REVIEW: “DADDY’S HOME 2” (2017) PARAMOUNT PICTURES

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Well hang up your christmas stockings and get your eggnog ready as we are headed into the holidays, and that means the family holiday movies are starting up. With the trailer for “DADDY’S HOME 2”, as with most comedies these days, giving away many of the funny moments, no need to expect any additional spoilers here.

As for the film itself – we pick up two years later, after the fierce daddy competition between Brad (Will Ferrell) and Dusty (Mark Wahlberg) had throughout the first film. We start off sweetly, with what looks to be a very healthy co-dad environment for all involved. In comedy-based cinema, the best way to disrupt a happy family synergy is to introduce the Christmas season and the sure-to-follow family turmoil. And with that – enter Mel Gibson as Dusty’s estranged dad – Kurt, and John Lithgow as Brad’s so-close-it’s-too-close dad – Don… and let the holiday escapades begin.

It’s clear that these two grandads have completely different ideas of well, being grandads. Gibson’s character’s idea of being a father has been around for many generations. Toughen up the kids and make sure they are strong and independent. Keep those emotions close to the vest. On the other side is John Lithgow and his over-hugging and blubbering true feelings approach. The familiar supporting cast, (notably missing Griff (Hannibal Buress)) holds up their end admirably. Sara (Linda Cardellini) and Alessandra Ambrosio as Karen, are back as Brad’s and Dusty’s wives, respectively. Scarlett Estevez, Owen Vaccaro, and Didi Costine are back as the kids: Megan, Dylan & Adrianna – each with their own quirks and growing pains. Even John Cena returns as Adrianna’s biological father – Roger, and also delivers one of the film’s best punchlines, as well as a bit that might forever ruin Christmas caroling for you or maybe like me, where I thought it was actually simply sweet.

With the additions of Gibson and Cena, the sequel ups the ante on the debate of masculinity that anchored the first film. The female characters are still seemly just afterthoughts, and some of Gibson’s antics (considering his rep and the current revelations coming out of Hollywood) seem awkwardly ill-timed. He makes inappropriate jokes, he makes sexist jokes about hookers, he laughs at nearly everything stupid Ferrell does.

Could I slam this film for having Mel Gibson in it..yes I completely could, and legitimately so because honestly, it doesn’t flow well with me on a personal level. Neither does when trying to make light of kids with shotguns or using them as props to getting drunk. It’s not. Especially in light of everything going on here now. But if you step away from that, this film was also a bit on the sappy-sweeter, emotional side than the original ‘DADDY’S HOME’ (which I thought was NOT appropriate for kids) for me and that’s what redeemed it. This one – if they are over the age of 12 or 13, yes, as I think back to my 12 or 13 year old self, and would be okay with it.

Grade: C
@pegsatthemovies

Media Review Screening: Tuesday, November 7, 2017 ~ Courtesy of Paramount Pictures
“DADDY’S HOME 2” will be released in theaters nationwide on Friday, November 10, 2017

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DAY 3 ~ COUNTDOWN TO THE OSCARS ~ “BEST DIRECTOR”

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DAY 3 of my Countdown to the Oscars and it’s BEST DIRECTOR time. A tough one for me as Tom Ford/Nocturnal Animals would have been my pick here – but sadly, not nominated. So here we are with my thoughts of who the winner will be, and usually I would have my pick for whom I might like it to be, but I just don’t really have a personal frontrunner here.

DIRECTING

Arrival, Denis Villeneuve
While I thought this movie was one of the best Sci-Fi films I’d seen in sometime, there were points where it lagged so slowly and could easily have been cut by a good 20 minutes if not more.

Hacksaw Ridge, Mel Gibson
I decided not to go with Hacksaw Ridge, and not because of anything to do with Mel Gibson’s personal problems — though while never forgiven or forgotten, I do think he’s a different person now and a very talented director and I wish him well. For me it was more the cheesy-ness of the first 45-minutes of this picture and the bad accents.

La La Land, Damien ChazelleWINNER
While again, this wasn’t my favourite movie – to much sappy for me, but I so loved what he did with Whiplash and how he should have won for that, that it was forgivable. Plus he’s probably going to win.

Manchester by the Sea, Kenneth Lonergan
While I found this film in and of itself to be rather plodding, Lonergan did make everything click together finally at the end, though slowly..veerry slowly.

