Tag Archives: Richard Madden

REVIEW: “1917” (2019) Universal Pictures

“1917” is a cinematic feast for the eyes, with long expansive shots that follow the lead characters as they execute their mission. It does not hide the horrors that existed in trench warfare, it shows them for their brutality and abundance. A war that is now a century old and therefore no longer widely talked about or understood, is vividly captured in this stunning dramatization by Director Sam Mendes. To anyone who might be hesitating to see the film because they think they will be subjected to the graphic violence and gore of say a ‘Saving Private Ryan’, I can only suggest you don’t, as while ‘1917’ is realistically gruesome, Mendes captures the horrors of war with a more emotional sense and aesthetics. While graphic at varying moments, you are never hit over the head with it. ‘1917’ in this way is beautifully artistic, never straying close to being shock art, but not holding back at the same time.

The year is of course ‘1917’. Deep in the heart of France, British soldiers battle the Germans in what appears to be insurmountable odds. Filmed and edited as if it was one long take by 14 time Academy Award nominee cinematographer Roger Deakins, the camera never leaves our leads motion on the battlefield where we meet the two young soldiers, Lance Corporal Blake (Dean-Charles Chapman) and Lance Corporal Schofield (George Mackay). They’ve just been assigned an impossible mission by General Erinmore (Colin Firth) to do three very important things: 1. travel by foot behind enemy lines 2. avoid German snipers and artillery 3. find a British battalion that is about to walk into a trap set up by the Germans. It’s a task so dangerous it will probably cost both men their lives, but if they fail, it will lead to the massacre of 1,600 British soldiers. Adding to the urgency of the assignment, Blake’s older brother is one of the 1,600 soldiers about to walk into the ambush. There is no clock ticking in the corner of the screen, but we know time is of the essence, and quite limited.

And although MacKay and Chapman do a pretty phenomenal job at capturing the true essence of their characters going through a literal hell, it’s the side characters with little-to-no screen time who steal their spotlight. Andrew Scott, Mark Strong, Richard Madden and Benedict Cumberbatch are checkpoints along the way, but they do impress with the few lines they’re given.

Apart from a couple of nit-picky things there is nothing bad about this movie. To be fair, it could be said some of the scenes are empty and it might test audiences’ patience. It’s even eluded to at the start there is no food around, yet Blake looks very well fed. Chapman also doesn’t nail some of the important scenes, which takes some of the emotional punch away from them. The French women in the cave has a baby that’s not hers, and he just happens to have milk – in the middle of a battle field – felt a bit contrived. The only other thing to mention might be the fact the Germans here can’t seem to aim to save their lives, so much so that it did start to feel a little hard to believe at times.

I rated this quite high film for many reasons. Directing, acting, set design, cinematography, musical score, the raw emotion it invokes. Watch if you will, but know there is no pleasure in watching and the film will grab you and the beginning and not let you go. Even though we know the outcome of WWI, there is no joy, there is no peace. Watch because it will allow you a glimpse at the horror and brutality of war; reflect on their service and sacrifice and hope it never happens again.

Grade: B+

Follow me on twitter: @pegsatthemovies and Instagram: peggyatthemovies

 

Media Review Screening: Wednesday, December 18, 2019 ~ Courtesy of Universal Pictures

“1917” WILL BE OUT IN THEATERS WORLDWIDE FRIDAY, JANUARY 10, 2020

REVIEW: “ROCKETMAN” (2019) Paramount Pictures

Where do we start here…well with Elton Hercules John a.k.a. Reginald Kenneth Dwight of course. This is one movie I predict is going to get very mixed reviews because while it has an R rating and can show a bit more spunk, it’s also more Broadway musical and flits between scenes of Elton’s life at a very high speed, most especially in it’s second half.  I predict many will love it, and some might revile it. I was caught somewhere in the middle. Without giving any actual spoilers away and going step by step through the film every scene, consider this:

1. If you absolutely do not like musicals, save your money. This is the John/Taupin equivalent of a Rodgers & Hammerstein show. It is not presented as a straightforward biopic in the same manner as ‘Bohemian Rhapsody‘, though honestly these two films shouldn’t even be compared side by side because of many different factors, some of which include the rating (R vs PG-13), that they were two completely totally different types of musicians, one was  a band, one is a solo artist etc.. so just don’t do it. Don’t compare. It’s silly.

