Category Archives: Drama

REVIEW: “WHERE’D YOU GO BERNADETTE” (2019) Annapurna Pictures

Imagine my surprise sitting five minutes into this movie and realizing it all seems so familiar somehow.  Unfortunately that is the fate of being an avid reader as well as film goer, I realized I’d read Maria Semple’s wonderful 2012 novel “WHERE’D YOU GO BERNADETTE” (no ? mark by the way) maybe a year or more ago.  And the bad thing about doing so, is it takes you into that dreaded  “spoiler alert” zone which we all try to avoid.

As director Richard Linklater has nabbed this one up and added Cate Blanchett in the lead role of Bernadette Fox, Billy Crudup as her husband Elgin, and rounding out the lead family roles with newcomer Emma Nelson as their daughter Bee.  He takes this rather dark comic tale of a highly creative, yet completely unhappy woman, who’s suppressed her creative talent for a few decades and finally seems to rediscover it through an unlikely journey.  The book is also, as the title suggests, a mystery, though the film seems to leave this portion by the wayside.  The story told comes mostly from two viewpoints. The first part which let’s us get to know the character we are dealing with, comes from Bernadette herself in emails to ‘Mangula’ her India based ‘virtual assistant’ and really have her coming off like a rich woman, who does nothing but bitch and moan about the other women in the picture, neighbor Audrey (Kristen Wiig) and Soo Lin (Zoe Chao). All this whilst living in a decaying mansion meant to have be re-done for years, and did we mention the loads of wealth thanks to husband Elgin having accrued it as a tech titan.

The other half is mostly woven together by Bee, who’s become the sole focus in her mother’s stuck in neutral life. It soon becomes clear that Bee’s also the only person in Bernadette’s orbit who truly understands and accepts her and her ridiculous bad behaviour towards pretty much anyone within shouting distance.  The endless seams being put together here a lot of Bernadette’s misery, the odd way she defects from the community she lives in as they shun her. Yet even though she practically destroys neighbor Audrey’s house, oddly she is also the one to help her escape from the realities she can no longer face and helps her embark on a new journey of adventure and discovery.

Linklater’s undertaking of this book was maybe as task he wasn’t quite up for as while he does great by casting Blanchette who relishes this type of character and can play this persona in her sleep, but he also misses some very pertinent portions of the book that makes the film seem almost uneven.  It’s like he left the best parts of the book on the cutting room floor. Wiig is wonderful as well, and some cameos by Lawrence Fishburne, Megan Mullally, and Steve Zahn are fun, and newcomer Nelson does well on her first go round her being in such stellar company, she definitely holds her own.   While the cinematography is wonderful once they get into the Antarctica portion of the film – it’s almost piecemealed together with what the purpose is of her leaving, what she is trying to do out there, how she gets there, how her husband and daughter try to find her is just given to you here, and it’s lines are not well connected, whereas as the book makes you really understand and feel the panic of not knowing where her mother is or why. Again, major plot portions are skimmed over when they are integral to the story.  Linklater just took to long to help us understand the complexity of Bernadette and her real struggles in skips and starts rather than with the flow that was needed.

While the film has it’s quirky, funny moments, I feel like a lot of this was a swing and a miss for Linklater who is always trying to challenge himself. There are things to appreciate, like the musical score and performances but not a whole lot else in this rather uneventful and non memorable film.  In other words I’m telling you to read the book and do so after you’ve seen the film. It will make much more sense then.

Grade: C

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Media Review Screening: Tuesday, August 13, 2019 ~ Courtesy of LAFTV Film group.

“WHERE’D YA GO BERNADETTE” IS IN U.S. THEATERS NOW 

REVIEW: “THE NIGHTINGALE” (2019) IFC FILMS

Has a film ever shook you to your core, I mean really shook you to the point where even months later, it still resonates with you when thinking of it?  Only a few films have done that for me, and the latest from the director who brought us ‘The Babadook’Jennifer Kent does exactly that.  She steps away from horror genre here with ‘THE NIGHTINGALE’ to give us almost a different type of terror. The real life kind, and with that she has created a film that will haunt you in a very different way. The only thing holding it back is the historical subject matter and the no-holds-barred approach that will surely limit its audience. From an emotional aspect, the film is extraordinarily uncomfortable and disturbing to watch; however, from a film making perspective, it’s a thing of beauty, with both sides of my brain being at war with it the entire time.

