Category Archives: Adventure

REVIEW: “NEWS OF THE WORLD” (2020) Universal Pictures

Adapting a beloved book can be a tricky thing and Paulette Jiles“NEWS OF THE WORLD” is no different a challenge to that here. But if we have learned one thing from films all these years, it would be that Tom Hanks would be the one who would be able to pull this off and make it along with Director Paul Greengrass, taking full advantage of our faith in Hanks acting abilities here.

In this visually phenomenal film version Tom Hanks is Captain Jefferson Kyle Kidd, a Civil War veteran who takes newspapers and then travels from one small town to another and for 10-cents admission and a sense of panache’- Kidd reads the news stories to weary people looking for a distraction. While traveling one day, he comes across a blonde hair-blue eyed young girl dressed in Native American wear who speaks no English, only Kiowa. With her caretaker having been lynched in front of her, the papers Kidd finds among her things are notes that she is 10-year-old Johanna (Helena Zengel), a young girl who’d been raised by Kiowa tribe and is now being returned against her will to her natural German aunt and uncle of whom she knows nothing about.

The film is all about the journey, which the captain undertakes with the girl reluctantly as the she rebels against this so hard at first, his conundrum is realizing the only guarantee of her safe return is if he takes her, and reluctantly we watch as the Captain agrees to accompany her on the journey home. In the long run it bares down to essentially being: two people, a wagon and two horses, driving through the vast nothingness. And as the two encounter numerous precarious situations along the way they begin to bond with each attempting to learn the others ways and language. Along the harrowing journey, encountering moments of true danger in almost each town they enter and every new territorial line they cross. Early on when they are cornered by a trio of swarthy men who want to ‘buy’ the girl, the tense build up that prevails and follows us throughout the journey can be dramatic and even terrifying at times, but eventually this is what will bring them together the closer as they come to the end of the journey and the pointed note of separating.

Zengel doesn’t say much throughout the film, but she has a wonderfully expressive face that speaks volumes with her eyes and it’s easy to believe that she has seen horrors. And even though this undoubtedly adds to Hanks’ performance, even as she’s saying nothing, her pain, her fear is palpable and Hanks plays well on this attribute. But make no mistake whose film this is – as the way Hanks portrays Kidd is the sort of performance that just seems written in stone for him and it’s a perfect vehicle for him and surprising in sorts to see him in a Western. There are numerous supporting cast who also help push the film along with Elizabeth Marvel, Mare Winningham, Ray McKinnon and Bill Camp to name a few. The movie itself is stirring despite there being no surprise in knowing where the story is headed once Johanna appears – and yes there are some grim sequences but overall its quite an enjoyable watch.

Grade: B+

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Review screening: Courtesy of Universal Pictures

“NEWS OF THE WORLD” IS OUT ON CHRISTMAS DAY IN THEATERS/DRIVE-INS WHERE AVAILABLE AND ON NETFLIX IN JANUARY 2021

REVIEW: “WOLFWALKERS” (2020) APPLE FILMS/GKIDS

With everyone loving on this new animated film from two-time Academy Award nominated Tomm Moore and his co-director Ross Stewart, my excitement and expectations were high on getting this screener and giving it a watch. Then my internet went out and has been spotty ever since so it took me a moment and after watching I felt as though the title said it all. Not that it’s bad, it’s not bad at all and it could be all about taste as this type of animation is so very different than what we are used too, what could be called ‘very mature animation’ and it took me a moment to adjust as it’s doesn’t really feel like a children’s movie.

Story line sum up is in 1650, a hunter named Bill Goodfellowe (Sean Bean) and his daughter Robyn (Honor Kneafsey) have to move from England to this small Irish town as he has been hired to hunt/kill the wolves who are threatening the small village. Bill goes out each day to do his job while he makes Honor stay in the village so she is safe from them. However she sees herself as a wolfhunter as well and wants to help her father kill the wolves, so she sneaks out of the town and happens to come across a young girl wolfwalker named Mebh (Eva Whittaker), who can transform into a wolf when she is asleep. They start a bond as friends that gets severely tested as the Lord Protector (Simon McBurney) is trying to get rid of all wolves to protect his town, so Robyn has to convince his father that Wolfwalkers are real and must do what she can to save her friend and the wolves.

