Category Archives: 1980’s

Film Review: “The Old Man & The Gun” (2018) Fox Searchlight

I am a member of a club. A club that has enjoyed watching Robert Redford at every stage of his career. I’ve seen all his movies, many more than once. I’ve always adored him while enjoyed watching him onscreen and truly have always thought he didn’t get enough critical acclaim as an actor, but was tossed off as the ‘pretty boy’ for many years. For me, he has always been completely underrated and although he’s no longer the stunning young man he once was, he retains every bit of the star quality that blossomed sixty years ago earning every single wrinkle in his face which remains untouched by any markings of things done by many similar in age.

The Old Man & the Gun is a vehicle for Redford in the best sense of that term, a good story that showcases its leading man to best advantage, though not perfect in doing so for its supporting characters development along the way. Redford acquired the screen rights to this surprisingly true story and then brought it to director David Lowery, with whom he teamed with before.

Redford plays an unlikely character in Forrest Tucker, a gentleman bank robber, and a fairly good one at that. Though he’s been arrested sixteen times, he’s also managed to escape every single time. He is so unassuming that no one suspects him when he saunters into a bank about to ply his trade. But the film is really just about a man who doesn’t have many years left in his life and simply wishes to do what makes him happy. Robbing banks in the most polite way that he possibly can, without ever harming anyone, and pretty much always getting away with it, and finding time in-between to charm Jewel (Sissy Spacek). Redford is well supported by Casey Affleck as John Hunt, a police officer who is on the robbery detail and whom is completely determined to nab this guy and put him away for good. Waller (Tom Waits) and Teddy (Danny Glover) are Tucker’s partners in crime, though again, I wish their characters were just a bit more on the developed side. And while Spacek’s role as the widow who doesn’t approve of what he does, but also can’t help falling under his spell, is truly quite wonderful most especially in one specific scene when they are sitting opposite each other in a coffee-shop booth. His eyes are so alive it’s positively dazzling and she responds to this so perfectly. This goes far beyond an two actors reading lines. There is a magic here and the combination of her and Redford is just that, quite magical. If the rumours are true and this really ISN’T his last film, I would love to see them work together again.

For as slow as this film sometimes is, as it’s not perfect, especially if it was a ‘retirement film’, it still never me once had me checking my watch. This 90-minute film flies by, even with its slow pace. And again, it’s Redford – I’ll leave it at that.

Grade: C+
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Media Review Screening: Monday, September 24, 2018 ~ Courtesy of Fox Searchlight
“THE OLD MAN & THE GUN” IS OUT NATIONWIDE // WORLDWIDE RELEASE TO FOLLOW IN OCTOBER

DAY 3 ~ COUNTDOWN TO THE OSCARS ~ “BEST DIRECTOR”

DAY 3 of my Countdown to the Oscars and it’s BEST DIRECTOR time. A tough one for me as Tom Ford/Nocturnal Animals would have been my pick here – but sadly, not nominated. So here we are with my thoughts of who the winner will be, and usually I would have my pick for whom I might like it to be, but I just don’t really have a personal frontrunner here.

DIRECTING

Arrival, Denis Villeneuve
While I thought this movie was one of the best Sci-Fi films I’d seen in sometime, there were points where it lagged so slowly and could easily have been cut by a good 20 minutes if not more.

Hacksaw Ridge, Mel Gibson
I decided not to go with Hacksaw Ridge, and not because of anything to do with Mel Gibson’s personal problems — though while never forgiven or forgotten, I do think he’s a different person now and a very talented director and I wish him well. For me it was more the cheesy-ness of the first 45-minutes of this picture and the bad accents.

La La Land, Damien ChazelleWINNER
While again, this wasn’t my favourite movie – to much sappy for me, but I so loved what he did with Whiplash and how he should have won for that, that it was forgivable. Plus he’s probably going to win.

Manchester by the Sea, Kenneth Lonergan
While I found this film in and of itself to be rather plodding, Lonergan did make everything click together finally at the end, though slowly..veerry slowly.

Moonlight, Barry Jenkins
It wasn’t my favourite film of the year as I just felt like I’d seen this story before and done better on The Wire. While Jenkins did a really good job on a shoestring budget, the movie’s three parts aren’t as connected as they could have been.