The film takes place in Tasmania in 1825, where an Irish convict Clare (Aisling Franciosi), is raped while her husband Aidan (Michael Sheasby) and infant child are murdered by corrupt and sadistic British officers Hawkins (Sam Clafin), Ruse (Damon Herriman) & Jago (Harry Greenwood), who pillage and plunder whomever and whatever they like.  Claire goes on a journey of vengeance to bring bloodshed to those responsible. She enlists the help of an Aboriginal man Billy (Baykali Ganambarr), who knows how to track in the wilderness. Together, the pair go through a tale of survival in the hopes of revenge and bringing justice to the men who have left a day prior.

The film is definitely going to split viewers due to its violent nature. There are a few scenes of detailed rape in it and murder that will be uncomfortable for some viewers as they are an extremely difficult to sit thru.  Otherwise the film is quite an engorging watch. Franciosi is a terrific lead, as well as Ganambarr is downright amazing in his performance.  Right after her rape, you see the strength in her character develop and the lengths she would go to bring justice. Her development is rapid but unwavering.

The film comes from a different time and place that we really know nothing about and its interesting to see a film depicting these events. It’s a gripping tale focused on the reaction to the deepest of personal loss. The reward is there for those brave enough to give it a watch.

Grade: B

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Media Review Screening ~ Courtesy of 42 West PR.

“THE NIGHTINGALE” IS OUT IN LIMITED RELEASE IN THE U.S.  // INTERNATIONAL RELEASE FOLLOWING

REVIEW: “THE KITCHEN” (2019) Warner Bros.

This is not a comedy. Ordinarily a movie review would not begin by telling you what the movie is not, but when the theater marquee flashes “Starring Melissa McCarthy and Tiffany Haddish”, most anyone would assume they are in for a 2-hour laugh out loud romp with the promise of some outlandish one-liners to drop at the next party. Instead, the directorial debut from Andrea Berloff is a relatively violent mob movie.

Kathy (Melissa McCarthy), Ruby (Tiffany Haddish), and Claire (Elisabeth Moss) are left isolated when their mob-connected husbands are busted by the FBI, and sent to prison. Survival instincts kick in for the previously un-involved ladies, and they quickly realize that a bit of strategy would allow them to not only run the business their husbands left behind, but also build it into something better. Of course the mobsters left behind are none-too-pleased with the women outperforming them, and so we get a good old fashioned ‘brains vs. brawn’ battle.

The setting is the Hell’s Kitchen section of Manhattan. The year is 1978, so the Irish community still has a stronghold on the area. This is basically the same time frame and the same streets that serve as the setting for the classic film ‘TAXI DRIVER.’  We see what happens when a woman’s touch is applied to gangster activities: bonds are built, services are rendered, and payments are made. The illusion of power draws the three women in deeper, and the movie has us believe they are good at it. The issue is, as viewers, we never really buy into these three seizing this power. We are just supposed to sit back and accept that Kathy is an expert community organizer, Ruby gets things done behind the scenes, and timid Claire evolves. Actually, Claire’s transformation is the best part of the film. Seeing her discover new talents and her true persona is as exciting for us as it is for her. However, in total, the 3 characters are little more than caricatures of gritty mobsters.

In addition to the three stars, the cast is deep. The three husbands, Jimmy (Brian d’Arcy James), Kevin (James Badge Dale), and Rob (Jeremy Bobb),  all three are criminals and bad husbands who’ve been sent to serve three years in prison for their roles in a robbery.  Domhnall Gleeson as Gabriel,  resumes his chameleon ways in what could have been a more interesting role as he just literally randomly shows up in a scene without explanation and continues on from there, Common in a very small background role, plays a federal agent Gary Silvers, though he does give us the only plot twist ending of the movie.  Annabella Sciorra has a nice turn as the Italian mobster’s Alfonso Coretti’s (Bill Camp) wife Maria, and the great Margo Martindale complete with prop cane and wig, plays by far the best character of this entire film Helen O’Carroll, the only role that completely stands out in of all the respective gangster roles in the film.

