Tag Archives: Rosario Dawson

REVIEW: “HAUNTED MANSION” (2023) Walt Disney Pictures

The plot of Disney’s latest foray into a ride re-do is “HAUNTED MANSION” featuring a single mom Gabbie (Rosario Dawson), and her young son Travis (Chase Dillon), who move into a new ‘old’ house in New Orleans. Once there, they hire grieving tour guide Ben Matthias (LaKeith Stanfield), a dubious psychic Harriet (Tiffany Hadish), a shady priest Father Kent (Owen Wilson), and an unhinged historian Bruce Davis (Danny DeVito), to help exorcise her newly bought mansion after discovering it is inhabited by ghosts.


(L-R): Chase Dillon as Travis, Rosario Dawson as Gabbie, LaKeith Stanfield as Ben, Owen Wilson as Father Kent, and Tiffany Haddish as Harriet in Disney’s HAUNTED MANSION. Photo by Jalen Marlowe. © 2023 Disney Enterprises, Inc. All Rights Reserved.

So, it goes with this new attempt at a movie based on a popular Disney ride.  It’s chock-a-block full of inside jokes and references to the ride, some in plain sight, some tucked away in the corners of the screen.  As a big fan of the ride, one can only enjoy the little Easter eggs presented throughout and enjoy them a lot. Big fun highlights were the chair shaped like a Doom Buggy; and the room that stretches; and the hitchhiking ghosts, and on and on. If you’ve been on it, you get it. While the film tries to utilize the setting of New Orleans in some decently authentic ways, the rest of the plot and character development is so generic that they fail to make viewers more engaged in the setting. The film’s attempts at both humor and scares fall flat, as the jokes are formulaic and corny while the attempts at more frightening moments fail to elicit any tension or suspense, and are quite repetitive and CGI-heavy.

But aside from all the cool references, there is not much else to recommend, especially not for those few poor souls who are not as thoroughly familiar with the Disney ride as I and many others are.  There’s a heart-tugging sub-plot about the grieving tour guide, Ben and while it’s not meant to be comical, Stanfield’s wooden straight face playing the absurd material, trying to pull out the emotional stops for a touching moment as he describes his late wife, is almost painful to watch. It’s also one that pushes an absolute scene-stealing button from Danny DeVito. Then there is Travis, son of single mom Gabbie, who has problems with bullies at school, even when he isn’t troubled by the ghosts who have latched onto him like lice. Another is the issue of who all the resident ghosts are REALLY afraid of a big-bad ghost entity known only as the Hatbox ghost (Jared Leto). But we the audience are not. Jamie Lee Curtis steps in for a bit as Madame Leota, and she brings some decent comedic timing to this sorely lacking comedic film. Dan Levy is Vic – the new owner of the house and then there is a super surprise from Winona Ryder in a flash part as ghostly Pat. And one of my favourite little guest appearances is at the very beginning where Marilu Henner is part of a tour group. She is a wonderful flashback to the old Taxi days with DeVito.

Jamie Lee Curtis as Madame Leota in Disney’s HAUNTED MANSION. Photo courtesy of Disney. © 2023 Disney Enterprises, Inc. All Rights Reserved.

Acting ranges from good all the way down to…well…lackluster. Most of the cast does an okay job with what they were given. The high-end example is Danny DeVito. The man never seems to put less than 110% into whatever he does. At the lows is Rosario Dawson, an otherwise fine actress who looks like she just doesn’t want to be in this particular film. She shows little to no emotion even as her world is falling apart. Who knows, maybe that’s a directorial decision. LaKeith is a wonderful drama actor, but is sorely mis-cast here as he lacks the most basic of comedic timing. Dawson saves a few of scenes with the two of them, even though you know where they are headed together as character. Haddish, well she does Haddish. Nothing more, nothing less…

The movie has all the requisite creepy hallways and creaking doors and one or two iffy jump-scares, but everything is done so tongue-and-cheek that it’s never truly horrifying…which is what can be confusing. Is this meant to be scary, funny or what was the aim of the filmmakers.  Certainly, you don’t want to make a film, based on a jaunty fun theme park ride, as scary as The Exorcist.  So, to that end, the filmmakers succeeded.  The movie is harmless, even a little fun at times, Owen Wilson gets to deliver some of his trademark dry observations, and DeVito gets to play some notes that I haven’t seen him play in a very long time.  If pressed, I would be forced to conclude that, for non-fans of the ride, this movie would most likely be a bit of a slog. At over two hours long, the film also runs for too long, especially given the plot has limited resolution or payoff – but again, it has it’s ‘cute moments,’ despite missing that one leg so to speak.

Grade: C-

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“HAUNTED MANSION” FROM WALT DISNEY PICTURES IS OUT IN THEATERS FRIDAY, JULY 28, 2023

Review Screening: Monday, July 24, 2023 ~ Courtesy of Walt Disney Pictures

PEGGY AT THE MOVIES – TV SHOWS TO CHECK OUT.. OR NOT – WEEK 3

As we continue my quarantine TV watches..I have instituted a rule for myself..No TV before 6pm unless its Sunday or I seriously probably would suffer from over-watch. 🤣
Starting off the week with an oldie but a goodie


Law & Order: SVUNBC
This show has held up over time so very well, with it’s ever changing cast and stories pulled from headline news at hand, working for it – and always led by the wonderful #MariskaHargitay
Grade: B


Killing Eve: BBC/AMC Network
One of the most original shows on TV perhaps only being outdone by its stellar acting of it’s two leads #SandraOh & #JodieComer the just released Season 3 seems to be holding its own.
Grade: A


