Film Review: “The Old Man & The Gun” (2018) Fox Searchlight

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I am a member of a club. A club that has enjoyed watching Robert Redford at every stage of his career. I’ve seen all his movies, many more than once. I’ve always adored him while enjoyed watching him onscreen and truly have always thought he didn’t get enough critical acclaim as an actor, but was tossed off as the ‘pretty boy’ for many years. For me, he has always been completely underrated and although he’s no longer the stunning young man he once was, he retains every bit of the star quality that blossomed sixty years ago earning every single wrinkle in his face which remains untouched by any markings of things done by many similar in age.

The Old Man & the Gun is a vehicle for Redford in the best sense of that term, a good story that showcases its leading man to best advantage, though not perfect in doing so for its supporting characters development along the way. Redford acquired the screen rights to this surprisingly true story and then brought it to director David Lowery, with whom he teamed with before.

Redford plays an unlikely character in Forrest Tucker, a gentleman bank robber, and a fairly good one at that. Though he’s been arrested sixteen times, he’s also managed to escape every single time. He is so unassuming that no one suspects him when he saunters into a bank about to ply his trade. But the film is really just about a man who doesn’t have many years left in his life and simply wishes to do what makes him happy. Robbing banks in the most polite way that he possibly can, without ever harming anyone, and pretty much always getting away with it, and finding time in-between to charm Jewel (Sissy Spacek). Redford is well supported by Casey Affleck as John Hunt, a police officer who is on the robbery detail and whom is completely determined to nab this guy and put him away for good. Waller (Tom Waits) and Teddy (Danny Glover) are Tucker’s partners in crime, though again, I wish their characters were just a bit more on the developed side. And while Spacek’s role as the widow who doesn’t approve of what he does, but also can’t help falling under his spell, is truly quite wonderful most especially in one specific scene when they are sitting opposite each other in a coffee-shop booth. His eyes are so alive it’s positively dazzling and she responds to this so perfectly. This goes far beyond an two actors reading lines. There is a magic here and the combination of her and Redford is just that, quite magical. If the rumours are true and this really ISN’T his last film, I would love to see them work together again.

For as slow as this film sometimes is, as it’s not perfect, especially if it was a ‘retirement film’, it still never me once had me checking my watch. This 90-minute film flies by, even with its slow pace. And again, it’s Redford – I’ll leave it at that.

Grade: C+
@pegsatthemovies

Media Review Screening: Monday, September 24, 2018 ~ Courtesy of Fox Searchlight
“THE OLD MAN & THE GUN” IS OUT NATIONWIDE // WORLDWIDE RELEASE TO FOLLOW IN OCTOBER

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DAY 5: COUNTDOWN TO THE OSCARS “BEST ACTOR”

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ACTOR IN A LEADING ROLE

Casey Affleck, Manchester by the SeaWINNER
Affleck’s character just didn’t play as someone I could feel much empathy for — but on the other hand, I didn’t hate him either. Having a Q & A with him after the film gave me more insight that I probably wouldn’t have had or felt, had I not listened to him explain the character more and gave him more likability. Just overall, not enough to warrant an award from me though.

Andrew Garfield, Hacksaw Ridge
While I don’t think Garfield necessarily did bad here performance wise, the trying-to-do a strong southern accent was bad and unsuccessful and yes, bothered me. Add that into an awful opening 45 minutes equals to no award by me.

Ryan Gosling, La La Land
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And yes he talented, so very talented as we’ve seen in past films he should actually have won for. This ‘cutsey’ good performance was just not award cutsey enough for me.

Viggo Mortensen, Captain FantasticMY PICK
I loved, loved, loved Viggo Mortensen’s performance – to put it clearly, he’s an actor’s actor and was just so good here. Am I hoping for an upset over Affleck & Gosling.. you can bet I am holding my breath for it.