While the backgrounds are so beautifully done and so is the music, the plot lacks in spots and in places where the characters are supposed to be charming, they came off as annoying. That along with a lot of it dragging in the middle and being somewhat cliche in lots of places, left it still with a somewhat satisfying ending leaving open many possibilities in which to possibly explore in a follow up.

So, the good parts you ask? The villain Lord Protector was done well not only in character but in design in keeping him feeling mysterious, intimidating and keeping the audience engaged with scenes he was in. With Robin’s dad was being the most likeable character, little Robin’s friendship with Mebh has good heart and sweet humour and it’s themes of loyalty, trust, and family truly resonate.

All in all though, after the amazing opening pace the story lacks for a good portion of the movie, losing the magic it held at the beginning in favour of just being characters chasing after each other.

Grade: C+

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Review screening: Courtesy of 42 West

“WOLFWALKERS” NOW PLAYING IN THEATERS/DRIVE-INS WHERE AVAILBLE  ~ COMING TO APPLE TV+

 

REVIEW: “THE CROODS: A NEW AGE (2020) Universal Pictures

The Croods: A New Age is the sequel to 2013’s The Croods which centered on a family of Neanderthals trying to survive in a cold and barren world. This time around the film focuses on his now teenage daughter Eep’s (Emma Stone) romance with Guy (Ryan Reynolds), and her dad Grug’s (Nicolas Cage) worrying thoughts that he might lose her as the two look to starting their own clan.

Luckily for those that can’t remember the ending of the previous film (ahem..me!), The Croods: A New Age picks up pretty much exactly where the first film ended and this fun prehistoric family, which also includes Catherine Keener reprising her role as Ugga, Gran (Cloris Leachman) and younger brother Thunk (Clark Duke) who are going all out in fending off insane creatures and attempting to survive one catastrophe after another.

Everything changes when they break down a wall and stumble upon a valley paradise that has food aplenty. Much to everyone’s surprise this utopia valley is occupied by another family – the Betterman’s – Phil (Peter Dinklage), Hope (Leslie Mann) and Dawn (Kelly Marie Tran), who live in a simply amazing and vastly huge treehouse complete with toilets an elevator and a ‘picture screen’. As it turns out, the Betterman’s knew Guy’s family as they all grew up together and they welcome him home with open arms. All the while having a eye out for him getting into a relationship with Dawn and not even attempting to acknowledge the possibility of him and Eep. This is all done with a bit of arrogance as they are keeping the rest of the family at arm’s length and giving subtle hints with a ‘moving basket’ of food for the road while wanting Guy to stay back with them and all their creature comforts. This immediately creates a rift of which ensues some cute fun moments with a cast of characters that include punch monkeys and the inevitable ‘monster.’ But the biggest question posed for Guy is a toss up between what he ‘should do’ or what ‘he wants to do’ as this decision will affect them all.

While the clan faces all kinds of perilous moments, most of them are over-the-top and slapstick fun as things like fending off wild beasts is just another day in this family’s life. The movie is sure to be a nonstop delight for kids as there isn’t the usual frenetic pacing and pop culture references that go over most kids (as well as some adults) heads. It’s full of bright, colorful visuals with a storyline where there are clear themes of courage, teamwork, and the importance of being yourself. There are also some great “girl power” moments when Eep and the other female characters become the Thunder Girls and have to rescue the captive guys.

All in all, this is a cute, decent holiday watch that while not be for all the adults in the room – it is for the kids and that’s how it really should be.

Grade: B+

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Review screening: Courtesy of Universal Pictures

“THE CROODS: A NEW AGE” NOW PLAYING ONLY IN THEATERS/DRIVE-INS WHERE AVAILBLE STARTING WEDNESDAY, NOVEMBER 25, 2020 ~ COMING TO VOD FOR CHRISTMAS

REVIEW: DA 5 BLOODS (2020) Netflix

Here we have Spike Lee’s first film since BlacKkKlansman and “Da 5 Bloods” is sure to evoke all kinda of reactions including my very own. While I watched the movie about 10 days ago, I decided to wait till all the fervor regarding it died down some before putting out my own thoughts.

