Category Archives: Action

REVIEW: “SPY” (2015) 20th Century Fox

spy

With the release of “SPY”, 20th Century Fox is putting out it’s second spy genre film of 2k15 with the first being the hugely entertaining ‘Kingsman:The Secret Service‘. But Melissa McCarthy’s latest jaunt into comedy had me contemplating if it was just going to be another one where she wears out her welcome by playing the same character-type once again. I’m pleased to report this is not the case and you will find yourself laughing your way through this one. Not only because of the fact that McCarthy is more or less doing character assassinations on most of those stereo-typed characters of her past, but it’s with a strong supporting, hugely funny and entertaining cast which really pulls this film all together.
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McCarthy plays “Susan Cooper”, a deskbound CIA analyst acting as the eyes and ears for expertly named-and-trained field agent, “Bradley Fine” charmingly done here by Jude Law, with whom she is clearly head over heels for, this fact being advantageous for him. When Fine goes missing and the agency is compromised, CIA spy-team leader “Elaine Crocker” (Allison Janney) gives the unassuming Susan a shot at her first field mission to infiltrate the world of a deadly arms dealer. Needless to say, things do not go as planned. Not only does she have to deal with exotic uber-vixen “Raina Boyanov” (Rose Byrne) who has a hilariously homicidal lack of tolerance towards her own henchmen, but her own fellow on-the-outs disgruntled agent “Rick Ford” (Jason Statham) who is essentially part Rambo, part bumbling Inspector Clouseau.
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Every scene between McCarthy and Byrne sparkles and both play their roles spot on, particularly when they are both aggressors. Not content to be mere supporting actresses, both Byrne & Janney have some of the funniest lines in the movie. The jokes come so thick and fast that you’re likely to miss some of them simply because they’re drowned out by your own laughter along with the audiences. Statham is hilarious and is one of the reasons I wanted to see this film so much as seeing him skewer his tough-man persona, swearing poetically and prat-falling left and right in the most unpredictable spots is just one of SPY’s fun delights. My only beef with his part is I wanted more.
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Spy would not be funny if it were simply Susan/McCarthy bumbling from one scenario to another. It helps that her characters here have vulnerabilities; it works because McCarthy is adaptable to every situation she finds herself in and is able to hit all her marks without a miss. There’s a sense of witnessing a woman empowered and it’s a hoot to see McCarthy given the space she deserves here. The other is watching Rose Byrne vamping it up as Rayna Boyanov, along with Miranda Hart, who is a constant surprise as Susan’s coworker “Nancy“. And then we have 50 Cent, as himself, having a grand old time being, yes, dare we say it, a tad bit funny..
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Director Paul Feig has gathered a game cast here who are more than committed to the faintly ridiculous material they’ve been given which will make Spy likely to be one of the funnier films of the year. There are films with stronger action sequences, but that won’t be your concern when watching as again, you’ll probably be to busy laughing.

Grade: B-
@pegsatthemovies

Screening at AMC Century City 15, Tuesday, April 21st, 2015 – courtesy of 20th Century Fox & LAFTV
“SPY” – Opening nationwide Friday, June 5th, 2015

RATINGS SCALE: A = OSCAR-WORTHY; B = ABOVE AVERAGE; C = AVERAGE; D = NOT RECOMMENDED; F = SKIP IT ENTIRELY (+ OR – GIVES IT AN EDGE UP OR DOWN)

REVIEW: “MAD MAX:FURY ROAD” (2015) Warner Bros.

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From the moment you hear Tom Hardy’sMax Rockatansky” croak out the words ‘My world is fire and blood’ you know you are in for a monumental whirlwind of a ride as the world of ‘Max Max:Fury Road’ unfolds on the screen before you. What follows will have you feeling as though you’ve been sucker punched in the gut, but in all the right ways. I left the theatre breathless and two hours later I still don’t think I was breathing properly.

It’s been three decades, 1985 to be exact, since we last saw the Road Warrior known as Mad Max, then being played by Mel Gibson, and from minute one-this film is a methane-fueled thrill ride that only gives you a minute or two to breathe in between the non-stop, rollercoaster post-apocalyptic relentless action of this return trip to the world of George Miller’s MAD MAX.
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And yes, Charlize Theron as one-armed “Imperator Furiosa” just absolutely kills it.
She’s the immovable object AND the irresistible force at the same time. I mean when was the last time you had a such a woman of action, and one armed to boot. Never. Her death-stare is truly like a thousand war-engines revving up. Axle grease used as war paint. Every man’s doom as her and Hardy have one of the screen’s most powerful man-on-woman fights and at no moment does one ever think that Theron/Furiosa is at a disadvantage against him as her opponent.
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Max’s inner demons are what haunts him this time round. He’s lost his wife and young daughter and it’s that little girl’s flashbacks accusing him of failing to save them that keeps appearing to haunt this guilt-feeling Max to the point that he lets his guard down just enough to get captured by “Immortan Joe” (Hugh Keays-Byrne) the over-lord of the citadel in this futuristic bleak wasteland, who dispenses precious water to his followers (quick shoutout to the California drought here ha!) all the while raising a troupe of ghoulish young men called the “War Boys.” The Boys, thinking Valhalla awaits them when they die so they can commit heinous crimes on Joe’s behalf.
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What drives this films plot is when Furiosa decides to go off course with an Immortans War truck along with his best five breeders aka wives “Toast the Knowing” (Zoe Kravitz), “The Splendid Angharad” (Rosie Huntington Whiteley), “Capable” (Riley Keough), “The Dag” (Abbey Lee) & “Cheedo the Fragile” (Courtney Eaton) to make it back to her childhood home ‘The Green Place’. Joe sends his War Boys after her including “Nux” (Nicholas Hoult) who just happens to have his ‘human blood bag’ aka Max strapped to the front of his vehicle in a chase scene that can only be described as sheer motor madness.
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There is not one but three different factions chasing them at times in the the most crazy of action sequences as we go from car chases to fist fights to foot pursuits and then we go back and do it all over again. It’s like the spin cycle of the washing machine is going full blast and giving us with perfect timing, a few moments here and there to catch our breath.

