FINAL DAY: COUNTDOWN TO THE OSCARS ~ “BEST PICTURE”

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WE ARE HERE!!! The final day of my Oscar Countdown and I’ve saved the biggest and best for last. While this is a very good slate of films, and most of them deserve to be here, for the first time ever, I don’t have a picture that I truly ‘LOVED’ this year in this category as Nocturnal Animals wasn’t nominated. I liked them all, again, some more than others, and while I still have a pick – there is no one clear choice for me. That and my pick has no chance of winning whatsoever. So with that being said…I always hope for a few fun upsets!

BEST PICTURE

Arrival
While I really enjoyed this film, one of the best Sci-Fi movies I’ve seen, but can I roll with it for best picture? nah, but it is worth a watch, especially if you like this genre. It also has a very relevent message for this day and age of politics that we now live in. It shows that hate for something or someone different, really doesn’t need to be. Truthfully right now, I would trust an alien more than the circus clown act we have in charge at the moment.

Fences
While I liked this film at points, on other points it just lagged or went to fast as they literally took every single word from the play and put it into the film. I get it, you don’t want to mess with the original sometimes, but in this case, trimming it down some would have been beneficial and the movie suffered as a result of not doing so.

Hacksaw Ridge
Let’s face it, the first 45 minutes of this was an absolute cheese-fest. The remainder – sort of a gore-fest. And while it did good at the points of making you flip-flop on what you wanted that main character to do, it also gave us some Brits & Aussies doing terrible attempts at southern accents.

Hell or High Water
While it’s good to see a film be remembered from earlier in the year, and I liked the film, it just really never struck a chord with me as award material when watching.

Hidden Figures
I enjoyed this film a lot and it was about time something was done and made about these three fantastic women and what they contributed to our NASA space program in the 60’s. It had some big ups and a few downs with the tone of it all.

La La LandWINNER
With an opening scene that I just loved and so well done, you would think the rest of the film was going to be just as good. It’s not. Mind you it’s a good watch, but far from a great one and just a little to far-fetched, cutsey perfect for me. But hey, WHIPLASH was so damn good and was what a jazz story could be, that well, I guess I’ll give a groan when this wins, but I can’t hate on it completely.

LionMY PICK
While far far from a perfect film, the first half delivers big and is terrific, but it’s second half drags a lot until you get to the last 10 minutes or so. Again, I’m not in love with it. Having a great post Q & A with Dev Patel and first time director Garth Davis probably helped me some, but it did move me as a wonderful story of hope. And with that, I picked it even though I know it has absolutely no chance of winning.

Manchester by the Sea
For me, the film isn’t terrible – but honestly, I had no idea what as happening in the first 20-30 minutes. You just knew the guy was angry, but no clue as to why. It took 2 hrs. to get to the point and those 2 hrs. seemed like many more at times.

Moonlight
While watching this film, I couldn’t help thinking I’ve seen this story before..and I have – noting the fact it was done much better on the ‘The Wire’ and I think I would have liked to see three episodes of that again vs. this film. It was more than a tad inconsistent, with the first two thirds much better than the last third, and I was distracted by having characters played by multiple actors who looked nothing alike. That being said, it’s a good film considering the shoe-string budget it was made on.

@pegsatthemovies
Thanks all for taking the time to give this a read. Let me know your thoughts on if you agree or disagree with my picks. Don’t forget to give this page a follow or a follow on twitter as well @pegsatthemovies. Cheers!

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REVIEW: “SAN ANDREAS” (2015) Warner Bros.

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San Andrea

Los Angeles and San Francisco – WE ARE DOOMED!! Serious note, I’m not really even sure what to say about this film.

