REVIEW: “BOMBSHELL” (2019) Lionsgate/AnnapurnaPictures

Standard

Director Jay Roach’s newest drama is the aptly titled “BOMBSHELL” in which we see a literal sex harassment bomb being dropped with not only the star talent names that are all over the cast of this true story, but of the toxic effects of Chairman Roger Ailes (John Lithgow) as well, and what ensues during this well deserved take down. Ailes, who ruled the roost at Fox News until the toxicity of his created atmosphere surfaces in an accusation that is led by seasoned television host Gretchen Carlson (Nicole Kidman), after her firing from the company. What follows, shows us in detail the culmination of the loss of not only his CEO/Chairman title, but of his reign at Fox News. And folks – this ‘Bombshell’ couldn’t have dropped at a better time.

With the #MeToo movement in full force for a couple of years now and with victims coming forward and sharing their horrific experiences around sexual harassment, the revelations are astounding but not surprising after more and more highly regarded and powerful men have been uncovered as sexual predators in the workforce. To be fair, what happened in 2016 at Fox News, does get dramaticized to make it more appealing for the movie going audiences, but at the core of the story is nothing but truth.

The film follows Gretchen Carlson (Kidman) who opts to fight her ouster from the company claiming that her career was marked by frequent harassment often by Aisles himself. At the same time Megyn Kelly (Charlize Theron), is dealing with backlash from Presidential Candidate Donald Trump and is being forced to endure what she sees as verbal attacks for the good of their audience and ratings.  As this story unfolds, the audience is introduced to Kayla Pospisil (Margot Robbie), a young journalist eager to make her way up the corporate ladder. She is introduced to Aisles who asks her to “model” for him claiming that since they work in a visual medium, he cannot just let anyone on the air and needs to ensure “loyalty” amongst his staff. Carlson eventually files a lawsuit but due to the power that Aisles and the Network holds, nobody is willing to come forward to back her and she is faced with taking on the media giant alone. The movie then centers on the key players and their day to day lives which enables them to find the strength to come forward and do what they believe is right.

Everyone here from our leads to the supporting is a respected name and adds in so much to the overall story line.  John Lithgow gives the performance of a lifetime, from the paranoia to his personification of ‘fake news’ to his harassment, both verbal & sexual in nature, of the loathsome Roger Ailes. Connie Britton steps up as his wife Beth Ailes, who seemingly doesn’t want to see what’s right in front of her, until of course it actually is with the tapes Carlson unveils she has. Kate McKinnon is on hand as Jess Carr, the Faux news ‘secret’ Democrat who hides her sexuality in a closet of her own making that she can’t get out of. We have so many small roles that even out this cast with everyone from a hilarious little pivot role of Judge Jeanine Pirro (Alanna Ubach), to Richard Kind stepping in as Rudy Guiliani, Greta Van Susteren (Anne Ramsay), Sean Hannity (Spencer Garrett), Geraldo Rivera (Tony Plana), Bill O’Reilly (Kevin Dorff) and lastly, Jennifer Morrison as Juliet Huddy, one of the very few who filed years before all this came out and was subsequently banished to an outlying station. With all wonderful supporting cast, it’s Margot Robbie who has found her possible Oscar winning role here in Kayla. There are moments when as the horrible things are happening to her, the pain in her eyes is palpable – with the audience feeling and living every second with her. We really have to commend the make up/designers here as Theron really looks so much like Megyn Kelly in this film that at times its hard to not feel like she IS Kelly.  Theron transforms so well, you’d almost think she could pass as her clone with her characteristics, facial expressions, voice, all under perfect control – it’s uncanny. Same with Kidman as Carlson as her acting is nuanced, as she brings an energetic confidence to her character and the film that we all can applaud.

Personally, it can be respected what these women went through and finally stood up for – what can’t always be forgiven is the damage they caused with their words on Fox and waiting so long to finally step forward. While the film touches on important matters that has recently come to the light in droves, it doesn’t always reach its potential and with some choppy editing and often-bizarre narrative techniques, making the story relatively disjointed at times. The film is sure to spark some discussion as despite the events portrayed in the film it appears that many of those who acted improperly managed to financially win from their downfall but it at least set a precedent for those looking to come forward knowing they are not alone.

