Category Archives: Adventure

INSTA-REVIEW: “UGLY DOLLS” (2019) STX Entertainment

“Ugly Dolls” brings a wonderful adaptation of the kids books to the big screen. It’s sweet story with a wonderful message behind it all, that is actually for kids!! No double entendre here nor is it filled with references like a few other kids movies, that go right over their heads..nope..this one is truly for the kids and its lovely.

Also different and very enjoyable, is the voice cast is made up almost entirely of music superstars. Kelly Clarkson voices our plucky pink doll heroine Moxy with Janelle Monáe coming in as Mandy, Moxy’s ally.  Nick Jonas and Blake Shelton offer up their voices as rivals Lou and Ox, the leaders of their respective town’s of Perfection and Uglyville. And most surprising, is a fun debut by Pitbull as Ugly Dog who is one slick rapper!! 😁

The storyline of Moxy wanting to break out of Uglyville and find a child who will love her for all her imperfections could be any one of us charting our way thru life. Being held back at all points by people telling you only the perfect ‘dolls’ can pass thru life and find true happiness, only to learn to embrace herself and fearlessly show others how to love themselves and flaws can be special and there is truly someone out there to love us all.. it’s a sweet, strong message that all children should be taught.

The music/songs are wonderful and catchy tunes you will find yourself singing long after the movie is over. My message to you is to take your kids and yourself to see this one..you will be happy you did.

Grade: B
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Media Premiere Review Screening: Saturday, April 27, 2019 ~ Courtesy of STX Entertainment (post carnival event was absolutely amazing with giant slide, fun house, face painting and so much more for the kids!)

“UGLY DOLLS” IS IN THEATERS NATIONWIDE FRIDAY, MAY 3, 2019

Side note: Running into Kelly Clarkson & Gwen Stefani on the side street while walking up as they were having a nice chat – was a good highlight! 🙂

INSTA-REVIEW: “ARCTIC” (2019) ARMORY FILMS

Saw #Arctic today with MadsMikkleson as Overgård – a man who is stranded in the Arctic after an airplane crash. We never see his plane crash, only that he is there and has been for some time based on his daily routine. Finally, as he is on the verge of rescue, that helicopter crashes with one survivor, a young woman pilot.

From that point on we watch as Overgård has to make the decision to leave the safety of his camp and plane to embark on a deadly trek through the unknowns of the Artic world, with only the remotest of hope of making it out alive. If any of you remember RobertRedfords’ amazing turn as a person who’s did the solo survivor role in All is Lost – this one is comparable except think snow/ice/freezing cold. I enjoyed it as I never got bored even though there is probably less than 30 spoken words in the whole film. Mads seems to love doing movies in the cold snow and they do him well back as this film is entirely on him and he holds his own.

Grade: B
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“ARCTIC” IS IN LIMITED RELEASE IN THE US – LOOK FOR WORLDWIDE RELEASE IN THE COMING MONTHS

INSTA-REVIEW: “HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD” (2019) Universal

Four and a half years since we last saw our dragons, they are back in #HowToTrainYourDragon : The Hidden World.  In this one we have little older and wiser Hiccup (JayBaruchel)and he is still leading the effort to save dragons with Astrid AmericaFerrera. Yet not everything is golden as new villain Grimmel the Grisley FMurrayAbraham is out to get them. In between we have a little love affair brewing between #Toothless and new white-scaled dragon #LightFury .

While all of it is fun and it’s a beautifully done film and the Dragons franchise are some of the best animated films ever – it does come up a bit short at achieving the highs of its predecessors.

There is a little lack of the emotional punch in comparison to the first two. And while it might not shine as bright as the two previous works, the few shortcomings the story line has, they don’t overshadow the charm the characters and story bring you.

Grade: B-

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Media Review Screening: Tuesday, February 19, 2019 ~ Courtesy of Universal Pictures

 

REVIEW: “ALITA: BATTLE ANGEL” (2019) 20th Century Fox

From the dark depths of the cold Los Angeles winter evening, I dared dragged myself to go see this film. With my having already skipped one media screening, I decided to take my own dare and see “ALITA: BATTLE ANGEL” as it is the last one under the 20th Century Fox’s banner before the Disney takeover.

Needless to say, I should have picked truth – as while it took 10 yrs to get made, it only takes 10 minutes to wish you had stayed at home as it’s a film completely and totally taken from a barrage of other films.