Neither Hardy nor Theron speak much through the first 30 minutes as they are to focused on just surviving. Hardy in yet another voice not his own, only really gives us a few grunts in the first hour, so Theron’s Imperator Furiosa seems almost chatty patty in comparison.
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As I don’t want to give away the whole plot as what I’ve described is really only the first 15 minutes or so of the film and it’s something that just must be seen spoiler free for yourself. And not on DVD or your laptop or your phone..you NEED to watch this in all it’s glory as it’s meant to be seen, on the biggest screen available to you with loud booming sound or you will miss even the crazy maniacal guitarist that would make even the biggest speed metal fan need earplugs as he plows along the desert in pursuit with Joe. Trust me on this one.

I would be remiss if I didn’t mention two things to end with here. One: the #GirlPower in this film is truly something to behold. Every single female character holds their own and I give huge kudos on this. Two: George Miller with this film simply raises the bar on everything cinematic being released thus far this year. CGI might be great for the Marvel or X-Men and it IS all fun and good, but there is NOTHING like the mastery brilliance that can take the place of watching live action human element of feeling as one – riding along with chainsaw wielding madman sliding across car hoods, crawling on the outside of fast moving vehicles or fear of being plucked out of said moving vehicles by crazed maniacs swinging from high velocity poles. It’s absolutely brilliant and made me giddy throughout the whole movie.

As Nux so aptly puts it “What a Lovely Day”

Grade: A+
@pegsatthemovies
Screening at the Arclight Theatre, Hollywood Wednesday, May 13th,2015
MAD MAX:FURY ROAD WORLDWIDE RELEASE DATE: FRIDAY, MAY 15TH, 2015

RATINGS SCALE: A = OSCAR-WORTHY; B = ABOVE AVERAGE; C = AVERAGE; D = NOT RECOMMENDED; F = SKIP IT ENTIRELY (+ OR – GIVES IT AN EDGE UP OR DOWN)

“SLOW WEST” ~ REVIEW (2015) A24 FILMS

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Release date: Friday, May 15th, 2015 in the U.S. ~ U.K. release date: Friday, June 26th, 2015

“Go West young man, Go West” – This was the old adage all Westerns were based upon for a time, told to drifting young men back in the day. And “Slow West” is just about that journey ~ with a twist, as it’s no ordinary Western. Trust me on this one.

Starting the film, we follow 16 yr.old Scottish rich boy “Jay Cavendish” (Kodi Smit-McPhee) journey across the old Colorado frontier of 1870s America in search of the girl he loves, “Rose Ross” (Caren Pistorius), who has fled to America with her father, “John Ross” (Rory McCann). As Jay begins his search for what he believes is his true love, he is completely unaware that Rose & her father are wanted, dead or alive, as murderers with huge bounties on their heads. Needless to say this has brought out numerous not so savory bounty hunters, who are all in search of them.

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When Jay runs into bounty hunter extraordinaire, “Silas Selleck” (Michael Fassbender) who during an encounter with some soldiers, bails him out of a bad situation then offers his services of protection, for a fee of course, to escort him to where Rose is. As we listen to Silas, who confesses while narrating this quirky oft violent story, that this is really his whole ulterior motive in taking Jay along.

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Hot on their trail is another bounty hunter “Payne” (Ben Mendelsohn), along with his group of cold-blooded bounty hunters. As an ex-member of the team, Silas went the lone route after clearly having different ideas on how getting quick cash through delivering bounties should go. Payne is not having any of it, as the he tries to convince Silas to come back to the group so it’s no surprise that both Payne and Silas have different views when it comes to the young man, but Silas still does whatever he can to protect Jay from them and the truth about Rose.
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As per usual, Fassbender eats up the screen doing his best “High Plains Drifter” impersonation going even so far as having the ever present cigarillo hanging from the side of his mouth. The chemistry between Smit-McPhee and Fassbender is great, as we watch the pair soon develop a heartfelt, darkly funny, camaraderie that runs to the spine of the film. But don’t mistake this for an yippe-kai-yay uplifting buddy-western horseback ride through the wild west, because this world is filled with dark characters and even bleaker scenarios, but still has enough entertainment value to ensnare you in it. The graphic violence may come off as funny sometimes, but it works for a film taking place in the Old West.

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While Slow West may be considered a Western, it also is a nicely done coming-of-age story about Jay becoming a man and Silas learning that there is more to life than living on the road. Jay’s complete naiveness for life in the Old West and though complete opposites, it somehow matches well with Silas’ stone cold attitude. As things move along, Jay’s determination to get to the girl he loves slowly starts to affect Silas. You notice as he starts having this father-son bonding with Jay by teaching him how to shoot a gun and even giving him his first shave. At the same time, Jay shows Silas the beauty of life, so it’s hard to tell which of these men are actually growing up.

The movie comes to a head in a brutal, climactic shootout that brings all the characters together in one final showdown that results in bloodshed and an oh-so-unpredictable death. The only sour point in its conclusion is it’s almost just a tad too neat and tidy. Slow West is definitely a very unique, different type western from those I’ve seen, but it worked. With it’s somewhat fairy tale-ness, witty humor, silly violence, it’s a worthy addition to this genres roots, but with a modern edged tone.

Screening at USC School of Cinematic Arts, Ray Stark Theatre – Tuesday, April 28th, 2015

Grade: B-
@pegsatthemovies

RATINGS SCALE: A = OSCAR-WORTHY; B = ABOVE AVERAGE; C = AVERAGE; D = NOT RECOMMENDED; F = SKIP IT ENTIRELY (+ OR – GIVES IT AN EDGE UP OR DOWN)

10 top TV shows I’m watching right now

And you should be too!! It’s been awhile since I’ve done this list and so many shows have come & gone..too many of my favs ending their series runs like Sons of Anarchy, Breaking Bad, Mad Men & Justified all in the same year for crimeny sakes. Luckily a few good news ones have popped up and I will be updating this every few weeks from now on. Now onto some great TV….
red road
THE RED ROAD (Sundance Channel)
Martin Henderson & Jason Momoa are really outstanding in this show. They play the best hardcore ‘frenemies’ I’ve seen in quite some time in a show that’s refreshingly different from the same ol’ cops & robbers genre.

the blacklist

THEBLACKLIST (NBC)

James Spader.. enough said. He is fantastic here. Add in a now all grown up-looking amazing -from 90210 –Ryan Eggold doing some decent work and Diego Klattenhoff stepping up in a good supporting and you have yourself a pretty damn good show. Megan Boone as the female lead, for some reason can be the only thorn in my side in some episodes though most everything revolves around her. I also love the complete diversity of what this cast does.

goldbergs

THE GOLDBERGS (ABC)
I’m sorry but their “Ferris Bueller” episode a few weeks ago was so so so very spot on and had me laughing harder than I have in some time. Every episode brings me back to what at the time, I thought was the worst period in my life.. turns out it was the best and Wendi McClendon-Covey kills it every single week as the mom. The whole family is just so spot on.. If you’re not watching this show, you clearly didn’t grow up in the best decade EVER!! 🙂
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BROOKLYN NINE NINE (FOX)
SURPRISE! Another comedy for me which is unusual because I’m very picky on my comedies as shockingly enough, I actually prefer them to be funny. And this one is. The whole cast is so deadpan spot on and work so well together I can’t stop laughing each and every episode.

