Category Archives: Comedy

REVIEW: “THE BOSS” (2016) Universal Pictures

Actor, producer and co-writer of this comedy, Melissa McCarthy comes out strong for the first 1/3 of this film featuring her ‘alter-ego’ Michelle Darnell, a character she created with specifics in mind 14 years ago when she was at The Groundlings.

Darnell’s character is a high-powered businesswoman and motivational speaker whose childhood (back n forth between an orphanage and foster care) taught her that the only person she can depend on is herself. She’s self-centered, arrogant and basically completely amoral, seemly part Leona Hemsley/Martha Stewart and an R-rated Little Orphan Annie.
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Michelle generally uses and abuses her personal assistant, Claire (Kristen Bell), and her bodyguard isn’t much more than her personal hype man. When Michelle is arrested for insider trading and sent to jail for five months, everyone abandons her, former lover and long-time business rival Renault (Peter Dinklage) buys her companies and the authorities freeze all of her remaining assets. Looks like someone has to start all over again.
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Long & dull, yet incredibly profane & violent at times, story ensues of Michelle going to and being released from jail. When she doesn’t have anywhere to go, she ends up at ex-assistant Claire’s apartment who now works for a crazy Darnell disciple, Dana Dandridge (played by SNL’s Cecily Strong). Claire’s pre-teen daughter, Rachel (Ella Anderson), convinces her mom that they have to help Michelle and allows her former boss to stay in the apartment until she gets back on her feet, but Michelle’s feet remain reclined on Claire’s couch until her hand is forced and ends up taking Rachel to her Dandelions meeting (think Girl Scouts) where troop leader Sandy (Kristen Schaal) is discussing their cookie sales.

Michelle gets an idea that her “way back” is to form a group called Darnell’s Darlings which will teach girls business skills as they sell brownies that Claire makes from an old family recipe. Michelle gets Rachel to help her recruit various tough girls and other misfits to join up and sell brownies for a percent of the profits and approaches her estranged former mentor Ida Marquette (Kathy Bates) for financing to help expand the business, but as all this is going on, Renault and his assistant Stephan (Timothy Simons) are keeping tabs on the whole deal and just want the payback that he feels her still owes her.
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I could go on.. but the question is almost why?? Trust me, I’m helping you here to avoid wasting your money even bothering to watch this one. “The Boss” is mostly unoriginal, uninspired, unrealistic and unfunny. The clichéd plot lazily recycles the often used story of a main character who has been supposedly ‘hardened’ by a tough life and doesn’t know how to give or receive love. There are a few laughs to be found here and there, again, the first third of the film is good, but the movie’s other problems just kill the mood. Besides that, the movie’s attempts at humor are overly dependent on odd cartoonish violence involving children, cursing around, by and at children, and vulgar sexual references which come off as more crude than funny. McCarthy herself has been much funnier in previous films and hopefully she’ll be funnier again in her future projects. Sadly, her character in this film is one boss who should be fired herself.

Grade: D
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Review Screening: Tuesday, April 5, 2016 ~ Courtesy of Universal Pictures
Nationwide Release: Friday, April 8, 2016

REVIEW: “EVERYBODY WANTS SOME” (2016) Paramount Pictures

“Everybody Wants Some” consists of little more than film of a bunch of overly-competitive jocks joking with each other, partying, and trying to get laid over the course of three days before school starts.

With the countdown on, the opening of the film doesn’t even attempt to describe what’s going to happen and the end of the film barely describes what happened beforehand.

The cast of the film (i.e., the 12 guys who make up the group of athletes) Nesbit (Austin Amelio), McReynolds (Tyler Hoechlin), Jake (Blake Jenner), Roper (Ryan Guzman), Willoughby (Wyatt Russell), Finnegan (Glen Powell), Plummer (Temple Baker), Dale (J. Quinton Johnson), Beuter (Will Brittain), Jay (Juston Street), Brumley (Tanner Kalina), and Coma (Forrest Vickery) are baseball players, yet there is no baseball played until the very end. They are basically just on one big continual lookout for stimulus in the largest and tiniest things…and really whatever kind of stimulus they can get their hands on whether it be getting stoned, constantly drunk or high.
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Story-wise, it unfolds over almost every part of the 80’s era, which is, as far as I could tell, undefined yet each night takes us to a different flavor of the time: disco, punk, you name it…which makes the soundtrack very listenable..and the best part of this lackluster film.