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Thanks all for taking the time to give this a read. Let me know your thoughts on if you agree or disagree with my picks. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

DAY 1 ~ COUNTDOWN TO THE OSCARS ~ BEST SUPPORTING ACTRESS

Well, Well, Well.. here we are!! At that time of year once again where I give a countdown of my top Oscar categories. And though I’ve seen all the films presented this year, I will only be doing the top 6 categories due to a bit of a late start with the long holiday weekend we had and being deluged with rain. First up ~ Best Supporting Actress. I’m giving who I think the winner will be and what would be my pick. You might agree or even better, you might disagree 🙂
So with that..I give you Day 1 of #peggyatthemovies Oscar picks. Cheers!

ACTRESS IN A SUPPORTING ROLE

Viola Davis, FencesWINNER
Let’s be honest here, she shouldn’t even be in this category, she should be in BEST ACTRESS.. So even though my pick is someone else, she is highly deserving of an award..just in a different category.

Naomie Harris, Moonlight
Liked her performance – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it and wasn’t all that different from everything else I’ve seen her do

Octavia Spencer, Hidden FiguresMY PICK
Now I called this when I saw the film back in November. The whole movie is wonderful with all really good performances and Octavia being the highlight of the three, she takes it here for me. She has been and is my only and clear choice from moment one.

Michelle Williams, Manchester by the Sea
Really, a blink of eye – seven minutes total on screen. And while the last scene with her and Affleck is the scene of the film.. still.

Thanks all for taking the time to give this a read. Let me know your thoughts on if you agree or disagree with my picks. Don’t forget to give this blog a follow or a follow on twitter as well @pegsatthemovies. Cheers!

REVIEW: “EVERYBODY WANTS SOME” (2016) Paramount Pictures

“Everybody Wants Some” consists of little more than film of a bunch of overly-competitive jocks joking with each other, partying, and trying to get laid over the course of three days before school starts.

With the countdown on, the opening of the film doesn’t even attempt to describe what’s going to happen and the end of the film barely describes what happened beforehand.

The cast of the film (i.e., the 12 guys who make up the group of athletes) Nesbit (Austin Amelio), McReynolds (Tyler Hoechlin), Jake (Blake Jenner), Roper (Ryan Guzman), Willoughby (Wyatt Russell), Finnegan (Glen Powell), Plummer (Temple Baker), Dale (J. Quinton Johnson), Beuter (Will Brittain), Jay (Juston Street), Brumley (Tanner Kalina), and Coma (Forrest Vickery) are baseball players, yet there is no baseball played until the very end. They are basically just on one big continual lookout for stimulus in the largest and tiniest things…and really whatever kind of stimulus they can get their hands on whether it be getting stoned, constantly drunk or high.
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Story-wise, it unfolds over almost every part of the 80’s era, which is, as far as I could tell, undefined yet each night takes us to a different flavor of the time: disco, punk, you name it…which makes the soundtrack very listenable..and the best part of this lackluster film.

Featuring bad frat-boy dialogue or a narrative that tries to hard with a cast of guys that look to be in their late 20’s & early 30’s vs. college age, this is Linklater’s new film and his signature style slightly suffering from the post-Boyhood effect with people noticeably walking out within 20-30 minutes. As the lives and summers of eternal youth unfold: partying, billiards, male competition, table tennis, loves, pinball machines, pranks, disco, dance music. And of course girls, all about the girls. For the boys “this is the best day of their lives – until tomorrow.”
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This is not even a close comparison to Dazed & Confused which is a classic and as with most Linklater movies..they tend to run an hour to long ~ this one is no exception.

Grade: D
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Review Screening: Monday, March 28, 2016 ~ Courtesy LAFILM-TV
In limited release ~ Friday, March 30,2016 ~ Nationwide Release: Friday, April 8, 2016

REVIEW: “EDDIE THE EAGLE” (2016) ~ Post Q & A: Taron Egerton & Dir: Dexter Fletcher

“Eddie the Eagle” is a story about an underdog in every sense of the word.
The story follows Eddie Edwards (Taron Egerton) from the time he’s a little kid with dreams of going to the Olympics, through his many assorted set-backs, and all the people around him who saw only failure in his future. It also shows the moments when he got helping hands when he most needed it. This movie is about his struggle and for all his sometimes annoying flaws, Eddie is a character that you just cannot dislike.