Now I’ve not read the source material but I do know that Alita was originally a Manga comic series which is a Japanese graphic art novel. It seems James Cameron, along with Robert Rodriguez, are bringing the first of four of these books to the cinema with this film. From the little research I did into this, eastern stories have a lot of tradition – one being that any hero is the last practitioner of a secret and are martial arts experts. In Alita’s case this is something that I read to be Panzer Kunst which means Tank Art according to the online translator. She also, predictably, has no memory of her past which means we can go on this voyage of growth and discovery together riiight?!! well….

The story is set in the South American, Iron City in the shadow of a gigantic floating station from another lifetime, three hundred years after a great war. So: post apocalyptic dystopia. There is a blend of architectures, super cyberpunk characters, ruins and fragments of forgotten technologies. It looks great and the CGI is fantastic. It all starts with ex-engineer Dr. Dyson Ido (Christoff Waltz) finding the head and shoulders of a female cyborg in a junk pile. Somehow, magically the brain is still alive. So like in the story of Humpty Dumpty, he puts her back together again and proceeds to treat her as his daughter who was, you guessed it, named Alita played here by Rosa Salazar. Alita has no memory of who she once was but she immediately finds love with the handsome motorcycle riding human Hugo (Keenan Johnson) and also finds out within hours that she can fight like a badass. When Hugo introduces Alita to the brutal spectator sport of Motorball where the carnage is more important than the score and the winner gets a ticket to the space station. All bets are on you know who is going to want to be a Mortorball star and where this film is heading.

‘If’ this film, which had it maybe been made 10 years ago before we had say Pacific Rim, or ‘if’ it had maybe one original idea of its own, I might have really enjoyed it. As is, ‘Motorball’ the game it portrays, is a COMPLETE and total ripoff of the original 70’s Rollerball with James Caan (catorgically a much better film by the way). ‘If’ maybe the baddies like Zapan (Ed Skrein) weren’t simply already done so many times before, or ‘if’ Jennifer Connelly & Mahershala Ali had just not phoned in their performances and ‘if’ they had given them some grit. All those ‘ifs’ just make this too hard of a film to roll with all the way through.

While the character development is quite decent, it’s the characters themselves that gave me question. Some might not be bothered by the huge Manga eyes on Alita, but for me they were just plain creepy. Add into that, the whole doll-like 12yr old look that reminded me of the ‘Big Eyes’ paintings – another ‘not working’ item for me. I even got a bit creeped out of sorts by Christoph Waltzs’ Dr. Ido at the beginning when he leans over her broken machine body as he first finds her and says ‘You will be my little angel’. Granted, he turns out to be a ‘good guy’.

This was by far not the worst Sci-Fi I’ve ever seen, but it is one of the most lackluster. My take is if you love the comic story it’s based on, you will probably understand the film and like it a lot more as I didn’t hate it and as a time killer it was decent enough. While Alita: Battle Angel didn’t leave me wanting more and the next chapters don’t entice much, the cold hard fact is this film would probably have been best had it been done 10 yrs ago as we might not have seen the same-type cyborg movies that have already been done so many times previous to it and this would have seemed fresh & new. As it was, I’ve seen it and it just was all used material from so many other films.

Lastly, do you need to watch it in IMAX/3D? The flying jumps and weapon projectiles do look good – but it’s a lot of extra money for something that isn’t essential.

Grade: C-
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Media Review Screening Tuesday, February 7, 2019 ~ courtesy of 20th Century Fox
“ALITA: BATTLE ANGEL” IS OUT WORLDWIDE AS OF FRIDAY, FEBRUARY 15, 2019

INSTA-REVIEW “AQUAMAN” (2018) Warner Bros.

Two things I never thought I would see. 1. #NicoleKidman in a DC superhero movie or 2. Another DC superhero movie. 😁 okay kidding on the latter – but as most of already seen this with an early overseas debut..I will be quick about even the the film was so very very loooong.

#JasonMomoa is back as #Aquaman and sharing the screen with him is #AmberHeard as Princess Mera, who visits him on land to tell him he must accept his rightful role as ruler of Atlantis even though he is a half breed as his father Tom #TemueraMorrison is ‘surface dweller’ and his mother is a queen. #WillemDafoe is his mentor Vulko..and a terribly mis-cast #PatrickWilson is his half-brother King Orm.