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12 MONKEYS (SyFy)
I’m telling you..Syfy channel has been rocking it and really stepped up their game in the last few years. This show being one of the reasons and one of the best ones on TV right now period. Each episode has upped itself a notch and Aaron Stanford, Kirk Acevedo & Amanda Shull truly take this show to the next level. So granted it took me 3 episodes to realize it was based on the Bruce Willis/Brad Pitt movie, but give me a break, that was 1995!!!

broadchurch

BROADCHURCH (BBC AMERICA)
You know I love my British dramas. The first season of this show was mind-bogglingly good. Then they tried the American-ized version Gracepoint with a great cast, including David Tennant whom they said ‘couldn’t be understood by audiences in the U.K. version’ reallly.. I had no problem and still have no problem understanding him, but the U.S. version was quite awful. So now we are on Season 2 and it’s carried on from season 1 so well which I think was the big question everyone had. Could it be as good? The answer is yes.

the good wife

THE GOOD WIFE (CBS)
After a spectacular Season 5 where this show had some of the best writing I’d seen in a while for network TV.. Season 6 came back with a new firm, Florrick, Lockhart & Agos and has been a bit of a roller coaster at times swinging back n forth between good at times, but a bit confusing. But as of this past Sunday, WHOA! Don’t miss this show people.. it’s what Scandal etc. wish they could be.

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VIKINGS (HISTORY)
So it’s probably not exact history, but then what really is. We don’t know how the Vikings sounded or exactly what language they spoke, but we do know a lot of their history based upon their gods and what happened between them & the Christians. And we know they discovered America way before Columbus did and were amazing navigators & shipbuilders for their time. We also know that they were true warriors and yes, raided other countries to death. Travis Fimmel has found his calling in this role. He is perfect as King Ragnar and Clive Standen as his brother Rollo is just plain badass.. oh did I mention they are hot..well yeah, they are but the show is also reeeally good and Kathryn Winnick as the bad-ass Lagertha tops this cast off showing true girl power. This is not only a well done good show, it’s entertaining as end all.

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MAD MEN (AMC)
Where would we be without Don Draper??!! Much less entertained in my opinion. This show has stunned us, made us look back in our pasts to see where our futures are.. reminded us of a way things were done not all that long ago, and done it so stylishly we’ve all just fell in love with it. The fact that this show is one of the shows I love that is ending, makes it all the harder to look forward to these last episodes. Don, Peggy, Ken, Pete, Betty, Joan, Harry, Roger and all the rest whom we grown so fond of..let’s smoke one last cigarette together while mixing a drink at work..at noon!

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JUSTIFIED (FX)
Oh Raylan..oh Boyd.. oh Ava.. how I will miss you so. I wouldn’t know where to begin or end with how much I love this show and how good this final season is. We are at the very end, and 3 things I will miss most.. the witty amazing dialogue, the fantastic acting by Timothy Olyphant, Walton Goggins, Joelle Carter, Jacob Pitts, Erica Tazel and Nick Searcy along with the rest of the absolutely fantastic co-stars & guest stars that have made this show, and the opening song.. Something I never fast forward through. Oh and producers/directors/writers/FX network ~ can you please give Rachel (Erica Tazel) & Tim (Jacob Pitts) there own spin-off show..pretty please.

‘Cinderella’, ‘Insurgent’, ‘Danny Collins’, ‘Jauja’, ’71’, ‘The Salvation’, ’50 Shades of Grey’

So I’ve seen a bunch of films lately that have all been pretty average or just plain bad..with one I really liked!! And as sometimes we all feel like a bad film has just sucked it out of us, I didn’t even feel like giving some of them a review..but then decided to suck it all in and just put them all in one with a few bits about each and let everyone make up their own minds to see them or not.

I’m starting with the one that actually surprised me out of the group because I actually did like it…not love it mind you, but a good ‘like’ is pretty much all I’m looking for now-a-days from a film!
So let’s begin:
cinderella
CINDERELLA (2015) Disney Studios – Every little girl knows this story by heart growing up..it’s truly a little girls fantasy that no matter how crappy things are, you have the chance of one day meeting your ‘prince’. We all bank on it somewhat that it could actually happen. And then you grow up. ha! What surprised me was how much I liked revisiting this version of the story. Richard Madden as “Prince Kit”, (whom I loved and miss as Robb Stark), really made a very believable Prince and Lily James is a quite wonderful “Cinderella”. Cate Blanchett as the wicked stepmother was perfect, and it’s always nice to see ‘Daisy’ from Downton Abbey (one of my fav. characters of that show) Sophie McShera “Drisella” and Holliday Grainger “Anastasia” doing a fun spin on the wicked stepsisters. Throw in Stellan Skarsgard as the “Grand Duke” and Derek Jacobi as the “King” and you have a well-rounded out cast that brings some new blood & life to this story. And that’s what I liked best of all about it. Told in a little bit more updated version, though not time-wise, but tale-wise, brought it all to life in a really nice wrapped up gift. Was it super fantastic and the best Cinderella story ever told..nah..but it certainly was a nice breath of fresh air and a decent enough way to spend an afternoon reliving the little girl inside of me.

Grade: C+

Next on the list:
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INSURGENT (2015) Lionsgate/Summit Ent.
For this one I actually looked back at my review of “Divergent” from back in March of 2014. https://peggyatthemovies.com/2014/03/26/peggyatthemovies-review-of-divergent-2/ .

