REVIEW: GRINGO (2018) STX Entertainment / Amazon Studios


Over the past few years, Nash Edgerton has bounced – possibly literally – between being a top-notch stuntman and a career as a burgeoning director. After a stack of shorts and a 2008 feature The Square, co-written with his more famous sibling Joel, he now steps things up with “GRINGO”, a comedy-thriller-esque type movie that looks sharp in the trailers.

With brother Joel Edgerton on board as one of the co-leads, Richard Rusk – alongside Charlize Theron as his co-conspirator Elaine Markinson and David Oyelowo as the trusty but naive, Harold Soyinka what you have here is a south-of-the-border caper with blood, guns and medical marijuana. As the film opens, crooked business partners Richard and Elaine – post-boardroom bonk – get a call from their Harold, screaming that he’s been kidnapped in Mexico.

That’s just the start – or rather the mid-point – of a twisty amoral adventure where no one is to be trusted and most are to be feared or so they like you to be – but you’re not. Flashing back and forth, the film fleshes things out..sort of. In the process of ditching their Chicago pharmaceutical firm to a conglomerate, Richard and Elaine are looking to cut ties with one of their more shady partners in the business of manufacturing medical marijuana.

Harold, the only good guy amid this nest of ever growing scumbags, and yes, even his wife Bonnie – played by Thandie Newton – is doing the dirty on him with no less that his own boss and supposed friend, Richard. Harold gets wind that he’s going to be out of a job and this is when he realises that his employers couldn’t care less about the fact he has been kidnapped, he sets out to turn the tables. But little is straightforward in a dense plot that also ropes in Amanda Seyfried and Harry Treadaway as tourists and Sharlto Copley as a mercenary with a conscience.
Double-crosses, cases of mistaken identity… just trying to keep up and make sense of what’s going on at this point, leaves you out of sorts with a plot that really isn’t going anywhere. The script is guilty of trying way to hard, to go into sub-Tarantino area – and completely not succeeding in this endeavour.

Performances vary: Theron’s foul-mouthed act wears thin very fast and honestly, I thought she would be a lot funnier than she was, Edgerton passes you by again, not speaking in his own voice (I’m really so very over this Joel), but Copley provides a few live wire moments. Oyelowo isn’t known for his comedic turns and you will see why here with a mostly blah performance with one or two ha! ha! moments by him. While it’s a pity talents like Seyfried and Treadaway are just a weird almost background note here, as their characters almost seem as if they were given something to do, they would be funny. This is one of those films where the trailer shows you all the fun, best moments of a film that’s not terrible, but very easy to forget.

Grade: C-

Media Review Screening: Friday, February 23, 2018 ~ Courtesy of STX Entertainment
GRINGO will be release nationwide & UK on Friday, March 9, 2018 ~ Worldwide release throughout Mar/Apr


REVIEW: “RED SPARROW” (2018) 20th Century Fox


So with my media screening confirmation for “RED SPARROW” we received this note from Director Francis Lawrence. I much appreciated this as I hate spoilers and always try to avoid them in reviews. However, after the screening, I’m thinking he doesn’t want anyone to reveal his ‘plot points’ and ‘ending’ because they are downright ridiculous.

To sum this up quickly and make this review as painless and short as possible the basics of this story is Dominika Egorova (Jennifer Lawrence), a Bolshoi Ballet dancer – yes, if you eyerolled here, you are not alone – who sees her career go down the tubes when her dance partner makes a bad move and breaks her leg. It’s a horrible break which would take months to heal let alone walk in heels – and yet there she is three miraculous months later – running around in heels. Not just that, but she finds out of a conspiracy on the part of the aforementioned partner and her replacement. This is all thanks to the fact that her uncle Vanya Egorov (Matthias Schoenaerts), who is nothing less than one of the heads of the secret service of the “mother country” has given her secret tape on this. Dominika exacts a revenge that can only been seen to be believed, in other words yes, again ridiculous. She is then faced with the need to keep her home and medical care for her sick mother, Nina (Joely Richardson), both of which have been provided by the Bolshoi. Well weclome back Uncle Vanya who offers her a job because you know..she has been so intuitive as a child even. YAWN! Well, sweet Uncle Vanya sends her to ‘Sparrow School’ or as JLaw puts it in her ridiculously bad Russian accent, Whore School. You know that place we all want to go to because they train you to have sex and use your body as a weapon to overcome the enemy. After watching some of the weirdest, most uncomfortable sex scenes to grace the screen in a long time, we go to part duex. Sigh.