There is so much backstory involved here, much of it so densely written you have a hard time following as they don’t actually make it enticing enough to do so. You have a lot of violence moth above ground and even including it’s very own underwater straight out of ‘Gladiator’ Coliseum battle.

The whole Atlantis concept is quite stunning and well done. A huge strong point of the film itself. But random characters like Black Manta #YahaAbdulMateenII aren’t played well except to let you know early on what #Aquaman2 will be about.

Momoa does single handedly save this one as best he can with a plot that is truly all over the place and much too long and drawn out. And by far, this is not a film for children in the slightest. So will I recommend it for DC fans – sure because they did finally bring something a bit new to the table.

Grade: C
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Media Review screening Wednesday, Dec 19, 2018 – courtesy of Warner Bros.
“AQUAMAN” IS OUT WORLDWIDE AS OF FRIDAY, DECEMEBER 21, 2018

Film Review: “SMALLFOOT” (2018) – This WBA movie is good family fun – great soundtrack – but will it stand out in a crowd

With this new addition from WBA (Warner Bros. Animation) to the animation game, this clever little spin on the BigFoot/Smallfoot switch-a-roo works fairly well in getting it’s message across. With an all-star voice over cast, that adds a wonderfully sequenced soundtrack with everyone from Channing Tatum, James Cordon, and Common & Zendaya adding their own spin of musical genres. “Smallfoot” cleverly inverts the point-of-view tale of how human and Yetis is to be told, but behind every animation movie, there is a message, and for me this one got a bit dark toned for a moment before it luckily lighted up into a nice, easily understood ending for the kids.

‘SMALLFOOT’ follows the tales of a clan of bigfoots living high up in the Himalayan mountains whose peaceful and orderly lives are disrupted when one of their own Migo (Channing Tatum), stumbles upon a a plane crash in the path of the young Yeti when he was flung off-course during gong target practice. See in Yeti mythology banging the gong raises the sun every day, to follow in his father Dorgle (Danny DeVito), footsteps. It means every morning he catapults himself headfirst towards a giant gong in order to wake the sun up. While investigating the airplane wreckage, Migo discovers a ‘smallfoot’ – a human – who is just as startled to come across the ‘mythical’ being as is the bigfoot itself. It isn’t just that these smallfoots (pssst smallfoots are humans 🙂 ) have thus far been the stuff of myth in fact, it’s that their very existence goes against the community’s long-held beliefs, which are literally set in stone and worn around the neck of the high and mighty Stonekeeper (Common). So as you can probably expect, that very individual is told to either rescind his account or face banishment from the community, but by bravely choosing the latter, opens up a whole new path of knowledge, understanding and enlightenment for his fellow 18-foot hairy denizens.

Lest you think that the movie ends up being too heavy-handed, I can reassure you that it never goes to dark for kids, or for that matter turn preachy. On the contrary, there are plenty of amusing details along the way – like how the fun-loving Migo is at first perfectly content to follow what is told, or the finding out about the S.E.S. (Smallfoot Evidentiary Society) a rebel band of Yetis led by the Stonekeeper’s own daughter Meechee (Zendaya), who assists Migo on his quest to find the Smallfoot and prove once and for all, they aren’t lying or delusional. or how Migo first runs into Percy, an animal TV show host whom is not only desperate to save his show and become famous, but he will become unlikely best buddies with Migo – who in his desperation for clicks tries to convince a fellow reporter to dress up in a Yeti costume so he can pretend to have captured one on camera.

So even though ‘Smallfoot’ never hits the gold standard of feature animations, there is plenty of fun and laughs to be had in this fable on lies and ‘myth-understandings’, as well as on mis-communication and the lack thereof. Like I said, you’ll be pleasantly surprised that its makers haven’t opted for just another superficially glossy piece of kids’ entertainment, and have instead decided to evolve the narrative in more complex and satisfying ways. I brought a 5 year old who loved it and completely understood all of it and that’s a big plus in kids movies today as not all have the younger kids in mind when made. It isn’t small or unambitious by any measure, and is in fact big on both entertainment and emotion, so you’ll find that there’s something for every member of the family – big or small – in this delightful celebration of wonder, discovery and truth.

