your Oscar’s for Best Actress and Best Supporting Actor already. Yes, truly they are that good and that’s how I feel. And hey, throw in a Best Picture nod while you’re at it please!!!

This wonderfully dark comedy featuring a brash, outspoken and very funny McDormand in the lead role as Mildred Hayes, a divorcee from Ebbing, Missouri and let me tell you, Mildred is one extremely pissed woman at her local Police Department. Most especially Sherriff Willougby (Woody Harrelson), and she is not afraid to let everyone know this as she rents out 3 billboards on the outskirts of town at $5000 a month from Red Welby (Caleb Landry Jones). The way Mildred see’s it is it’s been seven months since her teenage daughter Angela (Kathyrn Newton) was raped, murdered and set ablaze on a quiet stretch of country road, and yet still no arrests have been made or suspects identified. Mildred and many others in the town, feel as the local Sherriff’s dept. are “too busy torturing black folk”. And she’s right as Officer Jason Dixon (Sam Rockwell) has been investigated for doing just that. Sheriff Willoughby however, doesn’t much like being publicly mocked by billboards that read: “Still No Arrests?” “How Come, Chief Willoughby?” and “Raped While Dying.”
And the story that unfolds before you is one that will capture every emotion you thought you never had. This is a hard -edged drama, but with enough sarcastic comedy in it to somehow keep it funny through a dark subject throughout the film. This film is a brilliant piece of storytelling that somehow has stories within that all fit together in the end in a 360 degree type circle.

McDormand is simply superb as the mother whose anger is just part of her problems in life. She breaks this character down inch by inch in front of us in such detail you are sure not to forget her anytime soon. Rockwell – who let’s face it, can be very ‘hit or miss’ with his performances, here he is so crazy good and volcanically funny that you want to almost applaud whenever he shows up, as he somehow he makes Dixon both horrendous and humane – sometimes both in a same breath – it is truly a tremendous performance. Harrelson is wonderful, yet sarcastic, a bit vulgar and yet even in the face of death, funny. Peter Dinklage as James, the town’s only ‘small person’, Lucas Hedges in another fine performance as Mildred’s son Robbie and John Hawkes as the ex-husband, truly round up a great supporting cast. The only true problem I had any of this cast was with Harrelson’s wife Penelope (Samara Weaving) as the being 1/2 his age part wasn’t the only blur, but how in the world is an Australian somehow in this little backwoods town of Ebbing, Missouri. Besides that, it truly is a flawless picture by Martin McDonagh and not only my favourite film of the year so far, but hopefully a shoe-in for a couple of those Oscars!

Grade: A
@pegsatthemovies

Media Screening Review: Monday, November 6, 2017 ~ Courtesy of Fox Searchlight
“THREE BILLBOARDS OUTSIDE EBBING, MISSOURI” is now playing nationwide // International release in Jan 2018

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REVIEW: “HAIL, CAESAR!” (2016) – Universal Pictures

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Hail-Caesar
All Hail Caesar!!!
This Coen Brothers satire of old school Hollywood is a perfectly done mix of what our imagination might conjure up of what the Aqua-musicals or dance sequence films from the ‘Golden Age of Hollywood’ could be if they were done today.
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The film centers around physical production/studio head Eddie Mannix, played by Josh Brolin. Mannix is a fixer at the fictitious Capital Pictures in the 1950’s. This involves him dealing with numerous egos, including their box-office superstar Baird Whitlock (George Clooney) and Aqua~movie starlet, DeeAnna Moran (Scarlett Johannson). Not long after the film begins, Whitlock is kidnapped and Mannix begins his quest to get him back with some surprising help along the way from young western actor, Hobie Doyle (Alden Ehrenreich).  
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With a top notch billed cast, you do tend to notice that some of the names receiving top billing, are only in it for short pieces of time or literally there for only a ‘blink-and you missed it’ moment – as such is the case with Jonah Hill’s character Joseph Silverman. Besides that odd glitching, all the supporting cast as a whole are just plain good and you don’t get a bad performance from anyone as even the normally so wooden Scarlett Johannson plays her small part well and unannoying.   Aside from the names mentioned, you’ll also see Ralph Fiennes being spot on as director Laurence Laurentz, Tilda Swinton doing hysterical double time as bickering twin gossip columnist sisters, Thora & Thessaly Thacker. Channing Tatum for whom I must say,  I love where he is taking his career with roles like this, truly dazzles with his singing and dancing number that is so beautifully done it makes you not only yearn for those times of past, but want them back if he keeps doing this.
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Brolin is fantastic in the lead role and turns what could be a very unlikable character into a very endearing and sympathetic one. The real find among the cast is Ehrenreich. The character of Hobie Doyle is simple enough but Ehrenreich manages to turn him into one of the more amusing and interesting characters you’ll find in this film.
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All in all I truly enjoyed the film as a whole and I’m guessing all Coen Bros. fans will thoroughly enjoy it.  However as a second note, my guest didn’t like it as much and he made a good point.  That he didn’t ‘get’ all the innuendos of some of it and said the general public as a whole might not either as it might have that ‘going over their heads’ problem.
For me, I highly recommend this Golden-Age romp through the glory days of Hollywood..
Grade: B-
@pegsatthemovies
Review Screening: Tuesday, February 2, 2016 ~ Courtesy of Universal Pictures 
Nationwide release: Friday, February 5, 2016