Dominika has to approach Nate Nash (Joel Edgerton), a CIA agent who had been working for years with a mole in Moscow and who eventually had to leave the country when he unmasked himself when he mistook some police officers for secret service agents. Nash and Dominika immediately begin a relationship because of course they do – and of course the physical attraction will prove to be a bond to guarantee a “mutual benefit”.

Honestly, that’s all I can give and it’s even more than planned. Red Sparrow is just plain ridiculous and bad. There is no chance anyone is EVER going to believe Jennifer Lawrences’ performance here as not only a ballerina, but a Russian Agent to boot. EVER! Nor Joel Edgerton as a spy – I mean when is this guy ever going to speak his native Aussie again? He really tries with his accents, but never really gets it right. Not even my go to guy, Matthias Schoenaerts or the great Jeremy Irons can save this film. It’s almost like if Fifty Shades of Grey met Die Hard in the worst way possible. With Domenika’s line “They gave me a choice: die or become a sparrow.” I wish I could have chose for her and saved myself from watching this.

Grade: D-

Media Review Screening: Tuesday, Febraury 20, 2018 ~ Courtesy of 20th Century Fox
RED SPARROW will be in theatres worldwide on Friday, March 2, 2018



Here we are with part two of my Golden Globes picks – this round is Film and Acting.
I’ve seen almost all the films presented this year, even the foreign ones – though yes, I’ve missed a few as there is only so much one human being can do! I also have a few categories where I just didn’t like any of the nominees enough to make a ‘MY PICK’. You might agree or even better, you might disagree ~ it’s all good.
So with that..I give you #peggyatthemovies 2016/17 Golden Globe picks! Cheers!


Hacksaw Ridge
Mel Gibson is riding the come back high with this decently done war film. While it’s war scenes are done very well, it’s riddled with a lot of cheesy storyline in the first hour.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, it really never struck me as Award material when watching.

A sweet and rather powerful story of a child’s journey into being a man, and finding not only his true story, but his family’s also.

Manchester by the Sea
While I didn’t dislike this film, it was monotonous and so slow for long periods throughout. I found the last 1/2 hr. to be the best as we finally found out what was going on.

Moonlight – WINNER
While watching this film, I couldn’t help thinking I’ve seen this story before..and we have – except it was done much better on the ‘The Wire’.

I just really don’t have a pick in this category as I didn’t truly love any of these nominees, so I’m just going with what I think will win.


20th Century Women
Remember how I mentioned I hadn’t seen all the movies – this is the one that my screening is actually this Tuesday.

Funny, fun, fast and R-rated sheer entertainment made this a favourite of mine.

Florence Foster Jenkins
Not sure how there is a nom for this one, but hey, I guess they gotta fill up the category somehow.

With an opening scene that is just truly beautiful and so well done, you would think the rest of the film to be just as good. It’s not. Mind you it’s a good watch, just a little to far-fetched, cutsey perfect for me.

Sing StreetMY PICK
Now this movie, sadly got missed by so many and IT’S SO SO GOOD!! I would pick this as best film of all the choices given to us as Globe nominees film wise, drama or comedy, on this one. Sadly, it won’t win and it’s so deserving.

Best Director

Damien Chazelle, La La Land
While Chazelle made one of my top fav. films ever with ‘Whiplash’, and again, he does a good job with the direction of this pic, it’s just not as gripping of a film.

Tom Ford, Nocturnal AnimalsMY PICK
Hands down my favourite film of the year. This film terrorized me in all the best ways possible. And it was made possible all by Mr. Ford.

Mel Gibson, Hacksaw Ridge
Again, he’s on the comeback-kid tour right now, and really did a spetacular job on the war scenes, but I don’t think he’s been forgiven enough to win his first time back.

Barry Jenkins, MoonlightWINNER
Gotta give it to Barry Jenkins for even getting this movie made. I know from being in a Q & A after the film, how hard they all worked. It just didn’t work that well for me. Many love it.

Kenneth Lonergan, Manchester by the Sea
While the film was aesthetically pleasing, again I just can’t call it a ‘fav’ for me. And while I’ve really liked some of his other work, this one isn’t my pick.


Casey Affleck, Manchester by the SeaWINNER
I liked Casey in the film, I did. And having an insightful & humourous Q & A with him afterwards helped make me like the film just a bit more than I did. I just didn’t see it as an Award winning performance.

