REVIEW: “SKYSCRAPER” (2018) Universal Studios

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You know how sometimes you see a movie that is so bad..it’s good. Well, “SKYSCRAPER” was not that movie. It’s just flat out completely terrible. There is not one redeeming quality to this film except for maybe the fact that you will laugh out loud at how bad it truly is – as the audience at last Monday’s Arclight Hollywood media screening most certainly did. They also erupted into applause in scene after scene, noting the absolute straining of credibility and common sense this film puts forth.

Dwayne ‘The Rock’ Johnson (whom I believe doesn’t use The Rock anymore at all – but come on, it’s still a fun name) plays Will Sawyer, a former FBI operative who loses a leg during a botched mission. Yes people, I shit you not, The Rock is an amputee who uses that fake aluminium leg in more ways than anyone ever thought possible. The good thing that seemingly happens to you when you blow a mission & a leg is that you find a combat surgeon wife Sarah (Neve Campbell),and twins Georgia (McKenna Roberts) & Henry (Noah Cottrell). Picking up 10 years later, Sawyer is now a security consultant and is in Hong Kong to access and give approval to the worlds tallest building “The Pearl” owned by Hong Kong developer Zhao Long Ji (Chin Han).

Little does he know his best friend whom he survived his mission years ago with – Ben (Pablo Schreiber), is stabbing him in the back and setting him up to fail as he is working for our villan of this silly movie, Kores Botha (Roland Møller). Kores kidnaps his wife & kids and in order to get them back, he must of course do all sorts of crazy antics – such as, but not limited to, scaling up 96 stories on a construction crane and pulling himself thru windows with his own sheer will of strength (sigh), all while the ledge is crumbling around him. Oh..and let’s not forget that Sarah is calling up to him from the ground floor of the building at one point and he can ‘hear her’. Yes, bionic hearing at it’s best.

There really isn’t any reason to go any further as this movie is just flat out ridiculous. And look, I get it, Johnson ia the replacement for Schwarznegger, Stallone and Willis, as they are just too old at this point. But some of their movies were actually good. I’m still waiting for that one of The Rock’s that is.

So let me do you all a solid here and advise you that instead of seeing this one, spend your hard earned money on a great indie film whose whole budget is probably .000018% of what The Rock got paid, and see a good movie instead.

Grade: D-
@pegsatthemovies

 

Media Review Screening: Monday, July 9, 2018 ~ Courtesy of Universal Pictures

“SKYSCRAPER” IS IN THEATERS NATIONWIDE/WORLDWIDE (regrettably)

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REVIEW: “ATOMIC BLONDE” (2017) Universal Pictures

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Ever since Mad Max: Fury Road, I felt as though Charlize Theron could really do no wrong at playing a kick-ass, strong female character – as let’s face it, she should have been nominated for that role. With “Atomic Blonde”, it feels as though what I thought is correct. Theron’s character, Lorraine Broughton is a concoction of James Bond shaken (not stirred) with a bit of John Wick and perhaps even a little Bourne as an added twist of sour lemon. That is of course except for the simple fact that she could probably kick all their asses while barely mussing up her hair.

“Atomic Blonde” isn’t all sex and violence, though yes, it’s what drives the film, as there is a story in here, though I will say it’s not the most well written one. It’s a 80’s spy flick turned upside down as it’s lead character takes us on a thriller of a ride, done mostly in flashbacks during an investigation being conducted by Eric Gray (Toby Jones), and our own CIA exec Emmett Kurzfeld (John Goodman), who seem to be trying to work together here..sort of. With some fantastic 80’s fashion and a soundtrack that is in and of itself, it’s own character, as every song fits perfectly into it’s scene and makes a huge impression on the audience by making you want to stand up and dance, but instead, you sit because you’re being transfixed by some crazy fun, fantastic action scenes.

The setup: Lorraine is an undercover MI6 agent sent to Berlin in the days before the Wall comes down to investigate the murder of a fellow agent and recover a important list that asylum seeking agent code-named Spyglass (Eddie Marsan), which contains the names of double agents that’s fallen into the wrong hands of Aleksander Bremovych (Roland Møller). James McAvoy plays David Percival, a fellow agent who’s probably been in Berlin a little too long as he’s clearly running a black market on the side and doesn’t really seem to be on the up and up agent-wise. Berlin is at the point of time where there are protests every day with the East & West sides wanting the downfall of the infamous Berlin Wall that separates them. So of course with all that going on, it’s in a complete state of chaos which predicates the plot here. Things are changing and changing fast with Lorraine being basically sent into an impossible situation, which in order to stay alive, she’s needs to not only be one step ahead, but going to have to fight like hell just to survive and get herself out, let alone fulfill the mission.

All in all, it’s the action that makes this film and leaves the storyline in the dust, with Theron truly being an “Atomic Blonde”. The acting beyond the action, isn’t really there. Sofia Boutella, whom usually is the one doing all the ass-kicking, is really in her first role here that she doesn’t, and honestly, you could have left her French agent character Delphine Lasalle out and no one would have missed her, unless of course the sex scene between her and Charlize are important to you, but it’s truly not an addition or would it be a subtraction that would be missed to the plot. Lastly, you know how picky I am with accents but I do give a hush-hush wink-wink to Theron’s playing a British one here. 😉

Grade: B-
@pegsatthemovies

Media Review Screening: Monday, July 24, 2017 ~ Courtesy of Universal Pictures
“Atomic Blonde” will be released in theatres nationwide on Friday, July 28, 2017