Making a film about the Vietnam War isn’t always on the top of most directors lists as it’s not what one would call a ‘good war’ such as some did for WWII.  And a bit of even the most basic history will tell you the Vietnam War was fought on a soil not many American’s had ever touched let alone wanted to fight for.  Needless to say it was known that it was a tough war because so many opposed it, which was probably the right attitude, but it meant that a lot of returning vets didn’t get the respect they deserved or the help they needed – which is sadly the American way, and actually by no means exclusive to just the Vietnam war. And of course we all had learned about the ‘My Lai Massacre’ in school – where 500 unarmed civilians – men, women, children and yes, even babies – were slaughtered by U.S. soldiers. Women were gang-raped and their bodies mutilated, as were children as young as 12. When their cover-up was eventually busted and brought public, 26 soldiers were charged with criminal offenses but only Lieutenant William Calley Jr. was convicted. Found guilty of killing 22 villagers, he was given a life sentence but served only three and a half years under house arrest. Sound familiar?

Many leaders including Martin Luther King Jr., were opposed to the war as black men were being essentially told (as was everyone as we, the U.S., had initiated the draft) to serve their country, and there weren’t any colleges or doctors writing bone spur deferrals for them. They were asked to protect the freedoms of people in other countries when they still didn’t have real freedom in their own homes. So of course this means POC – and even more specifically black men – were called up in much greater numbers than their white fellow citizens of course, and therefore were also a higher proportion of POC/black men combat casualties in Vietnam. To put the cherry on top of the cake, African American soldiers encountered racists bigots amongst their own ranks, huge discrimination and many disadvantages when it came to promotions/decorations, and lastly,  few to no services if and when they returned home. So yes, there is a lot of history of this war and none of it is good.

Now we’ve seen the Vietnam War done many times, and some of the very well, but Spike, well Spike has got his own tale to tell of this war and in Da 5 Bloods he does just this. The film follows a platoon of four Vietnam vets, headed by level-headed Otis (Clarke Peters) and erratic, Trump-supporting Paul (Delroy Lindo), Eddie (Norm Lewis), and Melvin (Isiah Whitlock Jr.) as they travel along with Paul’s son David (Jonathan Majors) who has his own backstory with his dad, back to their former battleground to recover the remains of their celebrated leader and 5th Blood, Stormin’ Norman (Chadwick Boseman)…and also the pile of gold they stashed along with him.

From there the film zips from thriller to hang-out comedy, action to drama and here is sadly where the film falters some as it’s all over the place with tone as the plot almost changes completely. The mood of a scene can change on a whim, some of them are ridiculous and so far over the top we almost lose the entire sense of the film itself. It’s as if it almost becomes a reflection of the turbulence of the battle they once fought in – where, as we see in superb retro-inflected flashbacks of so much of the controversy of which the 60’s entailed as Lee also puts in a bunch of videos and stills of Martin Luther King Jr., Malcolm X, Angela Davis, Marvin Gaye, Aretha Franklin, The Kent State Massacre and the Fall of Saigon are among the many notable figures and events from the time of the Vietnam War, along with the dramatic events of the present unfolding in the blink of an eye in front of us. Their quest to find Norman’s remains – wanting to give him the hero’s funeral he is painted as deserving – is an arduous one, but is one that is allowing for some truly brilliant character studies of these guys to emerge as well. Of course, to smuggle something to the tune of $7 million of gold back into the United States, the Bloods have to involve Tiên (Lê Y Lan), Otis’ old flame, and a Frenchman named Desroche (Jean Reno). Desroche promises he will get the money to various off-shore accounts that the Bloods will be free to draw from, which truly is up for debate throughout the entire film.

So as not to tell you the entire plot line and give away everything as the film is something you should take the time to watch, delving a little into character study is needed. While all the characters play key roles in this plot, none quite do it like Delroy Lindo does. Lindo, always a great supporting actor, has never really had to really carry the entire weight of a film on his back alone, and here he does a remarkable job of giving us his all. The reflections monologue as he ventures into the jungle is unparalleled by anything he’s ever given us before. Paul is ravaged by PTSD, he is by far and away the most complex and entrancing character on screen, and Lindo brings him to life. You hate Paul – you love Paul – you want Paul to leave – it’s all that and so much more. Almost indescribable. Again this is not about diminishing the other performances in the slightest. Everyone does an incredible job, especially Majors as David. However, it would be remiss not to point out Lindo’s all out one that put’s an incredible hold on you throughout the film.

To summarize it up, after Lee’s last film was there maybe more to be expected, sure there was, and while the message is clear and strong, the sometimes ridiculous plot is saved by the brilliant acting all the way around. For that reason alone my grading goes up a notch.