Joel Edgerton, Loving
Didn’t do it for me. Honestly, when was the last time you heard Edgerton actually speak with his native accent..yeah I can’t remember either and him trying to do the backwoods southern didn’t work for me.

Andrew Garfield, Hacksaw Ridge
Again, the accent thing bothered me here. Do I think the performance was bad, no. But it didn’t warrant an Award either.

Viggo Mortensen, Captain FantasticMY PICK
Mortensen has been pretty underappreciated in his career. I say we make that right here. Even though I know it won’t happen, it would be great to see.

Denzel Washington, Fences
Denzel..oh I adore you. You pretty much own every role you do.


Amy Adams, Arrival
While I really enjoyed this film, one of the best Sci-Fi I’ve seen, she really shoulda gotten this nom for Nocternal Animals because thats where she really shined.

Jessica Chastain, Miss Sloane
I think Jessica is wonderful, though I did not see this film yet.

Isabelle Huppert, ElleMY PICK
Huppert simply put – blew me away in this one. I don’t think I’ve ever quite seen a performance like it, and probably never will again. Sadly, I’m guessing she won’t win.

Ruth Negga, Loving
I liked this performance so much once she started speaking and really putting forth as the first 30+ min she just really never said anything.

Natalie Portman, JackieWINNER
Yes, we all know they are going to give the award to Natalie. And while she was good here, she doesn’t even come close to Huppert.


Colin Farrell, The LobsterMY PICK
Colin was so fantastic in this funny, bizarrely good film that he was hands down, best in category for me.

Ryan Gosling, La La LandWINNER
We all know Gosling was a Mouseketeer so yes, he can sing and dance etc.. And was really cutsey good here as well as the film was. Just not Award cutsey for me.

Hugh Grant, Florence Foster Jenkins
While his performance was one of the better spots in this film, it’s so far from Award worthy.

Jonah Hill, War Dogs
Clearly they were desperatly trying to fill up this category here. Did anyone see this film besides me at a free screening months before it came out? Yeah I’m guessing not – there is a reason for that.

Ryan Reynolds, Deadpool
I truly did love Ryan in this film – but again, Award worthy..nah..


Annette Bening, 20th Century Women
Dang on this one, my screening is Tues. night.

Lily Collins, Rules Don’t Apply
I was out of the country when this one came out and by the time I got back, it was gone out of theatres.

Hailee Steinfeld, The Edge of Seventeen
Cute film, cute performance – I do think there will be awards sometime in her future.

Emma Stone, La La Land
Yeah – I like Emma and another cutsey performance. That’s really all there is to it.

Meryl Streep, Florence Foster Jenkins
Okay again, do they just use Meryl every year as a filler for a supporting category. And while I think she is one of the greatest actresses of our time, it’s when she gets nominated year after year for this reason only that makes it tiresome.


Mahershala Ali, Moonlight
While I wasn’t the films biggest fan, if I had to pick a part that I liked, it was the first segment with this guy in it.

Jeff Bridges, Hell or High WaterWINNER
While I might not have seen awards coming for this movie, Bridges came through on this performance in a big way.

Simon Helberg, Florence Foster Jenkins
This character was cute & first..then it just wore on you.

Dev Patel, Lion
I’m a big Dev Patel fan and while the child actor might have stolen the show, he did bring it all t

Aaron Taylor Johnson, Nocturnal AnimalsMY PICK
Some think he doesn’t deserve this. I think he TOTALLY does. Sure his roles leading up to this have been sub-par, but thats what makes this one so good – he did a complete 360 and brought the ‘terrifying’ to this role in a most fantastic way. Anytime someone can surprise me with a performance this good, yes they deserve a nom.


Viola Davis, Fences
Viola has proved herself to be one of the most standout actresses in Hollywood. She most definitely deserves the nom here. Plus, if she wins, you know it will be one fun acceptance speech!! 🙂

Naomie Harris, Moonlight
Liked it – just didn’t love it. Definitely worthy of a nom tho.

Nicole Kidman, Lion
Same here with Nicole, liked it – just didn’t love it.

Octavia Spencer, Hidden FiguresMY PICK/WINNER
Now I called this when I saw the film back in November. The whole movie is good with really good performances, but she takes it here for me. She has been and is my only and clear choice.

Michelle Williams, Manchester by the Sea
Really, a blink of seven minutes total on screen..though the last scene with her and Affleck is the one what finally made me like the film better, still.