Denzel Washington, Fences
Was Denzel good in this role? yes, yes he was and he won a Tony for it – he just didn’t do anything unexpected in the film. Sometimes he talked so much and so fast, I lost actual track of what he was saying. That being said, sometimes doing the dual role of acting & directing a film, one can lose a little on either side of that coin.

@pegsatthemovies
Thanks all for taking the time to give this a read. Let me know your thoughts on if you agree or disagree with my picks. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

GOLDEN GLOBES 2017 (Part 2) ~ FILM/ACTING PICKS

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Here we are with part two of my Golden Globes picks – this round is Film and Acting.
I’ve seen almost all the films presented this year, even the foreign ones – though yes, I’ve missed a few as there is only so much one human being can do! I also have a few categories where I just didn’t like any of the nominees enough to make a ‘MY PICK’. You might agree or even better, you might disagree ~ it’s all good.
So with that..I give you #peggyatthemovies 2016/17 Golden Globe picks! Cheers!

BEST PICTURE (DRAMA)

Hacksaw Ridge
Mel Gibson is riding the come back high with this decently done war film. While it’s war scenes are done very well, it’s riddled with a lot of cheesy storyline in the first hour.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, it really never struck me as Award material when watching.

Lion
A sweet and rather powerful story of a child’s journey into being a man, and finding not only his true story, but his family’s also.

Manchester by the Sea
While I didn’t dislike this film, it was monotonous and so slow for long periods throughout. I found the last 1/2 hr. to be the best as we finally found out what was going on.

Moonlight – WINNER
While watching this film, I couldn’t help thinking I’ve seen this story before..and we have – except it was done much better on the ‘The Wire’.

I just really don’t have a pick in this category as I didn’t truly love any of these nominees, so I’m just going with what I think will win.

BEST PICTURE (COMEDY/MUSICAL)

20th Century Women
Remember how I mentioned I hadn’t seen all the movies – this is the one that my screening is actually this Tuesday.

Deadpool
Funny, fun, fast and R-rated sheer entertainment made this a favourite of mine.

Florence Foster Jenkins
Not sure how there is a nom for this one, but hey, I guess they gotta fill up the category somehow.

La La LandWINNER
With an opening scene that is just truly beautiful and so well done, you would think the rest of the film to be just as good. It’s not. Mind you it’s a good watch, just a little to far-fetched, cutsey perfect for me.

Sing StreetMY PICK
Now this movie, sadly got missed by so many and IT’S SO SO GOOD!! I would pick this as best film of all the choices given to us as Globe nominees film wise, drama or comedy, on this one. Sadly, it won’t win and it’s so deserving.

Best Director

Damien Chazelle, La La Land
While Chazelle made one of my top fav. films ever with ‘Whiplash’, and again, he does a good job with the direction of this pic, it’s just not as gripping of a film.

Tom Ford, Nocturnal AnimalsMY PICK
Hands down my favourite film of the year. This film terrorized me in all the best ways possible. And it was made possible all by Mr. Ford.

Mel Gibson, Hacksaw Ridge
Again, he’s on the comeback-kid tour right now, and really did a spetacular job on the war scenes, but I don’t think he’s been forgiven enough to win his first time back.

Barry Jenkins, MoonlightWINNER
Gotta give it to Barry Jenkins for even getting this movie made. I know from being in a Q & A after the film, how hard they all worked. It just didn’t work that well for me. Many love it.

Kenneth Lonergan, Manchester by the Sea
While the film was aesthetically pleasing, again I just can’t call it a ‘fav’ for me. And while I’ve really liked some of his other work, this one isn’t my pick.

BEST ACTOR (DRAMA)

Casey Affleck, Manchester by the SeaWINNER
I liked Casey in the film, I did. And having an insightful & humourous Q & A with him afterwards helped make me like the film just a bit more than I did. I just didn’t see it as an Award winning performance.

Joel Edgerton, Loving
Didn’t do it for me. Honestly, when was the last time you heard Edgerton actually speak with his native accent..yeah I can’t remember either and him trying to do the backwoods southern didn’t work for me.