Featuring bad frat-boy dialogue or a narrative that tries to hard with a cast of guys that look to be in their late 20’s & early 30’s vs. college age, this is Linklater’s new film and his signature style slightly suffering from the post-Boyhood effect with people noticeably walking out within 20-30 minutes. As the lives and summers of eternal youth unfold: partying, billiards, male competition, table tennis, loves, pinball machines, pranks, disco, dance music. And of course girls, all about the girls. For the boys “this is the best day of their lives – until tomorrow.”
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This is not even a close comparison to Dazed & Confused which is a classic and as with most Linklater movies..they tend to run an hour to long ~ this one is no exception.

Grade: D
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Review Screening: Monday, March 28, 2016 ~ Courtesy LAFILM-TV
In limited release ~ Friday, March 30,2016 ~ Nationwide Release: Friday, April 8, 2016

REVIEW: “EDDIE THE EAGLE” (2016) ~ Post Q & A: Taron Egerton & Dir: Dexter Fletcher

“Eddie the Eagle” is a story about an underdog in every sense of the word.
The story follows Eddie Edwards (Taron Egerton) from the time he’s a little kid with dreams of going to the Olympics, through his many assorted set-backs, and all the people around him who saw only failure in his future. It also shows the moments when he got helping hands when he most needed it. This movie is about his struggle and for all his sometimes annoying flaws, Eddie is a character that you just cannot dislike.

Edwards, while maybe a somewhat good downhill skier, narrowly missed the Great Britain team for that event for the 1984 Games. To improve his chances to qualify for Calgary in 1988, he moves to Lake Placid, NY to train and enter bigger races, but he quickly finds himself short on funds. To realize his Olympic dream, he decided to switch to ski jumping for reasons of cost and easier qualification as there were no other British ski jumpers with whom to compete for a place.
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He was handicapped by his weight—at about 82 kg (181 lbs), more than 9 kg (20 lbs) heavier than the next heaviest competitor — and by his lack of financial support for training as he was totally self-funded. Another problem was that he was very longsighted, requiring him to wear thick eyeglasses at all times, which sometimes fogged to such an extent that he could not see. Maybe due to all this, Eddie seems a bit dim though his spirit of wanting to be in the Olympics never dies, even as his father tells him his only choice in life is to become a plasterer such as himself.
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Taron Egerton does an excellent job here and really assumes the part of Eddie. Hugh Jackman as ex-downhill skier-turned-coach Bronson Peary puts in a good performance, and manages not to overpower Eddie’s character. Eddie’s parents are also well played, his mother Janette Edwards played by Jo Hartley, gives a particularly poignant portrayal of the never-ending support of a mother. Eddie’s father, played by Keith Allen, is a bit of a caricature, but well acted. Actually, a lot of the supporting cast of characters are caricatures, especially the other ski-jumpers/coaches and the British Olympians/Olympic Committee. But to an extent that serves to emphasize the struggle for Eddie. Also, for those intent on seeing this film for Christopher Walken as Warren Sharp, he has wonderful, albeit, very small role that has impact.

While the struggle of Eddie is emphasized throughout the film, there is also a good dose of comedy thrown into the mix as well. The tone is upbeat throughout, even when Eddie has setbacks. While some of the failures are played for laughs, it’s mostly Eddie’s perseverance that makes this film endearing. It also feels like we’re laughing with Eddie rather than at him, since it seems Eddie’s in on the joke.
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There’s not much to dislike about the film. I absolutely loved the music choices including the score and some timely 80’s song choices. Sure, I think the stakes could have been raised a bit here or there to give an even bigger emotional moment, but I can’t say the film didn’t already bring me to teary eyes at some points. And that to me, is an experience at the movies.

Random tidbit that Taron told us all: Stay tuned for the song at the end credits as the overlying song playing is actually Taron Egerton & Hugh Jackman singing together..yep..you read that right.. Taron & Hugh are singing the closing credits song. I wouldn’t have known it had he not said so.

Grade: B

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POST Q & A WITH TARON EGERTON & DIR: DEXTER FLETCHER
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Hugh Jackman was also supposed to be in attendance, but didn’t make it. Taron more than made up for it as he was nice, fun & entertaining as was Dexter Fletcher. This guy..being my breakout star of 2015.. is just as personable as I thought he would be when I first saw him in the fantastic “Kingsman:The Secret Service”.