Grade: B-

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DA 5 BLOODS IS AVAILABLE TO WATCH ON NETFLIX

 

 

PEGGY AT THE MOVIES – TV SHOWS TO CHECK OUT.. OR NOT – WEEK 3

As we continue my quarantine TV watches..I have instituted a rule for myself..No TV before 6pm unless its Sunday or I seriously probably would suffer from over-watch. 🤣
Starting off the week with an oldie but a goodie


Law & Order: SVUNBC
This show has held up over time so very well, with it’s ever changing cast and stories pulled from headline news at hand, working for it – and always led by the wonderful #MariskaHargitay
Grade: B


Killing Eve: BBC/AMC Network
One of the most original shows on TV perhaps only being outdone by its stellar acting of it’s two leads #SandraOh & #JodieComer the just released Season 3 seems to be holding its own.
Grade: A


Ray Donovan: SHOWTIME
Finishing up my 30 day free trial here, I caught up on this one. What was once original storylines, have become a bit over the top as how many times can #JonVoight survive death here. He plays a terrible father/human and sadly I don’t think he’s acting.They moved the show to NYC/Boston for Season 6 where the characters originally hailed from, and it was okay.. but it doesn’t seemed to have saved the now far-reaching plots. If it didn’t have #LievSchreiber and a few other fantastic actors..it would be unwatchable
Grade: C-


Little Fires EverywhereHULU
Have you ever started watching a show/movie where within the first 5 minutes you realize you’ve read the book? Well that was me here. And it was a great book and this show seems to pick up its essence with #ReeseWitherspoon & #KerryWashington holding up as the leads.
Grade: B


Briarpatch: USA
Rosario Dawson looks stunning in this show from her hair to her nails to her clothes. But the shows weird premise is a tough one to keep you entertained throughout its 10 episodes..though I made it thru all of them. It’s a mish-mash to be sure.
Grade: C-

Come back next week for more Peggy at the Movies giving you some more quarantined shows to watch.
Stay Safe and Sane.

#tvreviews #womencritic #instareviews #quarantineTV #shutdown #coronaviruswatching #peggyatthemovies

REVIEW: “STAR WARS: THE RISE OF SKYWALKER” (2019) LucasFilm/Disney Pictures

Ah, that familiar opening sequence that we know so well.  Where we know we are going to a galaxy far far away…is about the only thing left from over from the original that will never get old seeing. Even with “STAR WARS: THE RISE OF SKYWALKER” having this terrific memorable opening sequence, it is sure note that this isn’t a ‘George Lucas’ vision of Star Wars. To be fair, when it comes to Star Wars, the appreciation and the significance of it all is not lost on me, as well as the quality and enjoyment of the films that people feel. But alas, I probably am not in the high percentile of top fans and really wouldn’t consider myself a big Star Wars fan per se. While having seen most of them, I was just one who never grasped onto to the films so completely as others have. With that, seeing the conclusion of the Skywalker series wasn’t going to make me emotional mess in the lead up as maybe it would be to some others – so just know this review truly has no bias on that end.

Episode IX takes place some number of years after The Last Jedi where Rey (Daisy Ridley) has been training to take down the first order.  The Resistance lead by Leia (Carrie Fisher) are figuring out a way to lead the charge with the few alliances they have left, and Kylo Ren (Adam Driver) is trying to become a powerful Sith. The unknown time after which this is set definitely has a few holes in the character progression that were possibly needed in order to ‘damage control’ on the story direction. It’s is also hard to talk about the film without spoilers, but doing my best to get across the jist of it, without really going into heavy spoiling. The Emperor Palpatine (Ian McDiarmid) is not a spoiler as it’s in the trailers and posters so mentioning him, but not any external story elements stemming from his return noted.

As mentioned the biggest problem with Episode IX is the direction of this story. There is just an excess of side stories in the film which absolutely kills the run time and the effects of what the main story being told is. And can we say Cameos GALORE? Boy there were some good ones though. But if you were of the thought that ‘Force Awakens’ had nothing original to offer, well the Rise of Skywalker will double down on that premise. It’s hard to believe how they set it all up, had conflict and executed the conclusion of these characters, all in one unsuccessful sweep here. Plus smack dab in the middle of battle, leading us down the road to clearly what is to become the new series of films or possibly a new show for Disney +, with a quick little story line with Finn (John Boyega) and Janna (Naomi Ackle) have a little convo about how they came to be Troopers and how they need to ‘try and find where they came from.’ Yep, there is your next movie or TV story line people.