Basically I could just repeat it almost word for word except for a few minor things.. Like first off how this one was worse, second of all; bad bad casting decision on Naomi Watts as “Evelyn”, Four’s mother. And yes, the lovely Theo James reprising his role here, though annoying enough he kills the best character they had of all as I noted in my Divergent review also, “Eric” (Jai Courtney) this time round. You know my motto, you’re only as good as your villain and Courtney played a good villain.
Miles Teller as “Peter” steps it up some this time, but after you’ve seen him in Whiplash, it’s hard to take this performance seriously as you now know what he’s truly capable of. Ansel Egort “Caleb” is pretty non-existent both in character and performance, and Shailene Woodley coming back as “Tris” is annoyingly bad…again. I mean in an opening scene she decides to chop off all her hair for a new look.. now we know with the hack-knife that she’s using there is no way this is coming out well.. but oh no..not with Shailene..it’s perfectly coiffed hair cut. Please. Stop it.

I didn’t hate the first one, but I liked this one even less and losing a good villain and not adding anyone of consequence..I think I might be out of town, or ya know, busy washing my hair for the next one.

Grade: D

Moving on—
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DANNY COLLINS (2015) UNIVERSAL

Sigh. I j’adore Al Pacino. I always have. I’ve met him a few times, sat next to him at a movie at Sony once and he shared his candy with me and is truly one of the nicest guys ever. He’s also Al freaking Pacino!!! I mean… enough said right.

Well here he plays “Danny Collins”, an aging rock star who’s manager & best friend “Frank Grubman” (Christopher Plummer) discovers 40 years after the fact, that John Lennon wrote him a letter telling him to basically stay true to himself at what he was doing at the time. Clearly he didn’t and now decides to change his life and sit down and write the songs that were true to him back then, thinking his now-aged audience will want to hear them. They don’t. There is a back story here that I won’t even get into because it’s so passe’ but I will say that Bobby Cannavale as his son “Tom Donnelly” is refreshingly good and I don’t think gets enough credit for his work ever. Annette Benning “Mary Sinclair” as the hotel manager whom Collins is trying to woo into having dinner and maybe more, with him, of course carries herself. Jennifer Garner “Samantha Donnelly” as Tom’s wife holds her own in this company. There are a few really nice, fun moments and as you see them coming a mile away, a few harder ones also, though you pretty much can see in sight what the ending is. In December I went to a screening with a Q & A with Mr. Pacino afterwards of “The Humbling”. This film is almost a cover version of that one except here he is an aging rock star vs. an aging actor.
But ya know what.. no matter as I will always go see an Al Pacino film.

Grade: C-

Neeexxt…
jauja
JAUJA (2014)
I will be deadly honest with you all here. I am not completely sure what this film was even really about. I went because I was invited to a screening with Viggo Mortensen doing a Q & A afterwards and as I am a big fan of his, I thought “sure I’ll go”. Huh.. I think it’s basically a journey of a father, “Gunnar Dineson” (Mortensen) and daughter “Ingebord” (Villbjork Malling Agger) thru a desert though I’m not sure where they are going exactly, and the daughter runs away with her boyfriend in the middle of it, though there is another person they are hunting, or is he hunting them?? And then he meets a witch in a cave while searching for her.. or does he really?? again, completely confused. And then BOOM! all of a sudden it’s present day and it’s the same daughter living in a nice house but without the father. The whole film switches between Danish & Spanish speaking and let’s just all agree to say that I didn’t get it and call me completely lost on this one.. like ‘we have to go back to the island’ LOST. 🙂

I will say Viggo was an absolutely wonderful guy with a lot to talk about. I think he could tell that I might be a little confused by the film and offered to have me to stay for the second screening they were having later. I told a white lie and said I had plans..which I kinda did. They involved me watching the Malaysian Grand Prix a little later. 🙂 And we ended up talking mostly about football aka soccer, as he brought it up when speaking and it turns out we like the same teams. So there ya have it.
Movie grade: D
Conversation with Viggo grade: A 🙂 Viggo

71
’71
Being a fan of Jack O’Connell‘s I saw this film a few weeks back and while for the most part, I liked it, and liked his performance as “Gary Hook” the somewhat dis-oriented British soldier who during a riot on the streets of Belfast during the height of the Irish Catholic/Protestant war i.e., 1971, gets left behind by his unit.
What follows was a bit of a convoluted story for me of him being chased down, beaten up, shot, and surviving a bomb attack all in a matter of what..48hrs. I dunno.. a lot of it just seemed a bit implausible for me. And what’s with him always constantly getting the crap beat out of him in pretty much every single film he’s ever done!! ha! Sorry..sorry.. I know I shouldn’t even be commenting that because this is a serious film..but hey. I call it as I see it.

The side story here is of course religion and how much these people hate each other over it..once again..I’m never that great with these story lines because I’m not religious and can’t imagine killing someone over it. But it’s gone on for thousands of years, and as we all know in Ireland, it was really heavy duty for about 30+ or so years until the ‘peace treaty signed about 17 yrs ago, with this time period truly being the height of it all. There is also a nice sub-plot of crooked police detectives “Sgt. Leslie Lewis” (Paul Anderson), “Capt. Sandy Browning” (Sean Harris) helping both sides in a way and the rest of a good supporting cast including Sam Reid as “Lt. Armitage” who is O’Connell’s commanding officer and seemingly the only person really looking out for him & on his side to find him. This is a rough movie, not altogether great, but it will keep you watching till the end.

Grade: C

Almost to the end..

the salvation
THE SALVATION (2014) IFC Films

Since this just came for a one week run here in L.A. a few weeks ago, I had the chance to catch it on at my favourite art-house theatre, the NuArt. But whoa.. what a film. I mean if one more thing happened to Mads Mikkelson’s character here. Well I just don’t think it would be humanly possible. To put it lightly..this is a dark dark film (yes pun intended) that just takes you places that I probably never want to visit again.