The film does a nice job tying in historical elements of the era, including the construction plans for the Javitz Center, where they mention ‘some millionaires son is creating’ i.e., this is none other than Donald Trump.  There are more than a few moments of violence, but the shots aren’t nearly as dramatic as we’ve come to expect in mob movies. It’s simply not as gritty as it pretends to be.  The pretense of ‘just another day at the office’ after each murder committed by these women seems prevalent here.  There are some similarities to some mob movies of past, but if you’re expecting a female version of ‘Goodfellas,’ that’s not happening, though had this been done right, it could have been.   I expect it will be a crowd-pleaser for those along for the ride. Just remember – it’s not a comedy.

Grade: D+

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Media Review Screening: Thursday, August 8, 2019 ~ Courtesy of Warner Bros. 

“THE KITCHEN” IS IN THEATERS IN THE U.S.A. ON FRIDAY, AUGUST 9, 2019 // FOLLOWING WORLDWIDE LATE AUGUST/SEPT

REVIEW: “SKIN” (2019) A24

“SKIN” is a gritty true life tale that started off as a short film by Guy Nattiv and turned into this full length feature film featuring some stellar acting and a story, that while it might seem kind of familiar and possibly a bit formulaic, makes into a solid feature.

Bryon Widner (Jamie Bell) is a long-term member of the Vindlanders Social Club, run by Fred Krager aka ‘Hammer‘ (Bill Camp), who inducts down-on-their-luck young kids into his gang by offering them food and shelter, all the while drip-feeding racist bile into their mindset.  As we first meet Bryon, he’s already beginning to question his membership in the organization, even though he is getting ready to participate in one of their horrible missions to burn up a building with his fellow Neo-Nazi’s.   This self-examination of what he is doing in his life, intensifies when he falls for Julie (Danielle Macdonald), a tough young mother with three kids ranging from 5-13, who has cut her ties with the Nazi ideology.  When he starts to see new recruit Gavin (Russell Posner) go through the same process as he did, he starts to look for ways to get out.

This is where things get tricky.  As Bryon’s journey is inter-cut with intense scenes of his tattoo removal process, which is in and of itself, a hard watch.  We also have to bear witness to him follow through with the mission of hate crimes they commit which then get him put on the Federal most wanted list of criminals. He then himself, has to go underground and work in the same type of situations the people he once so cruelly hurt do.

While the story might fall into traps of it’s own making and be similar to the kinds of movies that deal with this subject matter, i.e., American History X comes mostly to mind, as our main character starts off the movie with strong prejudices and views which throughout the course of the film he starts to question. So why even watch it if we know what’s going to happen I hear you ask? We watch it because we want to see the journey he takes that helps him reach the point of wanting to change, and for me this is where the movie fell down a little, the story felt a little rushed at times. For example I felt that more time could have been spent exploring the family gang-style dynamics because it was that family dynamic that shaped his racial views, but it all felt very glossed over.  I had no idea how large this “gang” was or how much power money influence they had because the movie didn’t tell me.

I thought this film was a credible, true story of what living with the consequences of your actions can be, but also with the hope that there is still time to change. I always have a problem with UK/Aussie actors trying to come in and do strong southern accents as they are extremely difficult and I can usually spot faults with it immediately and here we have not only Bell (British) but Macdonald (Aussie) as leads. That being said, Jamie Bell was phenomenal here and pulled this character off completely, though Vera Farmiga was just criminally underused as Mom.

This film can help change mentalities. I was sucked into seeing the differences of some people whom actually live within this world and make these decisions believing they are doing good in the world.  All in all it’s a good film, I’d say it’s not as powerful as other similar films like the aforementioned ‘American History X’, but then again this a true story and that alone makes it an interesting watch. Not only to see how a real person so entrenched in hate culture can change their lives for the better of not only themselves, but everyone around them as well.