2. Much as I like Elton John, this “rock & roll fantasy” of his life treads a little too far into campy territory for me, with two, maybe three very (thankfully) brief moments in the film that can only be described as cringe-worthy. (“Oh, come on, guys–seriously?” moments.) There were times when I genuinely felt this was going to end up as the Ken Russell version of ‘Tommy’ for the new millennium.

 

These few things however, are about my only problems with the film. Credit must be given where it’s due:

1. Taron Egerton is just amazing as Elton. Some might see his acting as occasionally over the top, but frankly and for all we know, maybe EJ really did act that “extremely” at times, considering his anger issues. His singing, most of the time, is virtually spot-on, catching EJ’s lilting singing style quite well.

2. The supporting cast: Jamie Bell (Bernie Taupin), Bryce Dallas Howard (Sheila – Elton’s mother) , Richard Madden (John Reid – EJ’s agent & self-centered 1st lover), Stephen Graham (Dick James), a simply standout performance by Tate Donovan (L.A.’s Troubador Club manager Doug Weston), Gemma Jones (Ivy, EJ’s grandmother) & Steven Mackintosh (Stanley – EJ’s cold, uncaring father) and all others in the film are essentially faultless.

3. Much as I wasn’t prepared for a musical/rock opera, it’s hard to find fault with the staging and choreography of the musical numbers. Very professionally done.

4. You will learn many things about EJ’s life in this film, most especially his early family life that you may not have known before…I know I did.

5. Don’t leave right away after the credits roll.

So, is it worth seeing? My criticisms aside (and we all know what they say about opinions), it really comes down to this: if you’re a fan–and especially a dedicated fan most definitely go see it. Decide for yourself if my few gripes hold any water.

Grade: B-

@pegsatthemovies

 

Media Review Screening: Wednesday, May 22, 2019 ~ Courtesy of Paramount Pictures

“ROCKETMAN” IS NOW PLAYING WORLDWIDE 

‘Cinderella’, ‘Insurgent’, ‘Danny Collins’, ‘Jauja’, ’71’, ‘The Salvation’, ’50 Shades of Grey’

So I’ve seen a bunch of films lately that have all been pretty average or just plain bad..with one I really liked!! And as sometimes we all feel like a bad film has just sucked it out of us, I didn’t even feel like giving some of them a review..but then decided to suck it all in and just put them all in one with a few bits about each and let everyone make up their own minds to see them or not.

I’m starting with the one that actually surprised me out of the group because I actually did like it…not love it mind you, but a good ‘like’ is pretty much all I’m looking for now-a-days from a film!
So let’s begin:
cinderella
CINDERELLA (2015) Disney Studios – Every little girl knows this story by heart growing up..it’s truly a little girls fantasy that no matter how crappy things are, you have the chance of one day meeting your ‘prince’. We all bank on it somewhat that it could actually happen. And then you grow up. ha! What surprised me was how much I liked revisiting this version of the story. Richard Madden as “Prince Kit”, (whom I loved and miss as Robb Stark), really made a very believable Prince and Lily James is a quite wonderful “Cinderella”. Cate Blanchett as the wicked stepmother was perfect, and it’s always nice to see ‘Daisy’ from Downton Abbey (one of my fav. characters of that show) Sophie McShera “Drisella” and Holliday Grainger “Anastasia” doing a fun spin on the wicked stepsisters. Throw in Stellan Skarsgard as the “Grand Duke” and Derek Jacobi as the “King” and you have a well-rounded out cast that brings some new blood & life to this story. And that’s what I liked best of all about it. Told in a little bit more updated version, though not time-wise, but tale-wise, brought it all to life in a really nice wrapped up gift. Was it super fantastic and the best Cinderella story ever told..nah..but it certainly was a nice breath of fresh air and a decent enough way to spend an afternoon reliving the little girl inside of me.

Grade: C+

Next on the list:
Insurgent_poster
INSURGENT (2015) Lionsgate/Summit Ent.
For this one I actually looked back at my review of “Divergent” from back in March of 2014. https://peggyatthemovies.com/2014/03/26/peggyatthemovies-review-of-divergent-2/ .