Moonlight, Barry Jenkins
It wasn’t my favourite film of the year as I just felt like I’d seen this story before and done better on The Wire. While Jenkins did a really good job on a shoestring budget, the movie’s three parts aren’t as connected as they could have been.

@pegsatthemovies
Thanks all for taking the time to give this a read. Let me know your thoughts on if you agree or disagree with my picks. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

GOLDEN GLOBES 2017 (Part 2) ~ FILM/ACTING PICKS

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Here we are with part two of my Golden Globes picks – this round is Film and Acting.
I’ve seen almost all the films presented this year, even the foreign ones – though yes, I’ve missed a few as there is only so much one human being can do! I also have a few categories where I just didn’t like any of the nominees enough to make a ‘MY PICK’. You might agree or even better, you might disagree ~ it’s all good.
So with that..I give you #peggyatthemovies 2016/17 Golden Globe picks! Cheers!

BEST PICTURE (DRAMA)

Hacksaw Ridge
Mel Gibson is riding the come back high with this decently done war film. While it’s war scenes are done very well, it’s riddled with a lot of cheesy storyline in the first hour.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, it really never struck me as Award material when watching.

Lion
A sweet and rather powerful story of a child’s journey into being a man, and finding not only his true story, but his family’s also.

Manchester by the Sea
While I didn’t dislike this film, it was monotonous and so slow for long periods throughout. I found the last 1/2 hr. to be the best as we finally found out what was going on.

Moonlight – WINNER
While watching this film, I couldn’t help thinking I’ve seen this story before..and we have – except it was done much better on the ‘The Wire’.

I just really don’t have a pick in this category as I didn’t truly love any of these nominees, so I’m just going with what I think will win.

BEST PICTURE (COMEDY/MUSICAL)

20th Century Women
Remember how I mentioned I hadn’t seen all the movies – this is the one that my screening is actually this Tuesday.

Deadpool
Funny, fun, fast and R-rated sheer entertainment made this a favourite of mine.

Florence Foster Jenkins
Not sure how there is a nom for this one, but hey, I guess they gotta fill up the category somehow.

La La LandWINNER
With an opening scene that is just truly beautiful and so well done, you would think the rest of the film to be just as good. It’s not. Mind you it’s a good watch, just a little to far-fetched, cutsey perfect for me.

Sing StreetMY PICK
Now this movie, sadly got missed by so many and IT’S SO SO GOOD!! I would pick this as best film of all the choices given to us as Globe nominees film wise, drama or comedy, on this one. Sadly, it won’t win and it’s so deserving.

Best Director

Damien Chazelle, La La Land
While Chazelle made one of my top fav. films ever with ‘Whiplash’, and again, he does a good job with the direction of this pic, it’s just not as gripping of a film.

Tom Ford, Nocturnal AnimalsMY PICK
Hands down my favourite film of the year. This film terrorized me in all the best ways possible. And it was made possible all by Mr. Ford.

Mel Gibson, Hacksaw Ridge
Again, he’s on the comeback-kid tour right now, and really did a spetacular job on the war scenes, but I don’t think he’s been forgiven enough to win his first time back.

Barry Jenkins, MoonlightWINNER
Gotta give it to Barry Jenkins for even getting this movie made. I know from being in a Q & A after the film, how hard they all worked. It just didn’t work that well for me. Many love it.

Kenneth Lonergan, Manchester by the Sea
While the film was aesthetically pleasing, again I just can’t call it a ‘fav’ for me. And while I’ve really liked some of his other work, this one isn’t my pick.

BEST ACTOR (DRAMA)

Casey Affleck, Manchester by the SeaWINNER
I liked Casey in the film, I did. And having an insightful & humourous Q & A with him afterwards helped make me like the film just a bit more than I did. I just didn’t see it as an Award winning performance.

Joel Edgerton, Loving
Didn’t do it for me. Honestly, when was the last time you heard Edgerton actually speak with his native accent..yeah I can’t remember either and him trying to do the backwoods southern didn’t work for me.

Andrew Garfield, Hacksaw Ridge
Again, the accent thing bothered me here. Do I think the performance was bad, no. But it didn’t warrant an Award either.