Grade: C+

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Media Review Screening: Wednesday, July 10, 2019 ~ Courtesy of 42 West LLC/A24

“SKIN” HITS THEATERS ON FRIDAY, JULY 26, 2019

REVIEW: “ROCKETMAN” (2019) Paramount Pictures

Where do we start here…well with Elton Hercules John a.k.a. Reginald Kenneth Dwight of course. This is one movie I predict is going to get very mixed reviews because while it has an R rating and can show a bit more spunk, it’s also more Broadway musical and flits between scenes of Elton’s life at a very high speed, most especially in it’s second half.  I predict many will love it, and some might revile it. I was caught somewhere in the middle. Without giving any actual spoilers away and going step by step through the film every scene, consider this:

1. If you absolutely do not like musicals, save your money. This is the John/Taupin equivalent of a Rodgers & Hammerstein show. It is not presented as a straightforward biopic in the same manner as ‘Bohemian Rhapsody‘, though honestly these two films shouldn’t even be compared side by side because of many different factors, some of which include the rating (R vs PG-13), that they were two completely totally different types of musicians, one was  a band, one is a solo artist etc.. so just don’t do it. Don’t compare. It’s silly.

2. Much as I like Elton John, this “rock & roll fantasy” of his life treads a little too far into campy territory for me, with two, maybe three very (thankfully) brief moments in the film that can only be described as cringe-worthy. (“Oh, come on, guys–seriously?” moments.) There were times when I genuinely felt this was going to end up as the Ken Russell version of ‘Tommy’ for the new millennium.

 

These few things however, are about my only problems with the film. Credit must be given where it’s due:

1. Taron Egerton is just amazing as Elton. Some might see his acting as occasionally over the top, but frankly and for all we know, maybe EJ really did act that “extremely” at times, considering his anger issues. His singing, most of the time, is virtually spot-on, catching EJ’s lilting singing style quite well.

2. The supporting cast: Jamie Bell (Bernie Taupin), Bryce Dallas Howard (Sheila – Elton’s mother) , Richard Madden (John Reid – EJ’s agent & self-centered 1st lover), Stephen Graham (Dick James), a simply standout performance by Tate Donovan (L.A.’s Troubador Club manager Doug Weston), Gemma Jones (Ivy, EJ’s grandmother) & Steven Mackintosh (Stanley – EJ’s cold, uncaring father) and all others in the film are essentially faultless.

3. Much as I wasn’t prepared for a musical/rock opera, it’s hard to find fault with the staging and choreography of the musical numbers. Very professionally done.

4. You will learn many things about EJ’s life in this film, most especially his early family life that you may not have known before…I know I did.

5. Don’t leave right away after the credits roll.

So, is it worth seeing? My criticisms aside (and we all know what they say about opinions), it really comes down to this: if you’re a fan–and especially a dedicated fan most definitely go see it. Decide for yourself if my few gripes hold any water.

Grade: B-

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Media Review Screening: Wednesday, May 22, 2019 ~ Courtesy of Paramount Pictures

“ROCKETMAN” IS NOW PLAYING WORLDWIDE 

REVIEW: “TRIAL BY FIRE” (2019) Roadside Attractions

If like me, you are someone who is completely conflicted on something like the death penalty, “TRIAL BY FIRE” might just be the movie for us all to see.  My conflict mostly arises from the fact that for me, anyone who hurts a child just shouldn’t get a second chance ever.  Yet, as we know from such wonderful trials as OJ Simpson or Brock Turner’s, the justice system is flawed and while some cases are cut and dry guilty, some aren’t.  Hence the story of imprisoned death row inmate Cameron Todd Willingham (Jack O’Connell).  Willingham is a poor, uneducated heavy metal devotee with a violent streak and a criminal record to boot.  He is convicted in the arson related death of his own three children in 1992, deaths so awful a swift accounting for is demanded and given and Willingham is sentenced to death with the ‘justice’ system moving with particular swiftness and speed in this case.