Started off with the basics noting that since the project was greenlit till it’s release, it’s been a short 18mos. All a very fast shoot of 8 weeks in Germany at Garmisch-Partenkirchen – the same place where the real Eddie Edwards trained – also with some being done at Pinewood Studios.
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Taron had a chance to meet with the real Eddie before & during filming and when he went to the very first screening of the finished film, he sat next to Eddie, which made him very nervous as it’s harder to portray someone who is still alive. At the end of the screening, Eddie was so moved by Taron’s performance and the film, he was actually crying. Taron noted what a fantastic feeling that was.

Dexter Fletcher is quite the character and entertained us thoroughly before & after the film with his banter with Taron. Both noting, as I did, that Hugh Jackman is really good in this role and a very big man! ha! Also, one-week into production they were told no actors could ski at all ~ so they got a bunch of crazy stunt guys – noting that downhill skiers really have to be a bit crazy to do this sport – who more than willing to do it. Except for Hugh, where at the end of his run, he is actually skiing. As Taron puts it “It’s sickening how good Hugh is at EVERYTHING!”

Fun note from Dexter – in real life, the Finnish skier, Matti Nykänen, actually became a male stripper, then a singer and sadly, turned to alcohol and is now known for some, shall we say, ‘colourful antics’.

Christopher Walken was cast because they had to get someone who coud make Hugh Jackman weak in the knees.. and clearly they did.

One theme that is repeated throughout the movie, is the quote from Pierre de Coubertin (father of the modern Olympics), “The important thing in the Olympic Games is not to win, but to take part; the important thing in Life is not triumph, but the struggle; the essential thing is not to have conquered but to have fought well.” It’s just a little something we all could use as a reminder at times and maybe apply to our own everyday lives.
Cheers..

Review Screening: Thursday, January 28, 2016 ~ Courtesy of 20th Century Fox                                       Nationwide release: Friday, February 26, 2016                 

REVIEW: “DEADPOOL” (2016) 20th Century Fox

For those of you who, like me, who might not be so familiar with the “DEADPOOL” series of Marvel, just going to give you a heads up ~ this movie is extremely over the top graphic in terms of sex, violence and humor, and that’s exactly what I loved about it! What a breath of fresh Marvel air this movie is. By far the one of the funniest ones from the Marvel Universe I’ve seen since…well Guardians of the Galaxy, and I simply loved that one. But it is also the bloodiest, and well deserving of it’s R rating – take note – this one is not for the kids.

But alas, there are many things I’m not going to tell you in this review because as any true Marvel fan should know.. spoilers are not cool. I will however tell you from moment one of the opening ‘introductions’ of the cast (which you MUST take note of) you will be rolling with laughter in your seats.
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Speaking of that cast of characters, Wade Wilson (Ryan Reynolds) is a skilled special forces operative turned mercenary. And he talks a lot, a whole lot, doesn’t really ever stop! To some this be annoying, while to the rest, myself included, it’s like music to our ears, mainly because of the hilarity of everything he says. But you have to really pay attention to keep up with every innuendo that’s flying at you. And trust me, he breaks all the boundries – meaning he’ll talk to you the audience as if you’re there. But what’s even more epic than that is the fact that he is AWARE of the universe that he’s in and the universe that you’re in, and those two collide in the most epic way possible. And while Reynolds body really is sheer perfection, the fact that yes Ryan Reynolds’ character, Wade Wilson, makes fun of Ryan Reynolds the actor and also mocks Ryan Reynolds’ previous poor decisions like Green Lantern and People Magazine’s Sexiest Man Alive cover, is just sheer amusement.
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Morena Baccarin is Vanessa, a prostitute who shares his fondness for dark humor steps up to the plate well here as the girl Wade/Deadpool falls in love with. T.J. Miller as Wade’s sometimes side-kick appropriately named Weasel, adds in some good back and forth banter. But once Colossus (v/o Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand) show up and the battle between them and Angel Dust (Gina Carano) and Ajax aka Francis (Ed Skrein) is truly the only time the film turns a teensy bit cliché. And by now you know my ‘villain motto’ because yes, “you’re only as good as your villain” ~ well Skrein, who let’s face it, wasn’t so good in the Transporter film, really brings his A-game here as a truly good love-to-hate character showing us that action films really do seem to be his forte.
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I think everyone is going to have blast with this one as it’s smart, brash, fast and a whole lot of fun!  And of course it goes without saying – STAY FOR THE END CREDITS – you won’t regret it as after all, its a Marvel film riiight??!! 😀