As many have already said, there was clearly no plan by Disney for the trilogy. What Abrams set up, then Rian Johnson stepped in and had total control to then do what he wanted, and now Abrams is back to ‘save’ the film by bringing back the Emperor. Okey Dokey. The way the film quickly establishes how and why it is nothing short of lazy. Because there was no mention in the previous sequel films, the Emperors return is ruined due to the franchise factor forcing it back in. The film originally was having Colin Trevorrow as director, so there was clearly no connecting person here like George Lucas and his vision, to step in and help the story take place and progress. Bringing in different directors bring a new look to the film is not a problem, if you can still have a solid story told throughout. Then the bunch of side stories that are being told, just fail to have the time to conclude properly. Maybe they needed more than one film in order to explore them – or should have done so previously. Everything is just rushed into the film and Rey, Finn, Po, Ren and the Emperor, all have to share the screen and some arcs don’t feel earned.

The new band of heroes here as well, just don’t have the same charm, personalities or chemistry together (actually this is the first movie in the new trilogy, where they do stuff together). They feel more like they have been cast for a commercial shoot of the film versus what type of character and personality they had to portray – they are all just so empty, like cardboard-cutouts with calculated screen-time and one-dimensional personalities. Most of them hardly even have an arc or any real character-development over the course of these three movies. The final scene with Kylo Ren and Rey is laughable bad, you’ll know what this is if you’ve seen the film, and if not, you soon will. I was just in awe that the writers ruined a perfect moment by including a said ‘particular action’ which eluded gasping laughs. One character though who was fun and has always been great, is C-3PO (Anthony Daniels). He always been essentially kinda bullied and the film knows this and consequently builds on this to create a somewhat compelling character. Chewbacca (Joonas Suotamo) wins for the most emotional moment though. Finn and Po Dameron (Oscar Isaac), had character problems that needed to be established in the earlier films as their pay offs don’t feel earned. Rey was also somewhat disappointing mostly due to the direction of the story, but her arc is so unbalanced throughout the first two films that once her character conclusion is just unsatisfactory.

The action as well often doesn’t serve a purpose to the story – it’s just more timely inserted space-battles, chase-scenes and sci-fi fights. Mostly just overblown shiny CGI stuff with a few practical puppets, sets and costumes thrown in to pander to the old fans. These characters didn’t have a lot of time to be together unlike in the original trilogy, so their interactions weren’t memorable. This is also due to the forced jokes and dialogue. I felt like Isaac’s Po was just trying to hard to fill Harrison Ford‘s old shoes of humour when he was Han Solo. Sure the original Star Wars movies had some humor, but in those movies it felt natural, not these wink-wink-moments, slapstick humor and juvenile self aware meme-jokes. What’s worse, is that this movie also tries to be dark at the same time, but this isn’t Empire Strikes Back or Revenge of the Sith, as those movies really were dark chapters in the Star Wars saga with hardly any humor in them.  But in The Rise of Skywalker, it just makes the movie feel even more like a tonal mess, since the movie tries so to be funny, upbeat and happy at the same, making both the humor, the drama and the darker elements feel even more forced and out of place.

The originals worked because they didn’t try to be funny, and the characters were written like they could almost be normal people in the space, whereas the sequel characters are just yelling stuff out that is not natural.  At least the CGI was great. It’s expected to be and it looked cool. What they did with Carrie Fischer was surprisingly good and it fit as well. Yes, it was kind of obvious at points where extreme editing was in play, but her tragic passing was so sad and they had to do what they could after the unfortunate circumstances. (#RIPCarrie). Some of the the battles, while looking good, weren’t all that well executed. As well, lacking a lot of suspense the light-saber duels between Rey and Kylo – on the one hand they were interesting  – on the other they don’t get you as excited as the film wanted you to be. The final fight was just really over the top. I get there’s a finality to the film but there’s so much that’s happening that leaves unanswered questions toward the state of the galaxy.

Lastly, is the music. Yes it’s essentially the same, but John William score is perfect and on every level and is possibly the only thing that elevates the movie. It adds all the tension and emotion to all the Star Wars films to be sure. It’s something we never tire of it after all these films and would still gladly listen to it in future films.