It’s a Western, but not like one you’ve ever seen before because it’s not just Cowboys & Indians here. It’s really like how it must have truly been because there were tons of immigrants coming from all over and settling in as cowboys, though in every Western you’ve ever seen, they just pretend that suddenly everyone was just a regular old southern boy without an accent drifting out West. ZZZzzzzz

Well this one is 1870’s America, the gold rush is on, and this peaceful Danish settler “Jon” (Mads Mikkelson) has been separated from his wife & son for 7 years and finally brings them out to be with him. Literally within an hour of being here, they are kidnapped, his wife raped & murdered & young son also murdered by two degenerates, one of them being a character named “Paul” (Michael Raymond–James). Jon sets out, with his brother “Peter”(Mikael Persbrant) to avenge their deaths and hunts them down and kills them, which then leads to the unleashing of notorious gang leader “Delarue” (Jeffrey Dean Morgan) coming after them as Paul was, unbeknownst to Jon, Delarue’s brother. The really weird townspeople then desert him in his hour of need because they don’t want to die, ends up most of them do. Eva Green is thrown in as a character named “Madelaine” who has her tongue cut out so she doesn’t speak..which doesn’t matter as she really can’t act anyways.. and then comes some really hard core horrible death scenes and basically anything that can go wrong for Jon does, until of course it doesn’t.

This isn’t a great film, it a super depressing one to be honest, but it’s also not horrible. Mads is quite good as a cowboy, Jeffrey Dean Morgan even better possibly as the villain, though you know my motto, you’re only as good a your villain..yeah that doesn’t apply here. Jonathan Pryce “Keane”, Eric Cantona “Corsican”, Sean Cameron Michael “Lester” and Jose Domingos “Raul Delgado” all offer good supporting characters. This film was definitely a mixed bag for me.

Grade: C

50 shades
50 SHADES OF GREY (2015) Focus Features/Universal Pictures

What was the big deal here is all I kept thinking about while watching this film. I thought I was going to be watching the second coming of Deep Throat or some really trumped up S & M film or something the way everyone was going on about it..and all I got was an actually very tame, quite badly done film about this guy, “Christian Grey” (Jamie Dornan) wanting to control this girl “Anatasia Steele” (Dakota Johnson). She’s a literature student who works in a hardware store (of course she does) and he’s a tormented handsome, self-made millionaire businessman..ZZZzzzz oh sorry I drifted off there for a minute just telling with that ridiculous storyline. They are like the new Twilight couple featuring some S & M sex vs. vampires & wolves. Control in the way of having her sign a contract before sex, because he doesn’t spend the night with anyone or have relationships..blah blah blah.. of he does end up doing so, she ends up letting him take her to the ‘The Red Room’ and with some reeaaally bad dialogue thrown in and possibly worse acting, you have the story in a nutshell. I don’t think two people with less chemistry together have made a movie about sex so badly before. And truly, there wasn’t anything hardcore about this. Why all the fuss?? So the guy has a dungeon like room full of sex toys.. a few sex scenes that seriously weren’t that far out there at all. I feel like I must have missed something..but if I did, that’s okay because I will probably miss the next few ones in the trilogy also unless they up their game and their acting ..a lot.

Grade: D

So now you see why I just threw them altogether in one review. I like some, but didn’t love any of them. And now I’m caught up, back and ready to go! 😀
@pegsatthemovies
peggyatthemovies.com

(See grading scale)

REVIEW ~ “THE GUNMAN” (2015)

The-Gunman

So does Sean Penn want to be Liam Neeson… or does Liam Neeson wish he was Sean Penn.. either way, this film is the sadly the first one. “The Gunman” is from the same Director as ‘Taken’ & ‘From Paris With Love’(Pierre Morel) could easily have almost been called “Taken in Barcelona via the Congo” or “From Barcelona With Love.” Clearly the guy has a certain directing style. Too bad it didn’t work here with this stellar cast that puts Sean Penn as “Martin Terrier” a sniper on a mercenary assassination team in the Congo pretending to work for an NGO, who is forced to go into hiding after a successful kill shot puts him on a hit list.
THE GUNMAN

Though Sean Penn does a really capable job of doing the action hero thingy here as his physicality is dammed impressive and he’s definitely believable in the part. It also helps that he’s in absolutely amazing shape for a man his age and definitely seems like he has skills built up over his career which works for him here. His story is somewhat convoluted though..told in that tortured soul way that sometimes just doesn’t make sense even though he’s somewhat straight to the point kinda guy, which I liked. There is also a decent enough subplot going on a medical condition Terrier has which plays off in a pretty cool way throughout the film, most especially at the end but all in all, this is not a particularly good film or even an entertaining one.
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While I am a huge fan of some of the co-stars here..though none of them with the exception of Jasmine Trinca as the love interest “Annie” of first Terrier, then with Javier Bardem’s character of “Felix”, have much to do. Felix, whom I guess we could say is a ‘co-worker’ of Terrier, is really wasted in this role as he plays it in such a manner you just want to cringe and not in a good way. The one final scene between the characters is almost flat out silly.
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Both Mark Rylance “Cox” & Ray Winstone “Stanley” are satisfying enough in their respective roles as they interact well with Penn and hold their own – though I would have liked a bit more of a back story on their characters and when it does come, it’s almost as if it’s too late in the game for it. And let’s be truthful, no one does that bad-assed, grizzled, no BS English tough guy like Ray Winstone does.. It’s just never wrong. Sadly Idris Elba as “DuPont” an Interpol agent who wants Terrier to do a tell-all, is just basically a if-you-blink-you-miss-him character at the very end.

Though Annie is Penn’s AND Bardem’s love interest here.. Terrier had to leave her behind when he had to go into hiding per the ‘rules’ of the assassin’s creed they had. But truly, she has very little to her character and only seems to exist to be one of those helpless way-to-young for either guy, woman characters with a pretty face. She and Penn don’t really have all that great chemistry and I doubt the film would change much or you would even notice if her character wasn’t in it. the gunman 4

Structurally the film was a little strange and again as noted, convoluted. For the longest time it seemed like it was going to be a thriller but then turned into an action film about halfway through. The two halves of the film don’t really seem to add up or connect together so any scenes not building up to an action sequence feel a little like they are just killing time for the sake of the films run time. At times the plot seemed lost and overly complicated for what ultimately amounts to just a series of shoot outs.

The action scenes were impressive enough and had some good diversity to them in terms of location. The ending action scene in a bullfighting arena is pretty damn awesome if not a bit gruesome. I really don’t think I’ve ever seen anything quite like it before and might be the films only redeeming point to make it worth a watch…on VOD or DVD that is..