Basically I could just repeat it almost word for word except for a few minor things.. Like first off how this one was worse, second of all; bad bad casting decision on Naomi Watts as “Evelyn”, Four’s mother. And yes, the lovely Theo James reprising his role here, though annoying enough he kills the best character they had of all as I noted in my Divergent review also, “Eric” (Jai Courtney) this time round. You know my motto, you’re only as good as your villain and Courtney played a good villain.
Miles Teller as “Peter” steps it up some this time, but after you’ve seen him in Whiplash, it’s hard to take this performance seriously as you now know what he’s truly capable of. Ansel Egort “Caleb” is pretty non-existent both in character and performance, and Shailene Woodley coming back as “Tris” is annoyingly bad…again. I mean in an opening scene she decides to chop off all her hair for a new look.. now we know with the hack-knife that she’s using there is no way this is coming out well.. but oh no..not with Shailene..it’s perfectly coiffed hair cut. Please. Stop it.

I didn’t hate the first one, but I liked this one even less and losing a good villain and not adding anyone of consequence..I think I might be out of town, or ya know, busy washing my hair for the next one.

Grade: D

Moving on—
danny collins
DANNY COLLINS (2015) UNIVERSAL

Sigh. I j’adore Al Pacino. I always have. I’ve met him a few times, sat next to him at a movie at Sony once and he shared his candy with me and is truly one of the nicest guys ever. He’s also Al freaking Pacino!!! I mean… enough said right.

Well here he plays “Danny Collins”, an aging rock star who’s manager & best friend “Frank Grubman” (Christopher Plummer) discovers 40 years after the fact, that John Lennon wrote him a letter telling him to basically stay true to himself at what he was doing at the time. Clearly he didn’t and now decides to change his life and sit down and write the songs that were true to him back then, thinking his now-aged audience will want to hear them. They don’t. There is a back story here that I won’t even get into because it’s so passe’ but I will say that Bobby Cannavale as his son “Tom Donnelly” is refreshingly good and I don’t think gets enough credit for his work ever. Annette Benning “Mary Sinclair” as the hotel manager whom Collins is trying to woo into having dinner and maybe more, with him, of course carries herself. Jennifer Garner “Samantha Donnelly” as Tom’s wife holds her own in this company. There are a few really nice, fun moments and as you see them coming a mile away, a few harder ones also, though you pretty much can see in sight what the ending is. In December I went to a screening with a Q & A with Mr. Pacino afterwards of “The Humbling”. This film is almost a cover version of that one except here he is an aging rock star vs. an aging actor.
But ya know what.. no matter as I will always go see an Al Pacino film.

Grade: C-

Neeexxt…
jauja
JAUJA (2014)
I will be deadly honest with you all here. I am not completely sure what this film was even really about. I went because I was invited to a screening with Viggo Mortensen doing a Q & A afterwards and as I am a big fan of his, I thought “sure I’ll go”. Huh.. I think it’s basically a journey of a father, “Gunnar Dineson” (Mortensen) and daughter “Ingebord” (Villbjork Malling Agger) thru a desert though I’m not sure where they are going exactly, and the daughter runs away with her boyfriend in the middle of it, though there is another person they are hunting, or is he hunting them?? And then he meets a witch in a cave while searching for her.. or does he really?? again, completely confused. And then BOOM! all of a sudden it’s present day and it’s the same daughter living in a nice house but without the father. The whole film switches between Danish & Spanish speaking and let’s just all agree to say that I didn’t get it and call me completely lost on this one.. like ‘we have to go back to the island’ LOST. 🙂

I will say Viggo was an absolutely wonderful guy with a lot to talk about. I think he could tell that I might be a little confused by the film and offered to have me to stay for the second screening they were having later. I told a white lie and said I had plans..which I kinda did. They involved me watching the Malaysian Grand Prix a little later. 🙂 And we ended up talking mostly about football aka soccer, as he brought it up when speaking and it turns out we like the same teams. So there ya have it.
Movie grade: D
Conversation with Viggo grade: A 🙂 Viggo

71
’71
Being a fan of Jack O’Connell‘s I saw this film a few weeks back and while for the most part, I liked it, and liked his performance as “Gary Hook” the somewhat dis-oriented British soldier who during a riot on the streets of Belfast during the height of the Irish Catholic/Protestant war i.e., 1971, gets left behind by his unit.
What follows was a bit of a convoluted story for me of him being chased down, beaten up, shot, and surviving a bomb attack all in a matter of what..48hrs. I dunno.. a lot of it just seemed a bit implausible for me. And what’s with him always constantly getting the crap beat out of him in pretty much every single film he’s ever done!! ha! Sorry..sorry.. I know I shouldn’t even be commenting that because this is a serious film..but hey. I call it as I see it.