Grade: C+
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Media Review Screening: Saturday, September 22, 2018 ~ Courtesy of Warner Bros.
“SMALLFOOT IS OUT NATIONWIDE FRIDAY, SEPTEMBER 28, 2018 // WORLDWIDE RELEASE FOLLOWING IN OCTOBER 2018

REVIEW: “MISSION: IMPOSSIBLE – FALLOUT” (2018) Paramount Pictures

Its almost impossible to make a good summer blockbuster right now – However, Chris McQuarrie accepted that mission and has fully succeeded. “MISSION: IMPOSSIBLE-FALLOUT” is a visual spectacle that shouldn’t be missed by anyone who loves a good, smart action film with beautifully done wide shots and a great storyline. But don’t blink as you watch, because the story comes at you fast, with flash modes and ulterior motives at every turn.

‘Fallout’ picks up two years after ‘Rogue Nation’ and we get a better insight into Ethan Hunt (Tom Cruise) as a character and his motivations. We learn that although Ethan stopped the Syndicate, the Syndicate agents left alive now call themselves “The Apostles”. Due to a tough decision Ethan makes early on, the Apostles now have three balls of grade A plutonium, enough to make three nuclear bombs with strategic destinations plotted for each of them. And so begins our heroes globe trotting heroics to stop these nuclear disasters as it’s up to Hunt and his gang of IMF agents to find them before it’s too late. Benji Dunn (Simon Pegg), Luther Stickell (Ving Rhames) and Alan Hunley (Alec Baldwin), all return and they’re joined by Henry Cavill’s no-nonsense CIA operative August Walker, Erica Sloan (Angela Bassett) as his handler, and Rebecca Ferguson’s MI6 spy, Ilsa Faust is also back along for the ride.

And what a ride it is. A rather elaborate plot full of double / triple / quadruple crosses, treachery and assumed identities, take the team around the world in a whistle-stop tour of some famous cities. A frenetic car chase through the streets of Paris, a rooftop run through London and a helicopter ride from hell in Kashmir – all impress as do the cast, of particular fun is Vanessa Kirby’s mysterious White Widow.

And Tom …oh Tom, Tom, Tommy, damn, you have this action star thing down pat and do the genre huge justice here. Cruise is as reliable as ever and at 56 – yes I said 56 – he shows no signs of slowing down even if it might take him a little longer to recover from a battering these days. Sorry to call it out, but Dwayne ‘The Rock’ Johnson needs to take page or two from Cruise’s handbook on how to be an actual action film star and make a good action movie. As for Cruise, whether it’s leaping from buildings, jumping from airplanes during a lightning storm or riding a motorbike the wrong way around the Champs-Élysées – he’s coolness personified and is the catalyst for another adrenaline fueled thriller that takes cinematic stunts to a new level. And for the most part, they are actually done by him – without a lot of CGI blah-ness thrown in. This is the real deal people. I applaud him and the crew for raising the bar. The man is a legend and honestly shows that CG is a long way off being as good or as exciting as live action scenes.

The bond of the team (Cruise, Ferguson, Cavill, Pegg and Rhames) is what makes this work and the chemistry of the cast is amazing. I loved Michelle Monaghan back as Julia in this film for the few scenes she has. The chemistry with Cruise is emotional and I love their story together and where it has gone. Henry Cavill too, is a welcome addition to the series and honestly steals some the film best moments. The bathroom fight scene is easily one of the best fight scenes I’ve ever seen. It was great to see him get his teeth into a different type of role. He doesn’t disappoint here.

I also loved that that for the first time they referenced the other sequels which was brilliant but for anyone who hasn’t seen the previous movies it will not go over their heads or is there the need to have seen them.

This film easily takes the ‘Mission: Impossible’ franchise to another level and proves that with a great cast, crew, director and writers, that sequels and series can progress the story and get even better. Hands down, “Mission: Impossible-Fallout” is easily the must see action film of the summer, possibly the whole of 2018.

Grade: A-
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Media Review Screening: Monday, July 22, 2018 ~ Courtesy of Paramount Pictures
“MISSION: IMPOSSIBLE – FALLOUT” WILL BE OUT IN THEATERS NATIONWIDE FRIDAY, JULY 27, 2018 // WORLDWIDE RELEASE FOLLOWS IN AUG 2018

REVIEW: “THE INCREDIBLES 2” (2018) Disney/Pixar Pictures

All these years later, Director Brad Bird, the creative force behind the original ‘INCREDIBLES’, is back with the much anticipated sequel – “THE INCREDIBLES 2”.