Viggo Mortensen, Captain FantasticMY PICK
Mortensen has been pretty underappreciated in his career. I say we make that right here. Even though I know it won’t happen, it would be great to see.

Denzel Washington, Fences
Denzel..oh Denzel..how I adore you. You pretty much own every role you do.

BEST ACTRESS (DRAMA)

Amy Adams, Arrival
While I really enjoyed this film, one of the best Sci-Fi I’ve seen, she really shoulda gotten this nom for Nocternal Animals because thats where she really shined.

Jessica Chastain, Miss Sloane
I think Jessica is wonderful, though I did not see this film yet.

Isabelle Huppert, ElleMY PICK
Huppert simply put – blew me away in this one. I don’t think I’ve ever quite seen a performance like it, and probably never will again. Sadly, I’m guessing she won’t win.

Ruth Negga, Loving
I liked this performance so much once she started speaking and really putting forth as the first 30+ min she just really never said anything.

Natalie Portman, JackieWINNER
Yes, we all know they are going to give the award to Natalie. And while she was good here, she doesn’t even come close to Huppert.

BEST ACTOR, COMEDY

Colin Farrell, The LobsterMY PICK
Colin was so fantastic in this funny, bizarrely good film that he was hands down, best in category for me.

Ryan Gosling, La La LandWINNER
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And was really cutsey good here as well as the film was. Just not Award cutsey for me.

Hugh Grant, Florence Foster Jenkins
While his performance was one of the better spots in this film, it’s so far from Award worthy.

Jonah Hill, War Dogs
Clearly they were desperatly trying to fill up this category here. Did anyone see this film besides me at a free screening months before it came out? Yeah I’m guessing not – there is a reason for that.

Ryan Reynolds, Deadpool
I truly did love Ryan in this film – but again, Award worthy..nah..

BEST ACTRESS, (COMEDY)

Annette Bening, 20th Century Women
Dang on this one, my screening is Tues. night.

Lily Collins, Rules Don’t Apply
I was out of the country when this one came out and by the time I got back, it was gone out of theatres.

Hailee Steinfeld, The Edge of Seventeen
Cute film, cute performance – I do think there will be awards sometime in her future.

Emma Stone, La La Land
Yeah – I like Emma and another cutsey performance. That’s really all there is to it.

Meryl Streep, Florence Foster Jenkins
Okay again, do they just use Meryl every year as a filler for a supporting category. And while I think she is one of the greatest actresses of our time, it’s when she gets nominated year after year for this reason only that makes it tiresome.

BEST SUPPORTING ACTOR

Mahershala Ali, Moonlight
While I wasn’t the films biggest fan, if I had to pick a part that I liked, it was the first segment with this guy in it.

Jeff Bridges, Hell or High WaterWINNER
While I might not have seen awards coming for this movie, Bridges came through on this performance in a big way.

Simon Helberg, Florence Foster Jenkins
This character was cute & funny..at first..then it just wore on you.

Dev Patel, Lion
I’m a big Dev Patel fan and while the child actor might have stolen the show, he did bring it all t

Aaron Taylor Johnson, Nocturnal AnimalsMY PICK
Some think he doesn’t deserve this. I think he TOTALLY does. Sure his roles leading up to this have been sub-par, but thats what makes this one so good – he did a complete 360 and brought the ‘terrifying’ to this role in a most fantastic way. Anytime someone can surprise me with a performance this good, yes they deserve a nom.

BEST SUPPORTING ACTRESS

Viola Davis, Fences
Viola has proved herself to be one of the most standout actresses in Hollywood. She most definitely deserves the nom here. Plus, if she wins, you know it will be one fun acceptance speech!! 🙂

Naomie Harris, Moonlight
Liked it – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it.

Octavia Spencer, Hidden FiguresMY PICK/WINNER
Now I called this when I saw the film back in November. The whole movie is good with really good performances, but she takes it here for me. She has been and is my only and clear choice.

Michelle Williams, Manchester by the Sea
Really, a blink of seven minutes total on screen..though the last scene with her and Affleck is the one what finally made me like the film better, still.

BEST SCREENPLAY

Damien Chazelle, La La LandPOSSIBLE WINNER
I think I’ve said my take on this film enough and while I think Chazelle has a fantastic career ahead of him, I

Tom Ford, Nocturnal AnimalsMY PICK
Having done a Q & A with Ford after the film really brought the ‘how’s & why’s’ insight into my fav. film of the year.

