REVIEW: “BOMBSHELL” (2019) Lionsgate/AnnapurnaPictures

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Director Jay Roach’s newest drama is the aptly titled “BOMBSHELL” in which we see a literal sex harassment bomb being dropped with not only the star talent names that are all over the cast of this true story, but of the toxic effects of Chairman Roger Ailes (John Lithgow) as well, and what ensues during this well deserved take down. Ailes, who ruled the roost at Fox News until the toxicity of his created atmosphere surfaces in an accusation that is led by seasoned television host Gretchen Carlson (Nicole Kidman), after her firing from the company. What follows, shows us in detail the culmination of the loss of not only his CEO/Chairman title, but of his reign at Fox News. And folks – this ‘Bombshell’ couldn’t have dropped at a better time.

With the #MeToo movement in full force for a couple of years now and with victims coming forward and sharing their horrific experiences around sexual harassment, the revelations are astounding but not surprising after more and more highly regarded and powerful men have been uncovered as sexual predators in the workforce. To be fair, what happened in 2016 at Fox News, does get dramaticized to make it more appealing for the movie going audiences, but at the core of the story is nothing but truth.

The film follows Gretchen Carlson (Kidman) who opts to fight her ouster from the company claiming that her career was marked by frequent harassment often by Aisles himself. At the same time Megyn Kelly (Charlize Theron), is dealing with backlash from Presidential Candidate Donald Trump and is being forced to endure what she sees as verbal attacks for the good of their audience and ratings.  As this story unfolds, the audience is introduced to Kayla Pospisil (Margot Robbie), a young journalist eager to make her way up the corporate ladder. She is introduced to Aisles who asks her to “model” for him claiming that since they work in a visual medium, he cannot just let anyone on the air and needs to ensure “loyalty” amongst his staff. Carlson eventually files a lawsuit but due to the power that Aisles and the Network holds, nobody is willing to come forward to back her and she is faced with taking on the media giant alone. The movie then centers on the key players and their day to day lives which enables them to find the strength to come forward and do what they believe is right.

Everyone here from our leads to the supporting is a respected name and adds in so much to the overall story line.  John Lithgow gives the performance of a lifetime, from the paranoia to his personification of ‘fake news’ to his harassment, both verbal & sexual in nature, of the loathsome Roger Ailes. Connie Britton steps up as his wife Beth Ailes, who seemingly doesn’t want to see what’s right in front of her, until of course it actually is with the tapes Carlson unveils she has. Kate McKinnon is on hand as Jess Carr, the Faux news ‘secret’ Democrat who hides her sexuality in a closet of her own making that she can’t get out of. We have so many small roles that even out this cast with everyone from a hilarious little pivot role of Judge Jeanine Pirro (Alanna Ubach), to Richard Kind stepping in as Rudy Guiliani, Greta Van Susteren (Anne Ramsay), Sean Hannity (Spencer Garrett), Geraldo Rivera (Tony Plana), Bill O’Reilly (Kevin Dorff) and lastly, Jennifer Morrison as Juliet Huddy, one of the very few who filed years before all this came out and was subsequently banished to an outlying station. With all wonderful supporting cast, it’s Margot Robbie who has found her possible Oscar winning role here in Kayla. There are moments when as the horrible things are happening to her, the pain in her eyes is palpable – with the audience feeling and living every second with her. We really have to commend the make up/designers here as Theron really looks so much like Megyn Kelly in this film that at times its hard to not feel like she IS Kelly.  Theron transforms so well, you’d almost think she could pass as her clone with her characteristics, facial expressions, voice, all under perfect control – it’s uncanny. Same with Kidman as Carlson as her acting is nuanced, as she brings an energetic confidence to her character and the film that we all can applaud.

Personally, it can be respected what these women went through and finally stood up for – what can’t always be forgiven is the damage they caused with their words on Fox and waiting so long to finally step forward. While the film touches on important matters that has recently come to the light in droves, it doesn’t always reach its potential and with some choppy editing and often-bizarre narrative techniques, making the story relatively disjointed at times. The film is sure to spark some discussion as despite the events portrayed in the film it appears that many of those who acted improperly managed to financially win from their downfall but it at least set a precedent for those looking to come forward knowing they are not alone.

Grade: B-

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Media Review Screening: Tuesday, December 3, 2019 ~ Courtesy of Lionsgate

“BOMBSHELL” IS OUT IN THEATERS NATIONWIDE // WORLDWIDE TO FOLLOW JANUARY 2020

 

 

REVIEW: “JOY” (2015) 20th Century Fox

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With narration told by her grandmother Mimi (Diane Ladd), the only person who believes in and encourages young Joy’s as her story begins at Rudy’s Bus and Truck metal shop, where being an imaginative creative girl, she entertains herself through paper models of forests and castles.

Based on a true story, the film depicts the rise of female inventor and entrepreneur Joy (Jennifer Lawrence), who rises to fame by hawking her Miracle Mop on QVC. The story is much more than about business success, for Joy is a 1970’s housewife who supports four generations in her house, including her ex-husband, Tony (Edgar Ramirez) and father Rudy (Robert De Niro).
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Director David O. Russell struggles here, a bit unsuccessfully I might add, to portray a harrowing the path to the mop. Joy deals with a houseful of kids, only a few of them children by actual age. The motley crew she calls family all crammed in her small house are not on Joy’s side. She is the breadwinner, the adult, the rock whose imagination is a liability to those overly dependent on her. Her mother Terry (Virginia Madsen) a soap-opera viewing addict, who watches made-for-this-film, unfunny soap opera segments that seem unmotivated with there being no implication as to why we are pointing to the off-TV characters. It’s goes on to become a paint-by-numbers affair from there – familial jealousy from sister Peggy (Elisabeth Rohm), dirty financial dealings, the nightmare of the age-old saying, “Do not do business with your family.”
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After all, Joy manages to build a mop prototype. She brings it to QVC where the initial sale segment bombs. With Neil Walker (Bradley Cooper), the slick head honcho of newly formed shopping network QVC behind her, he takes a chance and allows Joy to showcase the mop herself. Bingo! The mop sells out. Success? Nope. The parts supplier is screwing Joy, every sale of the mop loses money, and the family wants their money back. Financial ruin follows. Then Grandma passes. But Joy decides she’s been walked all over enough and ‘womans up’ to settle all scores financial and emotional. You would think Hooray! right? If only the story wasn’t so average and been done so many times before would it be all that and more.

The acting is nothing notable as De Niro is no stranger to playing a conflicted father with a big heart, though there is something a bit off-kilter here even for him on this. We all know Lawrence & Cooper play well off each other and they do that again here. It’s Edgar Ramirez, who after falling so flat in Point Break, really stands up and dazzles amongst this all-star cast.
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So let me just do a quick sum up for you in one sentence. ‘Down and out mother thinks up an invention, brings it to market, and becomes rich after some pitfalls that, in reality, is all fought and done with lawyers in the end’. In lieu of dramatizing a woman overcoming, Russell instead created a often unfunny comedy.

While the real life, inventive Joy deserves kudos, the bottom line is this is a feature film about the creator of a better mop and offers little on the path to an unsatisfying end where Joy makes it big and helps others succeed.
With all the heavy-hitters in film coming out these last 2 weeks of the year, it’s doubtful JOY will stand out amongst them.

Grade: C
@pegsatthemovies

Review Screening: Monday, December 21, 2015 ~ Courtesy of 20th Century Fox Studios
Nationwide release: Friday, December 25, 2015