Edwards, while maybe a somewhat good downhill skier, narrowly missed the Great Britain team for that event for the 1984 Games. To improve his chances to qualify for Calgary in 1988, he moves to Lake Placid, NY to train and enter bigger races, but he quickly finds himself short on funds. To realize his Olympic dream, he decided to switch to ski jumping for reasons of cost and easier qualification as there were no other British ski jumpers with whom to compete for a place.
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He was handicapped by his weight—at about 82 kg (181 lbs), more than 9 kg (20 lbs) heavier than the next heaviest competitor — and by his lack of financial support for training as he was totally self-funded. Another problem was that he was very longsighted, requiring him to wear thick eyeglasses at all times, which sometimes fogged to such an extent that he could not see. Maybe due to all this, Eddie seems a bit dim though his spirit of wanting to be in the Olympics never dies, even as his father tells him his only choice in life is to become a plasterer such as himself.
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Taron Egerton does an excellent job here and really assumes the part of Eddie. Hugh Jackman as ex-downhill skier-turned-coach Bronson Peary puts in a good performance, and manages not to overpower Eddie’s character. Eddie’s parents are also well played, his mother Janette Edwards played by Jo Hartley, gives a particularly poignant portrayal of the never-ending support of a mother. Eddie’s father, played by Keith Allen, is a bit of a caricature, but well acted. Actually, a lot of the supporting cast of characters are caricatures, especially the other ski-jumpers/coaches and the British Olympians/Olympic Committee. But to an extent that serves to emphasize the struggle for Eddie. Also, for those intent on seeing this film for Christopher Walken as Warren Sharp, he has wonderful, albeit, very small role that has impact.

While the struggle of Eddie is emphasized throughout the film, there is also a good dose of comedy thrown into the mix as well. The tone is upbeat throughout, even when Eddie has setbacks. While some of the failures are played for laughs, it’s mostly Eddie’s perseverance that makes this film endearing. It also feels like we’re laughing with Eddie rather than at him, since it seems Eddie’s in on the joke.
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There’s not much to dislike about the film. I absolutely loved the music choices including the score and some timely 80’s song choices. Sure, I think the stakes could have been raised a bit here or there to give an even bigger emotional moment, but I can’t say the film didn’t already bring me to teary eyes at some points. And that to me, is an experience at the movies.

Random tidbit that Taron told us all: Stay tuned for the song at the end credits as the overlying song playing is actually Taron Egerton & Hugh Jackman singing together..yep..you read that right.. Taron & Hugh are singing the closing credits song. I wouldn’t have known it had he not said so.

Grade: B

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POST Q & A WITH TARON EGERTON & DIR: DEXTER FLETCHER
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Hugh Jackman was also supposed to be in attendance, but didn’t make it. Taron more than made up for it as he was nice, fun & entertaining as was Dexter Fletcher. This guy..being my breakout star of 2015.. is just as personable as I thought he would be when I first saw him in the fantastic “Kingsman:The Secret Service”.

Started off with the basics noting that since the project was greenlit till it’s release, it’s been a short 18mos. All a very fast shoot of 8 weeks in Germany at Garmisch-Partenkirchen – the same place where the real Eddie Edwards trained – also with some being done at Pinewood Studios.
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Taron had a chance to meet with the real Eddie before & during filming and when he went to the very first screening of the finished film, he sat next to Eddie, which made him very nervous as it’s harder to portray someone who is still alive. At the end of the screening, Eddie was so moved by Taron’s performance and the film, he was actually crying. Taron noted what a fantastic feeling that was.

Dexter Fletcher is quite the character and entertained us thoroughly before & after the film with his banter with Taron. Both noting, as I did, that Hugh Jackman is really good in this role and a very big man! ha! Also, one-week into production they were told no actors could ski at all ~ so they got a bunch of crazy stunt guys – noting that downhill skiers really have to be a bit crazy to do this sport – who more than willing to do it. Except for Hugh, where at the end of his run, he is actually skiing. As Taron puts it “It’s sickening how good Hugh is at EVERYTHING!”

Fun note from Dexter – in real life, the Finnish skier, Matti Nykänen, actually became a male stripper, then a singer and sadly, turned to alcohol and is now known for some, shall we say, ‘colourful antics’.

Christopher Walken was cast because they had to get someone who coud make Hugh Jackman weak in the knees.. and clearly they did.

One theme that is repeated throughout the movie, is the quote from Pierre de Coubertin (father of the modern Olympics), “The important thing in the Olympic Games is not to win, but to take part; the important thing in Life is not triumph, but the struggle; the essential thing is not to have conquered but to have fought well.” It’s just a little something we all could use as a reminder at times and maybe apply to our own everyday lives.
Cheers..