Barry Jenkins, MoonlightWINNER
Again, I completely commend Jenkins for even getting this film made. And I think it’s between him & Chazelle for who is the critical darling of the year.

Kenneth Lonergan, Manchester by the Sea
Respect to the writing, though I might have enjoyed the process of it better as a book.

Taylor Sheridan, Hell or High Water
Well done for being remembered from earlier in the year. Worthwhile watch – not a win for me.

Best Animated Feature Film
While I saw all of these besides ‘Zucchini’ I just don’t have commentary for all of them. Just a pick.

Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing
ZootopiaMY PICK/WINNER

Best Foreign Language Film
Have seen all but ‘Divines’ and I only have one hands down pick and what will hopefully be the winner!

Divines
ElleMY PICK/WINNER
Neruda
The Salesman
Toni Erdmann

Follow along to see what happens with my live tweets during the Awards at @pegsatthemovies

REVIEW “HACKSAW RIDGE” (2016) Lionsgate

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Let’s start off by acknowleding that “HACKSAW RIDGE” is not for the faint of heart. It’s incredibly violent in its war scenes as it tells the story of Desmond Doss (Andrew Garfield), an Army medic that refused to carry a weapon as not a ‘conscientious objector’ but as a ‘conscientious participator.’ This, until now, untold story of Doss, is one that will stick with you long after the film is over.
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Of course you wonder going in can Mel Gibson redeem himself after so much has been made of his lack of judgment, drunken rants, and his anti-semitic rhetoric and in essence, being blackballed these last 10 yrs. as yes, though he is perfectly capable of doing so, it’s a long climb up.

Turns out it would be hard not to do with this story. The film starts in the sober times of WWII around 1944, Desmond Doss, the son of Tom Doss (Hugo Weaving), an alcoholic Army man who served in World War I and is suffering from what we now know is PTSD. Doss & his family, while patriots, are also devout Seventh-Day Adventist’s. His brother, Harold Doss (Nathaniel Buzolic) joins the Army leading Desmond to join also, against their father’s wishes, in the fight against Japanese in some of the final battles of WWII.
Doss is in love with Dorothy Schutte (Teresa Palmer, a nurse’s aide who is scared that she’ll never see him again, especially after the persecution he is sure to face when he refuses to touch a gun in training camp and is facing being court marshaled for this refusal by his commanding officers, Sergeant Howell (Vince Vaughn) & Captain Glover (Sam Worthington).
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From there we move onto who Doss actually becomes as he proceeds during the stand-off at ‘Hacksaw Ridge’ to show his true being and save as many lives as he possibly can while dodging bullets and hand grenades, all without a gun. There are moments you want to scream at him “Just pick the damn thing up” whereas at other you are with him 100% for not doing so. Not being religious myself, it would be hard not to realize both sides have their points which anyone, whether religious or not, can understand and decide on their own.

My only and very few beefs were: The beginning had a lot of fluff & cheesy-ness to it. Second: While I realize Mel is an Aussie, but to put so many Aussie & Brits as leads in a southern film trying to do southern accents, just doesn’t always quite go up to par and here was the same. As decent as most of the acting is, it’s still very detectable that they don’t have the accents down pat. We also at one point, lose the brother. He literally get’s up from dinner, and we never see him again, nor do we know what happened. Lastly, the supporting cast is truly amazing here and bring so much to this film, although the age-range of the actors might have been off some. They were starting off at playing young 19-22 yr. old’s and frankly almost all look quite a bit off that range including Garfield himself.
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As for the rest, truly I must say I don’t think anyone does battle scenes as well as Mel Gibson does. Again, It’s extremely violent and graphic as well, real war actually can be. I had to turn away a few times, but the story Gibson puts up there of all of the terribleness of war is just so well done. I was brought to tears when they quoted “During peacetime, sons bury their fathers, during war, fathers bury their sons.” It got me.

Conclusion: Many will walk into this film wanting to dislike just because of Gibson, most of them will walk out knowing they just saw a really good film.

Grade: B-
@pegsatthemovies

Review Screening: Wednesday, October 26, 2016 ~ Courtesy of LAFTV Meetup Group
Nationwide Release: Friday, November 4, 2016