And Bird is not the only returnee for the sequel. Also back is the entire Parr Family: Holly Hunter as Elastigirl/Helen/Mom, Craig T Nelson as Mr. Incredible/Bob/Dad, Sarah Vowell as Violet, Huck Milner as Dash, and Eli Fucile as baby Jack Jack. The story picks up not long after the original ended. “Supers” have been outlawed, and the Parrs are in some type of Super Protection Program – similar to Witness Protection. Of course when one is a superhero, doing the right thing just comes naturally, and the opening scene finds them battling their old nemesis Underminer (John Ratzenberger). Our heroes stop the crime, but cause significant damage to the city. This leads to our first social commentary when the powers that be scold the Parrs and inform them that the banks have insurance, and it’s cheaper to let the criminals get away so that the damage is minimized.

As superheroes non-grata, the Parrs try to go “straight” and live a normal life. That is until a powerful brother and sister corporate duo offer a proposal. Winston Deavor (Bob Odenkirk) and Evelyn Deavor (Catherine Keener) want to generate a PR plan to help rebuild the reputation of supers. The idea is to make Elastigirl the public face of the program by having her wear a body cam to show off her heroic deeds (in this age of ‘pics or it didn’t happen’). She’s chosen over Mr. Incredible for economic reasons, and he’s relegated to stay-at-home parent – basically a ‘Mr. Mom’ so to speak. Elastigirl plays up her time in the limelight and clearly enjoys it immensely, while Bob doesn’t much like being just Bob. Plus he can’t understand why they’ve changed math (something I can VERY much relate too, being someone who really doesn’t like the maths at all 🙂 ), as he gets frustrated trying to help Dash with his homework. He’s also challenged with Violet’s teen angst over a boy, and even more so over the discovery that Jack Jack has POWERS! Yes, you read that right. Jack Jack has powers. And boy are they fun! In fact, Jack Jack has multiple powers, but as a baby, he has little control – though his battle with a raccoon is not a segment you’ll soon forget.

Also returning is Frozone(Samuel L. Jackson), and costume designer Edna Mode – voiced by director Bird himself. Other new voices include Jonathan Banks as Rick Dicker, Isabella Rossellini as the Ambassador, and Sophia Bush as Voyd, one of the new generation supers (which includes Reflux – one you’ll just have to experience).

The big new villain causing problems for Elastigirl is ‘ScreenSlaver’, who hypnotizes large groups of people through their screens – more social commentary on our dependence on technology and the addiction/affliction we have toward device screens. The flood of superhero movies over the years since THE INCREDIBLES exposes the not-so-complex story in this one, but it’s terrific that the film keeps much of the original look and feel, and yet brings something new in that baby Jack Jack is a star!

Filled with the beautiful colors and art design we’ve come to take for granted from Pixar, the film also features some of the best action sequences you’ll see in any movie. The train sequence with Elastigirl is simply spectacular – as is the final action sequence. It’s also nice to see the flip in gender roles as Mom aka Elastagirl here, takes the lead. Honestly, Family films don’t get much better than this, and even though it runs 2 hours, the closing credits feature the theme song for each of the superheroes, and could easily have been a short film unto itself.

What can I say except..This movie truly has no flaws and “THE INCREDIBLES 2” is soooo worth the wait of every one of those 14 long years. Not only has it upped it’s game, but somehow it actually improved on those still fun and amazing characters, Mr. Incredible, Elastigirl, and Edna, but with new break-out characters, notably Jack Jack, it goes full-tilt fun!!

Grade: A
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Review Screening: Thursday, June 7, 2018 – Courtesy of Film Independent and LACMA
“THE INCREDIBLES 2 WILL BE OUT NATIONWIDE ON FRIDAY, JUNE 15, 2018 // U.K AND WORLDWIDE IN JUNE/JULY/AUGUST

REVIEW: “ANNIHILATION” (2018) Paramount Pictures

Sometimes I have to step out of the box of basic reviewing. This came to me all at once as I was waking up this morning after viewing “ANNIHILATION” last night – which by and by I really enjoyed. Sure it started off a bit slow, and I could nit-pick over a few things, but by and far it was a fascinating film – until the ending for me. The last 10 minutes took everything I had previously so enjoyed and threw it out the window. What can I say to that? Well I decided to snap it up and make the review like the movie – completely different than the norm.