Grade: B+
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Review Screening: Thursday, February 4th, 2016 ~ Courtesy of 20th Century Fox
Nationwide release: Friday, February 12, 2016

REVIEW: “PRIDE AND PREJUDICE AND ZOMBIES” (2016) Lionsgate

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Featuring a talented, mostly younger British cast of actors that I truly like and admire, I must admit I have been looking forward to this take on Jane Austen/Seth Grahame-Smith’s mash-up of “Pride and Predjudice and Zombies” for some time now. And yes, it delivers – if of course what you are looking for is a sure-fun little take on an iconic story. Here the zombie apocalypse has landed in the middle of Austen’s prim and proper story, including the now-famous attraction between Elizabeth Bennett (Lily James) and Mr. Darcy (Sam Riley).

Anyone expecting the seriousness of Ms. Austen’s 1813 novel will be disappointed ~ hence the title should have provided a pretty solid hint of that to most. While her characters and general story line act as a structure here, I expect most critics to destroy this one because it’s made simply for fun, not for art.
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Of course, any Pride and Prejudice spin-off ~ even one with zombies ~ must pay meticulous homage to Elizabeth Bennett and Mr. Darcy. In this versions, it turns out that Elizabeth and her four sisters are highly trained warriors raised to survive and fight against the undead. Mr. Darcy is billed as a zombie hunter and protector of Mr. Bingley, the rich bachelor hooked on Jane Bennett. We follow suit on the original story as things are still made topsy-turvy by the devious Mr. Wickham, Lady Catherine de Bourgh, and especially the flamboyant Parson Collins. The interactions between the characters juggle between loyalty, romantic attraction, emotional chaos and hand-to-hand combat – with just enough comedic elements that most viewers will find plenty of opportunities to get some good laughs in. Make no mistake though, this is no ‘Walking Dead’ rip-off and it’s nowhere near as gory with it’s details.

Lily James and Bella Heathcote in Screen Gems' PRIDE AND PREJUDICE AND ZOMBIES.
Lily James and Bella Heathcote in Screen Gems’ PRIDE AND PREJUDICE AND ZOMBIES.

And yes, this talented cast is all in. They play it mostly straight to achieve the balance between somber and silly. Lily James and Sam Riley again, are both fun to watch as Elizabeth and Darcy. They are the film’s best fighters with both swords and words. Jane (Bella Heathcoate) is “the pretty one”, who is wooed by the simply stunning Douglas Booth as Mr. Bingley.
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Lena Headey makes an impression in her limited screen time as an eye-patched Lady Catherine de Bourgh, and Jack Huston is well cast as the devious Mr. Wickham. Screen veterans Charles Dance and Sally Phillips take on the role of parents to the five Bennett daughters, but it’s Matt Smith, who turns the film fun with his comedic timing and his unconventional twist on the oddball Parson Collins, who pretty much steals each of his scenes.
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Even though this entertaining film offers plenty of fun with laughs, action and romance, I am hoping it doesn’t kick off a new zombie-adaptation trend as that would truly get annoying and mundane. Personally, I just like to be entertained, even sometimes in the silliest ways like this film did for me.

Grade: C+
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Nationwide release on Friday, February 5, 2016