Review Screening: Thursday, January 28, 2016 ~ Courtesy of 20th Century Fox                                       Nationwide release: Friday, February 26, 2016                 

REVIEW: “STRAIGHT OUTTA COMPTON” (2015) Universal Pictures

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Art comes in many forms. A Masterpiece for instance is usually a word used in the art world as a painting or portrait that is brilliantly done and is usually invoked by inner thoughts and feelings of so many emotions. That could sum up the feeling of this story and what a story it is. This film has everything you see invoked in a masterpiece painting. Love, war, death, money, drugs, power, sadness, happiness and most of all, music. It’s a story about art in the truest sense of the word. These 5 young men –
Andre ‘Dr Dre’ Young,
Eric ‘Eazy-E’ Wright,
O’Shea ‘Ice Cube’ Jackson,
Lorenzo ‘MC Ren’ Patterson, &
Antoine ‘DJ YELLA’ Carraby
changed the world with what they did and this more or less, is their story.

Director F. Gary Gray takes us through the years from the group’s origin in 1986 to Dr. Dre’s founding of Aftermath Records in 1996 and while it’s the N.W.A. story..it’s mostly a three-man show focusing on Dre, Cube & most especially Eazy-E. It does justice in recreating a Compton from back in the day so perfectly and dare I say it, beautifully, as if the time & place and what the street life of the city truly was like, came straight out of a time machine. This is a big plus throughout the film.
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Opening with a drug deal gone bad for Eric ‘Eazy-E’ might seem somewhat cliched way to enter the story but is actually quite fitting especially since Eazy is the truly the main focus of the first half of film. He was the money, albeit it was from those deals, that enabled them to get studio time to record “Boyz in the Hood” and it was that song that attracted and brought manager ‘Jerry Heller’ (Paul Giamatti) to them. Heller knocks on the doors and pounds the pavement to connects them to their 1st label, Priority Records and we all get a laugh when we find out from that the only group ‘Bryan Turner’ (Tate Ellington) and the company had ever recorded before signing N.W.A was the California Raisins. Yep..you have dig real deep and go way back to remember that one!! But cash those checks from that Turner did, enough to land the company N.W.A. As we watch the group go from playing skating rinks to huge massive arenas across the nation. Meanwhile, Jerry also manages to finagle himself into part of starting up Eazy-E’s Ruthless Records where we see everyone but E get underpaid & overlooked.
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This leads to acrimony between the guys and while on tour Ice Cube, reminding everyone that he is the one who has written most of the music, departs the group. But before he leaves though we do get the anthem that penned the groups title as ‘the world’s most dangerous group‘ mainly because they scared the bejesus out of middle America with their anthem “F**K the Police” which comes straight from Cube after we witness multiple scenes of humiliation and harassment of not only him, but the group, their friends, their neighbors for just basically being.
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The movie clearly focuses on the big three of the group, ‘Dr. Dre’ (Corey Hawkins) and ‘Ice Cube’ (O’Shea Jackson Jr.) with ‘Eazy-E’ (Jason Mitchell) taking the lead, with ‘DJ Yella’ (Neil Brown Jr.) & ‘MC Ren’ (Aldis Hodge) getting only minor attention. They easily brush right over their misogynistic lyrics as women here are barely given the time of day and only the wives or girlfriends of the moment get a few lines at best. Though as with most bio-pics, while we might not be getting the complete story here – it’s still a very good story.

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We see bits of the infamous East Coast/West Coast rivalry that started up. And once Cube is gone we get right in the middle of his lyrical riffs with the remaining members of the group badmouthing each other back n forth through their music giving us surely what is only a glimpse into this and then with Dre also going his own way with the ever and still unscrupulous ‘Suge Knight’ (R. Marcos Taylor) – showing the forming of and his subsequent abandonment of Death Row Records.

We catch beginning snippets of ‘Tupac Shakur‘ (Marcc Rose), ‘Snoop Dogg’ (Keith Stanfield) (or as his character notes – that’s Snoop D. O. double G.), ‘Jimmy Iovine’ (Mark Sherman) & the beginnings of Interscope Records. Along with this, we get clever allusions to what is to come – Everything from Cube’s films ‘Boyz N The Hood’, ‘Friday’ and it’s sequels, to Dre when walking out on Knight, almost cheesily referencing Aftermath. The film closes with updates on the band members careers post-1996 with various interview clips in large focusing on Dre and Cube’s successes, Kendrick Lamar, Eminem, and 50 Cent, among others, paying homage to Dre showing the fruition of what both his and Cube’s visions came to be. Also, the sad and untimely passing of Eazy-E from AIDS. Noticeably absent are updates on DJ Yella and MC Ren.