Andrew Garfield, Hacksaw Ridge
Again, the accent thing bothered me here. Do I think the performance was bad, no. But it didn’t warrant an Award either.

Viggo Mortensen, Captain FantasticMY PICK
Mortensen has been pretty underappreciated in his career. I say we make that right here. Even though I know it won’t happen, it would be great to see.

Denzel Washington, Fences
Denzel..oh Denzel..how I adore you. You pretty much own every role you do.

BEST ACTRESS (DRAMA)

Amy Adams, Arrival
While I really enjoyed this film, one of the best Sci-Fi I’ve seen, she really shoulda gotten this nom for Nocternal Animals because thats where she really shined.

Jessica Chastain, Miss Sloane
I think Jessica is wonderful, though I did not see this film yet.

Isabelle Huppert, ElleMY PICK
Huppert simply put – blew me away in this one. I don’t think I’ve ever quite seen a performance like it, and probably never will again. Sadly, I’m guessing she won’t win.

Ruth Negga, Loving
I liked this performance so much once she started speaking and really putting forth as the first 30+ min she just really never said anything.

Natalie Portman, JackieWINNER
Yes, we all know they are going to give the award to Natalie. And while she was good here, she doesn’t even come close to Huppert.

BEST ACTOR, COMEDY

Colin Farrell, The LobsterMY PICK
Colin was so fantastic in this funny, bizarrely good film that he was hands down, best in category for me.

Ryan Gosling, La La LandWINNER
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And was really cutsey good here as well as the film was. Just not Award cutsey for me.

Hugh Grant, Florence Foster Jenkins
While his performance was one of the better spots in this film, it’s so far from Award worthy.

Jonah Hill, War Dogs
Clearly they were desperatly trying to fill up this category here. Did anyone see this film besides me at a free screening months before it came out? Yeah I’m guessing not – there is a reason for that.

Ryan Reynolds, Deadpool
I truly did love Ryan in this film – but again, Award worthy..nah..

BEST ACTRESS, (COMEDY)

Annette Bening, 20th Century Women
Dang on this one, my screening is Tues. night.

Lily Collins, Rules Don’t Apply
I was out of the country when this one came out and by the time I got back, it was gone out of theatres.

Hailee Steinfeld, The Edge of Seventeen
Cute film, cute performance – I do think there will be awards sometime in her future.

Emma Stone, La La Land
Yeah – I like Emma and another cutsey performance. That’s really all there is to it.

Meryl Streep, Florence Foster Jenkins
Okay again, do they just use Meryl every year as a filler for a supporting category. And while I think she is one of the greatest actresses of our time, it’s when she gets nominated year after year for this reason only that makes it tiresome.

BEST SUPPORTING ACTOR

Mahershala Ali, Moonlight
While I wasn’t the films biggest fan, if I had to pick a part that I liked, it was the first segment with this guy in it.

Jeff Bridges, Hell or High WaterWINNER
While I might not have seen awards coming for this movie, Bridges came through on this performance in a big way.

Simon Helberg, Florence Foster Jenkins
This character was cute & funny..at first..then it just wore on you.

Dev Patel, Lion
I’m a big Dev Patel fan and while the child actor might have stolen the show, he did bring it all t

Aaron Taylor Johnson, Nocturnal AnimalsMY PICK
Some think he doesn’t deserve this. I think he TOTALLY does. Sure his roles leading up to this have been sub-par, but thats what makes this one so good – he did a complete 360 and brought the ‘terrifying’ to this role in a most fantastic way. Anytime someone can surprise me with a performance this good, yes they deserve a nom.

BEST SUPPORTING ACTRESS

Viola Davis, Fences
Viola has proved herself to be one of the most standout actresses in Hollywood. She most definitely deserves the nom here. Plus, if she wins, you know it will be one fun acceptance speech!! 🙂

Naomie Harris, Moonlight
Liked it – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it.