REVIEW: “HAIL, CAESAR!” (2016) – Universal Pictures

Hail-Caesar
All Hail Caesar!!!
This Coen Brothers satire of old school Hollywood is a perfectly done mix of what our imagination might conjure up of what the Aqua-musicals or dance sequence films from the ‘Golden Age of Hollywood’ could be if they were done today.
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The film centers around physical production/studio head Eddie Mannix, played by Josh Brolin. Mannix is a fixer at the fictitious Capital Pictures in the 1950’s. This involves him dealing with numerous egos, including their box-office superstar Baird Whitlock (George Clooney) and Aqua~movie starlet, DeeAnna Moran (Scarlett Johannson). Not long after the film begins, Whitlock is kidnapped and Mannix begins his quest to get him back with some surprising help along the way from young western actor, Hobie Doyle (Alden Ehrenreich).  
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With a top notch billed cast, you do tend to notice that some of the names receiving top billing, are only in it for short pieces of time or literally there for only a ‘blink-and you missed it’ moment – as such is the case with Jonah Hill’s character Joseph Silverman. Besides that odd glitching, all the supporting cast as a whole are just plain good and you don’t get a bad performance from anyone as even the normally so wooden Scarlett Johannson plays her small part well and unannoying.   Aside from the names mentioned, you’ll also see Ralph Fiennes being spot on as director Laurence Laurentz, Tilda Swinton doing hysterical double time as bickering twin gossip columnist sisters, Thora & Thessaly Thacker. Channing Tatum for whom I must say,  I love where he is taking his career with roles like this, truly dazzles with his singing and dancing number that is so beautifully done it makes you not only yearn for those times of past, but want them back if he keeps doing this.
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Brolin is fantastic in the lead role and turns what could be a very unlikable character into a very endearing and sympathetic one. The real find among the cast is Ehrenreich. The character of Hobie Doyle is simple enough but Ehrenreich manages to turn him into one of the more amusing and interesting characters you’ll find in this film.
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All in all I truly enjoyed the film as a whole and I’m guessing all Coen Bros. fans will thoroughly enjoy it.  However as a second note, my guest didn’t like it as much and he made a good point.  That he didn’t ‘get’ all the innuendos of some of it and said the general public as a whole might not either as it might have that ‘going over their heads’ problem.
For me, I highly recommend this Golden-Age romp through the glory days of Hollywood..
Grade: B-
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Review Screening: Tuesday, February 2, 2016 ~ Courtesy of Universal Pictures 
Nationwide release: Friday, February 5, 2016

REVIEW: “JOY” (2015) 20th Century Fox

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With narration told by her grandmother Mimi (Diane Ladd), the only person who believes in and encourages young Joy’s as her story begins at Rudy’s Bus and Truck metal shop, where being an imaginative creative girl, she entertains herself through paper models of forests and castles.

Based on a true story, the film depicts the rise of female inventor and entrepreneur Joy (Jennifer Lawrence), who rises to fame by hawking her Miracle Mop on QVC. The story is much more than about business success, for Joy is a 1970’s housewife who supports four generations in her house, including her ex-husband, Tony (Edgar Ramirez) and father Rudy (Robert De Niro).
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Director David O. Russell struggles here, a bit unsuccessfully I might add, to portray a harrowing the path to the mop. Joy deals with a houseful of kids, only a few of them children by actual age. The motley crew she calls family all crammed in her small house are not on Joy’s side. She is the breadwinner, the adult, the rock whose imagination is a liability to those overly dependent on her. Her mother Terry (Virginia Madsen) a soap-opera viewing addict, who watches made-for-this-film, unfunny soap opera segments that seem unmotivated with there being no implication as to why we are pointing to the off-TV characters. It’s goes on to become a paint-by-numbers affair from there – familial jealousy from sister Peggy (Elisabeth Rohm), dirty financial dealings, the nightmare of the age-old saying, “Do not do business with your family.”
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After all, Joy manages to build a mop prototype. She brings it to QVC where the initial sale segment bombs. With Neil Walker (Bradley Cooper), the slick head honcho of newly formed shopping network QVC behind her, he takes a chance and allows Joy to showcase the mop herself. Bingo! The mop sells out. Success? Nope. The parts supplier is screwing Joy, every sale of the mop loses money, and the family wants their money back. Financial ruin follows. Then Grandma passes. But Joy decides she’s been walked all over enough and ‘womans up’ to settle all scores financial and emotional. You would think Hooray! right? If only the story wasn’t so average and been done so many times before would it be all that and more.

The acting is nothing notable as De Niro is no stranger to playing a conflicted father with a big heart, though there is something a bit off-kilter here even for him on this. We all know Lawrence & Cooper play well off each other and they do that again here. It’s Edgar Ramirez, who after falling so flat in Point Break, really stands up and dazzles amongst this all-star cast.
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So let me just do a quick sum up for you in one sentence. ‘Down and out mother thinks up an invention, brings it to market, and becomes rich after some pitfalls that, in reality, is all fought and done with lawyers in the end’. In lieu of dramatizing a woman overcoming, Russell instead created a often unfunny comedy.