From the moment this film opens with a scene they clearly scooped from the opening sequence of JAWS with dramatic music and a girl – in this one driving a car mindlessly distracted, checking her phone etc..with cars driving narrowly at her on Mulholland Dr. when suddenly BAM..over the cliff she goes AND on que – dramatic rescue, you pretty much get exactly what you need to know about where the rest of the film is headed.
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The film and all it’s characters run the all too familiar ball-game gamut of disaster films. “Ray Gaines” (Dewayne Johnson) is a helicopter pilot with the LA Fire and Rescue Dept. “Emma” (Carla Gugino) his soon to be ex-wife whom is now with new boyfriend, wealthy developer “Daniel Riddick” (Ioan Gruffudd) who proves himself to be an untrustworthy one at that when he ditches Ray & Emma’s daughter “Blake” (Alexandra Daddario) after the quake hits to save himself while in San Francisco.

In the meantime Paul Giamatti as Cal Tech Earthquake specialist “Lawrence”, his staff and never flinching reporter “Serena” (Archie Panjabi) found they have just learned they can predict earthquakes..and within moments of being able to do so guess what happens..SURPRISE!! A super earthquake is upon them at Hoover Dam where they didn’t even know fault lines existed. As they of course predict more, within mere minutes Los Angeles is coming apart at the seams and next on the list is San Francisco. san andrea 1
Somehow we are to just not notice or overlook the fact that Ray is supposed to be going to Hoover Dam to help the rescue efforts there but as he calmly watches the destruction ensue from his helicopter he calls Emma who is having lunch with his sister “Susan” in a little cameo from Kylie Minogue here, its like that mission never existed as he rushes to rescue her from the top of a LA high-rise that is crumbling. Best part yet, we never hear him mention a thing about his sis who’s fell off the DTLA high-rise. what? clearly no brotherly love there. Another fun fact is that not one single one of these characters look like they could be even slightly related is just another fact that we must laughably ignore while watching this trainwreck film.
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And since every film now has to have a token Brit in it, even though it’s a disaster pic about earthquakes in the Golden State of California, we throw in our British tourist on a job interview “Ben” (Hugo Johnstone-Burt) as a love interest for Blake and his little brother “Ollie” (Art Parkinson) and you’ve got your human drama all neatly summed up for you in a nice little square package once the fault line starts a rocking.
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I’d be lying if I said some of the action sequences weren’t a bit fun, and also very silly as there were points I couldn’t stop laughing yet I don’t think I was actually supposed to. I mean the film was so spectacularly bad in ways that it was..well good. And most will know exactly what I mean by that.

There is a small sub-plot about a dying daughter/sister which I believe was thrown in to make it reasonable to the audience of first off why Ray went to get Emma before anyone else and how both are so hell-bent on rescuing Blake.

But the real star of this disaster upon disaster pic is the earthquake itself and the ensuing tsunami – and they don’t seem to stop coming until SFO & LA are completely bulldozed down and there is nothing left of either city or our brains for that matter. The end fact is while having lived through a few of the big quakes here and being petrified myself of them, this film with it’s complete lack of feeling, barely scares me into making another earthquake kit.

Grade: D
@pegsatthemovies

PaleyFest 2015 ~~ March 6 – 15, Los Angeles, CA

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For those who are interested ~ here are the panel listings for PaleyFest Los Angeles. DEFINITELY some great shows up this year! I was able to attend a few of the panels last year, and it is really a great time and well put on festival especially for us TV lovers.. I look forward to covering more this year, so stay tuned! For those of you across the pond 🙂 and everywhere in between, they also have a great live feed to follow to make you feel as though you are right there!
This years panels are as follows:

3/6: Opening: Homeland 7pm
3/7: A Salute to Comedy Central 12 pm
3/7: The Good Wife 8 pm
3/8: Girls 1 pm
3/8: Scandal 7 pm
3/11: Teen Wolf 7 pm
3/12: Outlander 7 pm
3/13: Glee Farewell 7 pm
3/14: Arrow & The Flash 4 pm
3/14: Modern Family 8 pm
3/15: Jane The Virgin 4 pm
3/15: Closing: AHS: Freak Show 8 pm

All times listed are PST. http://media.paleycenter.org/paleyfest-la-2015