Grade: B-

Follow me on twitter: @pegsatthemovies and Instagram: peggyatthemovies

 

Media Review Screening: Tuesday, December 3, 2019 ~ Courtesy of Lionsgate

“BOMBSHELL” IS OUT IN THEATERS NATIONWIDE // WORLDWIDE TO FOLLOW JANUARY 2020

 

 

7 DAYS OF OSCAR COUNTDOWN ~ DAY 5 ~ BEST ACTRESS

Standard

Here we are – Day Five of the ‘SEVEN DAYS OF OSCARS’ countdown and we are at ‘Best Actress”. Once again I give who I think will win – and what my pick would be – as those two choices sometimes differ.

ACTRESS IN A LEADING ROLE
NOMINEES

SALLY HAWKINS
The Shape of Water
Sally gave a truly wonderful performance here as she so comically put it when del Toro asked her to be in the picture at a party and said “Hey I have a film I’d like you to be in, you play a deaf mute who falls in love with a fish” to where she replied ‘Sure’ – I just love that. And no, I won’t be mad if she wins.

FRANCES MCDORMANDMY PICK/WINNER
Three Billboards outside Ebbing, Missouri
Francis this little golden man is meant for you – and thank you for an amazing performance in this movie that I just loved.

MARGOT ROBBIE
I, Tonya
Margot – you were good in this film considering you had never even heard of Tonya Harding or Nancy Kerrigan. I just don’t think Oscar-type good and for me personally, I just can’t be onboard with the idea of celebrating Tonya Harding at all.

SAOIRSE RONAN
Lady Bird
Ms. Ronan has definitely proved herself to be a good young actress, she just happens to be in the category with some truly GREAT actresses.

MERYL STREEP
The Post
I feel like I go through this every year. We love Meryl, we love her body of work, just please stop using her as filler in the best actress/best supporting actress categories. sigh.

REVIEW: “SUICIDE SQUAD” (2016) Warner Bros.

Standard

Writer/Director David Ayer’s “Suicide Squad” starts off strong. With a booming, kick-ass soundtrack taking us through the introductions of characters and giving us a bit of the backstory on each so we know at least who they are. Unless you’re a major DC Comics fan, you probably don’t recognize every single character of the Squad. The new action movie teams up a bunch of bad guys as a last resort to take down an even more evil force. For those of us that don’t read the comic books, I found this not only helpful, but gave us some fun sides of the characters to boot.
suicide squad 2
We’ve got Deadshot (Will Smith) the assassin who never misses, Harley Quinn (Margot Robbie) the aslyum doctor who fell in love with her patient who then gave her shock treatment to make her crazy, Boomerang (Jai Courtney) the Aussie who’s boomerangs are like drones and really doesn’t give a rats ass about anyone but himself, Diablo (Jay Hernandez) in essence a firestarter, Killer Croc (Adewale Akinnuoye-Agbaje) is self-explanatory and lives in the underground sewers, Slipnot (Adam Beach) an escape artist of the highest caliber and whilst not really a ‘Squad’ member, we have Katana (Karen Fukuhara) and Archaeologist/Enchantress (Cara Delevingne) and of course our Joker (Jared Leto). You’ve also got the ‘soldier’ side to it all with Rick Flagg (Joel Kinnaman), Lt. GQ Edwards (Scott Eastwood) and our head honcho who proposes and is responsible for putting the ‘Squad’ together, Amanda Walker (Viola Davis). And yes, along with our bit part from The Batman himself, Ben Affleck, we understand why they are, who they are and where they are.
suicide squad 1
Sadly, no one here can save the convuluted mess of a storyline and bad dialague. The characters are so off-balance and poorly acted, most especially I’m looking at you Will Smith & Cara Delevingne. Robbie’s character would have fit much better in a re-make of the 1970’s classic The Warriors (one of my fav. movies btw) and she probably could have made something with it. Here she limps along trying to be funny but falls completely flat. Only the Joker and Boomerang really pull out the stops and make it work for their characters and you know it’s really bad when even Viola Davis strains to pull off her dialogue as even somewhat believable.
suicide squad 3
The first 1/3 of this film is definitely worth the watch. Anything after that I can’t guarantee, except of course the ending because it leads us into Suicide Squad Part Deux. I would try to describe the plot, but don’t want to give away how just plain ridiculous it is and really, everyone should just see and judge for themselves anyways as it’s all just CGI.