While the real life, inventive Joy deserves kudos, the bottom line is this is a feature film about the creator of a better mop and offers little on the path to an unsatisfying end where Joy makes it big and helps others succeed.
With all the heavy-hitters in film coming out these last 2 weeks of the year, it’s doubtful JOY will stand out amongst them.

Grade: C
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Review Screening: Monday, December 21, 2015 ~ Courtesy of 20th Century Fox Studios
Nationwide release: Friday, December 25, 2015

REVIEW: “DADDY’S HOME” (2015) Paramount Pictures

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In this the second collaboration between Wahlberg and Ferrell, “Daddy’s Home” gives us Brad Whitaker (Will Ferrell), a mild-mannered radio executive who is trying his damndest to become the best stepdad to his new wife Sara’s (Linda Cardenelli) two children. But some big complications are coming his way when their fun, free-wheeling, free-loading real father Dusty Mayron (Mark Wahlberg) arrives, forcing Brad to compete for the affection of the kids.
At this point is of course where the fun starts as father and step-father challenge and begin competing with one another for the love of their children for the position of being called “Dad”.
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The film spends its first ten minutes working to establish Brad as a character, as the over-eager, almost irritatingly, sincere step-father who found himself left impotent after a dental mishap. In contrast, we have Dusty Mayron. Dusty is Sara’s ex-husband and the biological father to Brad’s two step-children. Dusty is an eccentric larger-than-life type of guy, basically the walking and talking embodiment of all of Brad’s insecurities he seems to swagger around with his own soundtrack of AC/DC’s Thunderstruck playing in the background.
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Sara is the mother who watches as both these men in her life engage in a rapidly escalating game of one-upmanship to win the love of her children and while she is completely wise to what is going on and doesn’t try to stop it, she plays against neither character.

The supporting cast – The wonderfully accented fertility specialist Dr. Francisco (Bobby Canavale); Thomas Haden Church as Leo Holt, Brad’s boss, is as always sheer comedy gold. Taking me back to his WINGS days here with his delivery of stories and one-liners. And the man who seriously MUST re-consider his lively-hood in the pro-wrestling arena and become the hysterical supporting actor in every comedy film made.. John Cena. Hannibal Buress as Griff, the handyman extraordinaire, all do well, but director Sean Anders does struggle somewhat to keep the laughs coming.
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While I had a few really good belly laughs at this one – take note- it’s not a kids movie as even the littliest of kids swears some, it’s PG-13 rating is true to form here. All in all, Daddy’s Home has a solid premise and a talented cast. It just doesn’t manage to do much with either.

Grade: C-
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Review Screening: Saturday, December 19, 2015 ~ Courtesy of Paramount Pictures
Nationwide release: Friday, December 25, 2015

REVIEW: “SISTERS” (2015) Universal Pictures

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We’ve all heard the saying “Sisters from another mother”. Well that’s pretty much how Kate Ellis (Tina Fey) & Maura Ellis (Amy Poehler) are here as they look nothing alike and yes, they play/are sisters in this funny at times, throwback to our party days, comedy. Here the parents are Deanna, the fantastic Dianne Wiest and the truly who-knew-he-could-be-funny James Brolin is dad Bucky.

In case I didn’t mention it .. the sister’s are polar opposites. Since her divorce two years ago the responsible straight arrow, Maura, who is beyond do-gooder even in her job as a nurse. On the other hand we have the irresponsible, unable to hold a job or keep a place to live, mess up Kate. She is game for anything yet so childish that her daughter Haley (Madison Davenport), although still a teenager herself, seems to act much more mature than her own mother. But what the two sisters share in is going into complete and utter shock, to put it lightly, when going to visit their parents home they see a “SOLD” sign at the family house in Orlando. Seemingly by not informing or hinting at the fact they have sold it, their parents ask them now to clean out their former childhood rooms before the new owners come in.
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Reluctantly the sister dig through all their old stuff and while the two reminisce over their youth, Kate gets the idea to throw an for old times sake – “Ellis Island” –  one last party as they once were called and with that, one last party IS going down at the parent’s house.

