REVIEW: “BOMBSHELL” (2019) Lionsgate/AnnapurnaPictures

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Director Jay Roach’s newest drama is the aptly titled “BOMBSHELL” in which we see a literal sex harassment bomb being dropped with not only the star talent names that are all over the cast of this true story, but of the toxic effects of Chairman Roger Ailes (John Lithgow) as well, and what ensues during this well deserved take down. Ailes, who ruled the roost at Fox News until the toxicity of his created atmosphere surfaces in an accusation that is led by seasoned television host Gretchen Carlson (Nicole Kidman), after her firing from the company. What follows, shows us in detail the culmination of the loss of not only his CEO/Chairman title, but of his reign at Fox News. And folks – this ‘Bombshell’ couldn’t have dropped at a better time.

With the #MeToo movement in full force for a couple of years now and with victims coming forward and sharing their horrific experiences around sexual harassment, the revelations are astounding but not surprising after more and more highly regarded and powerful men have been uncovered as sexual predators in the workforce. To be fair, what happened in 2016 at Fox News, does get dramaticized to make it more appealing for the movie going audiences, but at the core of the story is nothing but truth.

The film follows Gretchen Carlson (Kidman) who opts to fight her ouster from the company claiming that her career was marked by frequent harassment often by Aisles himself. At the same time Megyn Kelly (Charlize Theron), is dealing with backlash from Presidential Candidate Donald Trump and is being forced to endure what she sees as verbal attacks for the good of their audience and ratings.  As this story unfolds, the audience is introduced to Kayla Pospisil (Margot Robbie), a young journalist eager to make her way up the corporate ladder. She is introduced to Aisles who asks her to “model” for him claiming that since they work in a visual medium, he cannot just let anyone on the air and needs to ensure “loyalty” amongst his staff. Carlson eventually files a lawsuit but due to the power that Aisles and the Network holds, nobody is willing to come forward to back her and she is faced with taking on the media giant alone. The movie then centers on the key players and their day to day lives which enables them to find the strength to come forward and do what they believe is right.

Everyone here from our leads to the supporting is a respected name and adds in so much to the overall story line.  John Lithgow gives the performance of a lifetime, from the paranoia to his personification of ‘fake news’ to his harassment, both verbal & sexual in nature, of the loathsome Roger Ailes. Connie Britton steps up as his wife Beth Ailes, who seemingly doesn’t want to see what’s right in front of her, until of course it actually is with the tapes Carlson unveils she has. Kate McKinnon is on hand as Jess Carr, the Faux news ‘secret’ Democrat who hides her sexuality in a closet of her own making that she can’t get out of. We have so many small roles that even out this cast with everyone from a hilarious little pivot role of Judge Jeanine Pirro (Alanna Ubach), to Richard Kind stepping in as Rudy Guiliani, Greta Van Susteren (Anne Ramsay), Sean Hannity (Spencer Garrett), Geraldo Rivera (Tony Plana), Bill O’Reilly (Kevin Dorff) and lastly, Jennifer Morrison as Juliet Huddy, one of the very few who filed years before all this came out and was subsequently banished to an outlying station. With all wonderful supporting cast, it’s Margot Robbie who has found her possible Oscar winning role here in Kayla. There are moments when as the horrible things are happening to her, the pain in her eyes is palpable – with the audience feeling and living every second with her. We really have to commend the make up/designers here as Theron really looks so much like Megyn Kelly in this film that at times its hard to not feel like she IS Kelly.  Theron transforms so well, you’d almost think she could pass as her clone with her characteristics, facial expressions, voice, all under perfect control – it’s uncanny. Same with Kidman as Carlson as her acting is nuanced, as she brings an energetic confidence to her character and the film that we all can applaud.

Personally, it can be respected what these women went through and finally stood up for – what can’t always be forgiven is the damage they caused with their words on Fox and waiting so long to finally step forward. While the film touches on important matters that has recently come to the light in droves, it doesn’t always reach its potential and with some choppy editing and often-bizarre narrative techniques, making the story relatively disjointed at times. The film is sure to spark some discussion as despite the events portrayed in the film it appears that many of those who acted improperly managed to financially win from their downfall but it at least set a precedent for those looking to come forward knowing they are not alone.