There once was a lighthouse which started to glimmer,
None could figure out what made it shimmer.
All who went in, never came out,
Save for one, but he can’t recount.

 

So send in the troops , five brave souls and women to boot.
Into the ‘shimmer’ they went, where suspense and chills met them at each turn,
the gene cycle seemingly constantly to spurn.
Nothing set us up for the finale to come, disappointment was most surely to be done.
While beautifully filmed and fairly well acted, there were a few who could be redacted.

And that here sums up my review – for as surely I loved it all the way through,
the ending left me more than feeling a bit blue.
Before I forget to mention – I adored the group of women in this film – from the anthropologist Cass (Tuva Novotny), nerdy physicist Josie (Tessa Thompson), to Natalie Portmans’ ex-Army, biologist role of Lena. But my two favourites were defintiely the gung-ho beefy, butched up Gina Rodriguez as Anya, a paramedic who takes her ‘Jane the Virgin’ role and throws it right out the door – to the magnificently almost scary, creepy Jennifer Jason Leigh whose cagey psychologist role of Dr. Ventress takes this performance to a very different level.

Grade: C+
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Media Review Screening: Tuesday, February 20, 2018 ~ Courtesy of Paramount Pictures
‘ANNIHILATION’ is out in theaters nationwide on Friday, February 23, 2018 // International release starting March 2018

REVIEW: “PADDINGTON 2” (2018) Warner Bros.

Growing up, we didn’t have the adorable Paddington Bear as he was mostly a British ‘bear’. It was only later that I was made aware of his wonderful adventures. So I was hugely surprised at just how good the first film was and was tentatively cautious when this sequel was green-lighted that perhaps it might cheapen Michael Bond’s beloved family friendly creation.

However, fear not, for this sequel is absolutely terrific on all levels. Firstly it is as funny and witty and as brilliantly animated as the first film. The excellent cast from the first film is also enhanced by a superb turn from Hugh Grant as Phoenix Buchanan. Grant, who hasn’t been as good as he is here in a long time, is even nominated for a BAFTA for his role here as the villian, and rightfully so I say. In fact it is quite clear to the viewer that Grant is thoroughly enjoying himself by playing against type and sending himself up as a faded egotistical actor and total cad who sets Paddington up to be the fall guy (or should that be Bear? 🙂 ) for a dastardly deed. There is a touch of the pantomime villain to his performance, but it works splendidly and it fits his character perfectly.

All the wit and heart of the first film is still evident here and in some ways, built upon. Brendan Gleeson is superb as the ‘nasty’ Knuckles, an old lag and prison cook who loses his angry nature when he succumbs to Paddington’s charms and talents in the kitchen who warms up to Paddington quickly..maybe too quickly. The whole film shows and plays scenes as a child might imagine things to be – for example how the prison works and especially the lovely idea that the warden reads the inmates a bedtime story to help them all get to sleep. There are also loads of great jokes too, some pitched at younger children and some deliberately aimed at the more adult viewer. I took a 4 1/2 yr old and she definitely laughed at different parts than the adults at the screening did and there was a good 10-15 lag time where I was glad they had so nicely given us an adorable Paddington Bear backpack with our own Paddington Beach & storytime book as she started to look through that. It is a bit lengthy of a film for children at 1 hour 45min run time.

All in all this is a worthy sequel and a great memorial to Paddingtons creator, Michael Bond, who sadly passed while this sequel was still being filmed. It is full of laughs, thrills, action sequences, great characters, some wonderful animation and you would have to have a hard heart indeed to not burst into a smile at the end. Also, don’t leave the film before the credits start to roll and you will surely miss Hugh Grant gloriously send himself up with a musical song and dance act as the end credits roll.

Thoroughly recommended to anybody who wants to see film of family friendly fun that isn’t either sickly sweet or too dark for youngsters and still thoroughly watchable to adults too. Great fun and a worthy sequel to the first Paddington.

Grade: B
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Media Review Screening: Wednesday, January 10, 2017 ~ Courtesy of Warner Bros.
PADDINGTON 2 IS NOW PLAYING IN THEATRES WORLDWIDE