The film definitely hits it’s high notes here as the invitations go out to all their former classmates – including as the scene stealer once again here as in Trainwreck, the how shall we say – robust – drug dealer Pazuzu (John Cena), to whom Kate has got her eye set on in some truly hilarious moments. As for Maura, well she’s got the charming nice guy love interest James (Ike Barinholtz), and they get themselves in the big ‘this-is-so-wrong moment’ of the film. Even high school mean-girl Brinda (Maya Rudolph) appears, although she is most definitely not on the guest list.
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As predicted, the party is soon out-of-control, so much so that the future homeowners might only be left with an entirely demolished home, sinkhole and all. There is mass destruction and a plowed-through dry wall. There’s also more token sad comedy bits than probably needed ending this.

A pre-party moment that stands out for me is a flat out hysterical nail salon visit with Hae-Won (Greta Lee), that had me rolling in my seat. Along with John Leguizamo’s character Dave, who’s never quite let go of his high-school party ways, the notable SNL cast members who do their bits are fun. There’s Bobby Moynihan playing an always “on” never-funny aspiring comedian Alex, who accidentally hoovers up some futuristic combo of blow and heroin and literally goes bananas.
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“Sisters” has a hard time stopping once the party has ended, but when it’s moving as an out-of-control party stacked with people worrying about getting old, it knows how to move. When it’s not, the story becomes a bit lackluster.

Grade: C+
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Review Screening: Tuesday, December 15, 2015 ~ Courtesy of Universal Pictures
Nationwide release: Friday, December 18, 2015

REVIEW: “PEANUTS” (2015) 20th Century Fox

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I couldn’t be happier to be with the old Peanuts gang that I have loved my entire life and with a fantastic little opening of Schroeder on the piano, thankfully, it appears that the people behind The Peanuts Movie” take the legacy of these characters very seriously. The result is a gentle, charming movie that seems far less frantic than much of what is created for young audiences these days.
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Director Steve Martino, working from a script by Bryan Schulz, Craig Schulz, and Cornelius Uliano, the film hits the mark on many of the familiar jokes and scenes and set-ups we remember so well from the nasally ‘wrrahh wrrahh wrraahh of the teachers voices to a long list of references to the equally as long history of the characters.
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Snoopy spends most of the movie working on a book on his newly-discovered typewriter, the story of a flying ace and his battle against the infamous Red Baron. Sally’s got her crush on her sweet baboo, Linus, who nurses his faith in the The Great Pumpkin. Lucy is still dishing out 5 cent advice at her sidewalk psychiatric stand while making passes as Schroeder every chance she gets. Peppermint Patty and her assistant Marcie both play their familiar roles as well, with Charlie Brown at the center of everything, constantly put upon, constantly taking one on the chin and yes, in love with the Little Red-Haired Girl/Freida who happens to move in across the street here. I mean if this is going to be true to the original strip that Schulz created, then Charlie Brown has got to be suffering, a kid who can’t catch a break with any numerous of things from not being able to pitch a baseball, to the Kite Eating Tree that swallows up any number of his kites he tries to fly.
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As always with Peanuts, there is a message behind it all..for this movie it’s how Frieda/The Little Red-Haired Girl shares to everyone when Charlie Brown asks why she picked him, that it wasn’t his failures that got her attention, it was that he was Kind, Compassionate, Honest & Brave and never gave up. And while there is this message, it didn’t come in a forced – shove it down your throat manner, and it has a purpose in the story. There is also a sweet little side story where Snoopy embarks on his own adventure in a fantasy world. As a World War I flying ace, the lovable beagle pursues his nemesis, the Red Baron, while also trying to win the heart of a beautiful pilot named Fifi.
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This film just made me smile and I’m guessing it will do so for most adults who relived their childhood somewhat like I did while watching. The humour and jokes were really sweet, funny and cute. They too, don’t come at a forced pace but if you are a fan or know anything about Peanuts you will love them and laugh with them as I did. Make no mistake about it, this is just plain fun for adults & kids alike.

Grade: B
@pegsatthemovies

Screening: Tuesday, November 3, 2015 ~ Courtesy of 20th Century Fox
Nationwide release: Friday, November 6, 2015

My own little personal collection of childhood Peanuts books that I found just recently.
My own little personal collection of childhood Peanuts books that I found just recently.