Octavia Spencer, Hidden FiguresMY PICK/WINNER
Now I called this when I saw the film back in November. The whole movie is good with really good performances, but she takes it here for me. She has been and is my only and clear choice.

Michelle Williams, Manchester by the Sea
Really, a blink of seven minutes total on screen..though the last scene with her and Affleck is the one what finally made me like the film better, still.

BEST SCREENPLAY

Damien Chazelle, La La LandPOSSIBLE WINNER
I think I’ve said my take on this film enough and while I think Chazelle has a fantastic career ahead of him, I

Tom Ford, Nocturnal AnimalsMY PICK
Having done a Q & A with Ford after the film really brought the ‘how’s & why’s’ insight into my fav. film of the year.

Barry Jenkins, MoonlightWINNER
Again, I completely commend Jenkins for even getting this film made. And I think it’s between him & Chazelle for who is the critical darling of the year.

Kenneth Lonergan, Manchester by the Sea
Respect to the writing, though I might have enjoyed the process of it better as a book.

Taylor Sheridan, Hell or High Water
Well done for being remembered from earlier in the year. Worthwhile watch – not a win for me.

Best Animated Feature Film
While I saw all of these besides ‘Zucchini’ I just don’t have commentary for all of them. Just a pick.

Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
ZootopiaMY PICK/WINNER

Best Foreign Language Film
Have seen all but ‘Divines’ and I only have one hands down pick and what will hopefully be the winner!

Divines
ElleMY PICK/WINNER
Neruda
The Salesman
Toni Erdmann

Follow along to see what happens with my live tweets during the Awards at @pegsatthemovies

Review: “INTERSTELLAR” (2014)

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interstellar
So had a few extra hours on Thanksgiving and yes, I finally saw “Interstellar” and boy was it LOOOOONNGGG really really long. Which would be fine if the first two hours were something special moving at a pace faster than the tortoise and the hare race. Mind you I pretty much love all of Christopher Nolan’s movies starting with the 1st one I really remember, Memento, which I thought was just so damn brilliant. Love the Batman franchise, loved Inception and actually got it (well okay..kinda got it) 🙂 But this one raises a few questions for me..one of the most notable is why does he like Anne Hathaway aka Anne – don’t forget the ‘E’ aka Anne Hackaway, so much?? She was the worst Cat Woman ever, and does no favours in this movie either..so why? ok..well as I will most likely never have that question truly answered..let’s move on.

At the beginning we meet “Cooper” (Matthew McConaughey) who is a widowed farmer/ex-astronaut, his young daughter “Murph” (Mackenzie Foy) who believes her room is haunted by a ghost who is trying to communicate with her; his father-in-law, with whom they live, “Donald” (John Lithgow) and his son, who is almost as an after thought, “Tom” (Timothee Chalamet). I say afterthought because the story heavily focuses on Cooper’s relationship with his daughter throughout the entire movie as they even label it as a sort of interstellar 1‘father/daughter’ story, and I almost felt bad for the son as he isn’t prominently featured at all. But I guess that’s neither here nor there as we move along through their story where there is a school reprimand involved, which leads into a school suspension whereas Cooper & Murph then have the time to be ‘discovering’ that the ghost is actually sending them coded messages that gives them the coordinates to find which takes them on the journey where they find the secret bunker so-to-speak of NASA. See the world is almost at an end and with crops blights left & right, taking away food this planet will never see again, time is running out to figure what to do next and possibly where to go.

In steps “Professor Brand” (Michael Caine) and his daughter “Amelia Brand” (Anne Hathaway). Prof. Brand explains to them that a wormhole apparently created by alien intelligence, has given what’s left of Earth’s inhabitants hope for survival and that NASA’s old ‘Lazarus’ missions have noted 3 different planets orbiting the Black Hole ‘Gargantua’ that are potentials for human habitation.