What follows is the overwhelming story of this mans life.  Showing him to be the angry and flawed human that he is.  Chronically unemployed or employable to say the least, he is a brawler, womanizer, and yet the caregiver to his three children because he won’t or can’t work, shows another side to him.  Even wife Stacy (Emily Meade), while being the breadwinner of the family, notes that this is a man who loves his kids.  Being that she is away the morning of the fire that engulfs their home and the three children, while Willingham makes it out alive, gives her character the sympathy that is deserved.  But is all really as it seems or does the law just adjust their crime scene to fit the narrative they want to convict.

This is where the story truly picks up what happens when they do decide this and because justice is wanted so badly, that no other scenarios are even discussed.  Except for the small fact that Willingham has never given up on the fact that he is innocent.  Investigators claim to find evidence of a fire accelerant. A jailhouse snitch reports that Willingham confessed to the crime, and during the trial, a disinterested public defender repeatedly advises Willingham to avoid the death penalty by pleading guilty. When Willingham refuses, the lawyer loses interest. No serious defense is mounted, and Willingham finds himself on death row, awaiting lethal injection in Texas, a state that likes to keep the line moving.

Alone and isolated in prison, when through a random encounter with someone who knows about the case, a woman named Elizabeth Gilbert (Laura Dern),  volunteers to correspond with him, hears his claims of innocence, and trying to do the right thing, she re-investigates his case, even though the obsession with it all leads to the detriment of duty to her own family home life.  She uncovers what looks increasingly like a shoddy investigation (the arson “evidence” is refuted) and slippery prosecution, even showing the jailhouse snitch recanting.

Even though I might have an issue with performances of many Brits/Aussie’s trying to play the southern accent, the performance here by O’Connell goes beyond that.  He plays Willingham as wronged, but you find heart in him as the story unfolds.  Emily Meade is secondary only in the fact that she plays his wife who shows throughout that she too, is conflicted by what might or might not be the truth.  Dern, though the ‘victorious’ character you could say, still comes off as a bit bland and even though its true, you wonder why she took this interest and it’s never really told to you.  That could be the fault of director Edward Zwick though, as the movie evolves without really showing us the messiness of real life in-between the lines.

The movie allows that Willingham can be innocent and still be manipulative and angry and flawed, and concludes with a wallop of emotion as Willingham is executed all while waiting for a Governors stay of execution.  A significant point made in the end titles is that for all means and purposes, Willingham is notably innocent, hence my referral back to being so conflicted by something like the death penalty, because it’s just not 100% fool-proof.

Grade: C+                                                                                                                                        @pegsatthemovies

 

Review Screening: Wednesday, May 15, 2019 ~ Courtesy of Film Independent

“TRIAL BY FIRE” IS NOW PLAYING IN SELECT CITIES

INSTA-REVIEW: “THE KID” (2019) LIONSGATE

Catching up on my reviews for March by doing a few Insta-Reviews. This first one is #TheKid which you would think would be another story about #BillytheKid ..and it sort of is.

It’s a story about another kid #Rio played by JakeSchur who is sorta rescued by Billy the Kid DaneDeHaan who is then captured by Pat Garrett  EthanHawke and they try to find Rio’s sister Sara LeilaGeorge who was abducted by their uncle Grant, played by a completely unrecognizable ChrisPratt . If you feel confused, you might be spot on as it’s quite a dragging storyline directed by VincentDOnofrio – the acting is terrible by everyone but DeHaan who brings a bit of life to this version of Billy. On the whole, there is a reason this one has slipped in and out of theaters before you could see it.
Grade: D+
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Media Review Screening ~ Courtesy of Lionsgate 

REVIEW: “FIGHTING WITH MY FAMILY” (2019) MGM

A movie, whether based on a true story or fictional one, may be a blend of both facts and fictionalized scenes and events. “FIGHTING WITH MY FAMILY” seems to be case in point depending on whom you speak to.  But instead of pointing out fact v. fiction, just sit back watch and enjoy this one folks.  Let go of the being overly critical all the time as ‘Fighting with my Family’ might have its flaws and not be completely true down to the line, it definitely does have its charms.