Grade: C-
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(See grading scale)

“HOMELAND” ~ Paleyfest Panel (2015)

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Paleyfest Panel “Homeland” ~ Friday, March 6th, 2015

NOTE: This review does contain 3 teasers/spoilers for the new season of “Homeland” as given by producer Alex Gansa.

With an unusually heavy panel of Producers/Director/Writer (Alex Gansa, Chip Johannessen, Alex Carey, Leslie Linka Glatter, Patrick Harbinson, Meredith Stiehm, Composer:Sean Callery) and only 2 of the shows cast members, Claire Danes & Maury Sterling, showing up to the Dolby Theater last night for the opening of Paleyfest for the spectacular hit show “Homeland” I don’t know about you, but I am a HUGE fan and think it’s possibly one of the best shows to ever hit the small screen medium of TV.

Season 1 blew us all away..come Season 2 we didn’t know what hit us.. Season 3, while mixed, had us with an ending that made us all not sure where it was going to go next..but we really shouldn’t have worried as Season 4 took us to a whole new world with a whole new kick-ass leader in Peter Quinn (Rupert Friend).

They took us along the journey that has been Homeland and the process of making this show happen is truly grand.

Starting off with some insight into the “Dar Adal/Saul” (F.Murray Abraham/Mandy Patinkin) duo – his motive for making a deal with Haqqani was because he does not want the new director to be a political appointee i.e, another Lockheart. Dar wants someone who has spent a career in the CIA. We don’t know if Saul will accept Dar’s offer. Guess we will find out in Season 5. Gansa said something like this is what America does – our enemies often become our friends. It’s how business is done, even if its a hard pill to swallow.
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Claire Danes on “Carrie” – she felt there aren’t a lot of controversial portralys of mothers on TV and was excited to start a different conversation on what that looks like. They discuss how they shot the controversial “drowning scene” from the insight of looking up at Carrie through the water.

Second controversy was Carrie/Ayan scenes – is she going to low in this form of recruiting? Meredith Stiehm was a defender of it all as she felt it was part of Carrie’s job and Ayan was not a “child.” She felt if it were a man seducing a younger woman no one would have as much as a reaction. Which is a good point and many tactics like this are used in that everyday world.

And the big Brody flashback – which I loved by the way. Done perfectly as the writers wanted to explore Carrie in such a state where she struggles with the idea of Brody but it was important for her emotional state. As we all know, Brody was supposed to be gone in Season 1..but was such a fan favourite they kept him on and needed a way to really close it up once & for all for Carrie also. So the hallucination scene gave her and the writers closure on this fantastic character who no matter what, we still miss. 🙂

The scene on the airport tarmac of the prisoner exchange was a difficult shoot. The day was a very hot one, Claire had been sick with a stomach flu. The first few takes of Saul/Carrie on the tarmac were not working. They needed something more..somewhere Mandy Patinkin just flipped a switch and was able to go to another place and it worked. That was the take we saw.
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They discussed James Rebhorn beautifully. How they weren’t sure if they wanted to just continue as if his character, Carrie’s father “Frank” was still alive but just not there anymore. Finally decided they wanted to make his passing a tribute and part of the story so they did in the finale.

Regarding Quinn/Carrie relationship/romance seemed to be divided along ‘party’ lines 😉 with the men not really wanting it, and the women pushing for it. I’m truly in the middle on this one though leaning towards not a complete romance. Seems both Rupert & Claire were a bit ‘jumpy’ about it because the characters are both so similar in that they both repel and yet attract one another which is fun to play. The tension between the 2 characters was great.. now that they’ve kissed, it might be less so even though as we saw Quinn leaving to another mission in the finale to parts unknown and have no idea what happens. Maybe for me, a quickie kiss was enough because as we all know, 99.5% of the time, work relationships do not turn out well. And do you really want to see Carrie & Quinn ride off into the sunset together in a house with a white picket fence & 2.2 kids & a dog?? no.. no.. no… I want them out there kicking ass and taking names. Sorry..more fun.

Regarding the ‘villains’ of the show..For me, a show or film is truly only as good as it’s villains and sometimes that’s not understood correctly. Here, they noted trying to humanize them in some way as they did the scene with Haqqani & Saul having a ‘family’ dinner. What was his viewpoint. Of how they feel it’s “us” invading his country etc.. When the panel was asked about ISIS, Gansa replied that it is impossible at this point to try to humanize that group. So I think this is saying that ISIS will not be the “villains” of Season 5.

As always, the best questions come from the audience and anyone worth their salt in watching this show knows that Carrie’s ‘cry-face’ is the best thing to hit the small screen.. and possibly has the most GIFS made of it than anything else. When asked by an audience member what she’s thinking when she makes the ‘cry-face’ was possibly the best question of the evening and even Claire Danes herself loved it and had a good laugh. Noting that she’s done the face since “My So-Called Life” and that’s just how she looks when she cries.. but doesn’t have a true real thought process behind it, made it all the better. So yes, everyone, if you’re wondering, it’s her real-life ‘cry-face’ 🙂

Noting two of the main writers (Chip Johannessen & Alex Carey) are leaving, both of whom wrote some good episodes, didn’t state why, but it seems to be on a good note as they were there..ha!
The three teasers for Season 5 are: (drum roll please)
1. The show will pick up 2 1-2 years later
2. Season 5 will take place in Germany
3. Carrie is no longer a CIA operative (Claire Danes joked she will be making beer in Germany)

Nothing discussed if Rupert Friend aka “Quinn” would be back..but it gives me hope he will be as if it’s 2 1/2 years later, then he should be done with his mission..Right??!! 😀

Lastly, as an end note, Julie Chen was not a good moderator. I’ve seen some great moderators doing these panels, she was not one of them. She called Claire ‘Carrie’ almost every single time..and while trying to play it off, came off worse. If you can’t call your main guest and lead of the show their correct name, please step off the podium. Her questions were bland and while she tried to come off as a big fan, not sure she succeeded as it truly didn’t seem that way.

OSCAR COUNTDOWN: BEST DIRECTOR

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Another day ~ Another Oscar countdown category

BEST DIRECTOR:

Morten Tyldum
“The Imitation Game”
While I loved this movie and it’s in my top 3 of the year, Morten is just not my pick this time around.