Grade: B-

Follow me on twitter: @pegsatthemovies and Instagram: peggyatthemovies

 

Media Review Screening: Tuesday, December 3, 2019 ~ Courtesy of Lionsgate

“BOMBSHELL” IS OUT IN THEATERS NATIONWIDE // WORLDWIDE TO FOLLOW JANUARY 2020

 

 

REVIEW “PAWN SACRIFICE” Q & A w/TOBEY MAGUIRE – Bleeker Street Media

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The story of chess great Bobby Fisher is definitely a complex one as we watch Bobby as a young child (Young actors Aiden Lovekamp and Seamus Davey-Fitzpatrick, who play Fischer as a boy and teenager, are respectively completely convincing) growing up in the Washington Square area of Brooklyn already showing chess greatness but also showing how his paranoia builds with his mother Regina Fisher (Robin Weigert) holding secret communist party get togethers in their small apartment.

Director Ed Zwick does well making this tense and gripping story which is for the most part set during the Cold War era between the U.S. & U.S.S.R. (aka Russia), Pawn Sacrifice is a very well acted and quite accurate portrayal of the oft demanding, arrogant, completely unstable and preening chess player Bobby Fisher, as it puts Tobey Maguire in the main role of Fisher when he was in his twenties. pawn sacrifice 2

The film opens on Fischer in a state of disarray, panting and pacing around a hotel room, ripping open telephones to check if there are microphones inside. He is going slightly mad, and Fischer will not leave his room. He is paranoid from what is happening outside as the Cold War paranoia that is getting to the American chess grandmaster will be his downfall from life as we know it.
As you watch his crazy decline of mental cognizance with Maguire truly inhabiting and embodying this character showing how he had a mind both incredible and dangerous as on the one hand he loved gloating to the public, on the other was a nuisance and nut in private.
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With the aid of two companions, lawyer Paul Marshall (Michael Stuhlbarg) and Father William Lombardy (Peter Sarsgaard), Fischer plans a trip to Iceland to play against the Soviets.
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Out of fear and apparent madness, Fischer does not show up for a world title match against his Russian foe, Boris Spassky (Liev Schreiber), who is effortlessly cool in his portrayal here mostly just with looks as he doesn’t have much dialogue.
The fact that this film is quite historically accurate and with spectacular locations perfectly welded together, the scenes in Santa Monica and Beverly Hills being some of my favourite as they got the essence of the era down perfectly and beautifully, showing how these two guys were somewhat the rock stars of their respective countries in such a time of turmoil between the two countries.. along with the fact they make chess almost exciting makes the title perfectly fit with the reference to the sacrifice Bobby Fischer had to make, but because of his almost sheer genius, had the game going and ending how he wanted.
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Although the physical resemblance with the real chess players isn’t spot on, that fact proves to be almost a moot point and unnoticable with these hands down enveloping performances and truly, once the movie gets a hold of you, just sit back and enjoy the spectacle.

Grade: B
@pegsatthemovies

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POST Q & A WITH TOBEY MAGUIRE & PRODUCER GAIL KATZ:
Tobey noted what interested him most and attracted him to the role was seeing what Fisher’s childhood had been about.. Noting that by age 15 he was already at the top of his game, but mentally, what he was doing was telling people his hotel room wasn’t perfect or making crazy demands for quiet. It was mostly this that attracted him to the role.
He & Gail delved into many long and lengthy stories about how the film got to be made most notably that they first had director David Fincher attached when they first started putting the picture together 9 yrs. ago and then when it became clear he wouldn’t be able to do it when Tobey was ready to do it, he had a conversation with Ed Zwick who stepped in and did a fine job. He noted that it is somewhat a sports story but more a life story time capsule of what was going on in the world at the time.

Screening: Landmark Theatre Westside ~ Thursday, September 10, 2015 ~ Courtesy of Bleeker Street Media and Producers Guild of America
Nationwide release: Wednesday, September 16, 2015