Ray Donovan: SHOWTIME
Finishing up my 30 day free trial here, I caught up on this one. What was once original storylines, have become a bit over the top as how many times can #JonVoight survive death here. He plays a terrible father/human and sadly I don’t think he’s acting.They moved the show to NYC/Boston for Season 6 where the characters originally hailed from, and it was okay.. but it doesn’t seemed to have saved the now far-reaching plots. If it didn’t have #LievSchreiber and a few other fantastic actors..it would be unwatchable
Grade: C-


Little Fires EverywhereHULU
Have you ever started watching a show/movie where within the first 5 minutes you realize you’ve read the book? Well that was me here. And it was a great book and this show seems to pick up its essence with #ReeseWitherspoon & #KerryWashington holding up as the leads.
Grade: B


Briarpatch: USA
Rosario Dawson looks stunning in this show from her hair to her nails to her clothes. But the shows weird premise is a tough one to keep you entertained throughout its 10 episodes..though I made it thru all of them. It’s a mish-mash to be sure.
Grade: C-

Come back next week for more Peggy at the Movies giving you some more quarantined shows to watch.
Stay Safe and Sane.

#tvreviews #womencritic #instareviews #quarantineTV #shutdown #coronaviruswatching #peggyatthemovies

REVIEW: “SIN CITY 2 ~ A DAME TO KILL FOR” (PREMIERE 2014)

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Ohhhh Robert Rodriguez..what happened to you since the days of “El Mariachi?” I loved that movie and the sheer basic-ness of it.  Even “Desperado” though somewhat amped up with bigger stars and all, showed you still had spirit.  “Spy Kids” was fun!! Then,..well somehow it became all green screen & well..’film noir’ if that’s what you would like to call it.  “Sin City”  a movie with so much art direction, enough decapitations to make the Roman’s say WOW! yet so very dull and uninvolving.

“Sin City: A Dame to Kill For” seeks to pay homage to the graphic novel  by re-imagining it as a feature film; unfortunately, the big screen and the 3D merely call attention to the aspects of the book that either don’t work or don’t translate easily from one to another because I got lost & a bit bored somewhere in there.  First of all, there’s the narration..ohhhhh so, so much narration, with so many monologues laid over soooo many scenes of people drinking, driving, grimacing or stripping without taking their bras off. (The latter being “Nancy” (Jessica Alba).  Add to all this a ridiculously thick layer of sexism, with every woman in the film portrayed as a prostitute, stripper or man-trap. There’s a policeman’s wife who dares to be over the age of 40, and is well then of course cheated on because ya know..that’s what happens to all women at that age (yawn),  a vengeance-driven dancer who has to mutilate herself to get a man to help her carry out her vendetta. Heaven forbid she do it on her own in a story like this. It seems to try to be a bit self-parody, but completely lacks the sense of humour required.

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As with its the first “Sin City”, which was a whole (gasp!) 9 years ago, this sequel sees directors Frank Miller, who also wrote the novels, and previously mentioned Rodriguez shooting their actors on green-screen and surrounding them with so much animation, hyper-stylized lighting and art direction to make the movie look as much like a comic book as possible.  It’s a clever gimmick for about 10 minutes, but then you start noticing how the actors have been directed not to move their faces much, so that they’ll look more characters on a page.  The blank expressions (and again!! that crushing narration) merely point out the fact that lines like “She didn’t deserve a second thought — and I couldn’t get her out of my mind,” probably work much better on the page than they do when said out loud as they don’t work well.

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The new hero is gambler “Johnny” (Joseph Gordon Levitt) beats corrupt politician “Senator Rourke” (Powers Boothe) in a big game at the poker table but comes to regret it. Rourke becomes a target for Nancy, because the senator killed her lover “Hartigan”(Bruce Willis) who appears periodically as a kinda passive-aggressive ghost, private eye “Dwight” (Josh Brolin) finds himself trapped by the over dramatic manipulation of his ex “Ava” (Eva Green), a femme fatale with a rich husband and a wicked soul.  While I’ve still yet to figure out what makes some think Green is so wonderful all of a sudden in the acting world because I’ve only seen some very mediocre acting, I will give it that she is the only female in this movie who seems to see through this movie’s ludicrousness and dares to one-up it. Her and Brolin’s nudity feels like it should be and they show a lot more skin than any of the strippers (thank you Josh!!:))  and she turns Ava’s greed into one of the few tangible objects in this movie made up principally of special effects. “Marv” (Mickey Rourke) brings a bit of soul to his role, a bit tough-guy with a heart.

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This being Rodriguez’s second sequel in a row now, Machete Kills being the first, in which he turns sex, violence and general exploitation into a rather dull movies at best with yes, stars galore in it.  All either movie had to be was entertaining, but neither accomplished that task; so for a film loaded with decapitations and gun-toting ladies in bondage gear, Sin City 2 gets really tedious really quickly. But this genre definitely has it’s fans and they will probably love it whether it was good or bad.  On a side note: Did anyone else notice or be a bit well..skeeved out by the fact that Rodriguez once cast 13-year-old Alexa PenaVega as a spunky little Spy Kid but now gives the 26-year-old actress roles as a stripper or a whore…hmmm..maybe that’s just weird to me and yes I know. we all grow up..but this..I dunno..was just weird for me.  So as my friend Fisher said to me when I invited him to the premiere on Tuesday…”nah..the premiere party will be a blast with all those different people showing up, but the movie won’t be” and that my friends summed it up completely. Premiere party where I got to meet Demian Bichir who happened to be there and I am such a fan though he’s not even in the movie, was my most exciting moment, the movie…was not.

Grade: C-

 

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Grading Scale: A = Oscar worthy;  B = Above average – must see;  C =  Average  D = Don’t waste time or money  F = Just don’t see  (+ or – gives it a edge up or down)