The side story here is of course religion and how much these people hate each other over it..once again..I’m never that great with these story lines because I’m not religious and can’t imagine killing someone over it. But it’s gone on for thousands of years, and as we all know in Ireland, it was really heavy duty for about 30+ or so years until the ‘peace treaty signed about 17 yrs ago, with this time period truly being the height of it all. There is also a nice sub-plot of crooked police detectives “Sgt. Leslie Lewis” (Paul Anderson), “Capt. Sandy Browning” (Sean Harris) helping both sides in a way and the rest of a good supporting cast including Sam Reid as “Lt. Armitage” who is O’Connell’s commanding officer and seemingly the only person really looking out for him & on his side to find him. This is a rough movie, not altogether great, but it will keep you watching till the end.

Grade: C

Almost to the end..

the salvation
THE SALVATION (2014) IFC Films

Since this just came for a one week run here in L.A. a few weeks ago, I had the chance to catch it on at my favourite art-house theatre, the NuArt. But whoa.. what a film. I mean if one more thing happened to Mads Mikkelson’s character here. Well I just don’t think it would be humanly possible. To put it lightly..this is a dark dark film (yes pun intended) that just takes you places that I probably never want to visit again.

It’s a Western, but not like one you’ve ever seen before because it’s not just Cowboys & Indians here. It’s really like how it must have truly been because there were tons of immigrants coming from all over and settling in as cowboys, though in every Western you’ve ever seen, they just pretend that suddenly everyone was just a regular old southern boy without an accent drifting out West. ZZZzzzzz

Well this one is 1870’s America, the gold rush is on, and this peaceful Danish settler “Jon” (Mads Mikkelson) has been separated from his wife & son for 7 years and finally brings them out to be with him. Literally within an hour of being here, they are kidnapped, his wife raped & murdered & young son also murdered by two degenerates, one of them being a character named “Paul” (Michael Raymond–James). Jon sets out, with his brother “Peter”(Mikael Persbrant) to avenge their deaths and hunts them down and kills them, which then leads to the unleashing of notorious gang leader “Delarue” (Jeffrey Dean Morgan) coming after them as Paul was, unbeknownst to Jon, Delarue’s brother. The really weird townspeople then desert him in his hour of need because they don’t want to die, ends up most of them do. Eva Green is thrown in as a character named “Madelaine” who has her tongue cut out so she doesn’t speak..which doesn’t matter as she really can’t act anyways.. and then comes some really hard core horrible death scenes and basically anything that can go wrong for Jon does, until of course it doesn’t.

This isn’t a great film, it a super depressing one to be honest, but it’s also not horrible. Mads is quite good as a cowboy, Jeffrey Dean Morgan even better possibly as the villain, though you know my motto, you’re only as good a your villain..yeah that doesn’t apply here. Jonathan Pryce “Keane”, Eric Cantona “Corsican”, Sean Cameron Michael “Lester” and Jose Domingos “Raul Delgado” all offer good supporting characters. This film was definitely a mixed bag for me.

Grade: C

50 shades
50 SHADES OF GREY (2015) Focus Features/Universal Pictures

What was the big deal here is all I kept thinking about while watching this film. I thought I was going to be watching the second coming of Deep Throat or some really trumped up S & M film or something the way everyone was going on about it..and all I got was an actually very tame, quite badly done film about this guy, “Christian Grey” (Jamie Dornan) wanting to control this girl “Anatasia Steele” (Dakota Johnson). She’s a literature student who works in a hardware store (of course she does) and he’s a tormented handsome, self-made millionaire businessman..ZZZzzzz oh sorry I drifted off there for a minute just telling with that ridiculous storyline. They are like the new Twilight couple featuring some S & M sex vs. vampires & wolves. Control in the way of having her sign a contract before sex, because he doesn’t spend the night with anyone or have relationships..blah blah blah.. of he does end up doing so, she ends up letting him take her to the ‘The Red Room’ and with some reeaaally bad dialogue thrown in and possibly worse acting, you have the story in a nutshell. I don’t think two people with less chemistry together have made a movie about sex so badly before. And truly, there wasn’t anything hardcore about this. Why all the fuss?? So the guy has a dungeon like room full of sex toys.. a few sex scenes that seriously weren’t that far out there at all. I feel like I must have missed something..but if I did, that’s okay because I will probably miss the next few ones in the trilogy also unless they up their game and their acting ..a lot.

Grade: D

So now you see why I just threw them altogether in one review. I like some, but didn’t love any of them. And now I’m caught up, back and ready to go! 😀
@pegsatthemovies
peggyatthemovies.com

(See grading scale)