Damien Chazelle, La La LandPOSSIBLE WINNER
I think I’ve said my take on this film enough and while I think Chazelle has a fantastic career ahead of him, I

Tom Ford, Nocturnal AnimalsMY PICK
Having done a Q & A with Ford after the film really brought the ‘how’s & why’s’ insight into my fav. film of the year.

Barry Jenkins, MoonlightWINNER
Again, I completely commend Jenkins for even getting this film made. And I think it’s between him & Chazelle for who is the critical darling of the year.

Kenneth Lonergan, Manchester by the Sea
Respect to the writing, though I might have enjoyed the process of it better as a book.

Taylor Sheridan, Hell or High Water
Well done for being remembered from earlier in the year. Worthwhile watch – not a win for me.

Best Animated Feature Film
While I saw all of these besides ‘Zucchini’ I just don’t have commentary for all of them. Just a pick.

Kubo and the Two Strings
My Life as a Zucchini

Best Foreign Language Film
Have seen all but ‘Divines’ and I only have one hands down pick and what will hopefully be the winner!

The Salesman
Toni Erdmann

Follow along to see what happens with my live tweets during the Awards at @pegsatthemovies

REVIEW: “LOVING” (2016) Focus Features


“LOVING” tells us the long overdue, true story of Richard (Joel Edgerton) and Mildred Loving (Ruth Negga).
The story takes us through the years of what their lives were like while going through the some of the process of their plight to just want to be legally married in 1958’s deeply segregated southern state of Virginia. This was a time and place where this wasn’t legal nor could inter-racial couples even date.
This story is silent, yet strong in its portrayal of the real-life interracial couple at the center of the 1967 Supreme Court case of Loving v. Virginia. It’s moving at times and loudly states the facts bluntly: love is love is love ~ and that should be enough.

And yes, while it can be quietly brilliant and amazing at times, it does have holes in the story that could have been filled. Mildred is portrayed at the beginning as being a doe-eyed, non-speaking, almost non-existent part of the beginning of this young relationship that in 1958 would have had racial consequences and problems within both communities. None of which is really shown at all until the last 20 minutes of the film when Richard finally finds a brick wrapped in paper on his car seat, mind you not thrown, just lying there. They missed some opportunities to really show us what the racial hardships might have been instead choosing to almost make the legal battle look far too easy with their lawyers Bernie Cohen (Nick Kroll) and Phil Hirschkop (Jon Bass) on whom the casting here might have been a bit of mis-step for me (not to mention their clunky and too “cutesy” dialogue).
What IS so very important about this film, and a big factor that not just everyone, but specifically why young people need to see this so they understand what our country was like back in the day. For gay people who have struggled to love whom they choose, they need to see that their struggle was not unique and needs to be supported. And that the bible was also used against interracial marriages. And yes, that struggle is struggle and unless we want the clock turned back, so we can “make America great again”, we must be ever vigilant.
The most poignant and beautiful point of the film came for me towards the ending, in scenes that were so quiet, yet so powerful, showing that even though they were faced with obstacles set over and over in their path, they were resolved to show that their love and union was unaffected by those outside forces, and continued to move through everyday duties such as mowing the lawn, their children playing, doing the dishes, on the very day no less, that they receive the phone call that simply changed everything. It simply touches and yet rocks you at the same time.

The performances from Joel Edgerton and Ruth Negga while well done, once again, we have in an Edgerton, an Aussie and Negga who is Irish/Ethiopian, trying to pull off down-in-the-back-bayou southern Virigina accents which yes again, can be outrighted spotted in parts. (Side note: Truly, when was the last time we actually heard Edgerton speak in his regular accent? I can’t even remember if I have at this point). And truly, no matter how small the role, I love when Michael Shannon as LIFE magazine photographer Grey Villet shows up in anything.
If you want high dramatics, this is not your movie. I left the theatre feeling overwhelmed by the need to vote for our next U.S. President and make sure it is someone who will appoint progressive and unbiased Supreme Court Justices. I think most will understand that feeling, especially with so many people’s rights hanging precariously in the balance right now as it did then.
If you are looking for a touching, loving story that truly reflects so much on today’s times and the change that was accomplished by this one law that didn’t just change their lives, but the lives of millions of people around the world with whom it still affects today, this is your film and a film for all to see and truly reflect on.

Grade: B-

Review Screening: Thursday, October 27, 2016 ~ Courtesy of LAFTV Meetup