Probably the first thing you will do is a double take on the director and writer and make sure if it is THE Stephen Merchant doing triple duty here writing/directing/starring in this film. Turns out it is, which immediately ups the ‘interesting’ level a notch or two.  Even more crazy is to think that Merchant did not know a thing about wrestling before taking on the project.

Inspired by the story of the Knight family, the film tells the story of Saraya “Paige” Bevis (Florence Pugh) and her desire to become a female wrestler.  With the odds against her, along with a family of completely wrestling crazed parents in dad Ricky (Nick Frost), mom Julia (Lena Heady) and brother Zak (Jack Lowden), all of whom put on wrestling shows and train others in Norwich, a small suburb in the UK.  Paige and her brother get called up for a WWE tryout, but with only Paige making the cut, Zak is completely devastated and Paige must deal with not only this, but the drastic change her life is taking and the hard road to living out her dream of being a WWE Superstar.

The next hour is filled with what it’s like to attend the WWE school of hard knocks led by Hutch (Vince Vaughn), and how to alienate and then make best friends with your competition.  This part can sometimes just be all to consuming as we’ve seen this type of story many times before.  Overcoming adversity to win the challenge at the end and it’s here that the film can’t help feeling clichéd. The saving grace here is the flashbacks to Zak being left behind in Norwich and where his life is heading, or seemingly not heading to and it’s got some truly lovely, heartwarming story line.  But training montage footage galore, sibling rivalry leading to a profound confrontation that resolves the issue, and the underdog overcoming the odds gives no surprises to the ending.   Now of course, it’s going to pump in the Hollywood magic to try to help the movie. The Rock is throughout the movie, and while he wasn’t truly vital to Paige’s career, his scenes are fun. The actors do an amazing job with their roles, and have very good comedic chemistry. This movie is witty and charming but at times, it’s all over the place.

The initial presentation of the Knight family rang true, authentic and affable. Putting it in their actual home was a good idea. Frost and Headey were great in the roles as Paige’s parents and Puge did a very good job as Paige. Lowden as her brother made a good mentor, but it also tried to take the high road and make Paige an angelic character.  However, from what I understand, if you are a fan of Paige or the Knight family at all, you will quickly start to see fictionalized moments, exaggerations and inaccuracies. These are something that as a viewer who has no knowledge of the wrestling world, will not impact in the slightest.  No matter this situation, everyone will recognize names such as Hulk Hogan and ‘Stone Cold’ Steve Austin – and of course The Rock with his signature “If you smell what The Rock is cooking” done a few times for good measure – makes you realize how far this guy has come.

Overall, the film maintains a good balance of comedy and drama and you don’t need to know anything about WWE or sports entertainment to enjoy the film. Merchant does a good job for his first run here.

Grade: C+

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Review Screening Monday, February 11, 2019 ~  courtesy of LAFTV meetup

INSTA-REVIEW: “ARCTIC” (2019) ARMORY FILMS

Saw #Arctic today with MadsMikkleson as Overgård – a man who is stranded in the Arctic after an airplane crash. We never see his plane crash, only that he is there and has been for some time based on his daily routine. Finally, as he is on the verge of rescue, that helicopter crashes with one survivor, a young woman pilot.

From that point on we watch as Overgård has to make the decision to leave the safety of his camp and plane to embark on a deadly trek through the unknowns of the Artic world, with only the remotest of hope of making it out alive. If any of you remember RobertRedfords’ amazing turn as a person who’s did the solo survivor role in All is Lost – this one is comparable except think snow/ice/freezing cold. I enjoyed it as I never got bored even though there is probably less than 30 spoken words in the whole film. Mads seems to love doing movies in the cold snow and they do him well back as this film is entirely on him and he holds his own.