Overall, Rise of Skywalker is underwhelming in it’s execution yet has some good ideas. Even though I’m not it’s biggest fan, there still felt this unsatisfying feeling as the film clearly had no plan and the end result of the story is clearly forced. Is it wrong to have just wanted to see a good conclusion to one of the most popular franchises ever? Instead, the film misses the mark and fails to have an overall finality feeling.

Grade: C

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Media Review Screening: Tuesday, December 17, 2019 ~ Courtesy of Disney Pictures

“STAR WARS: EPISODE IX – THE RISE OF SKYWALKER” IS OUT IN THEATERS WORLDWIDE

REVIEW: “THE NIGHTINGALE” (2019) IFC FILMS

Has a film ever shook you to your core, I mean really shook you to the point where even months later, it still resonates with you when thinking of it?  Only a few films have done that for me, and the latest from the director who brought us ‘The Babadook’Jennifer Kent does exactly that.  She steps away from horror genre here with ‘THE NIGHTINGALE’ to give us almost a different type of terror. The real life kind, and with that she has created a film that will haunt you in a very different way. The only thing holding it back is the historical subject matter and the no-holds-barred approach that will surely limit its audience. From an emotional aspect, the film is extraordinarily uncomfortable and disturbing to watch; however, from a film making perspective, it’s a thing of beauty, with both sides of my brain being at war with it the entire time.

The film takes place in Tasmania in 1825, where an Irish convict Clare (Aisling Franciosi), is raped while her husband Aidan (Michael Sheasby) and infant child are murdered by corrupt and sadistic British officers Hawkins (Sam Clafin), Ruse (Damon Herriman) & Jago (Harry Greenwood), who pillage and plunder whomever and whatever they like.  Claire goes on a journey of vengeance to bring bloodshed to those responsible. She enlists the help of an Aboriginal man Billy (Baykali Ganambarr), who knows how to track in the wilderness. Together, the pair go through a tale of survival in the hopes of revenge and bringing justice to the men who have left a day prior.

The film is definitely going to split viewers due to its violent nature. There are a few scenes of detailed rape in it and murder that will be uncomfortable for some viewers as they are an extremely difficult to sit thru.  Otherwise the film is quite an engorging watch. Franciosi is a terrific lead, as well as Ganambarr is downright amazing in his performance.  Right after her rape, you see the strength in her character develop and the lengths she would go to bring justice. Her development is rapid but unwavering.

The film comes from a different time and place that we really know nothing about and its interesting to see a film depicting these events. It’s a gripping tale focused on the reaction to the deepest of personal loss. The reward is there for those brave enough to give it a watch.

Grade: B

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Media Review Screening ~ Courtesy of 42 West PR.

“THE NIGHTINGALE” IS OUT IN LIMITED RELEASE IN THE U.S.  // INTERNATIONAL RELEASE FOLLOWING

REVIEW: “PEANUT BUTTER FALCON” (2019) Roadside Attractions

I’m a big believer in second chances when it comes to actors who have fallen by the wayside. Shia LeBeouf (Tyler) is one of them I would like to see do well again because the guy can act..and act here he does. Right along with someone who is genuinely trying to make people take her seriously as an actress, Dakota Johnson (Eleanor). Both are going about it in the right way with some good lead roles in indies.

This sweet little gem of a film “Peanut Butter Falcon also boasts a few heavy hitter co-stars in  Bruce Dern and Thomas Haden Church . But the biggest star of all is  Zack Gottsagen who plays Zak, a young man with downs syndrome who is stuck living in an old folks home, and just wants to escape, meet his wrestling idol ‘The Salt Water Redneck‘ take lessons from him and live life.

The film takes us on a fun, Mark Twain like journey with humor and friendship showing their true colours. Inbetween the main story line is the back-end which tells why Tyler is needing something in his life told in flashbacks pictures with his brother Mark (Jon Berenthal), and what messing with Duncan (John Hawkes) crab-trapping livelihood down in the bayou, where the rules are most definitely different.

While it might be predictable as you know where the relationships between Tyler, Eleanor and Zak are all heading, again it’s the journey that makes it sweet, funny and very charming. If you get a chance to catch this limited release, do so as it is money well spent.