Bennett Miller
“Foxcatcher”
Having seen this with Bennett & Steve Carell at a Q & A and Bennett just was well..not the most pleasant of people I’ve ever met.. and the film had good performances but wasn’t great. Not my pick.
best director
Alejandro González Iñárritu
“Birdman”
From the 1st time I saw this film, to the 3rd time I saw it with Keaton & Inarritu doing the Q & A, I’ve loved it. Just a brilliant, brilliant film.

Richard Linklater
“Boyhood”
An average movie with a brilliant idea behind it – which is what I think people are mixing together. And I’m a Linklater fan and again, the idea was his and it’s good..I just wish the film was better.

Wes Anderson
“The Grand Budapest Hotel”
When I first saw this was back at the beginning of 2014, I loved it. Still do.. I won’t be mad if Wes wins this.

My Pick: Alejandro Inarritu
Will Win: Alejandro Inarritu
Possible Win: Wes Anderson

REVIEW: “AMERICAN SNIPER” – Warner Bros.

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You know those stories where you might not really understand who are the good guys and who are the bad guys? In which the lead character is a possibly a hero, but also a human being not without problems. That is the story of Chris Kyle, American Sniper.

I went into this film knowing a ton of fuss is being made about it – from all sides. And I won’t lie, points of this film can make it a very hard movie to watch at times. It’s the story of a man with formidable military qualities, doing something completely out of the ordinary to most of us in that he spent three years in the war doing things the vast majority of us could never really possibly imagine doing. It describes the kind of irresolvable moral dilemma undergone by a sniper in the war, and left to imagine what kind of consequences it could have on a human being to spend those years with only one ‘job’ to do and that job is killing people whether it be men, women or children if they are making a situation threatening to your fellow soldiers. american-sniper 1

But Chris Kyle was not someone who returned from the war with all his problems settled with a visit to the VA psychiatrist. The problems were not simply being afraid of sudden noises: for one thing, he drank, to name another, he had been arrested several times mostly for assault. He said he went to New Orleans during Katrina and he shot those who plundered the abandoned houses. He said he had killed two who wanted to steal his pickup. These stories and many more are in the autobiography of Kyle, that inspired this story. Even the way Kyle managed at some point to straighten his life helping veterans in trouble as he was a piece of history; also the complicated life of Eddie Routh, the guy who killed him, is all a piece of said history.
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Putting all my political thoughts aside regarding the “what if’s” of Chris Kyle..it’s clear he truly believed in what he was doing was the proper and right thing at the time. The point comes across to us by the fact he kept wanting to go back as he thought he could do more there than here, even though he kept leaving his family. It also speaks volumes during the scene where he runs into his younger brother “Jeff Kyle” (Keir O’Donnell) on the tarmac, Chris coming in for another tour, yet his brother just wanting at all costs, to get the hell out of dodge. The fact that we were dragged into a war against a country that never even attacked us as we all found out later..is not the story here..and wondering if those “what if’s” could have changed everything that happened is something we will never know as we can’t change the facts here. The problem is not that Clint Eastwood made ​​a film of “military propaganda”, as some say because he is a Republican & was a staunch supporter of Bush and the war; on the other hand the answer is also not simply that Clint Eastwood has just told a story. This is not even that the film isn’t always faithful to the real story, not that American Sniper should be a documentary, but take the story of Chris Kyle and tell it like it is, flaws and all, is just another idea. If we just stop and look at the movie as it is ~ a well-done film by Eastwood, though not by far his finest work. American sniper 4

Standouts here are really Bradley Cooper who embodies Chris Kyle completely down to that fact that, yes, he physically fits the role, like Will Smith in Ali, and brings some layers of complexity to an emotional depiction of a veteran and his what his life and family life can entail. Sienna Miller plays Chris’s wife, “Taya”, while not a bad performance, started to somewhat annoy me when it seemed all we heard from her was “You’ve changed” or ” I want my husband back” coming off in what could be deemed whiney when let’s just be real here, you do know what you’re getting into when you marry a Navy Seal. There is also a decent supporting cast, taking note for me is Luke Grimes as “Marc Lee” as Kyle’s most notable combat partner during some tough scenes, Cory Hardrict as “D/Dandridge”, Eric Laden “Squirrel/Case” and Jake McDorman as “Biggles” to name just a few.

There are the parts where the movie lacks direction. We all know Chris Kyle lied and made up a boatload of crazy stories – truth be told, the only one that really irks me is how he said he donated all the money from his book, but yet in actuality kept a huge portion of it. That one is a pisser..and yes.. we’ve all lied and made up stories, but for most of us, not to the extent that Chris did. But did anyone stop to think for a moment what all those killings actually might have done to his psyche? I shouldn’t even say ‘might have’ as unless your a complete socio/psychopath, having to kill that many people would have to affect anyone. But how most likely he was truly messed up in the head with major PTSD is barely even brought up here. And the fact that he was shot by someone who CLEARLY was carrying loads of PTSD luggage, yet it’s reduced to one small title screen at the end of the film. Me personally, I would have liked to have seen more of that story.
AMERICAN SNIPER

I also have a bit of a problem with the way his ‘rivalry’ is shown with “Mustafa” (Sammy Sheik) is shown. This guy was an Olympic Gold Medalist-turned sniper, though Syrian, not Iraqi, and while the most human moments of him are when he is with his family or in his Olympic photos, we see nothing else except the hunt/cat & mouse game these two play with each other. His slo-mo death is also done a bit on the cheesy side for what purpose, I’m not sure. Yet the closing scenes of the film are also very powerful, and I don’t care who you are, you will be moved by it.

The film to me was a well made movie that shows the horror of war and what it does to people. Or can do. While I might think personally that Chris Kyle is more of a hero for what he did when he came back from war and helped other veterans, I do like it when a film actually makes you think or feel something that you can only imagine otherwise. And lastly, a huge point here, if you can’t separate the political from this and what it all entails and look at it from the viewpoint of ‘is it a good movie or not’ that not-withstanding what you may or may not feel about it personally, then your best bet is probably just not to see it. Though I think you will be missing something by doing so.