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For all it’s small flaws here and there, this is still a hellava story to be told. N.W.A helped to change the musical culture of the time because they actually told the world what was happening in their own backyard through their music. And in doing so they succeeded in making themselves one of the most powerful groups of the time.
Oscar buzz? Probably not. But fan favorite (and one of mine) – definitely.
RIP Eazy-E.

Grade: B+
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Screening: Wednesday, August 5, 2015 – Courtesy of Universal Pictures

Nationwide release: Friday, August 14, 2015

“A MOST VIOLENT YEAR” (2014) – REVIEW ~ Incl. Q & A w/Cast & Dir/Prod/Writer

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Truth be told ~ A Most Violent Year could come off sounding like the most boring movie ever about the most dry industry ever. Set in New York City in 1981, Oscar Isaac plays “Abel Morales“, the owner of a heating oil company in the early 80’s when people, instead of having to deal with the electric or gas company for heating, they negotiated heating oil prices with the providers directly. Odd but true. But life has been good for Morales. Being an immigrant, he’s risen through the ranks from driver to owner, married a beautiful, smart woman, “Anna” (Jessica Chastain) who has a rather wealthy & somewhat connected father herself, “Bill” (Peter Gerety) and he’s just about to close the biggest deal of his life.
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But all is not well at Standard Oil. Abel is trying to negotiate a deal to expand their business and gain ground by getting “Josef” (Jerry Adler) and his devoutly Jewish, not completely on the up & up, family to agree to sell their highly-valued, much in demand property to him vs. the competition. And he has 30 days to make this happen. All the while, his company is under investigation for fraud, the bank has pulled out of their real estate deal, trucks of oil are being stolen left and right from Morales’ and to make matters worse, now his seemingly perfect home life is starting to show cracks. It’s definitely a ‘violent’ year for Morales but not in how you might imagine.
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A Most Violent Year plays out like a gangster movie but not like one I’ve ever seen before as it’s done in a refreshingly understated, non-sensationalist gangster movie way as these are guys who don’t even carry guns, and are actually committed to trying to conduct their business in a non-violent manner which may or may not work out for them. This is really about as far from a Scorsese type gangster flick you can get. There’s no real flash in either the direction or the acting as everything is on a very different balance here though I will say, while it might be slow at times, it is never dull. It’s like ‘Casino’ but minus everything that makes it loud, brash or wild. What’s left is a quiet, almost pensive exploration of one man’s year long struggle to keep his business and his life on the path he’s chosen. And sure, there’s the occasional flash of violence but it rarely involves our lead character directly. In fact, the key players ~ Abel, Anna, “Lawrence” (David Oyelowo), “Walsh” (Albert Brooks) and O’Leary ~ are all locked in a power struggle that rarely resorts to violence though some of them really want to use it, Abel feels business can be conducted without it. Instead, the group handle their differences in heated discussions, occasional emotional blowouts and the always to be expected backroom deal.
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When Anna emerges as not only the saviour of sorts, in a pivotal scene of shockingly good grit and Abel blows up at her, is where the film breaks some truly fascinating ground. Not only does Anna emerge as the badass gangster who’s playing the angles and saving the day, but you really start to question just how moral Abel is. It’s here that you see begin to see the layers of movie really begin to reveal themselves. In possibly one of the best on-foot chase scenes that I’ve ever seen in a movie with Morales in dress shoes no less, though the scene some might say comes a little late in the game, I couldn’t help but love every second of it.

The film cements itself together not only by excellent performances from Isaac, Chastain and the strong supporting cast, but by small things like the locations and a truly fantastic step back into this world with even a great wardrobe of the time making it all the more realistic. A Most Violent Year may not be my favourite film of the year, but it will definitely emerge as a contender during awards season.
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Note: Following the film was a fantastic Q & A with Dir/Writer: J.C. Chandor, Actors: Jessica Chastain, Oscar Isaac, Producers: Neal Dodson, Anna Gerb; who really gave a wonderful detailed explanation of the idea & set, even his trenchcoat idea behind the film. Truly, if you haven’t seen a J.C. Chandor movie, you’re missing out. Like, seriously missing out. So don’t skip A Most Violent Year either, you should see it and then head back and check out the director’s previous work like the wonderfully brilliant, “All is Lost” & “Margin Call

Grade: B-

**Seen on Monday, November 17th at a PGA screening at the Arclight Theaters (Hollywood) ~ A Most Violent Year opens December 31, 2014.
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(See grading scale)