Grade: B-

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Media Review Screening: Tuesday, August 6, 2019 ~ Courtesy of LAFTV Film Group

‘THE PEANUT BUTTER FALCON’ HITS THEATERS IN LIMITED RELEASE FRIDAY, AUGUST 9, 2019

REVIEW: FAST & FURIOUS PRESENTS: “HOBBS AND SHAW” (2019) Universal

So “Hobbs and Shaw people…much as I hate to admit it…I thoroughly enjoyed myself throughout most of this film!! Dwayne Johnson as “Hobbs” and Jason Stathom as “Shaw” continue their cantankerous, yet funny bantering relationship in their first foray out alone in spin-off land of the ‘Fast and Furious’ franchise.

Let’s face it..we don’t go into these movies for the acting or the story line. We go in it for the action, stunts and for the sheer purpose of being entertained. You get all that plus some great humor schticks courtesy of Ryan Reynolds and Rob Delany, as the two Agents who recruit our lead characters to join the fight to save the world, and Kevin Hart as the Air Marshall who is dying to be part of their team and make the duo a trio. 

Add in Idris Elba as your villain “Brixton” or as he calls himself #TheBlackSuperman and you’ve got yourself a movie worth watching.

Oh and lest we forget the beautiful Vanessa Kirby as Shaw’s sister “Hattie”, who holds her own and makes it believable..and the wonderful Helen Mirren as their mom “Queenie” and we back are a rollin’..rollin’..rollin’.

Now again, we aren’t there for the story as it’s the usual ‘saving the world’ dramatics and the ending is a bit weak, as there is only so much hypocrisy of silly stunting one can handle.  But the soundtrack helps boom this one right along to make it an entertaining and fun time for all. And that’s all it needs to be.

And of course stay for the end credits – because you know you should! 


Grade: B-

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Media Review Screening ~ Tuesday, July 30, 2019 ~ Courtesy of Universal 

“HOBBS AND SHAW” hits  theaters Worldwide starting Friday, August 2, 2019 

REVIEW: “THE SECRET LIFE OF PETS 2” (2019) Universal/Illumination

“THE SECRET LIFE OF PETS 2” is another fun filled little romp for the kids.  With a few new additions to the cast, most notably Harrison Ford as farm dog Rooster.  But the biggest of all additions, a baby is added to the family much to the disgruntlement of our lead dog Max (Patton Oswalt).  This sequel actually divides our team into three smaller stories with a somewhat vague theme tying it all together.  But it works as you never feel you lost track of what is happening in any of them.

The first plotline involves Max’s owner Katie (Ellie Kemperer) getting married and having a little boy named Liam. Max, whose dislike of children is made very clear, falls in love at first sight and becomes very protective over Liam, to the point of scratching himself out of the anxiety he feels to the point of getting a dog cone.  The relationship that forms here is fun and it’s a dog and a baby – who can dislike that?

Max, Duke and the family end up going out to the country where they meet farm dog Rooster and to say in the least, Rooster is not impressed with ‘city-dog’ Max,  nor his cowardice at the farm animals.  And while the outcome might be predictable, it’s charming and sweet to watch as Rooster helps encourage Max to face his fears and have more confidence.

While the family is at the farm our second subplot comes into play.  It’s about my favourite little pet, Gidget (Jenny Slate) as she trying to retrieve a bumblebee toy Max gave her to guard while he is away. The problem is the toy is stuck in the home of  the crazy cat lady downstairs who literally fits the persona to a tee,  as she literally has dozens of cats.  She even talks the incredible Chloe (my other favorite pet), into giving her lessons on how to be a cat. This has some really fun comedic slapstick that made for some good laughs from the entire audience.

Our final plot centers around Snowball, the Kevin Hart voiced bunny who is convinced he is actually a super-bunny because of the way his owner plays with him. He meets a new doggie named Daisy (Tiffany Haddish). Daisy is upset because she saw a baby tiger get taken by a bad man at the circus. Snowball and the team of pets must save the tiger and restore order to the city.

The characters throughout Pet’s are adorable and there are enough laughs and heart to keep the interest level during the film. The  vocal performances are all good and the message on overcoming fears is really sweet.  The ending credits are also a must-see!!  I have no doubt The Secret Life of Pets 2 will make a boat-load of money but for once it is deserved.

‘The Secret Life of Pets 2’ is fun, fast moving and best of all, kids and adults will both be entertained. P.S.  Cats RULE!! 🙂

Grade: B

@pegsatthemovoes

 

Media Review Screening: Tuesday, June 4, 2019 ~ Courtesy of Universal/Illumination

‘THE SECRET LIFE OF PETS 2’ IS IN THEATERS WORLDWIDE FRIDAY, JUNE 7, 2019