Grade: B-
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(See grading scale)

“KINGSMAN: THE SECRET SERVICE” (2015) 20th CENTURY FOX

Watch out James Bond ~ the “Kingsman:Secret Service” is in town!!!
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Starting off my 2015 with a early preview screening of this oh!so!fun! fantastic joyride of a film is just what I needed. Simply put, I LOVED IT! and I’m thinking spy movies will NEVER be the same.. 😀 This film truly injects the fun & thrills back into the spy movie genre as it’s a ridiculously entertaining action comedy that will certainly be hard to top – not just by the other parodies but yes, by the actual spy movies themselves. “Kingsman: The Secret Service” is enjoyable, well-made action film with a fair dose of humour, lots of slicked along style and panache’ ~ yes I said panache’ because that’s the only word that comes correctly to mind with it’s wonderful style & wardrobe fashion sense, but it’s definitely made by, for, and about people who’ve seen far too many Bond films…and yes, you can count me as one of the latter. 😀 kingsman colin in front of suit store

And while I won’t give away any spoilers….”Kingsman” is the story of a streetwise London youth named Gary “Eggsy” Unwin (Taron Egerton) who is rescued from his life of petty crime and run-ins with the law by a posh secret agent named “Harry Hart/Galahad” (Colin Firth) and trained to be a new generation of spy working for a top secret privatized spy operation aka “The Kingsman”. How fun is it to see Colin Firth so polar opposite type-cast as a bad-ass and a good one at that?? REALLY FUN ~ I mean who knew??!! Certainly not me as who could even come up with this idea and make it work so well. Matthew Vaughn is who. Truthfully, Vaughn has cast his film fairly perfectly. Firth is game and great in his yes albiet, computer-aided fight scenes with his delivery of the dialogue spot on and with Egerton a naturally charismatic presence with smarts behind his cutesy smile. The always wonderful Mark Strong plays gadgetmaster “Merlin”, while Michael Caine is brilliant, although brief, as “Arthur” head of Kingsman. kingsman colin  taron

Samuel Jackson goes for broke here and strikes it big-time in riches as a over-the-top billionaire Steve Jobs type in villain form, “Richmond Valentine”, and supported wonderfully by henchwoman “Gazelle” (Sofia Boutella), who sports a pair of sharpened-and-bladed prosthetic legs and slices & dices her way through the film with them as divinely mad as any deadly dentures Richard Kiel ever wore as ‘Jaws’ or Harold Sakota as ‘Oddjob’ with his deadly flying top hat in Goldfinger. kingsman blades

But the biggest surprised nestled within “Kingsman” (and trust me, there are a bunch) might be the fact that it isn’t just some knock off doodle of a film. This is a hugely entertaining, heartfelt out and about thrillride!! It’s that bold, unique and whipsmart about what it puts out. There’s a real emotional through-line and Eggsy is a terrific main character, one you want to root for far beyond the boundaries of this film. Also, it doesn’t hurt that it’s a total blast. This is a movie, after all, where the villain sets his diabolical scheme in motion to the disco grooves of KC and the Sunshine Band’s “Give It Up.” I mean come on..what are you waiting for??? that alone should dictate that you see this movie at least twice! And though the action may be ludicrous at times, it’s also hugely engaging and delightful. Yes, the design is full of tributes and nods to other films and other bits of pop culture, but it also creates a logical world for itself. The tone of the film is spice but with a dose of sour but not in a bad taste way, it’s ‘knowing’ yet rarely cynical. And the British-isms of it aren’t lost or sanded down for an American audience. Firth is a killer, but never a brutish bad guy and Eggsy’s up-from-the-bottom determination to do good is clear in every scene, as Egerton pulls off loads of charm in his acting and skill in his action work. kingsman taron water

The whole plot is delivered with a dash of wink and pizzazz, with such bits of wittiness that even at one point Harry Hart/Galahad is conferring with Valentine and notes how much he misses “fun” spy movies. The genre, according to him, has become too stuck in “real world” politics all the while we note that this discussion takes place while the two characters are eating Big Macs of course, because hey, why not right? The movie is very much a throw-back fun return to the splashy, colorful films of the sixties that emphasized outlandish gadgets, deadly vixens and global plots where people push buttons and thousands could possibly die. kingsman big macs

With its fashion-forward flair — the film may borrow liberally from the Roger Moore 007 era, but there’s also a touch of Patrick Macnee’s gentleman spy character ‘Mr. Steed’ from “The Avengers” thrown in especially with Firth’s character. But all in all “Kingsman: The Secret Service” feels like a well-made gentleman’s suit, with superb cut, distinctive colour, and excellent flair. You get all the required gear of an action film, the gadgets, and delights ~ but you also get a good dose of sly winks at how ludicrous it all is yet also how parts are just out-and-out genius. It’s fakes a stiff upper lip but also constantly raises an eyebrow in amusement. It’s full of fun Bond-isms, little bits such as when Eggsy orders his martini with “gin as that’s the way it’s meant to be, shaken for 10 seconds while looking at a closed bottle of vermouth” I mean how can we not laugh out loud at this. (yes, Bond fans will know exactly what I am talking about here)

It’s like Kingsman is perfectly perched at just the right pop cultural moment as this is most likely the perfect moment to give the middle finger to the genre, and start a whole new, self-aware fun franchise in the process. The jokes are sharper, the plotting swifter, the violence more shocking. the sexual innuendos way more prominent as it deconstructs the old school spy genre while also celebrating it and it does so with wit and intelligence and style and yes again, panache.
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It’s clear that as a Director, Vaughn is able to handle world-class actors here getting them to loosen up and play, in ways that feel engaging and new. Sam Jackson’s lisping villain is a genocidal madman who gets weak-kneed at the sight of blood, all the while being able to turn new-comer Egerton, who is all rough-around-the edges charm and brittle good looks, into a movie star with charisma and magnetism. Most will talk about how great it is to see the star of “The King’s Speech” kick ass, but truly Egerton is the real revelation here as he is pure magic in this film.. Mark my words Taron Egerton ~ breakout star of 2015.
All in all, Kingsman:The Secret Service is a thoughtful, exciting, whip-smart spy adventure that doesn’t let its smart-ass post-moderism overwhelm its playfulness or its heart. And lest we forget..we are thoroughly reminded throughout the film of it’s own quote ~ “Remember the suit is a modern gentleman’s armor and we’re the new Knights.” Do I want a sequel? My only response is HELL to the YES!!

Grade: A-
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(See grading scale – as yes, usually an A would be regarded as an Oscar-worthy pic for me, and while this isn’t that..the fun level is so high..I couldn’t go any lower!)

First Advanced Screening in Los Angeles at AMC Century 15 on Thursday, January 8th, 2015.