And just in case you’re really itching to get out of the theatre, you only have to wait until the first set of basic credits is done to get your ending Bat-fix in..not the whole long credit roll. Somewhere in this series is a good movie, so stay, and let’s just hope Part Deux has more to it than this one did.

Grade: C-
@pegsatthemovies

Media Review Screening: Tuesday, August 2, 2016 ~ Courtesy of Warner Bros.
Nationwide Release: Friday, August 5, 2016

REVIEW: “THE BIG SHORT” (2015) Paramount Pictures

Standard

the big short
When Ryan Gosling’s character Jared Vennett asks the question to a room full of brokers.. “What’s that smell?” and answers it with “Opportunity” you know then and there to prepare yourself for a very different type of ride.

The film’s narrative is driven by four cynical, fringe Wall Streeter’s disgusted with the large banking institutions’ overriding greed for profits. Separately, but yet oddly together, they make the decision to capitalize on the ensuing housing market catastrophe and the financial meltdown of 2008 upon discovering the market frenzy is being driven by worthless collateral debt obligations.
the big short 2
While I might never figure out how Director Adam McKay made deplorable humans, blinding fear, gut-wrentching outrage and delightful shaming so much fun to watch ~ He most definitely brought along his dark bag of laughs here, but planted them in such a way as to where we actually understood what was happening thanks to fun cameo explanations from the likes of Margot Robbie in a bubble bath, Anthony Bourdain cooking it right up, and even Selena Gomez gambling though her little monologue.

After a rather lengthy dizzying, yet delightful, character introduction, the film picks up pace as the drama begins to unfold. Dr. Michael Burry (Christian Bale), an eccentric financial analyst, with complete autonomy of an investment fund, uncovers variables in his economic forecast indicating a massive housing market collapse. He informs his higher up, Lawrence Fields (Tracy Letts), of his discovery and creates a financial prospectus. In essence, he creates a commodity of selling short on bundled mortgages.
the big short 4
The bankers laugh themselves silly as they willingly sell Burry all the “insurance” he wants. Word quickly spreads of Burry’s perceived madness in a after-work cocktail scene. With interest piqued upon overhearing the Wall Street gossip of the day, Jared Vennett (Ryan Gosling), scoops up the aspects of Burry’s move. Soon, he sells it to a group led by Steve Carell’s real-life character, Mark Baum and convinces them to buy in.

As the debacle is in full free-fall, Baum struggles with disbelief as he and his group have bet against their own umbrella entity, Morgan Stanley. The final team that has uncovered the impending financial crisis, made up of two Wall Street rookie wanna-be’s, Jamie Shipley (Finn Wittrock) and Charlie Geller (John Magaro) who along with veteran trader turned-conspiracist Ben Rickert (Brad Pitt), also struggle with the imploding financial system caused by corporate greed and indifference
the big short 1
With a mammoth cast, the acting in this movie is pristine with the whole ensemble cast being in top form. With that said however there were three stand out performances that somewhat break this mold.
Ryan Gosling might be the funniest as he narrates and embodies the fact that he’s a scum bag and just rolls with it, offering an entertainingly slick performance. Christian Bale let us feel his pain and lonely genius, stole the show in every scene he was in. The only genuinely relate able character in the lot, Bale conveys a great deal of sensitivity, making it one of his best performances to date. Steve Carell dug deep and came up with a persona that brings Baum to life, even if he does over act at times which I guess is how he really is in true-life form.
the big short 5
It was also nice to see Marisa Tomei, Hamish Linklater, Billy Magnussen, Rafe Spall, Max Greenfield and talented others working at a solid supporting level.

With all the ‘truth’ films out there this year, “The Big Short” is one of the more important ones of this group and also one of the best. I wanted to laugh and cry at the same time as the film warns us in a way, who knows what will be the next basic human necessity to be denied by those few who hold power.

Grade: B+
@pegsatthemovies

Review Screening: Arclight Hollywood ~ Tuesday, December 8, 2015 ~ Courtesy of Paramount Pictures
In Select Theaters: Friday, December 11, 2015
NATIONWIDE RELEASE: Wednesday, December 23, 2015