Grade: B
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“ARCTIC” IS IN LIMITED RELEASE IN THE US – LOOK FOR WORLDWIDE RELEASE IN THE COMING MONTHS

SPIRIT AWARDS NOMINEES – WEEK TWO SCREENING REVIEWS

Started and finished up Week Two of Spirit Award nominee screenings. Closed it all out on Saturday and granted I didn’t see everything yet, but have gotten in a good portion of those nominated and while some they did provide screeners for most, a few did not (I’m looking specifically at you “Thoroughbreds”), or I made the screenings. From here on it gets real as (drum roll) we vote.

“WILDLIFE” Dir: Paul Dano

‘Wildlife’ is a perfect example of how you can put two very good actor/actresses in a film and it still doesn’t make it good. Jake Gyllenhaal is just plain wooden in his role here and Carey Mulligan almost overacts her role as a cheating housewife. Almost painful to watch what could have had potential, just did not work.
Grade: D

“SUPPORT THE GIRLS” Dir. Andrew Bujalski

I found myself having a soft spot for this one even though it might not have been the best movie I’ve seen – it most definitely had it’s moments while giving a absolute spot on portrayal of what it’s like working in the service industry, most especially in the “Hooters” type atmosphere. Regina Hall leads the cast as the general manager, but almost stealing the show from her are the ‘girls’ Haley Lu Richardson, AJ Michalka, and newcomer Shayna McHayle. James Le Gros as the grubby bar owner rounds this out. It’s definitely got a good #GirlPower message to women servers around the world!
Grade: C+

“COLETTE” Dir: Wash Westmoreland

Colette is yet another true story of female empowerment – a woman with real talent trying to break out of the gilded cage she finds herself trapped in. Colette is the ghost writer of a series of novels about her own life, but because of the times, her husband says they are his and takes credit for them – until she steps out of the cage. While not Keira Knightly’s biggest fan, she does the brooding Victorian women like no other. Dominic West delivers a reliably solid performance as expected, with the supporting cast also doing the same. Sadly, the film seems much longer slog than its 111 minute run time, notably the whole middle portion of the film being somewhat pedestrian as well.
Grade: C

“YOU WERE NEVER REALLY HERE” Dir. Lynne Ramsay

What a huge letdown this film was for me. Most definitely inspired by ‘Taxi Driver’, and ‘inspired by’ is where it shall remain as this pointless plot about Joaquin Phoenix as hired enforcer with clearly some mom issues of his own. This plot falls all over the place with bad, slow pacing and brings nothing new to the table. Yes, I get it, it supposed to be an ‘art’ film – but even those have to have some semblance of some type of clever conversation or suspense.. anything really. To those that loved it..kudos..
Grade: D

“CAN YOU EVER FORGIVE ME” Dir: Marielle Heller

Melissa McCarthy brings a whole other side to her acting her with this strong dramatic turn as a celeb bio author who books cease to be published so instead she resorts to ‘authoring’ fake celebrity letters. Something which she is very good at, probably better than writing her actual books truth be told. Aided by the fantastic supporting performance of Richard E. Grant, this film is non-stop literary fun from beginning to end..and by end we mean in jail for fraud.
Grade: B+

“BLACKkKLANSMAN” Dir: Spike Lee

I will confess, Adam Driver kinda kept me away from watching this film because my admitting that I am just not a fan might make some upset because of the whole Star Wars thing etc.. etc.. so Star Wars fanboys I apologize, as I actually liked him here. But come on, John David Washington, was perfection. This movie had me from moment one, and made me laugh with disbelief, but it also made me cry at the very end when you do realize that we ARE letting it happen again – and that breaks my heart. #RIPHeatherHeyer
Grade: A+

“EIGHTH GRADE” Dir: Bo Burnham

I mean all I can say is read my review here to know how much I loved it.

REVIEW: “EIGHTH GRADE” (2018) A24


Grade: A-

“WON’T YOU BE MY NEIGHBOR” Dir: Morgan Neville

Again, my review from when I saw this wonderful film earlier in the year.

REVIEW: WON’T YOU BE MY NEIGHBOR” (2018) Focus Features


Grade: A+

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