To cut a really long story as short as can be done because I will be honest, not only would it take pages to describe the entire film (as some reviews have done..ZZzzzzz), the first two hours of this movie did not wow me in the slightest and somewhat dragged on. As they mount a mission to find which planet is best. The mission named ‘Endurance’, is where Cooper joins Brand’s daughter, biologist Amelia; scientists “Romilly” (David Gyasi) and “Doyle” (Wes Bentley); and robots TARS (voiced by Bill Irwin) and CASE (voiced by Josh Stewart). The TARS & CASE robots were pretty much my favourite ‘characters’ of the movie btw.. so to sum it up..they enter the wormhole and head to Miller, but discover the planet is so close to Gargantua that it experiences severe gravitational time dilation: each hour on the surface is seven years on Earth. It’s inhospitable to humans as it is covered by a shallow ocean roiled by enormous tidal waves. As Amelia attempts to recover Miller’s data, a wave hits, killing Doyle and delaying the shuttle’s departure. When Cooper and Amelia return to Endurance, 23 years have passed.interstellar 2

On Earth, the now-adult “Murphy” (Jessica Chastain) now a NASA scientist assisting Brand who, on his deathbed, Brand admits he already solved the problem and determined the project is impossible and he covered up his findings and put his faith in a “Plan B” As Murphy tries to warn her also now adult aged brother Tom, (played by Casey Affleck), and his family that it’s almost at the end of time and they must move on she concludes that Brand’s equation could work with additional data from a black hole’s singularity. (yes I had to look up this last sentence :))
Low on fuel, Endurance can only visit one more planet before returning to Earth. After much argument the team votes for Mann’s planet, but they find it to be icy and inhospitable. “Mann” (Matt Damon) reveals that he knew Plan B was the mission’s goal all along, and faked data about his planet so Endurance would rescue him which of course goes awry, and Damon’s odd character turn here as a villianous bad guy fails and he’s gonzo! interstellar 5

As they are nearly out of fuel, and this is truly where I got the most frightened as there is a moment where you think that Hackaway’s character Amelia, is going to be the last person left to live. Frightening truly frightening thought for most of us, and yes I am being completely facetious here..or am I.. ha! It’s also where the movie FINALLY started to pick up some and get to the brilliant part as they emerge in an extra-dimensional “tesseract”, where time appears in different dimension with portals that show glimpses of Murphy’s childhood bedroom at various times. Cooper then realizes that the wormhole and tesseract were created by a future form of humanity transcending time and space, so he was the one and now again, that did and can communicate with Murphy as the “ghost” and try to save humanity. Using the gravitational waves they discovered early on a watch, Cooper transmits TARS’s data to the adult Murphy through Morse code, allowing her to solve Brand’s equation and evacuate Earth.
Years later, Cooper awakens aboard a NASA space habitat and reunites with the now elderly Murphy (Ellen Burstyn), who has led the exodus and Earth is to be saved. Lastly, Cooper does have to go out on one final mission, to find Amelia who is still out there on Edmunds planet. hmmm.. Do I see a sequel here?!! 😀

There are no stand-out performances here. McConaughey, coming off a fantastic 2013 with crazy good performances isn’t going to get any nominations for this role as it’s rather basic. Thankfully Chastain steps up to the plate to relieve us of the agony that is Anne Hathaway (Hackaway) and as the young Murph’s, Foy also does quite well. Visually, as expected, the film can be quite stunning, but mostly only once they get into space. I appreciated Interstellar’s grand ambition and the fact that Nolan took on astrophysics and a major studio gave him $200 million to do it. If anyone could try to tackle relativity and the space-time continuum in a narrative, it’s Nolan and his intellect as a director. But, alas it proved too much to take on and make sense of, even for him. It’s is however an interesting effort worth seeing just for its concept in general, though some may end up feeling merely puzzled, which, as my friend Leif noted, knowing Nolan’s oeurve is probably the whole point.
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Grade: C+

#peggyatthemovies
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